Netflix has released an interactive experience that you can fire up and play with the trivia-loving members of your family these holidays. It's called Triviaverse, and it was designed to throw rapid-fire questions at you, which you'll then have to answer within a time limit. You can play it alone and contend with three rounds of increasing difficulty per try, but you can also play with a friend in a turn-based bout with two rounds each. The one who's entered the more correct answers within the time limit wins the match. 

The company says the show pulls its questions from any topic "you can imagine," from science to history to pop culture, so it would help having a wide variety of interests. You'll unlock badges the higher the score you get, including Bird Brain while you're just starting out. Keep at it for fun or for bragging rights, and you may just get the ultimate Triviaverse God title.

The streaming service has been exploring subscribers' interest in interactive content over the past few years, releasing shows and episodes you can play an active part in, such as Black Mirror: Bandersnatch. Last year, it took a big step towards achieving its gaming ambitions and rolled out games to all Android and iOS users. And just this September, it announced that it's forming an in-house gaming studio in Helsinki, Finland to create original games that don't have ads or in-app purchases.

Netflix already has a trivia game: It launched its first interactive daily quiz show Trivia Quest earlier this year. Triviaverse has a simpler format, however, and seems like something you could do in between tasks or play with friends in between other games. The experience is available in English, Spanish (LatAm), Portuguese (Brazil), French, German, Spanish (Spain), Italian, Korean and Japanese. It's also accessible from all devices that can run Netflix's interactive experiences, including smart TVs, streaming media players, consoles, browsers and mobile devices.

Netflix's growing stable of video game adaptations now includes one of the Xbox's best-known franchises. The streaming service is teaming with series developer The Coalition to produce a live action Gears of War movie. There are no details for the cast, plot or release date, but Netflix is teasing an adult animated show and the possibility of "more stories."

The series revolves around the Locust, an aggressive species that has very nearly destroyed human civilization. The original Gears of War trilogy centers on grizzled veteran Marcus Fenix, but newer games and spinoffs have focused on his son JD, his frequent ally Baird and the rebel-turned-soldier Kait.

The timing is apt. The Coalition isn't unveiling its next game for a while. The Netflix productions give the Microsoft-owned studio a way to keep Gears of War in the limelight, not to mention spark renewed interest among gamers who have fond memories of chainsawing Locust drones. This is also part of Microsoft's answer to Sony's growing big screen ambitions, which now include planned Horizon and God of War shows as well as movies like Uncharted.

The question, as always, is whether or not the game collection translates well to a linear video format. While there have been some successes with game-based shows, such as Netflix's League of Legends series, these projects still don't have a sterling reputation — even the Halo adaptation garnered a mixed response. It's far too early to determine how Gears of War will fare, but it's safe to say there are plenty of challenges ahead. 

Before acquiring Twitter, Elon Musk said he was against lifetime suspensions, promising to reinstate banned users like Donald Trump. Now, Musk wrote that Twitter will permanently suspend account impersonators if they are not clearly labeled as parody. The move comes after several verified "blue-check" users changed their accounts to impersonal Musk himself. 

Twitter appears to have just banned comedian Kathy Griffin for impersonating Musk, at least temporarily, after she used his name and image in her own verified Twitter account. Other verified accounts impersonating Musk, including Jeph Jacques, also appear to have been kicked off the site.

Prior to Musk's takeover, Twitters rules already stated that users "may not impersonate individuals, groups or organizations to mislead, confuse or deceive others, nor use a fake identity in a manner that disrupts the experience of users on Twitter." Parody accounts were required to say so in both their accounts and bio. Consequences included profile moderation, temporary suspension or permanent suspension — though the latter was rarely imposed.

Twitter has been awash in drama over the last few days. Early in Musk's tenure, trolls and racists flooded the site with epithets and other hate speech, presumably to test the new limits of the site. This week, a flood of advertisers put a hold on spending on the site. In reply to a user who suggested a boycott on those companies, Musk tweeted a "a thermonuclear name & shame is exactly what will happen if this continues."

