CD Projekt Red may be much busier than you expect. The developer has shared a long-term roadmap that elaborates and expands on its plans. To start, a project codenamed "Orion" is effectively a sequel to Cyberpunk 2077 that will "further develop the potential" of the sci-fi franchise. It's in development by CDPR's teams in Boston and Vancouver.

And while it's no secret that there's a new Unreal Engine 5-based The Witcher game in the works (it entered pre-production this spring), it's really just the start of a new trilogy. You might not have to wait long to see the story reach its conclusion, either. CDPR hopes to release all three games within a six-year span, with the first (codenamed "Polaris") serving as a technology foundation for the remaining two.

Other titles include "Sirius," a The Witcher spinoff with solo and multiplayer elements aimed at a "broader audience." It's developed by The Flame and the Flood studio The Molasses Flood. Another project, "Canis Majoris," is a "full-fledged" Witcher universe game built by an outside developer using UE5. And no, CDPR won't be stuck making Cyberpunk and Witcher games for all eternity. "Hadar" will be new, from-scratch universe. It's still in the extremely early stages of development (conceptual work only began in 2021), so it's likely years away.

Regardless of what you play, you should expect online gameplay to become a staple feature. In its roadmap presentation, CDPR said "most" of its new games will have a multiplayer component. The company was shy on what this will entail.

CDPR isn't shy about the reasons for the expansion. The wider catalog and cooperation with outside developers will help it "reach new consumers" while maintaining three lasting franchises. If all goes well, a producer best known for rare, single player-focused releases will offer a steady stream of games that help it become more of a household name akin to Activision Blizzard and Ubisoft — in size, if hopefully not in quality.

After years of users begging Twitter for an edit button, they're finally getting their wish. The company is rolling out the long-awaited feature in Canada, Australia and New Zealand, but only for Twitter Blue subscribers. The option isn't available in the US just yet, but Twitter says users there will get access soon. It plans to offer the feature in other markets too.

Twitter Blue subscribers who send a tweet and realize they made a typo or two will have 30 minutes to make edits. They can make changes up to five times during that time frame. For the sake of transparency, edited tweets have a modified timestamp that reads "last edited" and the time of the last change. Click the timestamp and you'll see the entire edit history.

Twitter said in April that it was at long last starting to test an edit button. There were indications early on that the feature could include an edit history screen. At the beginning of September, Twitter said that it had, in fact, created an edit button. It published a test tweet at the end of the month and, a few days later, the edit button is going out into the wild.

The company is still technically testing the feature — it'll be available as part of the Labs section of the $5 per month Twitter Blue service. Moreover, you can only edit original tweets and quote tweets, according to a support page. Many types of tweets cannot be edited, such as threads, replies, retweets, pinned tweets, Super Follow tweets and ones you draft on third-party apps.

Still, it's a start. Twitter's approach to the edit button makes sense in terms of keeping things as transparent as possible. It's easy to imagine news organizations making changes to a breaking news tweet that's going viral as clarifications or more details come in. Maybe if Twitter opens up the edit button to everyone, they'll be able to fix innocuous typos like "sneak peak" without too much strife.

Apple Music just passed a symbolic milestone. Apple has revealed that its streaming music service now has 100 million songs. That's a significant expansion from the 30 million upon launch in June 2015, and suggests that you'll probably find the new tunes you want. The company also says it's adding about 20,000 new tracks to the service every day.

The 100 million mark might give Apple Music an edge over rivals. As of this writing, main competitor Spotify claims it has "over 80 million tracks." While that's still a very healthy selection, it does imply you'll have an easier time finding an indie darling or back catalog title on Apple's platform than you might elsewhere.

The question, of course, is whether or not that advantage is enough to prompt a switch from another service. It's not clear how many songs are exclusives, such as original DJ mixes and live sessions. We've asked Apple for more data. Those unique offerings might prove enticing if you can't get enough of a favorite artist, but won't necessarily sway you if you're happy to listen to album cuts. If nothing else, the 100 million-song figure gives Apple bragging rights — it can tout a larger library that might reel in first-time streamers worried about finding a favorite record.

