If it ain’t broke, don’t fix it.

Bose has done exactly that with its QuietComfort line of noise-cancelling headphones — and for good reason. The QC35 and QC35 II set the bar for active noise cancellation (ANC) when it comes to wireless over-ear cans. Bose’s powerful ANC blocks out more ambient roar than nearly all of the competition and the QuietComfort’s reliable controls meant they were a joy to use on long flights. Still, the QC35 II debuted in 2017 and technology has progressed a lot since then. Still, Bose managed to keep most of what made the line so popular while making a few minor updates with the QuietComfort 45 ($329). As it turns out, you don’t need fancy new features to make your headphones unique.

Design

In terms of aesthetics, there’s almost nothing new to report here. Bose was clear that the idea was to keep the trademark QuietComfort series design intact. The company did remove the pleats around the ear pads to clean things up, and it closed open spaces for a smoother look. It also swapped out the micro-USB port for modern USB-C charging. Overall though, you could easily mistake the QC45 for a pair of QC35 or QC35 II headphones.

The QC45’s ear cups still rotate and fold in for easy storage, and both the ear pads and headband remain soft and cushiony. On the right, the power and pairing slider is on the outside of the ear cup while on-board controls are along the back edge. These physical buttons give you the ability to play/pause, take calls, skip tracks and adjust volume. In the same spot on the left, what used to be the Google Assistant and Alexa button now cycles between active noise cancellation (Quiet mode) and ambient sound (Aware mode). If you press this button during a call, it will mute the mics. You can still summon your assistant of choice, but you now do so by holding down the center multi-function button on the right side instead.

If you want something that’s a bit less of a “dad on a business trip” vibe, but still desire Bose’s sound quality and ANC chops, you’ll want to look at the Bose 700 (more on those in a bit). Those have a more modern design. However, the entire point of the QuietComfort series is to keep you comfy for hours at a time while blocking out the world. The QC45 continues to do just that with its lightweight design that packs easy and is an excellent travel companion.

Software and features

Like other Bose headphones and earbuds, the QuietComfort 45 work with the company’s Music app. The software doesn’t offer much in terms of customization, but it will guide you through the on-board controls, display battery life, allow you to change ANC modes and switch between connected Bluetooth devices. There’s also a volume slider and a basic media controller, both of which you probably won’t need. What you are able to adjust does actually come in handy though. You can choose between four levels of Self Voice, or the amount of yourself you can hear in the headphones during calls (off, low, medium and high). This helps you be less shouty on Zoom, which is always nice. You can also adjust how long the QC45 will sit idle before automatically powering off to conserve battery.

Billy Steele/Engadget

That’s really it. Bose doesn’t offer the ability to tweak the EQ or even a select of presets to adjust the sound profile. Instead, the QC45 is equipped with a volume-optimized Active EQ feature that automatically adjusts highs and lows to maintain performance at all levels. There’s really no need to reassign any of the controls and features like automatic pausing or voice recognition aren’t available. This means the Music app is potentially something you’ll visit during initial setup, and never again.

Lastly, there’s one thing with the multi-device connectivity that I found frustrating. You can connect the QC45 to both your phone and your computer at the same time. This way when you’re working, you’re tuned into Slack and Spotify, but the headphones automatically switch over when you get a call. However, when that call is finished, the QC45 remains connected to your phone and you have to tap to get your computer back to the active stream. It’s a small nuisance, but when competitors do this automatically, it sticks out.

Sound quality

You might be considering a set of Bose headphones just for their noise cancelling chops, but don’t overlook the sound quality. The company has a decent track record with tuning, typically offering warm, balanced sound with good clarity that highlights details of the music. That continues with the QuietComfort 45 as these headphones handle all genres well, offering crisp highs, robust mids and deep bass when a song demands it. The tuning here is more even-handed than what Sony offers on its flagship model, so don’t expect booming low-end.

That being said, there’s ample bass for albums like Run The Jewels’ RTJ4 and Chvrches’ Screen Violence. The difference with Bose is that the low end doesn’t have the same depth or detail as other sets. The basslines of “Walking In The Snow” and “Asking For A Friend” don’t drone or oscillate with the same immersive quality as the competition. With more balanced tuning, and thanks to how well they handle details, the QC45 is well-suited for all genres — from metal to bluegrass and everything in between. They can get loud when you need them to and there’s enough depth to keep things from any semblance of flat or boring.

