Call of Duty: Warzone, the free-to-play battle royale game, will soon have a mobile version. In a tweet, the game’s publisher Activision announced it was hiring for a slate of new mobile roles. The upcoming Warzone will be the second CoD title adapted for mobile, following the release of Call of Duty: Mobile in 2019. Warzone fans are likely still enjoying Season 2, which was released last month. The release date of the new mobile game hasn’t been announced yet, though games journalist Tom Henderson did note the title has already been added to Playtest Cloud, a testing platform for mobile games.

Fans of mobile games should expect to see more from the Activision universe. A mobile version of Diablo Immortal is in the testing stages and is expected to be released later this year. Microsoft’s planned acquisition of Activision Blizzard—expected to finalize in fiscal year 2023—would give it control of Activision’s enormously successful mobile gaming business.

The Santa Monica-based publisher will be drawing new recruits for the Warzone mobile game during a turbulent time for the company. Activision is facing lawsuits over allegations of sexual harassment and has fired or discliplined dozens of employees it deemed to be guilty. Meanwhile, QA testers at Raven Software—the Wisconsin-based Activision studio behind the original Warzone—recently unionized. Notably, most of the new mobile roles that Activision is hiring for are based at either Activision Mobile, its in-house mobile game studio in Santa Monica or Digital Legends, an Activision studio in Barcelona, Spain.

Major social networks aren't done cracking down on Russian misinformation following that country's invasion of Ukraine. As CNN's Donie O'Sullivan and CNBC report, Facebook and Twitter have both removed posts from Russia's UK embassy over false claims surrounding the bombing of a maternity hospital in the Ukraine city of Mariupol. Russia claimed without evidence that a woman in a photo of the destroyed hospital was a "beauty blogger" and that the photo was staged.

Meta spokesperson Andy Stone told O'Sullivan a Facebook post violated rules about content that asserts a "violent tragedy did not occur." Twitter's representative, meanwhile, told CNBC multiple tweets broke rules surrounding the "denial of violent events."

Russia has routinely promoted demonstrably false narratives surrounding the invasion of Ukraine, prompting Meta, Twitter, Google and others to restrict state-backed Russian media outlets like RT and Sputnik. In turn, Russia recently made it illegal for the media to contradict President Putin's official line on the war and has blocked Facebook and Twitter.

The removals aren't surprising given the stances of Meta and Twitter against Russia-based misinformation. However, there may still be room for more action. The Russian embassy in Geneva, for instance, has routinely shared unsupported claims about Ukraine on Twitter, including allegations a Ukraine paramilitary group was using Mariupol hospital patients and staff as human shields. We've asked Twitter for comment, but this suggests the fight over misinformation is far from over.

The European Commission has sent Google a request to remove Russian state media results for searches performed in countries within the EU. As The Washington Post reports, Google has uploaded a letter from EU officials to a database of government requests. In it, the officials explain how the commission's official order to ban the broadcast of RT and Sputnik in the European Union also applies to search engines and internet companies in general.

If you'll recall, the commission issued a ban on the state media outlets a few days after Russia's invasion of Ukraine began. Ursula von der Leyen, President of the European Commission, said back then that by doing so, the outlets "will no longer be able to spread their lies to justify Putin's war." While it wasn't quite clear how the order applies to internet companies, Facebook, Twitter and TikTok promptly restricted access to RT and Sputnik across Europe. Google also announced its own restrictions, but only for the outlets' YouTube channels.

In the letter Google has uploaded, officials explained that search engines play a major role in disseminating content and that if the company doesn't delist the outlets, it would facilitate the public's access to them. Part of the letter reads:

"The activity of search engines plays a decisive role in the overall dissemination of content in that it renders the latter accessible to any internet user making a search on the basis of the content indication or related terms, including to internet users who otherwise would not have found the web page on which that content is published...Consequently, if search engines such as Google did not delist RT and Sputnik, they would facilitate the public's access to the content of RT and Sputnik, or contribute to such access. 

It follows from the foregoing that by virtue of the Regulation, providers of Internet search services must make sure that i) any link to the Internet sites of RT and Sputnik and ii) any content of RT and Sputnik, including short textual descriptions, visual elements and links to the corresponding websites do not appear in the search results delivered to users located in the EU."