Twitter will soon include a feature allowing users to append long-form text to their tweets, company owner and CEO Elon Musk announced on Saturday. Musk didn't say when the functionality would arrive, but promised it would end the "absurdity of notepad screenshots." He added that the company also plans to work on additional tools for creator monetization and enhancements to the platform's search functionality. "Search within Twitter reminds me of Infoseek in '98! That will also get a lot better pronto," he wrote.        

The announcement comes on the same day that the company began putting in place some of the features needed to support its revamped Twitter Blue subscription. The service will allow users to pay $8 per month to verify their account and gain access to a handful of other features, including the ability to post longer videos and see fewer ads.     

Developing...

It's time to bid farewell to the androids of Westworld. HBO has cancelled the sci-fi title after four seasons, even though showrunners Jonathan Nolan and Lisa Joy were hoping for a fifth to reach the ending they had in mind. Nolan and Joy were trying to negotiate for a last season as recently as October, but their discussions clearly did not pan out. In a statement, HBO said:

"Over the past four seasons, Lisa and [Jonathan] have taken viewers on a mind-bending odyssey, raising the bar at every step. We are tremendously grateful to them, along with their immensely talented cast, producers and crew, and all of our partners at Kilter Films, Bad Robot and Warner Bros. Television. It’s been a thrill to join them on this journey."

Westworld used to be one of HBO's tentpole projects, with 54 Emmy nominations and even a win for Thandiwe Newton as Outstanding Supporting Actress. Its ratings and viewership have plummeted over the years, however, and it never quite recovered. For fans, the fact that the show hadn't been renewed immediately after the latest season ended was already a bad sign.

As The Hollywood Reporter notes, approximately 12 million viewers tuned in to watch the show's critically acclaimed first season across platforms. And, while we thought that Westworldreturned to form in its third season, its numbers kept on tumbling until only 4 million viewers stuck around to watch the latest episodes. That's most likely not enough for HBO to justify a renewal. Apparently, the fourth season cost the network $160 million for eight episodes, which is more than what it spent on House of Dragons. The Game of Thrones prequel had ten episodes and averaged 29 million viewers for each one. 

For many people, the list of their most hotly anticipated video games will include "whatever Hideo Kojima is working on." If you're one of those folks, you may be interested to learn that a video showing the Death Stranding auteur's next title seems to have leaked ahead of a formal reveal from his studio, Kojima Productions.

The video, which has been removed from Streamable for violating the platform's terms of service, shows a character who looks like Mama from Death Stranding. That character was played by Maid and Once Upon a Time in Hollywood actor Margaret Qualley. The character shown here navigates dark corridors with the help of a flashlight while an ominous figure follows them. Eventually, someone or something catches up to them. A game over screen is then shown, along with text reading "A Hideo Kojima Game" and "Overdose."

Reporter Tom Henderson noted that the footage was the same as the leaked video he described in June at Try Hard Guides. Kojima Productions seemingly asked him to take down the initial report — a request that Try Hard declined.

The presentation of the video is bizarre. The gameplay footage has a picture-in-picture view of a person seemingly playing the game, as though they are a Twitch streamer. Text reading "camera player 1" appears at the top of the screen, suggesting that this is from a playtest. The footage appears on a YouTube-style interface, indicating that it may have been stored on Google Drive. It gets stranger, because someone has filmed that footage offscreen. That version of the video is then played on a tablet, which, according to a pretty prominent reflection on that screen, is being filmed offscreen a second time by a shirtless person.

It's all very unusual. As Polygon notes, there's at least a small chance that the footage is fake, even though creating it would require a lot of effort from some prankster. Qualley's character model looks just like the one used in Death Stranding —which may indicate that Overdose is a direct follow-up to Kojima's last game. It's also odd to see the name of a game's creator pop up during a game over screen, though this is likely work-in-progress footage (though it's not impossible to imagine Kojima actually putting his name on a game over screen). 