You might soon need YouTube Premium for more than ditching ads, background playback and trying new features. As MacRumorsnotes, users on Reddit and Twitter have noticed that YouTube is asking some viewers to upgrade to Premium to watch videos in 4K resolution. It's not clear which countries, devices or videos are affected, but this won't be thrilling if you were hoping for better than 1440p on your computer or tablet.

It's not certain if this is a test or broader rollout. We've asked YouTube for comment, and will let you know if we hear back. Premium normally costs $12 per month, or $120 per year.

A move like this wouldn't be unexpected. YouTube claimed a combined 50 million Premium and Music subscribers last September. That may sound like a lot of customers, but it's a modest amount compared to paid media services like Spotify Premium (188 million users as of the second quarter) and Netflix (220.7 million). In theory, locking 4K videos behind YouTube Premium could spur sign-ups and make it a larger revenue source for Google.

Bruce Willis may have retired from acting following a diagnosis of aphasia, but a version of him will live on in future projects. Last year, the actor's "digital twin" appeared in an ad for a Russian telecom created by a company called Deepcake. Now, it's being reported that he sold his rights for future film, advertising and other projects to Deepcake, according to the company's website and The Telegraph. 

Engineers created the digital double drawing from content in Die Hard and Fifth Element, when Willis was 32 and 42, respectively. With his likeness now on the company's AI platform, it can graft his likeness onto another actor's face in a relatively short amount of time. However, Willis's estate has final approval on any projects. 

In the ad for Megafon, Willis's face was swapped onto actor Konstantin Solovyov. "I liked the precision of my character. It's a great opportunity for me to go back in time," Willis said in a statement on Deepcake. "With the advent of the modern technology, I could communicate, work and participate in filming, even being on another continent. It's a brand new and interesting experience for me, and I grateful to our team."

In March, Willis's family announced that he was retiring from acting to due a diagnosis of aphasia, which impairs communication and comprehension. In the last few years, the 67-year-old has appeared in a series of projects amid concern about his cognitive state.

Actors have already appeared as digital versions of themselves, notably in The Book of Boba Fett with a young Mark Hamill. Digital versions of Carrie Fisher and Peter Cushing also appeared in Star Wars: Rogue One, despite the fact that both are deceased. James Earl Jones recently sold Disney the right to recreate his voice using AI, so he could retire. 

The practice has stoked controversy. Deepfakes vary widely in quality, but many approach the "uncanny valley" where characters don't look quite right because of stiff movements, dead eyes and other issues. There's also the question of rights, as deceased actors can't turn down posthumous film roles, even if the family or estate approves. 

Videos on Twitter will now look a lot more like TikTok. The company announced that it’s switching to a full-screen “immersive” video player for watching clips. It’s also borrowing the now-familiar “swipe up” gesture that will allow people to endlessly scroll through more videos on the platform.

The update will make watching videos on Twitter feel a lot more like browsing TikTok or Instagram’s Reels, at least in terms of the user interface. The changes are limited to Twitter’s iOS app for now, but the company said a similar update for Android could arrive in the "coming weeks."

While Twitter has long promoted video, especially live video, in different parts of its app, the change is one of the company’s most aggressive moves to push video on its users. It could also prove controversial, as some users could find the new full-screen videos disruptive. The company notes that users can navigate back to the original tweet using the back arrow in the top left corner of a clip.

Separately, Twitter is also testing out a change to drive more people to video content across its platform. The company is experimenting with a new section for video recommendations in Twitter’s Explore page. Those suggestions will be “available to people in select countries using Twitter in English on iOS and Android.”

It's been nearly a year and a half, but you'll soon get to find out what happens next in Mythic Quest. Apple has revealed that season three of its game developer comedy series will debut on TV+ November 11th. There aren't more details about the plot, but the new episodes follow the impact of a studio shakeup. And of course, you can expect up-to-the-minute technology jokes. Let's just say there's a creative reinterpretation of "NFT."

The series was created by and stars Welcome to Wrexham subject Rob McElhenney as Ian, with Charlotte Nicdao as Poppy. The show has drawn attention not just for making game development an enjoyable topic for a TV series, but its connection to the industry — Ubisoft is involved in the production alongside Lionsgate and 3 Arts Entertainment.

