Part wuxia epic and part pulp mystery novel, The Acolyte demonstrates what's possible when Star Wars embraces new characters and genres while abandoning the Dark Side of nostalgia. There isn't a Skywalker to be seen (at least in the four episodes I've watched), or any characters you've met before. It's not trying to fill gaps in pre-existing lore. It's simply a kickass Star Wars story, with perfectly executed action choreography, a bevy of talented actors and a story that feels genuinely fresh. And, best of all, you don't have to be caught up on The Book of Boba Fett or 208 episodes of animated shows to enjoy it.

A major reason why The Acolyte feels so unique is that it comes from Leslye Headland, a writer and director with no prior association to Star Wars. As the co-creator of Russian Doll, she proved that she could juggle a fantastical premise with rich, multi-layered characters. Her outsider perspective is exactly what Star Wars needs to avoid feeling stale. It's the counterpoint to the obsessive world-building from Dave Filoni, the George Lucas disciple behind The Clone Wars and many of the franchise's TV shows.

Lucasfilm Ltd.

The Acolyte begins with a scene right out of Crouching Tiger, Hidden Dragon: A lone warrior enters a bar, presents themself to the most powerful person there, and demands a fight. What follows is an expertly choreographed array of kicks, flips and Force-thrown knives, as the Jedi Master Indara (Carrie-Anne Moss), deflects her young attacker with effortless grace. "Who trained you?" She asks, echoing Michelle Yeoh's first confrontation with Zhang Ziyi in Ang Lee's film. (Yes, I got chills upon hearing that.)

I won't say too much about the plot of The Acolyte, but briefly it involves a former Jedi trainee, Mae (Amandla Stenberg), who is suspected of committing a series of crimes. Her former Jedi Master, Sol (played by Squid Game star Lee Jung-jae), is tasked with tracking her down and figuring out what's really going on. They're also joined by his new padwan trainee, played by Dafne Keen (Logan), and the over-eager, by-the-book Jedi Master Yord (Charlie Barnett).

Lucasfilm Ltd.

What makes The Acolyte truly intriguing is the way it explores the role of the Jedi and their chokehold (heh) on Force powers in the Star Wars universe. Are they actually the keepers of the peace, or a group of fanatical monks aligned with whoever happens to be in power? Is there a legitimate path beyond the Jedi for someone Force-capable like Mae, without turning to the Dark Side? I don't know how the series will answer these questions, but their existence alone is fascinating, as the broader franchise has seemed incapable of interrogating itself in recent years.

After The Rise of Skywalker brought the sequel trilogy to a disappointing close, Star Wars has mostly been mining nostalgia on Disney+ with varying levels of success. The Mandalorian started strong, but became bogged down with repetitive storytelling. The Book of Boba Fett was mostly forgettable, except for when it served as a bridge between season's two and three of The Mandalorian. Nobody needed the Obi-Wan series, but it was nice to see Ewan McGregor and Hayden Christensen back in action.

Lucasfilm Ltd.

Ahsoka and Andor were the most uniformly successful of the Star Wars TV projects, but they both also had to wrestle with pre-existing storylines. To truly understand Ahsoka, you needed to have watched over 200 episodes of The Clone Wars and Rebels, as well as several shorts and episodes from other Star Wars shows. Andor was the most mature vision of the franchise we've ever seen, thanks to creator Tony Gilroy (Michael Clayton, The Bourne Identity), but it was also a slow burn narratively. (And it was still about a character we briefly met in Rogue One, itself a prequel story about finding the Death Star's blueprints.)

The only baggage The Acolyte has to deal with is the trail of middling Star Wars shows behind it. That alone may turn off some audiences. But I'm hoping people recognize it as a fresh start, a world beyond Skywalkers and nostalgia bait. The Acolyte is a reminder of what makes Star Wars great: exciting and pulpy storytelling on a cosmic scale. 

If you're anything like me, you're reading this a bit hunched over and with sore neck and shoulder muscles. While weekly massages would be a great way to treat it, that's a big time and money commitment. Another option is the TheraGun Mini 2.0, our choice as an amazing gift for runners and fitness-minded college students. It's still an investment, but right now, it's on sale for $165, down from $199 — a 17 percent discount. 

The one-pound TheraGun Mini 2.0 is an amazing tool to use on the go, whether at the gym, when traveling or after a sports match. It has three speed settings and attachments with an ergonomic design that makes it easy to hold on to during use. You can get a "moderate 12mm" intensity and see visual routines. 

If you're looking for something cheaper, check out the TheraGun Relief, the company's newest massager. A 13 percent discount has cut its price to a record-low $129 from $149 in both Sand and Navy. The Relief is a good option if you want to keep your device in one place, as it has a larger frame and an extra third of a pound in weight. The massager is good if you don't want anything super firm, with an intensity labeled "comfortable 10mm." Plus, it offers TheraGun's patented triangle grip, three speed settings and three attachments. 

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Meta Connect 2024 will take place on September 25 and 26 and "explore the future of AI and mixed reality," the company announced on X. Last year, Meta used the event to launch its latest Quest 3 headset, Ray-Ban Meta smart glasses and more. 