In any case, we may not have to wait too much longer to gain more clarity as to what's going on here. Kojima has been teasing his next project, and he's a regular presence at The Game Awards, the next edition of which takes place in a month. Kojima is developing a game in partnership with Microsoft, but a Death Stranding sequel is reportedly in the works too.

If the reports and rumors hold up, Overdose will be the first full horror game from Kojima. The only horror project that the Metal Gear creator has released to date is P.T., an infamous playable teaser that's no longer available. It was designed as a proof of concept for Silent Hills, a project that was canceled amid Kojima's acrimonious departure from Konami (which, coincidentally, just revived the Silent Hill franchise).

Meanwhile, Kojima claimed this week that he'd received some “ridiculously high” offers for Kojima Productions. However, he has no plans to sell the company as he wants to retain creative independence.

Well, it finally happened: Elon Musk has officially taken over Twitter. This week, Cherlynn and Devindra are joined by Engadget’s Karissa Bell to discuss how Musk is reshaping the social network. Are all the changes bad, or is there some method to his madness? (Spoiler: It looks more like desperation than anything else.) Also, we dive into some recent Google AI news, and Devindra explains why the new Apple TV 4K is genuinely great.

Listen below, or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcasts, the Morning After and Engadget News!

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Topics

• Elon Musk’s Twitter fiasco – 1:26

• Thinking of leaving Twitter? Here are some platforms to check out – 21:49

• Google announces package tracking in Gmail – 29:55

• Texas AG sues Google over facial recognition data collection – 35:23

• The PS VR2 will cost $550, arrives February 22, 2023 – 38:07

• Xiaomi’s 12S Ultra concept phone has a massive camera with interchangeable lenses – 40:35

• Working on – 43:42

• Pop culture picks – 48:57

Credits
Hosts: Cherlynn Low and Devindra Hardawar
Guest: Karissa Bell
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien

Substack users now have another way to interact with their favorite writers, podcasters and video makers. The platform now has a chat feature, where creators can hang out with their subscribers and perhaps forge deeper links with their communities. "Chat is a community space reimagined specifically for writers and creators— it’s like having your own private social network where you make the rules," Substack said in a clear dig at Twitter.

The feature is only available through Substack's iOS app for now. You won't be able to chat with your favorite Substack writers and podcasters on the web or Android just yet, but chat will eventually be available there.

The company noted that creators can decide the tone and topic of chat threads. They can switch the chat function off and reactivate it whenever they like, and they can decide whether to open it up to everyone or only paid subscribers.

The first time that a creator starts a chat, a notification email will go out to all of their subscribers. That seems a little spammy, but at least it's a one-time thing. After that, readers will be alerted to a new chat thread only if they have push notifications switched on.

Creators have a few moderation options, according to an FAQ. They can turn off replies in a chat thread, delete replies and stop subscribers from posting images (readers can flag and hide explicit images as well). Creators can also ban users from chat threads and comments. However, it doesn't seem that there's a way for a writer to appoint trusted moderators to handle that stuff on their behalf for the time being.

Substack pointed out that many newsletter writers have taken to the likes of Discord, Slack and Telegram to chat with their subscribers. Its developers have been working with a group of writers over the last few months to simplify things with an in-house chat option. However, writers may not be willing to give up on external platforms until Substack has more robust chat moderation options. This marks just the beginning of the chat feature and other social functions on the platform, as Substack says more updates are on the way.

Square Enix has revealed that Symbiogenesis, an upcoming project that was widely rumored to be Parasite Eve-related, is actually something else — and it's centered around NFTs (non-fungible tokens). The publisher described Symbiogenesis as "its first digital collectible art project designed from the ground up for Web3 fans."

