There are a few things you can bank on when it comes to Bose headphones. The first is powerful and effective active noise cancellation (ANC) that’s been the best in the industry for years. You can also reliably expect that the company’s new set of cans will be comfortable over the course of a long flight or extended work session. Bose continues to check both boxes with the QuietComfort Ultra Headphones ($429), but the marquee feature here is the company’s unique take on spatial audio. However, more immersive sound and a refreshed design, along with everything else the company is known for, comes at a higher price.

Design

After debuting a refreshed design on the Bose 700 headphones in 2019, the company returned to its old aesthetic on subsequent models. With the QuietComfort Ultra Headphones, Bose did a mix of the two, but it mostly stuck to the traditional look of the QC line. The outside of the ear cups are where the blend of the 700 and previous QuietComfort models is most apparent. They have a similar shape to those on the 2021 QC 45s, but the physical buttons are almost entirely gone, more like the 700s.

Bose removed the three-button setup for playback and volume, instead assigning play/pause, skipping tracks and changing audio modes to a single multi-function control. Just below it on the right ear cup, the Bluetooth pairing button also handles power. The company moved the on-board volume adjustment to a touch-sensitive strip that you can glide your finger across to raise or lower the level. Bose also allows you to assign a shortcut to the volume slider that’s activated by long pressing on it. Even though it’s touch-based, the slider reliably recognized my thumb swipes.

Another notable design change is the headband and hinge. Bose gave these a refined look by using metal instead of relying entirely on plastic. The hinge is better integrated in the headband so there are no visible screws until you fold the ear cups in. Those ear cups can also rotate flat, consistent with previous models over the years. Even with all the changes, Bose managed to keep things extremely comfortable during long listening sessions. Both the earpads and the inside of the headband are soft and cushiony, and I didn’t notice the extra weight.

Software and features

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All the settings are found inside the Bose Music app. Once connected, the software serves up battery life and a volume slider right up top, with quick access to audio modes, Bluetooth connections, EQ, Immersive Audio, shortcut customization and tips underneath. The app also has a media player that mirrors whatever you’re playing elsewhere, so you don’t have to leave to control tunes when you’re tweaking headphone settings.

For audio modes, Bose gives you three by default: Quiet, Aware and Immersion. The first is just active noise cancellation, while the second is full transparency. Immersion is both  maximum ANC and Immersive Audio. Bose also offers the ability to create your own modes with an adjustable noise canceling, the option of wind block and Immersive Audio. Once you create a new mode, favoriting it will make it accessible via the QuietComfort Ultra Headphones’ on-board controls.

For Immersive Audio, there are three options to choose from. You can disable it entirely for the stock Bose tuning, and to save battery life, or you can opt for Still or Motion settings. The former keeps the audio at a fixed point and it is best for when you’re sitting. The latter allows the audio to follow you as you move around, using head tracking to keep the sound in front of you at all times.

In order to use that long press on the volume slider shortcut, you first have to enable it in the Bose app. From there, you can assign a handful of actions to the gesture. These include hearing the battery level, cycling through the Immersive Audio presets, accessing a voice assistant or playing content from Spotify. If none of those seem particularly helpful, you can always leave it turned off.

Sound quality and Immersive Audio

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While the headline feature is Immersive Audio, Bose has also improved its stock tuning on the QuietComfort Ultra Headphones. Before I even activated spatial audio, I could tell the sound was considerably warmer and clearer, with more bass right out of the box. Overall sound quality is one area Bose lagged slightly behind the likes of Sony and Sennheiser, but the company is certainly catching up.

Bose’s take on spatial audio doesn’t rely on specialized content like Dolby Atmos in Apple Music or Sony 360 Reality Audio. Those formats have been engineered to specifically make the instruments sound like they’re playing around you. Bose uses a combination of headphone components and its newly developed signal processing for Immersive Audio. Thanks to virtualization, it works with any content and that makes it more convenient.