This year may be even busier. In April, Meta teased a limited-edition Xbox-inspired Quest headset and announced that it was rebranding Quest OS to Meta Horizon OS. It also opened up the OS to third parties and said that both Lenovo and ASUS were working on AR devices. Meta could also reveal a more affordable "Quest 3S" headset, according to a recent store listing leak. 

On a dedicated page, Meta offered a signup portal "for a sneak peak at this year's speakers, sessions and featured technology." As before, the keynote is likely to feature Mark Zuckerberg outlining his vision for Meta over the next year. This could be telling as the company appears to be shifting its focus from mixed reality to AI, despite having "metaverse" right there in the name.

Amazon has announced its latest series coming to Prime Video, and gamers might recognize it. The streamer is releasing Like A Dragon: Yakuza, a live-action adaptation of the Yakuza SEGA game series. The Japanese Original show will premiere worldwide in two batches of three episodes on October 25 and November 1, 2024.

SEGA launched Yakuza in 2005, with over 20 other titles and spinoffs joining it in the years since. Amazon bills Like A Dragon: Yakuza as a "crime-suspense-action series, follows the life, childhood friends, and repercussions of the decisions of Kazuma Kiryu, a fearsome and peerless Yakuza warrior with a strong sense of justice, duty, and humanity." The show takes place during 1995 and 2005 in Kamurochō, a fictional entertainment district modeled off Kabukichō, the game's setting.

There will be similar themes between the show and the game, of course, but it seems creators are attempting to give it a unique identity. "While the games let you experience their world through the subjective lens, this adaptation will be the ultimately objective way to enjoy the show," Yokoyama Masayoshi, Yakuza writer, head of Ryugagotoku Studio and executive producer. "I have no doubt that fans of the series will be drawn to how it brings the games to life and adds new surprises. Newcomers, I'm sure will find themselves invested simply in the gritty realism of the show."

Another Ubisoft studio is pitching in to help develop Prince of Persia: The Sands of Time Remake. Ubisoft Toronto has announced on X/Twitter that it's joining the company's Montreal division to work on the game. In 2022, Ubisoft Montreal took over the project from Ubisoft Pune and Mumbai after several days from its target release date of as far back as January 2021. The company said back then that Montreal was "building upon the work achieved" by its studios in India. In an interview last year, though, producer Jean-Francois Naud revealed that the project was still "in conception" and that it's "looking at feedback from the community and finding [its] own way of delivering the game."

Ubisoft Montreal was "the very birthplace of the epic Sands of Time trilogy," the company wrote in its message when the studio took the reins. The original Sands of Times was itself a reboot of the original Prince of Persia series of PC games by Jordan Mechner. Montreal was also the studio behind a number of Splinter Cell series and Rainbow Six series titles, as well as most Assassin's Creed games. Meanwhile, Toronto developed Far Cry 5 and 6 and Watch Dogs: Legion. It's also currently working on the Splinter Cell remake that's being rebuilt from the ground up using the company's own Snowdrop engine.

The Sands of Time Remake has no new release date yet. 

New York is poised to pass a law that will bar social media platforms from showing algorithmic feeds to teens without parental consent. The Wall Street Journal reports that lawmakers in the state have reached a “tentative agreement” on a bill that will be voted on later this week.

State officials, including Governor Kathy Hochul, introduced a bill requiring parental consent for algorithmic feeds last year. The Stop Addictive Feeds Exploitation (SAFE) for Kids Act doesn’t restrict the type of content teens can view on social media apps, but they wouldn’t be able to view algorithmic feeds without permission from their parents or guardians. The latest version of the bill will also block teens from seeing in-app notifications overnight without parental consent, according to The Wall Street Journal.

If passed into law, New York would become the latest state to attempt to rein in social media platforms’ access to teens with age verification requirements. Utah passed a law last year requiring social media apps to get parental consent, though the measure was later scaled back. Lawmakers in California have also proposed limiting teens’ access to algorithmic feeds.

Sometimes it’s the simplest games that end up leaving you all teary-eyed and emotional.

When I first downloaded Cool Lemon Club’s The Keyper for Playdate, I didn’t have much in the way of expectations beyond a general sense that it should be pretty good, since lots of people online seemed to be recommending it. The adventure game, which is available on itch.io and the official Playdate Catalog, sees the player searching for the many different keys needed to unlock areas of the mysterious Winchester 21 building after taking over the role of caretaker. The person who formerly held the job is gone, leaving only some cryptic notes behind, and the residents are varying degrees of weird.

On its face, it seems like a pretty standard game of puzzle solving and exploration. It’s effectively frustrating throughout, as you repeatedly retrace your steps trying to navigate the Winchester 21’s several floors and labyrinthine tunnel system to find the keys and the doors they unlock. But as the plot unfolds and you uncover more of the building’s secrets, The Keyper reveals itself to be a game with a lot of heart.

Its charm lies in the strange interactions between you and the people who live in the apartments (and tunnels… and walls) of the Winchester 21. They each have their own little storylines, some of which present new mysteries and side-quests for you to take on. One of these in particular really tugged at my heartstrings, but I wouldn’t dare spoil it for you here.