The most notable changes to sound on the QC45 were actually made to the active noise cancellation. Bose says a combination of external and internal microphones work with a "proprietary digital chip” to detect and silence more mid-range frequencies. The company explains that this should cover things like office noise, the roar of a train or the hum of a coffee shop. Indeed, these headphones are better at blocking the distractions the competition struggles with. I noticed the QC45 handled things like the TV and other sounds around the house with ease — including human voices on their own work calls. ANC performance was never an issue with Bose headphones, but the company has managed to improve on what was already top tier.

Ambient sound or Aware mode is also a new addition to the QC45. Something like this is a staple of most headphones nowadays, so it’s nice to see Bose include it. It doesn’t sound anywhere close to as natural as the AirPods Max, but it gets the job done when you need to hear what’s going on around you. The ability to adjust how much of your voice you hear on calls is also handy, since it looks like we’ll still be spending a good portion of our lives on video calls.

Battery life

Bose promises up to 24 hours on a charge with the QC45, four more than the QC35 II. Obviously, that’s long enough to take any commercial flight in the world, or to get you through a few full work days with ease. During my tests using a mix of ANC and ambient sound for both music and calls, I managed 22.5 hours before having to plug in. That’s slightly under the stated figure, but still quite a long time.

If you find yourself in a pinch, Bose has included a quick-charge feature that gives you three hours of playtime in 15 minutes. It’s more than enough to get you through your commute home, a workout or a Zoom call.

The competition

Billy Steele/Engadget

Bose has an attractive alternative to the QC45 in its own product lineup: the Bose 700. The 2019 model offers the company’s robust ANC along with impressive voice quality for calls, even in noisy environments. You can also set the level of noise cancellation between 0 and 10. The 700 has reliable touch controls instead of physical buttons and a design that’s more modern than the QC series. They’re more expensive at $379 and the treble can be harsh at times, which isn’t great when there’s no option in the app to adjust it. Still, if looks are important to you, these are a worthy alternative.

Sony has been giving Bose a run for its money over the last few years. The company’s latest flagship noise-cancelling headphones, the WH-1000XM4, keeps that pace. Sony packs in so many handy features on top of powerful ANC and excellent sound quality. The WH-1000XM4 can automatically adjust noise cancelling based on your activity or location and speak-to-chat, along with quick-attention mode, offers a convenient way to have a quick convo. Plus, automatic pausing, multi-device connectivity and support for Sony’s 360 Reality Audio may sweeten the deal. When you consider you can sometimes find these available for $100 less than the full asking price of around $350, the 1000XM4 becomes even more enticing.

Wrap-up

Bose is clearly catering to QuietComfort fans with the QC45. The new model maintains everything that makes this line of headphones so popular with noteworthy upgrades to noise cancellation. It’s also apparent that Bose is content to put its latest tech to work in entirely separate models like the 700, keeping the QC family going as long as there’s still demand for it. And if I had to guess, the clamoring will remain for quite some time. If Bose can manage to get the price closer to $300, future QuietComfort headphones become an even more intriguing proposition.

Just in time for the holiday season, Bose has released a new portable Bluetooth speaker designed for both strong audio performance and durability. The SoundLink Flex has an IP67 rating, meaning it's water, dust and dirt resistant, and the company even claims that the speaker will float to the surface if you drop it in water (but you should probably fish it out quickly if it drops into a bathtub or the ocean).

The silicone rear and powder-coated steel grille should protect the speaker from drops and bumps, according to Bose. The company also claims the device is resistant to UV light and corrosion and it won't peel or flake.

But it's not just the speaker's apparent toughness that makes it interesting. Bose says it packed the SoundLink Flex with features "to deliver astonishing audio performance." It claims that the custom transducer provides maximum audio clarity and "bass that you can feel in your chest.” The SoundLink Flex also has dual-opposing passive radiators, as well as Bose's digital signal processing tech, which should minimize distortion.

Bose

The speaker can detect its orientation and adjust the audio output accordingly. So, whether it's horizontal, vertical or hanging from the utility loop, the sound will be optimized. It's the company's first Bluetooth speaker that uses this Bose PositionIQ tech.

SoundLink Flex can remember up to eight Bluetooth connections to make it easy to switch from one device to another. You can adjust the settings using the Bose Connect app and control your phone's voice assistant and take calls using the speaker's microphone.