Symbiogenesis takes place in a self-contained world containing a large cast of characters that can be collected as NFTs. Square Enix says you'll be able to use these digital artworks as profile pictures on social media accounts, something you definitely wouldn't be able to do by simply taking a screenshot.

In addition, you can use your character "in a story that takes place in an alternate world where the player can ’untangle’ a mystery by completing missions that revolve around questions of the monopolization and distribution of resources," Square Enix said in a press release. That's somewhat ironic, given that the entire perceived value of NFTs is derived from artificial scarcity.

The publisher will start selling NFTs (which will likely be on the Ethereum blockchain) in spring 2023, alongside the debut of "a free browser service" on Google Chrome. The browser-based approach makes some sense. Symbiogenesis wouldn't make it onto Steam, which banned NFT games last year.

This is one of the highest-profile stabs at an NFT-driven gaming experience yet. However, the NFT market has cratered this year. Gamers have largely rejected NFTs too.

Last December, it emerged that Ubisoft had sold barely any NFTs in Ghost Recon Breakpoint, the first title in which it employed blockchain tech. A few weeks later, an Ubisoft executive claimed players would benefit from having a marketplace where they could buy and sell NFTs of in-game items, "but they don't get it for now." In April, Ubisoft announced that the game wouldn't receive any more content updates, effectively putting the game on ice and diminishing whatever value Ghost Recon Breakpoint's NFTs had.

It seems Square Enix is facing an uphill battle to make Symbiogenesis a success. It's not a surprise that the company is moving in this direction after announcing in January that it would invest in blockchain games. Square Enix sold off some of its more notable Western studios this year and it initially planned to plow much of the proceeds into the blockchain and other tech before walking back on that plan.

Meanwhile, Square Enix may have to try to placate fans who were convinced that Symbiogenesis was actually a revival of 1998's Parasite Eve. After the publisher registered Symbiogenesis as a trademark last month, some pointed out that the term means “the merging of two separate organisms to form a single new organism" — which is one of the foundations of Parasite Eve's story. While that connection is somewhat tenuous, it's hard to blame fans for beingupset and disappointed that the project is ultimately an NFT grift.

AI-powered image generators have been getting most of the press recently. But musical machine learning models have quietly been making great strides in recent years. Holly Herndon has been at the forefront of that revolution. She co-developed (along with partner Mat Dryhurst) Spawn, a singing neural network, for her last album Proto and released Holly+ (in partnership with Never Before Heard Sounds) to the public last year, which allows anyone to use a model of Holly's voice. Now she's released a new single, where the only vocals come her digital twin.

This cover of Dolly Parton's "Jolene" plays it pretty straight at first listen. Yes it's slower and quieter, but Ryan Norris, who handles the instrumentation, doesn't take any extreme liberties with the arrangement or sound palette. It simply swaps frantic desperation with plaintive resignation. 

What makes it so arresting is that every vocal sound, right down to the sharp inhales before the harmonies kick in, was generated by Holly+. (That's right, it "breathes".) There isn't a human in sight of a vocal booth here. Some of the phrasing is a little stilted and there are occasional digital artifacts, if you listen closely for them. But on the whole this digital model of the real Holly Herndon's voice is impressive in its ability to imitate its creator.

Until now, most major artistsexperimentations with AI have focused on creating generative soundscapes or synth melodies. This is (as far as I know) the first time a machine learning model has taken the mic solo in a pop song. 

Herndon previewed the track way back in March at Sonar Festival, but it largely flew under the radar until it received a proper release this week. (BTW: Go watch the presentation from Sonar for some truly wild real-time demonstrations of Holly+ and Never Before Heard Sounds' technology.) You can attempt to recreate the performance above by recording your own performance of Jolene and uploading it to Holly+, but don't expect the same fidelity of results through the web app. While it's definitely a fun diversion, artists who are serious about using AI to further their craft should explore Spawning, an organization launched by Herdon and Dryhurst earlier this year.