Like last week's Golden Globes, the Emmys were very good to streaming services. The 75th Primetime Emmys aired on Monday, January 15 and saw Max, Hulu and Netflix take home the most awards by a solid margin.

Hulu led the pack, winning six Primetime Emmys thanks to its dark comedy, The Bear. The Hulu and FX production won for outstanding overall, along with writing and directing for a comedy series. The cast also continued their award season winning streak. Jeremy Allen White won for outstanding lead actor in a comedy series, while Ayo Edeberi won for outstanding supporting actress in a comedy series — notably she took best actress (not supporting) at the Golden Globes. Ebon Moss-Bachrach won in the supporting actor counterpart.

Max (formerly HBO Max) also left with six awards, all coming from the final season of Succession. The Television Academy awarded outstanding directing and writing for a drama series for the same episode, "Connor's Wedding" (if you know, you know). The show's three male leads competed for outstanding actor in a drama series, with Kieran Culkin once again taking home the trophy. Sarah Snook won for outstanding actor in a drama series, while Matthew Macfayden received the supporting actor award for that category. Succession also won as a whole for outstanding drama series.

Like its fellow streamers, Netflix's wins all came from the same series: Beef. The show took home five awards, including outstanding limited or anthology series. Its lead actors, Steven Yeun and Ali Wong, won for outstanding actor and actress in the same category, respectively. Beef rounded out its awards with outstanding writing and directing wins for two separate episodes across the show's ten parts.

The Emmys were originally scheduled to take place in September, but The Television Academy and Fox postponed it to January due to the writers and actors strikes. The Creative Arts Emmys took place on January 6 and 7, competing with Golden Globes weekend, while the Primetime Emmys took place only a day after the Critics Choice Awards — it's a busy month for Hollywood folks.

The second season of HBO's adaptation of The Last of Us is about to go into production. That means we're starting to find out the actors who have been cast in key roles from the second game, including the most pivotal new character of them all, Abby. No spoilers here, but Kaitlyn Dever, the star of Booksmart and No One Will Save You, is taking on the challenging role. (Let's just say we hope she nukes all of her social media accounts.)

“Our casting process for season two has been identical to season one: we look for world-class actors who embody the souls of the characters in the source material,” the show's co-creators Craig Mazin and Neil Druckmann told Variety. “Nothing matters more than talent, and we’re thrilled to have an acclaimed performer like Kaitlyn join Pedro [Pascal], Bella [Ramsay] and the rest of our family.”

Abby is described as “a skilled soldier whose black-and-white view of the world is challenged as she seeks vengeance for those she loved.” As it happens, Dever and Druckmann have worked together in the past. She played Cassie, the daughter of Nathan Drake, in the epilogue of Uncharted 4, a game that Druckmann co-directed.

Dever is joining the series just after it won eight Emmy awards (including acting honors for Storm Reid and Nick Offerman), and that's even before the delayed main ceremony takes place this Sunday. Pascal and Ramsay are nominated for their performances, while the show is up for Outstanding Drama Series. Overall, The Last of Us snagged 24 Emmy nominations this year, more than any other show except for Succession.

The 2024 Golden Globes represented a return to normalcy after a year dominated by strikes in the entertainment industry. Streamers continued to get recognition for their shows, with Netflix, Hulu and Max picking up a combined 12 television awards.

Max (formerly HBO Max) won the most awards, garnering four for the final season of Succession, including best drama television series. Best performance by an actress and actor in that category went to Sarah Snook and Kieran Culkin, who played siblings Roman and Shiv Roy on the series. Matthew Macfayden rounded out Succession's wins by taking home the award for best performance by an actor in a supporting role on television. Succession is available to stream through Max but was viewable direct on TV through HBO.

Netflix won for a range of shows, such as The Crown, which premiered its final season at the end of the year. The Crown actress Elizabeth Debecki took home the award for best performance by an actress in a supporting role on television for her portrayal of Princess Diana. Ricky Gervais won best performance in standup comedy on television for Ricky Gervais: Armageddon. Beef took home three awards, winning for best performances by an actress (Ali Wong) and actor (Steven Yeun) in a limited series, anthology series or series made for television. It also won for best overall in that category. The show was mired in controversy due to the casting of (and silence around) actor David Choe, who previously shared stories describing alleged sexual assaults.