Google didn't return The Post's request for comment, but the publication says a search conducted within the EU didn't bring up links for "Russia Today." RT links still showed up for us, however, when we conducted searches using Google Austria and France. 

The letter also said that the order applies to "posts made by individuals that reproduce the content of RT and Sputnik" — for example, screenshots of articles from those outlets — and that social networks must delete those posts if they get published. That could create a deluge of additional work for social media websites already struggling to moderate content posted by their users. According to The Post, though, the actual sanctions law doesn't define the order in the way that's written in the letter, so the officials' interpretation could be challenged in court. 

Square Enix is dipping into its back catalog with the launch of Valkyrie Elysium, a new instalment in the Valkyrie Profile series that first appeared on the original PlayStation in 1999. Announced during Sony's latest State of Play livestream yesterday, the action-RPG is set to arrive in 2022 on the PlayStation 4, PS5 and Windows PCs. 

"You play as a Valkyrie who is entrusted with the fate of this world by the All-Father — the highest among gods and the ruler of all creation," the description states. "Descending to the land below, you must battle powerful foes, and uncover the secrets behind the impending ruin."

The game will feature "fast-paced combat using a variety of weapons," along with magic abilities. It will use aspects from past Valkyrie games like finishing moves and combos, along with a "brand new real-time action combat system that rewards both fast reactions and strategic thinking," Square Enix said. 

The developer is Soleil Ltd (Samurai Jack), with music from composer Motoi Sakuraba (Dark Souls) and character design courtesy of Yuya Nagai from CyDesignation (NieR Re[in]carnation). The most recent game in the series is Valkyrie Anatomia: The Origin, a mobile title from 2016. Other sequels include Valkyrie Profile 2: Silmeria for PS2 and Valkyrie Profile: Covenant of the Plume on DS.

TikTok now has its own music distribution platform. The social network has launched SoundOn, which allows artists to upload their music directly to TikTok and to distribute it to various music streaming services. ByteDance, the app's parent company, won't be charging artists any distribution or transaction fees. Artists will get 100 percent of their royalties for an unlimited time when TikTok creators use their music for their videos, as well as for whatever they earn on ByteDance's music streaming service Resso.

For other streaming services that include Apple Music, Spotify and Pandora, artists will get 100 percent of their royalties in the first year and then 90 percent in the years after that. As TechCrunch reports, other similar music distribution platforms charge subscription fees or charge for distribution while paying out 100 percent in royalties to artists. 

SoundOn users will be able to choose which streaming services they want to upload their music to. They'll also get access to audience insights, advice from the SoundOn marketing team and promotional support from TikTok. They'll get verified on TikTok, as well, and other users will see their profile under the song page for their tracks. As noted on SoundOn's FAQ page, artists will get to keep all the rights to their music, and they're not expected to use the platform exclusively.

TikTok already has a massive effect on the music industry, thanks to viral videos on the app that tend to use the same catchy tunes. The SoundOn platform, which could potentially expand TikTok's influence even further on today's music landscape, is now live in the US, UK, Brazil and Indonesia, and musicians in those regions can visit its website to register.

Today is a good day for sci-fi and space fantasy lovers. Paramount+ has shared a teaser trailer for Star Trek: Strange New Worlds, its offshoot of Discovery. The video provides a brief but telling glimpse of Captain Christopher Pike's tenure aboard the USS Enterprise, including his return to service and (what else?) the worlds his crew will see. There's a clear attempt to recreate the wonder you might have felt watching early Star Trek as you encountered new aliens and planets for the first time.

There isn't much to see of the cast beyond Pike (Anson Mount), but you'll see Ethan Peck return as Spock while Rebecca Romijn once again serves as Number One. Celia Rose Gooding plays Uhura, Jess Bush will assume the role of Nurse Chapel and Babs Olusanmokun is Doctor M'Benga.

Strange New Worlds premieres in May. As indicated, the show's appeal may come as much from its format as its focus on the Enterprise. Unlike Discovery and Picard, SNW is expected to rely more on the single-episode storylines that defined the original series and much of the pre-streaming Star Trek franchise. Whether or not it reproduces those glory days is another matter, but Paramount+ at least appears to know its target audience.