As it is, Apple has a number of high-profile season releases due this fall. The second season of spy production Slow Horses arrives December 2nd, while the immigrant anthology Little America (the work of husband-and-wife team Kumail Nanjiani and Emily V. Gordon) continues December 9th. Apple now has a string of well-known shows in the pipeline, even if Ted Lasso remains its biggest attraction.

Add more brands to the list of those hopping aboard the "+" service bandwagon. To begin, MGM is relaunching its movie-oriented Epix streaming service and TV channel as MGM+ on January 15th, 2023. It will continue Epix's blend of originals and "curated" movies from various studios. You'll also find it in the familiar places, including through Prime Video (Amazon owns MGM, after all), other digital services and conventional TV providers.

Simultaneously, Starz has just rebranded its international streaming service Starzplay as Lionsgate+ for 35 of the 63 countries where it operates. North Americans will still see the usual Starz name, while Lionsgate Play (in parts of Asia) and Starzplay Arabia will also remain unchanged. As with MGM+, the actual service will remain intact. This is more about capitalizing on the "valuable" nature of the Lionsgate name and trying to stand out (by tacking on the same "+" as everyone else), according to Starz chief Jeffrey Hirsch.

TechCrunchnotes Lionsgate plans to separate Starz from its studio business, and hoped for the spinoff to complete the move this summer. That clearly didn't happen, but the rebrand is a step in that direction.

In either case, the strategy is familiar. As with CBS All Access' revival as Paramount+, it's a bid to make the most of a well-known brand while nodding to a streaming-first reality. Whether or not this helps is another story. Their streaming businesses are relatively small (Starz has 35.8 million subscribers, for example) compared to heavyweights like Amazon Prime Video, Disney+ and Netflix. They're not in trouble, but name changes by themselves aren't likely to boost demand.

Twitter is still having trouble curbing the spread of CSAM (child sexual abuse material). Insider has learned (subscription required) that Twitter inadvertently ran ads on profiles either selling or soliciting CSAM. In an email to marketers, the social network said it had suspended all ads on profiles, updated its detection systems, banned accounts that broke its rules and launched an investigation. Reutersnotes Coca-Cola, Disney and NBCUniversal were some of the brands whose ads appeared next to the offending content.

Existing technology had already blocked over 91 percent of accounts like these, Twitter said. In its most recent transparency report, the company said it took action against 31 percent more CSAM-related accounts in the second half of 2021.

A Twitter spokesperson confirmed the incident and investigation in a statement. On top of existing work to catch CSAM, the company said it was ensuring it had the "right models, processes and products" to protect both advertisers and users.

The news is ill-timed for Twitter. It comes just weeks after The Verge reported that Twitter ditched efforts to build an OnlyFans clone over concerns it couldn't effectively catch CSAM and other forms of sexual abuse. It's also emerging as the social media continues to fight with Elon Musk over the fate of his potentially cancelled $44 billion acquisition. Musk has focused most of his objections on alleged misreporting of fake account data.

There's been an immediate financial impact as well. Reuters added that big names like Dyson and Mazda had either frozen their marketing campaigns or pulled ads from some areas on Twitter. More might be coming — Coca-Cola and Disney both said they considered the activity unacceptable, while NBCUniversal told Twitter to remove ads that ran against CSAM.

At its Search On event today, Google unveiled several new ways to help people more easily find what they're looking for. Some things can be trickier to locate than most, like a particular style of clothing or a certain fragrance. But when it comes to food that makes your mouth and eyes water, Google thinks it can help. Engadget spoke with general manager of local search Yul Kwon to learn how the company believes it can bring people to the dishes they're craving.

Kwon's lived many lives. You might remember him as the winner of Survivor: Cook Islands, but he's also been a management consultant, a law practitioner and the owner of several Red Mango franchise locations in California. "I lost about 20 pounds during the show and when I came back, I was so hungry," he said. "I basically just sat there and ate everything and anything I could get my hands on."

His ravenous spiral led to a "40-pound weight swing," which drove Kwon to find healthier alternatives to junk food and dessert. On a trip to Los Angeles, Kwon discovered frozen yogurt and was hooked. But the dearth of high quality frozen yogurt stores in the Bay Area at the time meant it was hard for him to find the tasty treat at home. Inspired, and driven by the desire to make an "unlimited supply of frozen yogurt for me to eat myself," Kwon opened stores in downtown Palo Alto, San Carlos and San Jose. 