You can pair a second Bose Bluetooth speaker for stereo or simultaneous playback. The SoundLink Flex can connect to other Bose speakers and soundbars as part of a home audio system. Bose says you'll get up to 12 hours of playback on a single charge and you can recharge the lithium-ion battery with a USB-C cable.

The SoundLink Flex is just under eight inches wide, 2.1 inches deep and 3.6 inches tall. It weighs just over a pound and is available in black, white smoke or stone blue. The speaker costs $149 and you can pick it up from Bose's website starting today.

I didn't expect much from the second-generation Sonos Beam. It has the same exact speaker components as the original, a device we already loved. The main difference is that the new Beam also has more processing power to handle Dolby Atmos surround sound. I tend to want more in a sequel, especially since in this case Gen 2 costs $50 more at $450. But even though it's more of a revision, the new Beam still manages to deliver a wider, more immersive soundscape than before. It proves that having a dollop of Dolby Atmos can go a long way.

The original Sonos Beam was a predictable hit. Consumers were hungry for soundbars to beef up their flatscreen TVs, and it turned out that many people also wanted a cheaper alternative to Sonos's two TV solutions at the time , the aging Playbar and the awkwardly shaped PlayBase, both priced at $699. Enter the $400 Beam: it was compact enough to fit in small living rooms; featured Amazon Alexa built in; and, most importantly, it sounded great. It was an accessible entry point into Sonos's family of connected speakers, pluss an easy upgrade for existing customers.

The new Beam looks almost the same as before; the only difference is that it has a perforated plastic grille around its curved exterior, a departure from the thin cloth covering on the previous-gen model. It's still surprisingly small, measuring just 25.6 inches wide and weighing a mere six pounds. It has the same rear ports, too: Ethernet, HDMI and power. You'll need to plug it into an HDMI ARC/eARC socket on your TV to tap into the power of Dolby Atmos and TrueHD. (But if you've got an older set, you can get basic Dolby Digital decoding with the bundled HDMI to optical adapter.)

Speaking of Atmos, that was a major deficiency on the earlier Beam. When that speaker was released in 2018, soundbar makers like Vizio were already exploring what was possible with Dolby's new technology. Typically, that involved using upward-firing speakers to bounce sound off of your ceiling. And, despite seeming like a bit of an audio hack, in my experience those speakers do a decent job of replicating what you get from Atmos-equipped cinemas, which have dedicated hardware built into their ceilings. There are limits, though: Upward-firing Atmos speakers tend to max out with 15-foot ceilings, and they work best with flat surfaces.

Devindra Hardawar/Engadget

Given the additional hardware and room requirements, why go through the trouble of getting Atmos hardware at all? Simply put, it makes for more room-filling surround sound than traditional 5.1 solutions like Dolby Digital and DTS. Those earlier technologies sent sound to specific channels — left, right, center, two rears and a subwoofer. Atmos is different: It's object based, allowing engineers to map sounds in 3D (XYZ) space coordinates. That lets an Atmos mix automatically scale up anywhere from two speakers (or basic stereo support) to 64 in cinemas.

Sonos is no stranger to Atmos soundbars: It's the defining feature on the $899 Arc. But what makes the second-generation Beam unique is that it doesn't even have upward-firing speakers. It has the same basic hardware as before: a center tweeter, four mid-woofers for mid-range sound, and three passive radiators to handle the low-end. Instead, it's relying entirely on audio processing to simulate the Dolby Atmos experience. The additional CPU speed allows it to power two additional channels: height and surround for both the left and right speakers.

When Sonos first announced the second-gen Beam, I immediately wondered how the heck it could provide any height channels without adding more speakers. It turns out, the company leaned even more heavily into psychoacoustics, or the science of how we perceive sound. According to Scott Fink, the product manager behind all of Sonos's home theater gear, the company can tweak the audio timing and frequency to make it seem as if sound is coming from the side, or slightly above you. It's no replacement for having actual speakers dedicated to blasting height channels, but it worked surprisingly well in my testing.

During the opening chase in Baby Driver, for example, I could hear cars whizzing by my ears, the roar of powerful engines and Jon Spencer Blues Explosion's "Bellbottoms" filling my family room. That same scene on the original Beam sounded fine, but there was no sense of enveloping surround sound. The second-generation model just sounded like a richer experience, as if cotton balls were removed from my ears.