Like the dedicated spatial audio formats, the first thing you’ll notice is the sound is louder. Immersive Audio lends more overall presence to music, but there’s also heightened clarity and detail. Rather than surround you with sound, Bose claims to put you in the acoustic sweet spot, as if you were sitting in the perfect position in front of a set of high-end speakers. Indeed, the company achieves this as albums like TesseracT’s prog-metal War of Being have an atmospheric depth while preserving finer details – from the texture of the singer’s growl to subtle nuances in the drums.

At times, Bose’s spatial audio can make songs sound worse. On Tyler Childers’ “In Your Love,” the vocals are sharp and tinny, and the reverb is accentuated to the point it becomes a distraction from the rest of the music. And the vocals are now several notches louder than the instruments. When it hits, this audio tech is a joy to listen to, but because Bose is relying on signal processing rather than carefully engineered content, the results can vary greatly.

Another area Bose continues to improve is transparency mode. On the QuietComfort Ultra Headphones, the company offers noticeably clearer audio when piping in your surroundings and allowing you to hear your voice. It’s still not as good as what Apple manages on the AirPods Max (no one comes close really), but Bose is making strides. That certainly helps when you’re taking a call or need to be tuned into your environment.

Stellar noise canceling performance is nothing new on a set of Bose headphones. The company is consistently the best in terms of allowing you to block out the world and the same holds true with the QC Ultra Headphones. Constant rumbling from an air conditioner or white noise machine is reduced to barely a whisper. The headphones do a great job with TV sound and human voices too – even the lethal combination of a nine-year-old playing Fall Guys.

Call quality

Photo by Billy Steele/Engadget

Bose promises “amazingly clear calls” on the QC Ultra Headphones, a claim that’s on par with nearly every headphone company these days. While I wouldn’t describe the audio quality for calls that way, it’s suitable for everyday voice and video calls when you just need to hear and be heard. It doesn’t sound like you’re on speakerphone, but it’s not pristine either. That’s better than what a lot of the competition offers and near the best you’ll get on wireless headphones.

Battery life

Bose says you can expect up to 24 hours of use with ANC turned on. If you opt for both noise cancellation and Immersive Audio, that figure drops to 18 hours. However, during my tests using the latter option, both the Bose app and macOS were showing 30 percent remaining after 20 hours. So while it’s true that the company’s new spatial audio impacts battery life, the QC Ultra Headphones still surpass the stated numbers.

To help you conserve battery, the QC Ultra Headphones will automatically turn off when they aren’t being worn and no audio is playing for 10 minutes. There’s also a quick-charge feature that gives you two and a half hours of use in 15 minutes. That’s with ANC on and Immersive Audio off though. If you need spatial audio during this time, Bose says you can expect 30 minutes less battery life after the fast top off.

The competition

While Bose has done a lot to catch up, it still doesn’t offer the suite of features that Sony does on the WH-1000XM5. No company does and that’s why the M5 is consistently at the top of our best wireless headphones list. The QuietComfort Ultra Headphones do offer more effective noise cancellation, but there’s nothing akin to Sony’s Speak-to-Chat automatic pausing or the ability to change audio modes based on your activity or location. The M5 also supports Sony’s DSEE Extreme that uses AI to upscale compressed audio and increase depth and clarity. The results are far more consistent than Bose’s Immersive Audio.

Wrap-up

With the QuietComfort Ultra Headphones, Bose remains near the top of the headphone heap. While Immersive Audio is great at times, the results are inconsistent and can be downright bad with some albums and songs. Still, the default tuning is improved and puts these headphones closer to the level of Sony and Sennheiser sonically, mostly due to added bass, increased clarity and enhanced warmth. Bose needed to nail its new trademark feature to help justify the higher price, but it failed to do so. The QuietComfort Ultra Headphones showcase a number of improvements over previous Bose models, but they’re not good enough to dethrone the king.

AIAIAI, which is best known for its headphones, is moving into new territory with a set of wireless speakers. The Unit-4 Wireless+ studio monitors use the same low-latency tech as the Danish brand's headphones. AIAIAI suggests that they will enable folks "to create and mix music with accurate sound representation and powerful performance" wherever they might happen to be.

