The tone is almost apologetic. "I have some important news," says Ewan McGregor, star of the upcoming Disney+ series Obi-Wan Kenobi. "Our premiere date is moving just a couple of days." His hands are raised, as if to say "don't be mad!" Indeed, Disney is pushing the show's launch back by two days, from Wednesday, May 25th to Friday, May 27th.
That's a shame mostly because the 25th would have been exactly 45 years since the original Star Wars opened. But, as McGregor's body language suggests: don't be mad. As penance for the grave inconvenience, Disney will now be releasing the first two episodes that day instead of just one.
For fans of the franchise, this newest series starring McGregor has been a long time coming. The series was first announced in summer 2019, and Disney has since revealed that other big names are attached, including Rosario Dawson and Hayden Christensen reprising his trilogy role as Darth Vader.
TweetDeck — a version of Twitter beloved by journalists, social media pros and other power users — might soon become a paid app,The Verge has reported. A new version of the app redirects to the Twitter Blue subscription signup page, according to code discovered by security researcher Jane Manchun Wong. It promises "a powerful, real-time tool for people who live on Twitter" and would be an "ad-free experience," according to screenshots.
The new @TweetDeck might become a paid feature, exclusive to @TwitterBlue subscribers according to the code I’ve come across in the app
The code gates the access of TweetDeck on whether the user has Twitter Blue subscription and redirects them to the sign-up page if they don’t pic.twitter.com/cylyrV3Iwv
TweetDeck is already an essentially ad-free experience, so the inclusion of that language strongly implies that it would become a paid service. The new version would be a "complete rebuild with the parts from the new Twitter app," Manchun noted in a reply. However, she also spotted a link for a "legacy version" which could still be free.
Twitter launched its Twitter Blue subscription service last November for $2.99 per month. Some features like top articles were seen as positives, but users also criticized Twitter for hiding key features like an "undo" button behind a paywall.
Twitter has been testing a new version of TweetDeck since last year, with significant changes like "a full Tweet composer, new advanced search features, new column types, and a new way to group columns into clean workspaces," the company wrote. Some power users haven't exactly embraced it, however, due to user interface and other issues.
The company has also pondered a TweetDeck subscription service, asking users in 2017 if they'd be willing to pay up to $20 per month for a "more advanced TweetDeck experience." And last year, Bloomberg reported that Twitter was considering a subscription fee for the app.
The move would make sense for Twitter internally, as TweetDeck has always been a black sheep product that lets users bypass ads. Adding it to Twitter Blue would finally allow the company to monetize it and offer a true ad-free experience — since Twitter Blue itself still includes ads.
The White House has launched covid.gov, a dedicated website for COVID-19 guidance, including resources for treatment and testing. The site is meant to be a “one-stop shop” for all things related to COVID-19, including testing and treatment options, masks and vaccines. The website also provides county-level data from the CDC about community spread of COVID-19.
The website includes a new “test-to-treat” locator that connects people with testing sites and treatment options in their area. “This program creates one-stop-shop locations where people can get a COVID-19 test and receive an oral antiviral treatment, if appropriate for them because they test positive and face high risks from COVID,” the White House wrote in a statement. “Since the launch earlier this month, there are now over 2,000 Test-to-Treat locations nationwide, including in pharmacy-based clinics, federally-qualified community health centers (FQHCs), and long-term care facilities.”
Today, our Administration is launching https://t.co/NDM1ko6LYN, a new one-stop shop website to help all people in the U.S. gain even better access to lifesaving tools like vaccines, tests, treatments, and masks, as well as get the latest updates on COVID-19 in their area. pic.twitter.com/ps5ZPg1fQH
While much of the information on covid.gov has already been available, the White House says it’s the first time that it’s brought all of its COVID-19 guidance and resources into one place. For example, it links to both vaccines.gov as well as the USPS site to order free COVID tests. It also includes links to find “high quality” masks, and resources on how to wear them.
Last Summer, Spotify introduced Blend, a fun feature that allows you and a friend to compare your musical tastes. After inviting another Spotify user to take part, the platform generates a shared playlist that pulls songs from both your libraries. It also provides a match score and updates the playlist daily, allowing you to see how your tastes change over time.
One limitation of the feature was that you could only create a Blend playlist with a single friend or family member at a time. That’s now changing. Starting today, you can create a Blend playlist with up to 10 people, with Spotify taking into consideration all your disparate music tastes at the same time. Additionally, you can now also create Blend playlists with select artists, including BTS, Diplo, Mimi Webb and others. In that case, it's partly a showcase of the artist's latest music, but it's still fun to see where you overlap.
As with Blend playlists you create with your friends, Spotify will generate a story you can share on Instagram, Twitter and other social media platforms to show off how close you are two are on your favorite tunes. If you haven’t made a Blend playlist yet, you do so by typing "Blend" within the "Search" tab and then inviting the people you want to take part.