The same was true while revisiting 2015's (seriously underrated) The Man from U.N.C.L.E., or the epic car-turned-motorcycle chase in MIssion Impossible: Rogue Nation. The new Beam is a tiny speaker meant to make a meal of bombastic action sequences, and it does so without distorting or breaking a sweat. Sonos also focused on making dialog clearer too, something I appreciated when conversations were happening amid those huge set pieces.

Mostly, though, I was impressed by what Sonos was able to do with such a small device. You can find soundbars and wireless surround sound systems for less than $450, and many will deliver bigger sound. But Sonos offers things other systems don't. For one, it's easy to set up: You just plug it into the appropriate ports and step through the process on Sonos's app. With competing products, you may also have to find spots to hold rear speakers, which still need to plug into power. As great as the new Beam sounds, though, it's no match for the Atmos capabilities of the Arc. But for half the price, I wouldn't expect it to.

Devindra Hardawar/Engadget

When it comes to synchronized audio throughout your home, Sonos is still the connected speaker company to beat. There's no easier way to program music for house parties (and outdoor shindigs with the portable Roam and Move speakers). The second-gen Beam is a solid addition to the family when it comes to music, though it's less of an immediate upgrade compared to movies. It'll support Dolby Atmos on Amazon Music later this year, but that service currently doesn't have a huge number of Atmos tracks. Sonos isn't saying when it'll support Atmos on Apple Music, but there's technically nothing stopping that from happening down the line.

The new Beam sounded fine while playing back some of my favorite albums, like Bjork's Homogenic and Janelle Monae's The Electric Lady, with a decent sense of presence and some thumping low-end. But it didn't sound dramatically different like it did with action movies. Amazon Music's Ultra HD mix of Marvin Gayes' "What's Going On" sounded very crisp and clear, but I'll be more interested in hearing what the Atmos version of that song sounds like eventually. On my Echo Studio, that Atmos mix almost sounds like Gaye is performing a live concert right in front of you.

And speaking of Echo devices, the Beam’s Alexa integration still works well. Its far-field microphones can hear me from the other side of my large family room, and it supports all of the same commands as Amazon’s own devices. It could easily replace an Echo in the same room, but you can also just mute the microphone and keep your Amazon account unlinked if you don’t want to have it listening in.

The Sonos Beam excels at being a simple and compact soundbar that'll give you a large soundstage for movies. But I'd recommend sitting back and thinking about what's really important to you. Do you care more about having a clean TV setup without many wires? Or do you want a soundbar system with more realistic surround sound? (Actual rears, a subwoofer and upward-firing Atmos speakers.) If so, you've also got great options like Vizio's M-series 5.1.2 for around $500.

Devindra Hardawar/Engadget

You could eventually build a Sonos surround sound system around the Beam by adding two One speakers as rears, as well as the company's wireless subwoofer. But those two pieces of hardware alone would run you another $1,150 (or you could buy them all bundled together for $1,499). If you're going that route, you might as well jump straight to the $899 Arc to have the best possible Sonos system.

The second-generation Sonos Beam isn’t a huge leap ahead of the original, but it’s still a better soundbar overall thanks to the addition of Atmos. If you already own a Beam, you don’t need to run out and grab one. But it’s a solid sub-$500 soundbar if you want to take your movie watching up a notch.

Note: Sonos is a former sponsor of my movie podcast, The Filmcast, but that hasn't stopped me from being critical of the company.

Sony debuted its latest flagship Dolby Atmos soundbar in July. The HT-A7000 is also the first of the company's soundbars to support 360 Reality Audio. The device is premium in every way, from connectivity options that include both 8K and 4K/120fps passthrough right down to the $1,300 price tag. If you don't want to spend that much, but still crave the same features, Sony announced another home theater speaker today. The HT-A5000 is a 5.1.2-channel soundbar that offers nearly all of the same bells and whistles as the A7000, but for $400 less.

In addition to Dolby Atmos, the A5000 also supports DTS:X, and Sony's Vertical Surround Engine simulates audio above your head thanks two a pair of upward firing drivers. S-Force Pro Front Surround creates a wider soundscape horizontally, using the company's X-Balanced speakers and "digital sound field processing" tech in an attempt to make things more immersive. In terms of the actual speakers, the A5000 has seven of those X-Balanced drivers: two up-firing, three front-firing, two built-in subwoofers. The soundbar also packs in a pair of beam tweeters situated on the front corners of the device. If you happen to own a compatible Bravia TV, Sony offers a Center Speaker Mode that uses the television speakers to boost the center channel. The company says that this can help with things like dialog and a secondary wired connection to the TV ensures sound and visuals are in sync. 