That suggests the speakers will be useful for those who like to make music while they're on the road, but would rather have studio monitors than headphones despite the extra bulk. (Even though they weigh a relatively paltry 2.5kg, the speakers will be more cumbersome than carrying around a set of cans.). The speakers may also be useful for garden DJ sets or any other environment in which latency is key and wired options are impractical. They will run you $800 for a pair.

These monitors employ W+ Link wireless technology, which requires the use of an X02 transmitter (you can also use Bluetooth 5.2 or a cable to connect them to an audio source). AIAIAI says they have 16ms of latency via W+ Link and deliver uncompressed audio. The system employs dual antennas and higher bandwidth than Bluetooth can handle in an effort to maintain a robust connection. The batteries will run for up to 20 hours on a single charge, the brand claims, and it will take two hours to fully recharge them.

AIAIAI

AIAIAI says these speakers offer reference monitor sound. You'll be snapping up a two-way active monitor that features a four-inch high-excursion woofer and one-inch silk-dome tweeter. Thanks to a bass vent (which can also be used as a carrying handle) and tuned boosting EQ, the monitors will deliver "a clean bass extension down to 40Hz," AIAIAI claims. Since they employ a stage monitor design, you can angle the speakers horizontally to optimize the audio for your surroundings.

Using the AIAIAI Unit-4 app, you'll be able to further align the sound field with the environment you're working in. There's a customizable five-band EQ and five presets. You can use the app to adjust the brightness of the LED ring too.

Meanwhile, AIAIAI has designed the Unit-4 speakers with sustainability in mind. The main plastic components are made with 100 percent post-consumer recycled plastic. The monitors have a glue-free design, so it should be easy to replace components such as the battery or speaker drivers when necessary. You'll be able to upgrade parts as well. On top of that, the Unit-4 is designed to be completely recyclable.

At some point over the years there’s been a shift in what PC speakers look like. Many of you may remember plugging in a pair of small, often beige, units into the back of your PC (where the PCI sound card was) and pretending to enjoy the results. Over the years, built-in audio interfaces improved and external ones found their way to a more convenient location on our desks. This, in turn, led to a trend of bigger, creator-friendly, shelf-style speakers. But the rise of the home office has led to a renewed focus on streamlined workspaces, making compact speakers more appealing again.

Enter Drop, a company best known for mechanical keyboards and audiophile gear. With the announcement of its BMR1 desktop speakers, the company is hoping to re-invigorate the dedicated PC speakers category. At first glance, the BMR1 looks like it has more in common with the Logitech or Creative speakers of yore (they still make them, I know), but with the promise of the audio oomph usually reserved for larger “monitor” style speakers.

Given Drop’s credentials as a destination for audio enthusiasts, the company was unlikely to put together something you might find in the PC accessories section at Best Buy. Unsurprisingly, the BMR1 isn’t as cheap as those big box store options, either. At $129 they’re at the upper end of what more mainstream alternatives tend to cost.

Photo by James Trew / Engadget

That $129 gets you a pair of 15W Balanced Mode Radiation (BMR) speakers with either 3.5mm or Bluetooth input. That’s a respectable amount of audio power for this size. There’s no USB here though, as there’s no built-in interface — you’ll either use your PC’s headphone port or the outputs on a dedicated audio interface. As is the norm with this type of speaker, one is the “active” unit with the in/outputs and you simply connect the other with a (proprietary) cable for the left channel audio. Though I will say the included cable is a little on the short side and currently there’s no alternative.

Physically, the BMR1 is a minimalist affair. There are no dials for power, volume or EQ and the inputs and outputs are all hidden around the back. This will be an annoyance for those who prefer physical controls, especially if you have no alternative (such as a keyboard with a rotary or a programmable mouse). The housing is made of plastic and doesn't give the BMR1 a premium feel, which is in contrast to the company’s keyboards. The stands are also plastic which makes the speakers feel light and prone to moving about if a cable tugs on them, for example.

On front of the speakers are two drivers — one full-range BMR driver along with a passive radiator. One nice touch is that the BMR1s can be mounted either horizontally or vertically which makes them suitable for a variety of different setups, be that for your own aesthetic preference or out of necessity. The right side speaker has the BMR1’s lone button along the bottom edge for switching between 3.5mm, bluetooth and headphone modes.