Twitter has begun testing two new features the company promises will improve the alt text experience on its platform. The company said it would spend about a month trialing the features, which add easy-to-access descriptions to images, before rolling them out globally at the start of April. As Twitter notes, adding a description or “alt text” to an image allows people with low vision or a cognitive disability to “fully contribute” to the platform. They’re also useful if you don’t have the fastest internet connection.

If you have access to the test, you can add alt text to an image by tapping the “Add description” button that appears after you upload a picture. As a rule of thumb, you want to be concise but descriptive when writing alt tags. You’ll then see an “alt” badge appear at the bottom left corner of the image you can tap to read the description. Twitted noted it's also working on a feature that will remind people to add descriptions to images, and said it would have more to share about that functionality "soon."

Comprehensive support for alt tags shows just how much Twitter has come along on the accessibility front. In 2020, the company famously introduced a voice note feature that didn’t come with accessibility tools like closed captioning. The company eventually apologized for its actions and went on to establish two dedicated accessibility teams. “We know these features have been a long time coming,” the company said Wednesday, alluding to that history. “We’re grateful for your patience.”

Disney+ has finally offered a good peek at its Obi-Wan Kenobi series. The streaming service has released a teaser trailer for Obi-Wan Kenobi that documents the Jedi's life on Tatooine as he avoids the Empire and protects a young Luke Skywalker. As the clip makes clear, it won't be easy — Imperial forces are turning to Sith who'll look for "weaknesses" like compassion to track down the remnants of the Jedi order.

The limited-run series debuts May 25th, or 45 years to the day after the premiere of the original Star Wars movie. Ewan McGregor reprises his role as the titular Obi-Wan Kenobi, while Hayden Christensen returns as a younger Darth Vader. The Mandalorian alumnus Deborah Chow is directing the show.

Obi-Wan will arrive several months after The Book of Boba Fett, and represents a growing wave of Star Wars originals for Disney+ that will include Ahsoka, Andor and The Acolyte. Shows like this aren't rare, one-off projects — they represent a cornerstone of the Disney+ strategy.

Facebook is once again trying to stem the flow of misinformation within Groups. The social network is giving group admins new tools to help prevent misleading information from spreading.

With the update, group admins will be able to “automatically decline” posts that have been determined to be false or misleading by Facebook’s third-party fact checkers. Admins who want to take an even tougher stance can use the feature to decline the post and block or suspend the user from future posts in the group.

Facebook has struggled to control misinformation and other problematic content in Groups for years. Though the company has imposed stricter penalties for Groups that repeatedly break its rules, Groups have been breeding grounds for election and COVID-19 misinformation.

Facebook

Still, the feature could considerably reduce the number of false claims being passed around in Groups, though it’s up to admins to enable it. It’s also not retroactive, so posts that are shared and then later debunked by fact-checkers will still be visible unless an admin or moderator opts to remove the post.

Facebook is also automating other aspects of managing Groups, including how requests by prospective members are handled. Admins will have the option to automatically decline or approve new members based on criteria like the age of their Facebook account and if they have friends already in the group.

HBO is facing a class action lawsuit over allegations that it gave subscribers' viewing history to Facebook without proper permission, Variety has reported. The suit accuses HBO of providing Facebook with customer lists, allowing the social network to match viewing habits with their profiles. 

It further alleges that HBO knows Facebook can combine the data because HBO is a major Facebook advertiser — and Facebook can then use that information to retarget ads to its subscribers. Since HBO never received proper customer consent to do this, it allegedly violated the 1988 Video Privacy Protection Act (VPPA), according to the lawsuit.

HBO, like other sites, discloses to users that it (and partners) use cookies to deliver personalized ads. However, the VPPA requires separate consent from users to share their video viewing history. "A standard privacy policy will not suffice," according to the suit. 

Other streaming providers have been hit with similar claims, and TikTok recently agreed to pay a $92 million settlement for (in part) violating the VPPA. In another case, however, a judge ruled in 2015 that Hulu didn't knowingly share data with Facebook that could establish an individual's viewing history. The law firm involved in the HBO suit previously won a $50 million settlement with Hearst after alleging that it violated Michigan privacy laws by selling subscriber data.