The Keyper is a little dark, a little funny and just the right amount of challenging. While it does offer the option to save your progress so you can walk away from it and come back later, I’d recommend setting aside a few hours and just playing this through in one shot for the most impact. By the time you reach the end and finally figure out what’s been going on all along, the entire tone of the game has shifted into something a lot more heartwarming than it all first appears. I may even have cried a little during the final scene. 

Godzilla Minus One is now available to stream on Netflix, and the black-and-white version will soon follow. The streaming giant announced the surprise release today, coinciding with the film’s arrival for digital purchase and rental on VOD platforms including Prime Video and Apple TV, where both the color and “Minus Color” versions are available. On Netflix, Godzilla Minus One can be watched with subtitles or dubbed.

For anyone who didn’t get a chance to catch the black-and-white Godzilla Minus One/Minus Color when it briefly ran in theaters earlier this year, distributor Toho International said it’s coming to Netflix later this summer. Anyone else’s plans for a summer Godzilla marathon just get even better?

Godzilla Minus One, which is set in post-World War II Japan, quickly gained a lot of passionate fans when it was released in December 2023, becoming one of those movies that had people running back to theaters to see it again — and again, once the Minus Color version dropped. It received critical acclaim, and went on to win the Academy Award for Best Visual Effects at the 2024 Oscars. 

When you think of the 20-year-old social network that is Facebook, its popularity among “young adults” is probably not what comes to mind. Naturally, Meta wants to change that and the company is once again telling the world it intends to reorient its platform in order to appeal to that demographic.

In an update from Tom Alison, who heads up the Facebook app for Meta, he says that the service is shifting to reflect an “increased focus on young adults” compared with other users. “Facebook is still for everyone, but in order to build for the next generation of social media consumers, we’ve made significant changes with young adults in mind,” he wrote.

If any of this sounds familiar, it’s because Meta executives have been trying to win over “young adults” for years in an effort to better compete with TikTok. Mark Zuckerberg said almost three years ago that he wanted to make young adults the company’s “North Star.” And Alison and Zuckerberg have both been talking about the Facebook app’s pivot to a discovery-focused feed rather than one based on users’ connections.

That shift is now well underway. Alison said that the company’s AI advancements have already improved recommendations for Reels and feed, and that “advanced recommendations technology will power more products” over the next year. He added that private sharing among users is also on the rise, with more users sharing video (though no word on the once-rumored plan to bring messaging back into the main app).

Notably, Alison’s note makes no mention of the “metaverse,” which Zuckerberg also once saw as a central part of the company’s future. Instead, he says that “leaning into new product capabilities enabled by AI” is a significant goal, along with luring younger users. That’s also not surprising, given that Meta and Zuckerberg have recently tried to rebrand some of the company’s metaverse ambitions as AI advancements.

But it’s also not clear how successful Meta will be in its efforts to win over young adults. Though Alison says Facebook has seen “five quarters of healthy growth in young adult app usage in the US and Canada,” with 40 million young adult daily active users, that’s still a relatively small percentage of the 205 million daily US Facebook users the company reported in February, the last time it would break out user numbers for the app.

The Tribeca Film Festival will debut five short films made by AI, as detailed by The Hollywood Reporter. The shorts will use OpenAI’s Sora model, which transforms text inputs into create video clips. This is the first time this type of technology will take center stage at the long-running film festival.

“Tribeca is rooted in the foundational belief that storytelling inspires change. Humans need stories to thrive and make sense of our wonderful and broken world,” said co-founder and CEO of Tribeca Enterprises Jane Rosenthal. Who better to chronicle our wonderful and broken world than some lines of code owned by a company that just dissolved its dedicated safety team to let CEO Sam Altman and other board members self-police everything?

The unnamed filmmakers were all given access to the Sora model, which isn’t yet available to the public, though they have to follow the terms of the agreements negotiated during the recent strikes as they pertain to AI. OpenAI’s COO, Brad Lightcap, says the feedback provided by these filmmakers will be used to “make Sora a better tool for all creatives.”

When we last covered Sora, it could only handle 60 seconds of video from a single prompt. If that’s still the case, these short films will make Quibi shows look like a Ken Burns documentary. The software also struggles with cause and effect and, well, that’s basically what a story is. However, all of these limitations come from the ancient days of February, and this tech tends to move quickly. Also, I assume there’s no rule against using prompts to create single scenes, which the filmmaker can string together to make a story.

We don’t have that long to find out if cold technology can accurately peer into our warm human hearts. The shorts will screen on June 15 and there’s a conversation with the various filmmakers immediately following the debut.

This follows a spate of agreements between OpenAI and various media companies. Vox Media, The Atlantic, News Corp, Dotdash Meredith and even Reddit have all struck deals with OpenAI to let the company train its models on their content. Meanwhile, Meta and Google are looking for similar partnerships with Hollywood film studios to train its models. It looks like we are going to get this “AI creates everything” future, whether we want it or not.