Headphone mode might sound counterintuitive to have on a set of… speakers, but it’s a practical tool that passes through the audio from your PC to headphones without having to unplug the BMR1, which, depending on your setup, could be occupying the only output port on your PC. It’ll even work with microphones on compatible (TRRS/4-pole) headsets so you can take work calls without having to remove the speakers to free up that headset jack.

Photo by James Trew / Engadget

That’s a neat quality-of-life feature, but the main focus here is obviously those BMR drivers. In terms of volume, the 15W speakers are likely capable for most small to medium sized offices. My home office is somewhere north of 150 square feet and the BMR1 amply fills the space. They’re described as “near field” monitors, i.e. specifically designed for close proximity, but they are able to fill this room with sound without much struggle.

As for the quality of that sound, that’s a little more complicated. The BMR1s appear to perform best when their volume is set somewhere between 40 - 70 percent of the maximum. Above that, things start to sound a little strained, which isn’t unusual — especially for speakers this size. At the lower end, from mute to around 30 percent, the speakers are great with spoken word — ideal for podcasts, video viewing and voice calls. But at these lower volumes, music feels a little too muddled to my ears. It’s fine for having something on in the background, but it’s a slightly dense listening experience.

Nudge the volume up a bit, and things improve. Just north of the middle section of the volume curve is where the BMR1s do their best work. There’s still a slight lack on the low frequencies, meaning bass forward music can sometimes feel dried out. If you’re listening to rock, country, classical or any other genre where the action is more in the mid-frequencies, you can have a good time with the BMR1s, but if Hip-Hop or Drum & Bass are more your thing, then you might find yourself wanting at any volume.

The listening experience improves if you can have the speakers nearer to you. There’s definitely a sweet spot at around maybe 18 inches away. When they were about two feet away from me on my desk, Metallica’s Enter Sandman sounded fine, but a little thin on the low end, thus leaving the song’s splashy hi-hats and James Hetfield’s voice feeling a little over represented. If I leaned in a little, the rhythmic bassline and kick drums were notably more apparent.

Even with great placement, the sound from the BMR1 never quite felt as robust as I wanted it to be. I know these are PC speakers, but Drop’s pitch is that these are “ideal for movies and music” — specifically for the desktop. And while they do an acceptable job most of the time, there are definitely occasions where I notice they’re lacking, and more so than I was expecting.

Photo by James Trew / Engadget

It was a little surprising to see that the BMR1 only supports SBC and AAC Bluetooth codecs. Obviously, with a focus on PCs, the inclusion of AptX or LDAC might feel a little superfluous, but the Bluetooth functionality, to me, is more about making them compatible with your phone, too (rather than another input mode from a PC). As such, support for higher-quality codecs, even just regular ol’ AptX, feels like a bit of a miss here.

The BMR1 ships as a 2.0 (stereo) system, but it can also be used as a 2.1 with an external subwoofer. There’s a switch around the back that will shelf off the bass on the main speaker to balance things out, and this would certainly resolve the issue with weaker low frequencies. Alas, I don’t have a compatible sub, but some reports online indicate that the whole sound does present much more robustly in this configuration. The bigger issue there being, that this requires another separate spend, probably another thing to plug in and takes away from one of the BMR1’s primary appeals: a simple, compact setup.

This is something of a theme with the BMR1s: they slightly miss on some key areas. In certain, optimal, conditions, they’re really quite enjoyable. But that sweet spot is limited and not what you expect either from the brand or for the price. Some of the practical complaints like material choices, the proprietary cable and lack of physical controls feel like obvious misses. The sound profile is enjoyable but the bass is sometimes a bit lacking for certain styles of music. The price point isn’t egregious, but a shade over where it should be. And so on.

Making the BMR2 feels like a task Drop won’t need much assistance with. Most of the pre-order reviews on its own website list off similar minor annoyances. There was a lot to look forward to here, and the final product doesn’t land too far from its promises, but it does fall short enough that more demanding users — which are kinda Drop’s whole thing — could feel slightly underwhelmed.