Hulu's three awards came courtesy of FX-produced The Bear, which won for best musical or comedy television series. The show's lead actors, Ayo Edebiri and Jeremy Allen White, took home the best performance in a musical or comedy television series by an actress and actor awards, respectively.

Netflix has dropped a trailer for the upcoming reality series Squid Game: The Challenge. The forthcoming show starts with 456 contestants competing for a $4.56 million prize in events repackaged (minus the brutal violence) from the scripted series. What better way to follow a fictional critique of modern capitalism’s exploitation of the financially desperate for profit and entertainment than to embrace a reality TV spectacle that exploits the financially desperate for profit and entertainment?

Among other games ripped from the South Korean show, the competition’s trailer showcases the original series’ creepy “red light, green light” doll as players in green tracksuits nervously scoot across the floor, ready to stop at a moment’s notice. (In this version, the “gunshots” fired at infringing players involve pre-placed blood packets exploding on their chests.) In standard reality TV fashion, there are hints of shameless backstabbing and plenty of lusting over the prize money. Masked guards create an ambiance of intimidation as Sammy Davis Jr.’s “I’ve Gotta Be Me” plays in the background, echoing the source material’s theme of unlikely riches as the sole path to fulfillment in a late-capitalist hellscape.

When the competition was filmed earlier this year, each player subjected themselves to this exhibition for a 0.22% chance at a couple of million dollars after taxes.

Netflix

The reality series made headlines earlier this year when several contestants reportedly required medical attention, proving that irony has flatlined, and Netflix is selling tickets to view its corpse. “It was like a war zone,” one player told The Sun. “People left in tears.” The report described frigid conditions: one exhausted player was hauled away on a stretcher while others crawled to the finish line.

“Even if hypothermia kicked in then people were willing to stay for as long as possible because a lot of money was on the line,” one competitor said. “Too many were determined not to move so they stood there for far too long. There were people arriving thinking they were going to be millionaires but they left in tears.”

As a contestant says in the trailer, “This is a savage game.” Squid Game: The Challenge begins streaming on Netflix on November 22.

The Problem With Jon Stewart isn't coming back for a third season at Apple TV+, according to The New York Times. It was already supposed to begin filming for another eight episodes within the next couple of weeks, but Apple and Stewart reportedly decided to part ways before it can start. While neither party has issued a statement yet, the publications said the parties didn't see eye to eye when it came to hot button topics. The host apparently told production staff that Apple executives had raised concerns about certain subject matters he's potentially covering in the show, particularly China and artificial intelligence. 

Based on The Hollywood Reporter's confirmation of the news, Apple talked to Stewart about the need to be "aligned" when it comes to show topics and even threatened to cancel the series. Wanting full creative control of The Problem, Stewart chose to walk away instead. 

The Problem debuted on Apple TV+ in 2021, with episodes coming out every other week, six years after Stewart left The Daily Show. Its second season started streaming in 2022 and had four more episodes — for a total of 12 — than the first. It also streamed every week with a break of a few months after its sixth episode. The newer season covered controversial topics, as well, including gender identity and the indictment of former president Donald Trump. Although those episodes went out for streaming, The Hollywood Reporter's sources said there had already been tension between the parties before the third season production kicked off due to the previous themes Stewart had covered on the show. As The Times said, Apple may have been worried about being dragged into political controversies that the series could bring and had agreed to end their partnership. 

We knew Netflix’s Squid Game reality show was coming sometime in November, and now we have an exact premiere date of November 22. This puts the release just in time for Thanksgiving, so you can celebrate the holiday by watching a reality show adaptation of a dystopian drama that shined a light on the brutal horrors of late-stage capitalism. Heartwarming fun!

Squid Game: The Challenge is a 10-episode series that features over 450 contestants competing in events inspired by the TV show, in addition to some brand-new challenges. There’s no bloodshed, of course, but there is a $4.56 million prize for the winner, which Netflix says is the largest reality show payout of all time.

There are also plenty of other nods to the source material here, including that terrifying “red light, green light” doll and contestant costumes straight from the show. The shot and framing choices also call to mind the dystopian drama.