LinkedIn is building more tools for its growing base of creators. A year after introducing a dedicated “creator mode” profile setting, the company is adding a suite of new analytics and video features meant to help creators boost their following on the platform.
The updates include more detailed analytics for closely tracking the performance of individual posts, as well as account-level stats meant to help creators “understand who’s reading and engaging” with their content. LinkedIn is also adding tools to help creators boost their presence and get more eyes on the content they’re already creating. Users will not have the option to turn on post notifications for creators they follow, and creators who write newsletters for the platform will be able to highlight their writing directly on their profile.
Finally, the company is updating its tool for profile videos, which allow users to record short introductory videos that appear alongside their profile photos. The feature now includes a series of prompts meant to guide creators and others about what to include in the clips. (Importantly, unlike LinkedIn Stories, which the company killed last year, profile videos are not ephemeral.)
LinkedIn
Though LinkedIn may not be the platform most associated with the booming creator industry, the company has been steadily ramping up its efforts to bring in creators. In addition to “creator mode” profiles, the company has also been encouraging influential users to create longer-form content with newsletters and, most recently, podcasts. So far, it seems these efforts are gaining some traction on the platform. The company says that more than 5.5 million users have so far enabled “creator mode,” and followers are up 30 percent overall for people using creator mode.
Notably, LinkedIn is still behind many of its peers in launching monetization features for creators. The company announced a $25 million creator fund last year, but so far only a small group of creators have had access to it. But building out more tools to support creators behind the scenes, like better analytics and increasing the visibility of their content, could be important groundwork should the company decide to build additional monetization features.
No matter how advanced your smartphone camera is, shaky, wobbly shots can make your videos look amateurish. This is why stabilizing your smartphone — either with a mount or a tripod — is vital to good mobile filmmaking. But if you want a more stable tool for handheld shots and multiple options for customization, Moment’s new Mobile Filmmaker Cage with MagSafe may just do the trick. The videocage attaches quickly to your phone with MagSafe, and has multiple attachment points that allow you to mount mics, lights, handles and any other filmmaking accessories you need.
The most obvious perk of Moment’s Filmmaker Cage is it allows you to have more manual control over your smartphone. Your smartphone will remain steady as you grip the large, rectangular frame that surrounds it. There’s even the option to add extra handles for even more stability. If you’re sick of dangling cables, there’s also a handy cable management system that lets you tuck in those loose wires. And if you need to pack light and skip the tripod, rest assured that the Filmmaker Cage can stand upright on its own.
If you only use your smartphone to take videos of your cats, the Filmmaker Cage will be overkill. We’ve written about how the iPhone 13’s cinematic mode can mimic the focus capabilities of professional film cameras. While the wealth of stabilization and video editing features are unrivaled on the iPhone 13, it can only do so much. Smartphone filmmakers still rely on a number of tools to perfect their shooting, including mounts, lights, lenses and mics. If you fit into this category of professional filmmaker, or even a serious amateur filmmaker, the Filmmaker Cage may be a good investment.
Unfortunately, the Mobile Filmmaker Cage is only compatible with the iPhone 12 and 13, but older models can work if you use one of Moment’s MagSafe cases. If you’re an Android user, Moment does make cases, lenses and mounts for the latest Samsung and Pixel models. The Mobile Filmmaker Cage is available now on Moment’s site, for $99.
TikTok users will soon have even more ways to make their videos stand out from the crowd. The service has announced the TikTok Library, which will grant creators access to more entertainment-based content. You'll be able to find GIFs, clips from your favorite TV shows, memes and other content, which you can slot into your TikToks.
Although there are already ways to insert GIFs from Giphy into TikTok videos, it should be easier to do that once you have access to the library. Until now, Giphy GIFs have been available as Stickers and via the Green Screen effect. At the outset, the TikTok Library will also include Giphy Clips, which are essentially GIFs with audio. The initial collection will feature reaction clips, quotes, famous faces and "iconic moments," which may or may not include certain award show incidents.
TikTok will start testing the Library in some markets on Android today and on iOS next week. It plans to expand the tool to more people in the coming weeks.
Once the feature is available, you'll be able to access it by tapping the new Library icon on the sidebar. After you find something you want to add to your video, you can trim it to a specific length and then keep building your TikTok from the shoot page.
Your TikTok habits may vary, but I’ve sometimes pulled myself out of a fugue of lengthy viewing, hopping and browsing on the social app, barely recalling what I just spent 15 minutes doing. For me, and possibly you, a new watch-history feature could offer some insight to exactly what we’re wasting our time on.
According to Hammond Oh, TikTok is testing a watch-history tool to show you a list of videos that previously appeared in your For You feed, making it easier to rediscover clips (and creators) you may have not liked or followed.
There are other ways to seek out your TikTok watch history, but they’re not exactly easy to use. One method involves navigating to the Discover page, tapping search, entering an asterisk and toggling on the “watch videos” option in the search filters tab. As is the case with random feature tests on TikTok, Instagram and others, this might not make its way to all users, but keep an eye on your For You feed — just in case.