When Sonos released its first portable speaker, the Move, four years ago, it was an anomaly. Previously, the company had looked down on Bluetooth as low-quality and unreliable, and all of the speakers it sold required a power outlet. The Move, on the other hand, used Bluetooth or Wi-Fi and had a 10-hour battery.

In 2023, these tricks have proliferated across the Sonos lineup. The more affordable Roam speaker brought the Move’s feature set to a much smaller device, while recent home speakers like the Era 100 and 300 both support Bluetooth, as well. As such, the recently-announced Move 2 doesn’t suggest a new direction for future Sonos products — it simply brings the company’s latest tech and design cues to an existing product.

And, as usual, it’s more expensive — at $449, it’s the same price as the Era 300, which is capable of spatial audio playback. It’s also more expensive than buying an Era 100 and a Roam. Given how Sonos has changed since the original Move, I’ve been trying to figure out what place — if any — the Move 2 has in the company’s lineup.

What hasn’t changed

At first glance, the Move 2 looks nearly identical to its predecessor. It’s a chunky and rather heavy speaker, weighing just over 6.5 pounds, and it’s noticeably bigger than the Era 100. That said, it’s identical in size and weight to the original Move, despite having redesigned internals. Given the speaker’s size and weight, I still see its potential use cases the same as four years ago: you can lug it around the house with the built-in handle and get loud, quality sound anywhere, or bring it outside to power a party in the backyard. But it’s clearly not a speaker you’ll take with you anywhere, like the tiny Roam, which you can tuck in a bag and mostly forget about.

As before, and like all other Sonos speakers, the Move 2 can stream audio over your Wi-Fi network from dozens of services through the Sonos app. If you have other speakers, you can stream the same music to all of them at once, or play different things on each. If you have two Move 2 speakers, you can set up a stereo pair. And for when there’s no Wi-Fi, the Move 2 has Bluetooth.

The Move 2 also has built-in microphones so you can command the speaker with either Alexa or Sonos’ own voice assistant. These also let the speaker automatically tune audio output to optimize sound quality. This auto Trueplay feature first arrived on the Move four years ago and is now available on many of the company’s products. In my experience, it definitely improves the speaker’s output, so I always turn it on. It’s particularly useful on a portable speaker that is constantly used in different spots.

Finally, the Move 2 is built to withstand the elements; its IP56 rating means it is dust- and water-resistant. You can’t actually drop it into a body of water (unlike the smaller Roam, which can survive a dip in the pool), but it’s just fine getting hosed down. It can also withstand a wide temperature range — Sonos said the first Move worked between 14 degrees F and up to 131 degrees F (-10 to 55 Celsius) and confirmed that the Move 2 has the same weather resistance as the original. That’s not something most people will need to worry about, but the Move 2 should survive a night outside in the winter if you forget to bring it in.

Photo by Nathan Ingraham / Engadget

What’s new

While you’d be forgiven for mistaking the Move 2 for the original, there are some significant changes on the inside (and some subtle ones on the outside). The speaker’s top touch controls have been redesigned to match the layout Sonos introduced earlier this year with the Era 100 and 300. Flanking the play / pause button are track forward and back buttons. Previously, you had to double-tap the play button to skip songs, and this is definitely easier. The volume controls are now a slider, but you can also tap the left or right side of the volume area for little adjustments. Finally, there’s a button to mute the speaker’s microphones. And for extra security, there’s also a physical switch on the back of the speaker that cuts power to the mics entirely.

There’s also a USB-C port in the back that can be used for charging or, with the right dongle, as a line-in jack. I hooked the Move 2up to my turntable with no issues, same as I did with the Era 100 and 300. My slight annoyance at needing a dongle is more than tempered by having this option at all — a year ago, only the $550 Sonos Five speaker had line-in, and now it’s available on most of the music-focused speakers Sonos sells.

Nathan Ingraham / Engadget

Oh yeah, and the Move 2 comes in olive green in addition to black and white!