We don’t yet live in the kind of capitalist hellscape the Korean series depicted, but we’re getting there. To that end, the filming of this reality show made headlines when players faced health emergencies after being exposed to brutally cold temperatures during one of the contests. One producer told The Sun that “even if hypothermia kicked in, people were willing to stay for as long as possible because a lot of money was on the line,” going on to add that “there were people arriving thinking they were going to be millionaires but they left in tears.”

In just over a month, we can all watch actual humans suffer for a potential payout that they only have a 1 in 456 chance of snagging. What a glorious time to be alive. To be fair, other grueling reality shows like Naked and Afraid don’t even offer a cash prize, so that’s something.

The original Squid Game is Netflix’s most popular series of all time, by hours viewed, besting Stranger Things, Wednesday, The Witcher and even the universally beloved Real Rob (sarcasm.) So The Challenge was something of a foregone conclusion, considering the runaway success of the source material. It’s also worth noting that Squid Game season 2 is also coming, but there’s no release date yet.

Star Trek: Prodigy has found a new streaming home with Netflix, after being both canceled by Paramount+ and completely deleted from the platform back in June. Not only will Netflix air the previously-released 20-episode first season later this year, but it’s also putting the final touches on the second season, which will stream sometime next year.

The initial cancellation came as a surprise, as Paramount had already greenlit a second season and those episodes were just about finished. Then it did that recent streamer thing where it went through and deleted all of the old episodes, kicking them to the dustbin of history. That may be possible for a lesser-known IP, like the criminally underrated Infinity Train, but this is Star Trek. Trekkers have been conducting successful campaigns to bring back shows ever since the original series was canned back in 1969. These are the same fans, after all, that helped Star Trek: The Animated Series and Star Trek: The Motion Picture get off the ground.

So they went to work, amplifying fan engagement across various social media sites. Prodigy’s creators have long held out hope for a new platform, and it looks like this optimism has finally paid off.

Star Trek: Prodigy follows a ragtag group of alien adolescents after finding the titular spaceship. It’s actually very good and acts as the perfect entry point for parents who want to introduce their kids to the ideals of Star Trek. It’s also a pseudo-sequel to Star Trek: Voyager, with Kate Mulgrew reprising her role as Captain Janeway and Robert Beltran appearing as Chakotay, among other guest stars. Season two looks like it’ll integrate further with Voyager, if leaks are anything to go by.

It’s odd that the show will now be on Netflix, given that one of Paramount’s slogans is “The Home of Star Trek.” This has been a busy week for streamers selling shelved projects to other platforms. Disney+ inked a deal with Roku, giving the platform rights to air an adaptation of the acclaimed book series The Spiderwick Chronicles. As for Star Trek animation, Paramount+ is still home to the stellar Star Trek: Lower Decks which is currently airing its fourth season.

Today the BBC announced it will finally add every available classic episode of Doctor Who, and all of its spin-offs, to iPlayer. It’s the culmination of work which began when Russell T. Davies returned as the show’s major creative force, and a significant change for the BBC. In a statement, it said every episode of the classic series, plus spin-offs like The Sarah Jane Adventures, Torchwood and Class, as well as making-of series Doctor Who Confidential, would all be added on November 1st.

All of Doctor Who’s post-2005 revival series are widely-available on streaming services both in the UK and abroad. But the original run has rarely, if ever, been on-demand without an extra charge, as it’s still one of the BBC’s most reliable cash-cows. The series has been released on VHS, DVD and now Blu-ray, with several of its most recent releases requiring multiple printings. The only place to stream Doctor Who on-demand, at least with a clean conscience, is by paying for BritBox’s premium streaming service.

As part of the release, the BBC is making a point of the new accessibility features — including every episode featuring sign language translation — and that a new archive of material will also be put online on the official Doctor Who website. It's not clear, at this point, if this will include the hours upon hours of special documentaries and behind-the-scenes material that comes with the show's numerous DVD and Blu-ray releases. 