To properly calibrate the A5000 to your living room, Sony's Sound Field Optimization feature uses built-in microphones to measure speaker position in relation to the walls and the ceiling. This tool can also assess the position of any satellite speakers or a subwoofer to ensure the system is properly adjusted for the space. 

Sony

For connectivity, a single HDMI eARC output allows for 8K HDR, 4K/120Hz and Dolby Vision passthrough, making the A5000 a worthy option for gaming in addition to movies and television. The soundbar also offers AirPlay 2, Chromecast, Spotify Connect, Bluetooth and WiFi for wireless connections, in addition to Alexa and Google Assistant for voice control via a separate device. The A5000 is compatible with Hi-Res Audio content and it employs Sony's AI-powered DSEE Extreme technology to upscale compressed files in real time, restoring someof the detail that's otherwise lost. 360 Reality Audio is available for use here via Amazon Music HD, Deezer, Tidal or nugs.net.

There are a few key differences between the A7000 and the A5000. First, the former is a 7.1.2-channel soundbar while the latter is 5.1.2. Depending on your sonic preferences, those two extra channels and two extra speakers may make a difference in immersive sound. Typically, more channels and more speakers means better audio quality and more detail, but some folks may be just fine with a 5.1.2 setup. On the A7000, the tweeters are positioned in a way so that they bounce sound off the side walls to help with the overall immersion. Lastly, the A5000 only has one HDMI 2.1 (eARC) input and the A7000 has two. From supported audio formats to Sony's various home theater tech, nearly all of what the A7000 has to offer is available on the A5000.

Like the A7000, the A5000 works with Sony's latest arsenal of satellite speakers and subwoofers. The company announced two subwoofer options, the SA-SW5 and SA-SW3, and a pair of rear satellite speakers (SA-RS3S) as separate add-ons when it debuted the A7000 in July. All three connect to the HT-A5000 wirelessly. The difference between the two subs is the SW5 packs 300 watts of booming bass via a 7-inch driver and the SW3 offers 200 watts of low-end tone with a 6-inch speaker. 

The HT-A5000 will go on sale "in early fall" for $900 at Sony retailers. The SA-SW5 and SA-SW3 subwoofers are $700 and $400 respectively, while the SA-RS3S satellite speakers are $350. All three of those expansion items should be available in September or October alongside the A7000. Sony hasn't yet announced exact dates for any of this new home theater gear just yet. 

Yamaha is releasing high-end headphones with adaptive audio tech and an eye-catching design to help them stand out in a crowded marketplace. The $499.95 YH-L700A are the latest over-ears to join the exclusive head tracking audio club. Like the Dolby Dimension before them, Yamaha says its new headphones can identify where sound is coming from and re-orientate what you hear on the fly. 

Working in tandem with the 3D audio, the tech aims to deliver an immersive experience that lets you track individual sounds. It all sounds similar to Apple's Spatial Audio or Samsung's rival 360 Audio. Yamaha's feature is called "3D Sound Field" and essentially leans upon its Cinema DSP processing to convert stereo sound into multi-channel audio.

Yamaha

Overall, the headphones tick a number of boxes. There's "advanced" active noise cancelation (ANC) that can be switched on and off. Here, the system uses an algorithm and internal mics to adaptively remove ambient noise from the playback music signal. 

Plus, there are a range of audio modes that you can enable via an accompanying mobile app, which (along with the advanced ANC) are also available on the $350 YH-E700A headphones. They include a "listening optimizer" that can adjust the sound based on how you wear the headphones; "listening care" that promises a fuller range of audio at lower volumes; and "ambient sound" that uses the mics to capture external sounds and present them in the background of your audio. Yamaha claims you'll get an ambitious 34 hours of listening time per charge, though the jury's out on whether that will withstand rigorous testing.

While they retain some features from Yamaha's other headphones, they don't look like company's prior efforts. Yamaha has switched from round to rectangular earcups that can swivel and fold. Like the headband, they're covered in a foamy fabric. The new headphones are out now at select retailers and on the Yamaha store.