OnePlus began as a startup making smartphones with high-end specs at relatively reasonable prices. In an age of black slabs, the company was able to forge an identity for itself, backed by devoted fans and a strong online presence. But now, after 10 generations of flagship phones, Sam Rutherford feels like the OnePlus we knew is gone, and it's probably not coming back.
Samsung's latest Smart Monitor is now available to pre-order. The kinda-familiar-looking Smart Monitor M8 has support for streaming services including Netflix, Amazon Prime Video, Disney+ and Apple TV, as well as cloud gaming platforms. You won't necessarily need to connect to external speakers, with two built-in 5W speakers and a tweeter that delivers 2.2-channel audio. The Smart Monitor M8 starts at $700 for the white model. The spring green, sunset pink and daylight blue models will cost you a little extra at $730.
Just after finally achieving some success with 'Lost Ark' and 'New World.'
The Amazon Games struggle bus was finally going somewhere, but now studio head Mike Frazzini is stepping down. On LinkedIn, Frazzini cited the desire to spend more time with family. "While there’s never really a perfect time to step away from a great role, now is a good time," he wrote. Amazon’s MMORPG New World was one of 2021's biggest moneymakers on Steam.
Spotify has finally acted on its promise to add a COVID-19 content advisory label. You'll now see a tab for a COVID-19 Guide when you visit podcasts and other content discussing the coronavirus. Tap it and you'll visit a section that points you to authoritative sources (such as the World Health Organization and the UK's National Health Service) as well as trustworthy content from the likes of The Guardian and the BBC.
Amazon Game Studio head and longtime employee Mike Frazzini is stepping down, he announced in a LinkedIn post. Frazzini cited the desire to spend more time with family and the fact that the studio is finally having some success. "While there’s never really a perfect time to step away from a great role, now is a good time," he wrote. "We’ve launched two top 10 games in the past six months, and have a growing portfolio of promising new games in the pipeline."
Amazon Games has struggled over the past few years, notably with the cancellation of its Lord of the Rings MMO and fiasco with its first AAA game, Crucible. The company was also criticized for its policy of claiming ownership of employees' personal games that one engineer called "draconian." One former Game Studios manager said some of Amazon's issues may have come about because Frazzini had no previous experience in gaming, according to the same Bloomberg report.
However, the company has had hits of late with New World, one of 2021's biggest money makers on Steam. It has also had ongoing success as the publisher of Lost Ark, made by South Korean developer Smilegate RPG. Frazzini didn't say what he planned to do next.
Three years and three days after it was first unveiled, Apple TV+ has captured the first ever Best Picture Oscar for a streaming service with CODA. The film also took a historical win for Best Supporting Actor, as Troy Kotsur became the first Deaf male actor to win an Oscar. Writer and director Sian Heder also won for Best Adapted Screenplay.
The film, with a mostly Deaf cast, follows Ruby (played Emilia Jones), a high school student who navigates life as the only hearing member of a Deaf family in Gloucester, Massachusetts. "This is a really big moment for the Deaf community. It’s a really big moment for the disability community," said Heder in a backstage ABC interview, via an ASL interpreter, as Variety reported. "Marlee Matlin won an Oscar 35 years ago, and not that much has changed in Hollywood, so I want to thank the Academy for making that change. Let this one be the first of many, many films to come out of this beautiful community."
Apple paid $25 million for the distribution rights to the film, which made a limited theatrical run and is currently streaming on Apple TV+. It beat out Netflix's The Power of the Dog, which was another favorite in that category.
After a record 27 nominations, Netflix didn't go away empty-handed, though. Jane Campion took a historic Best Director Oscar for The Power of the Dog, becoming only the third woman to win the award. (Chloé Zhao took the prize last year for Nomadland, while Katheryn Bigelow previously won for The Hurt Locker.) The Power of the Dog was nominated for 12 Oscars, including in the Best Actor and Best Supporting Actor/Actress categories, but Campion was the only winner.
Brian Snyder / reuters
Sci-fi fared particularly well at this year's Oscars. Dune, released simultaneously in the US on HBO Max and in theaters, won no less than six Academy Awards. The highlight was Greig Fraser's win for Best Cinematography, presented live during the telecast (above). However, the film's other awards were presented prior to the ceremony for the first time in Oscar history, something decried by several attendees including Steven Spielberg. They include wins for Best Production Design (Patrice Vermette, Zsuzsanna Sipod), Best Film Editing (Joe Walker), Best Sound (Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill, Ron Bartlett), Best Visual Effects (Paul Lambert) and Best Original Score (Hans Zimmer).
Dune doesn't count as a streaming release, though, nor do others like Disney's Encanto, which won Best Animated Feature. Overall, streaming films fared poorer than last year, taking four statues compared to seven at the 2021 Oscar ceremonies.