Over time, competition in the froyo business grew intense, as more and more stores opened to cater to growing demand. "At some point everyone and their grandma was opening a frozen yogurt store," Kwon said. "A lot of the stores that opened were lower quality and lower cost and so they were not as healthy."

Max Morse / reuters

Kwon said that amid this spike, it not only became became tough to differentiate his business from the competition, but the tools to reach and engage with customers just weren't available. "It was harder to track new customers to get the word out, and we didn't really have great tools to drive word of mouth or use technology to drive awareness."

Eventually, the financial crisis of 2008 became the final straw and Kwon had to close his businesses. 

This is a story that's all too familiar. Small, local businesses lacking the tools to reach larger audiences eventually have to cave to competition and shutter. Though services like GrubHub and DoorDash have made it easier for people to discover restaurants to order food from, they often charge high fees and offer businesses little control over how they're presented. 

These days, companies turn to social media to reach would-be customers, and making an attractive profile can determine how successful you are. Skills that have little to do with running a restaurant, like photography and caption-writing, are now key to bringing in money. Though it's not technically social media, Google Maps and Search results also play crucial parts in whether a business thrives or fails. If a restaurant's Maps listing has a rating that's lower than four stars, or if it doesn't have a menu available for perusal, a potential diner can quickly be turned off. 

Google

Updated digital menus and vibe checks

One of these potential roadblocks is fairly easy to solve. Not only does Google already provide a digital menu on most listings, it also groups user-submitted pictures of physical menus for easier reference. The company also announced today that it's expanding its coverage of digital menus, "making them more visually rich and reliable. 

"We combine menu information provided by people and merchants, and found on restaurant websites that use open standards for data sharing," Sophia Lin, the company's general manager of Food and Search, wrote in a blog post. Google also uses image and language understanding technologies like its Multitask Unified Model to scrape available data and produce these menus, which will also showcase most popular dishes and call out different dietary options (starting with just vegetarian and vegan).

Just like Neighborhood Vibe that Google just announced for Maps, a new feature is also coming to Search to help capture and relay to users what makes a restaurant stand out. "Star ratings are helpful, but they don't tell you everything about a restaurant," Lin wrote. In the coming months, listings will show pictures and reviews that the company's machine learning systems determined are representative of how a place feels. 

Identify and find specific dishes

Google also wants to help people find the exact food items they're craving. "Our research shows 40 percent of people already have a dish in mind when they search for food," Lin wrote. "So to help people find what they're looking for, in the coming months you'll be able to search for any dish and see the local places that offer it."

Lin gave the example of soup dumplings, which she said is a family favorite. The new multisearch near me tool can not only identify the type of xiao long bao (the Chinese name for soup dumplings, or XLB for the well-informed) in a picture, but can also tell you where you can buy it near you. You can also get more specific with your search. 

According to Lin, "In the past, searching for soup dumplings near me would show a list of related restaurants. With our revamped experience, we’ll now show you the exact dish results you’ve been looking for. You can even narrow your search down to spicy dishes if you want a bit of a kick"

Of course, these new tools alone won't help struggling small businesses thrive, but they do help users better understand what restaurants have to offer. 

When Kwon recounts his experiences running his Red Mango franchises, he feels on hindsight that "it was hard for people to really understand how we differed from other yogurt shops, It wasn't any like one place that could go to to really help them find what they're looking for."

Kwon said he learned from that ordeal how hard it was to be successful as a small business and wanted to do something to help people in similar situations. He believes that building a set of tools that help small businesses succeed is how he can make a difference.

"Ultimately, technology can be the great equalizer." he said. "It can be the thing that helps small businesses can change on an even playing field within the big guys." While today's announcements on their own don't seem to specifically target local businesses trying to reach customers in their community, Kwon says the updates "help people connect and find the types of foods that they're looking for," which he said is part of helping build relationships between people and their communities.

I want to see Google do more to help and empower small local businesses trying to engage with their communities and customers, and though I'm underwhelmed by today's announcements on that front, I am hopeful for more to come.