At CES 2020, Sony demoed its 360 Reality Audio (360RA) technology on a home theater setup like you would put in your living room. The in-booth layout included a soundbar, subwoofer and two rear satellite speakers. Today, the company announced the first gear that will allow you to actually create something similar at home. The company's new HT-A7000 flagship soundbar offers Dolby Atmos in addition to 360RA and the option to tack on sub and/or extra speakers can accommodate any space. If you're not so much into soundbars but still want the sensation of immersive audio, Sony also introduced the HT-A9: a set of four speakers and a control box equipped with new 360 Spatial Sound Mapping tech. 

The HT-A7000 is a 7.1.2-channel soundbar packed with Sony's X-balanced speakers, side beam tweeters, up-firing drivers for Dolby Atmos and dual subwoofers. Thanks to a Virtual Surround Engine (overhead) and S-Force Pro Front Surround (horizontal), the A7000 can simulate immersive audio on its own so you can take advantage of DTS:X in addition to Atmos. The soundbar is equipped with Sound Field Optimization that uses built-in microphones to calibrate the speaker to a room by detecting the height and width of the space as well as the position of a wireless subwoofer and any rear speakers. 

When it comes to music, the A7000 accommodates High-Resolution Audio and 360 Reality Audio. In fact, this is the first Sony soundbar to support 360RA and just the third speaker from the company to do so. The A7000 also has Sony's DSEE Extreme technology that Sony has leveraged for its headphones. That feature restores some of the compression from streaming services in real time, giving you something akin to lossless audio without the massive file sizes or the need for a wired setup. 

In terms of connectivity, the A7000 has HDMI 2.1 with eARC and both 8K and 4K/120fps passthrough — plus Dolby Vision support. The soundbar works with Chromecast, AirPlay 2 and Spotify Connect, so you have options when it comes to streaming music from your phone or another device. When used with compatible Bravia TVs, the A7000 works with Sony's Acoustic Center Sync that allows you to employ your television's speakers as additional center audio for things like speech clarity. The new soundbar can be controlled by a Google Assistant device at launch and Sony plans to add Alexa compatibility in a future update. Lastly, the company says optional wireless subwoofers and rear speakers will connect automatically to the A7000 when you power them on. 

Unlike the HT-ST5000 that it's replacing, the HT-A7000 soundbar doesn't come with a subwoofer. Sony says it unbundled the pairing based on customer feedback. Some people wanted the company's top-of-the-line soundbar, but they weren't necessarily interested in the sub. It's a beast in terms of both size and sound, so it's not ideal for apartments on any room where space is limited. Instead, Sony is offering two subwoofer options — the SA-SW5 and SA-SW3 — along with a pair of rear satellite speakers (SA-RS3S) as separate purchases. All of the add-ons connect to the HT-A7000 wirelessly, with the SW5 offering 300 watts of low-end tone via a 7-inch driver and the SW3 packing 200 watts of bass with a 6-inch speaker. 

With the A9 "home theater system," four cylindrical speakers offer what Sony describes as a "flexible layout" option that's meant to blend in with your living room decor. Thanks to Sound Field Optimization and built-in mics, the A9 can calibrate itself to any space — just like the tech does for the A7000. A key difference here is that the A9 is also equipped with Sony's new 360 Spatial Sound Mapping Technology. This feature not only lets you place the four units as you see fit, but it also offers a broad soundstage the company says is more immersive than "traditional" soundbars. Sony explains that the A9 gives users the sensation that the audio is "coming from beyond their walls" by creating up to 12 "phantom" speakers with just the four units. Of course, this is something we'll have to put the test to double-check the claim. 

Each speaker houses X-balanced front and up-firing speakers along with a tweeter and bass duct. The four devices connect wirelessly to a control box that has HDMI in/out (eARC output) with 8K and 4K/120 passthrough alongside Dolby Vision. The A9 is compatible with immersive formats like Dolby Atmos, DTS:X, 360 Reality Audio and High-Resolution Audio. It also works with Chromecast, AirPlay 2 and Spotify Connect and you can leverage voice control by pairing the set of speakers with a Google Assistant (at launch) or Alexa (via future update) device. If you need a boost in the center channel, you can use the A9 with compatible Bravia TVs and Sony's Acoustic Center Sync to employ the speakers from the display. Lastly, both of Sony's new subwoofers can be paired with the A9 speakers for fuller sound.

All of Sony's new home theater gear is set to arrive in "September/October," according to the company. The HT-A7000 soundbar is $1,300 while the HT-A9 speaker set is $1,800. The SA-SW5 and SA-SW3 subwoofers are $700 and $400 respectively, while the SA-RS3S satellite speakers are $350. That means if you're expecting to grab a complete setup with the A7000, a soundbar and rear speakers, you'll need to hand over at least $2,050.