The change comes as the show builds up to its 60th anniversary later that same month, as the show stops being a purely BBC production. Instead, it’s being made by Bad Wolf productions with cash backing from Disney, which will stream the show on Disney+ outside the UK. It’s pure speculation on my part, but if the BBC has cleared any issues that prevented it from streaming all of Doctor Who in the UK, then the whole series may also be available on Disney+ at the same time.

Spectrum owner Charter and Disney have resolved a dispute that prevented millions of customers from watching networks such as ABC and ESPN through their cable provider since August 31. The companies reached an agreement that features some intriguing streaming-related perks for Spectrum subscribers. Those include access to the long-awaited standalone ESPN streaming service, whenever that debuts, for those on a Spectrum TV Select plan.

Those subscribers will also have access to the ad-supported basic tier of Disney+ in the coming months, while Spectrum TV Select Plus customers will be able to check out ESPN+ as part of their plan. According to CNBC, Charter will pay higher subscriber fees to Disney.

It seems that Charter customers having access to ad-supported versions of Disney's streaming services was a point of contention between the companies before they finally reached a deal. In the meantime, Disney started offering Hulu + Live TV at a discounted rate of $50 a month for three months (the usual rate is $70) ahead of a price increase in October.

The newly forged agreement between Charter and Disney means that subscribers again have access to 19 of the latter's networks, including ABC-owned stations, the Disney Channel, FX and the Nat Geo Channel. Just in time for Monday Night Football, the full suite of ESPN networks is back as well. However, Spectrum subscribers are losing the ability to watch Baby TV, Disney Junior, Disney XD, Freeform, FXM, FXX, Nat Geo Wild and Nat Geo Mundo through the cable service.

The following article discusses the fourth season of Star Trek: Lower Decks.

There’s a risk, using a word like “should” that we’re a short hop away from a tantrum to police the borders of What Proper Star Trek(™) is. But after watching most of Star Trek: Lower Decks’ fourth season, it does feel as if the show’s outlook is the most Star Trek of the bunch. Part of this is because the show is mature enough to laugh at itself, and part of it is because it’s now letting its characters grow. This is a sitcom, so its first duty is to be funny rather than weighty, but it’s a welcome sight to see the quartet escape the bottom rung.

I don’t think that’s much of a spoiler, because it’s in the trailer, the press material and the cast’s promotional interviews with TrekMovie. At the start of season four, some of the quartet get their promotions to Lieutenant Junior Grade, and out of their shared bunk. Now they’re expected to lead away missions, take on real real responsibilities and actually lead other people. It affects them all differently, with Boimler struggling to grow into his role, and Mariner fighting every urge in her body not to self-sabotage, with varying degrees of success. And it’s here, I think, that we see the side of Star Trek that so often gets overlooked in its other properties.

After all, Starfleet is an organization of people coming together to do better for other people, but also to improve themselves. For every daring scientific experiment and skin-of-the-teeth rescue, we see more of the senior officers’ desire to actually nurture their charges. This, too, helps to broaden the series’ focus, to include T’Lyn, the fan-favorite who joined the Cerritos at the end of last season. The broader view also gives Captain Freeman more of a central role in several episodes, especially highlighting the times when her knowledge is ignored by her superiors. For all we’ve seen of the dung rolling downhill and landing in Beta Shift’s trench, it’s not as if those higher up the chain don’t get their fair share of excrement, too.

I wonder if its status as Star Trek’s officially-sanctioned Class Clown gives it room to be more subversive than anyone gives it credit for. Time and again, both in this series and before, we see totems of Star Trek’s past commoditized and packaged for sale. It’s an easy way to milk fans’ nostalgia glands, but it’s also potentially a subtle critique about the nature of nostalgia. As much as Lower Decks was created by a Next Generation fan who wants to recapture some of that magic, it’s also a commentary on that very same desire. And the show’s creative team is clear-eyed enough to notice that series’ blind spots and mine them for comedy.

But, for all of this high-falutin’ talk, this remains Lower Decks, a series that can have you in tears at the sight of a pair of dueling [SPOILERS] trying to out-compliment each other. And, if nothing else, it’s a pleasure to spend more time with Starfleet’s horniest and weirdest crew.

The first two episodes of Star Trek: Lower Decks will be available to watch on Paramount+ on Thursday, September 7. A new episode will arrive on subsequent Thursdays.