Sony has revealed a cheaper model of its speaker that looks like a lamp. Style-conscious audiophiles will be able to order the LSPX-S3 glass sound speaker starting in August.

The Bluetooth-enabled device features an organic glass tweeter with three actuators that enable it to emit sound in all directions, according to Sony. The company claims the tweeter "produces clear and powerful high tones" and spreads sound evenly throughout a space. The LSPX-S3 has a 46mm speaker unit and you can adjust the levels via the Sony Music Center app. It also has LDAC support for high-resolution audio.

Sony

The speaker won't light up an entire room, but the flickering candlelight-style illumination should provide a cozy ambiance for nighttime reading. The LED can pulse in sync with music and there are several lighting modes and brightness levels.

You can take the LSPX-S3 outdoors, too. It weighs around 1.1kg and has a battery that Sony says can power the device for up to eight hours on a single charge. You can recharge it via the USB-C charging port.

There's also an option to link two units for stereo playback and it can form part of a multi-room audio system. In addition, the speaker has a built-in microphone for calls, a metal base and a fabric bottom.

Almost six years ago, Sony first showed off a prototype for the stylish product. The company released the LSPX-S2 in Japan in 2019 and brought it to the US the following year. The LSPX-S3 will cost $350/£315/€350, which is around $100 cheaper than the previous model. It's not yet clear when Sony will start shipping the speaker.

Vinyl has been on a resurgence for some time, and the pandemic somehow only accelerated that. It’s got many out there looking to upgrade from a cheap Crosley turntable and build out their first HiFi system. Of course, there are multiple pieces that go into building a decent stereo, but perhaps the most important is the speakers. If your speakers don’t sound good, it basically doesn’t matter what you connect them to.

This is understandably the part of their setup that people likely spend the most time researching. And you have to make a number of choices. One of the biggest is: active or passive? Both have their advantages, but for the sake of this guide we’re going to focus on passive speakers, which require a separate amplifier.

Active speakers have an amplifier built in. Usually, the two things are specifically designed to work together, which means you're getting a more faithful version of the manufacturer’s aural vision. And since you don’t need an external amplifier, active speakers also take up less room. While active speakers are more expensive than passive, the fact that you need to buy an amplifier to power passive speakers means the savings aren’t as great as they might initially seem. The primary benefit of passive is greater flexibility. You can’t go out and buy a new high-end amplifier and connect your active speakers to it; you’re stuck with what’s built in. Also, since active speakers require power, you’ll have to make sure they’re near an outlet.

Terrence O'Brien / Engadget

We’re also putting a cap on our spending for this guide: a somewhat arbitrary $600. Anything over that and you’re starting to get into budget audiophile territory. It also basically limits us to bookshelf speakers between five and six inches. While you can certainly get floorstanding speakers for that much, the quality of the drivers will likely be better on bookshelf speakers at the same price point.

A note about testing

Obviously, I could not test every set of five to six inch bookshelf speakers under $600, but I’ve tried enough and done enough research to feel confident in my recommendations. I’m sure there are other good speakers out there, but I don’t think anyone is going to regret buying the sets here.

Additionally, speaker preference is largely subjective. But I did my best to be as objective as possible. All of the speakers were connected to a Pyle PSS6 switcher with the same wire for quick side-by-side comparisons. After I’d tested them all myself I enlisted multiple people to listen blindly and then rank them based on their preference to see if their opinions lined up with my own. Testing included playing new and vintage vinyl, as well as streaming songs from Spotify.

Also worth noting: I am not an audiophile. This is not a guide for audiophiles. I want my music to sound good, but I’m not about to drop the price of a used sedan on my stereo. My setup includes an Audio Technica Audio-Technica AT-LP120 and a Chromecast Audio running through a Technics SA-EX110. This is not fancy stuff, but it is certainly an upgrade from a Crosley Suitcase turntable or even a higher-end Sonos system.

The best for most people: Audioengine HDP6

Honestly, a lot of the speakers I tested sounded eerily similar to each other. But not the $399 Audioengines. They had a much brighter sound and a lot more clarity than all the others, with the exception of a significantly more expensive KEF pair. The particular pair I tried also came in a gorgeous “walnut” enclosure that helped them stand out in a sea of utilitarian black.

The HDP6s deliver especially strong mids that shine when it comes to vocals and guitars. But they sound quite balanced across the entire spectrum. Towering compositions like Nine Inch Nails “The Day the Whole World Went Away” sprung to life and revealed nuances that, frankly, I’ve never noticed before even on headphones. And Promises, the recent album from Floating Points, Pharoah Sanders and the London Symphony Orchestra, was so enveloping it made me want to throw my current floorstanding speakers in the trash.

While no bookshelf speakers on their own are going to be able to deliver the sort of room-shaking thump that floorstanding speakers or a subwoofer can deliver, the HDP6 performed admirably with bass-heavy songs. They didn’t have the most low end of my test units, but drums and bass were still punchy and clear.

Buy Audioengine HDP6 at Amazon - $399

For those who want the best sound: KEF Q150

Terrence O'Brien / Engadget

If your number one concern is sound quality, regardless of anything else, check out the Q150s. These are the entry-level option from noted audiophile brand KEF and the only speakers that beat out the Audioengines in any of my blind taste tests. They didn’t come out on top every time, and some people had trouble deciding between the two, but ultimately I think the KEF’s have the slight edge in pure sound quality. They had a bit more volume at the extreme lower and higher ends of the spectrum. It added a certain sparkle to tracks like the Beach Boys’ “Wouldn’t it Be Nice,” while Run the Jewels’ “JU$T” hit a little bit harder than on the HDP6s. The difference can be subtle depending on what you’re listening to, but it’s undeniable in side-by-side testing.

The audio profile of the KEF is similar to that of the Audioengines. They’re both much brighter and with a lot more treble and midrange than all the other speakers in this roundup. If you’re into listening to classical or jazz on high quality vinyl, these are going to deliver exactly the sort of frequency response you’re looking for.

What stops the Q150 from topping this list is the list price. At $599 they tied for the most expensive speakers I tested. (The Polk R100s were also $599, but didn’t make the final cut.) While the Q150s sounded slightly better than the HDP6s to my ears, they weren’t necessarily $200 better.

Buy KEF Q150 at Crunchfield - $399

For the bargain hunter: JBL A130

Terrence O'Brien / Engadget

The JBLs were pretty consistently in the middle of the pack when it came to listener preference. They’re not as bright as the KEFs and the Audioengines, but not quite as muddy at the lowend as the Polk S15s. If you’re just looking for a decent set of speakers and don’t sweat over spec sheets, or if you’re primarily listening to streaming music and only putting on vinyl occasionally, these are a great option if you can find them on sale.

The A130s aren’t a bad deal at the list price of $300. But I’ve seen them discounted to as little as $180, at which point they’re a downright steal.

Buy JBL A130 at B&H Photo - $300

For those that need more bass: ELAC Debut 2.0 DB6.2

Terrence O'Brien / Engadget

Ok, so these speakers break our rules a bit but, if you opt for the slightly larger 6.5-inch DB6.2s, instead of the DB5.2s, you get a lot more thump at the bottom end. The Debuts can’t quite match the Audioengine or KEFs when it comes to clarity, but you’ll feel every 808 hit a lot more. Backxwash’s new album I Lie Here Buried with my Rings and my Dresses raged harder on the ELACs than it did on the Polks, JBLs or even the KEFs. And they only cost $350, which isn’t bad at all.

If you’re primarily listening to electronic music and modern hip hop, you might consider the Debut 2.0 DB6.2s.

Buy ELAC Debut 2.0 DB6.2 at Amazon - $350

For those who want to ignore my advice:

Polk S15

If you can’t find the JBL A130s on sale, and really want to save as much money as possible, you could snag the Polk S15s. The S15s don’t sound bad, but the JBLs are definitely superior. They don’t have as deep of a soundstage as the other speakers I tested and the lowend can be a little undefined. These are probably better suited as part of a home entertainment system than a stereo. At a list price of $229 they might seem like a bargain, but I’d save your pennies for a bit longer and spring for something better.

Polk R100

The Polk R100s are decent sounding speakers. Perhaps slightly better than the JBLs, though with a sound profile closer to the Polk’s own S15. The problem is they’re $600, tying them for the most expensive I tested. At half the price these might be a solid option, but the $600 KEFs and $400 Audioengines were ranked higher than the R100s by every tester.

Q Acoustics 3020i

I have no doubt that these are very good speakers: They’re currently Wirecutter’s top choice. But I could not test them and therefore cannot vouch for them.