Ultimately, there are two big changes that define the Move 2: an improved battery and all new speaker components. Sonos says that the Move 2 should last for “up to 24 hours” — and it seemed to blow past that in my testing. I had the speaker playing music over Wi-Fi for 22 hours and 50 minutes when I went to bed, and the speaker still had a whopping 46 percent of its battery left. When I checked in again 10 hours later, the battery was depleted, so it died sometime between those check-ins. But it’s safe to say you should get the 24 hours Sonos promises and more. That’s more than double the old Move, and more than sufficient for a speaker like this. I’m still testing the Move’s battery and will try and be awake when it dies next time so I can get a better handle on just how long it lasts.

Sonos again included a charging “ring” that you can just place the Move 2 in to power it up. It’s an elegant solution that requires no fiddling with cables. At first, I considered that it might be good to have two of them around the house, but honestly the battery lasts so long that I didn’t find it necessary to set up two “home base” spots. And you can charge it via USB-C, too. It’s not as clean and aesthetically pleasing as using the charging ring, but useful in a pinch.

The new speaker components seem to be inspired by the Era 100. Like that speaker, there are two angled tweeters to provide a semblance of stereo sound, as well as one midwoofer. The original Move, on the other hand, had a single downward-firing tweeter and a midwoofer. Thanks to the two tweeters, the Move 2 is technically a stereo speaker — but as with the Era 100, it’s nothing like the stereo separation you get from a pair of speakers. The fact that there’s no left-right balance control in the app for the Move 2 indicates that there’s only so much true separation between the two channels here, a fact of life given how close together the two tweeters are.

My go-to track for testing these stereo capabilities is “Such Great Heights” by The Postal Service, and the ping-ponging electronic intro and hard-panned vocals that jump between the left and right channels still more or less sounded like they were coming from a single spot. There’s a little space between them, but it doesn’t sound all that different from playing the song through the mono Sonos One speaker.

That quibble aside, the two tweeters in the Move 2 provide improved clarity over the original. It’s a clear, well-balanced speaker that faithfully reproduces sound across all ranges of the spectrum. Bass is prominent but not overdone, and the high end is distinct and detailed, especially compared to the original Move, which could get muddier than I liked. The Move 2 replicated the intricate details in delicate albums like Daughter’s Stereo Mind Game and End, the latest from Explosions in the Sky, and dance floor tracks like Dua Lipa’s “Don’t Start Now” and Tove Lo’s “No One Dies From Love” had plenty of low end power.

It’s also a very loud speaker – inside the house, I never really needed to turn it above 50 percent, except when I simply wanted to hear what it could do. Going much above 70 percent gets downright startling. But as with the old Move, Sonos gave this speaker extra oomph for outdoor spaces where sound dissipates much easier.

The main issue with the Move 2 is that you still sacrifice sound quality for portability. The Move 2 costs $449, the same price as the Era 300. That speaker has four tweeters and two woofers and can play back audio in Dolby Atmos. The whole spatial audio experience can be hit-or-miss depending on the quality of the mix, but even without that, there’s no doubt in my mind that the Era 300 is a more capable speaker.

Nathan Ingraham / Engadget

Another way you could spend that $449 would be to get an Era 100 ($249) and Roam ($179). That gets you an indoor speaker that sounds just as good as the Move 2 plus a portable speaker that’s much smaller and easier to take with you. To be clear, the Move 2 is far more powerful than the Roam, with better sound quality and the volume to fill a large outdoor space. The Roam, on the other hand, is for portable, personal use. It comes down to what you think you’ll need more: portability or power.

Despite my feelings that the Move 2 is somewhat of a niche device, a quick look at the market shows there are plenty of competing products with similar price points and features. Speakers like the JBL Boombox 3, Ultimate Ears Hyperboom and Bose Portable Smart Speaker all offer similar feature sets to the Move 2, and the Move 2’s vastly improved battery life means it should fare better than the earlier device in these comparisons.

Photo by Nathan Ingraham / Engadget

Wrap up

Due to its price and size, the Move 2 isn’t the ideal portable speaker for everyone. But that’s OK, because it does succeed as a speaker that you can rely on for high-quality and seriously loud audio. It’s well-suited to being your main speaker inside the house as well as something you can take to the porch or backyard to power a party. And while it won’t comfortably slip into a backpack, it should make a good road trip companion. I could definitely see tossing it in the car and bringing it on my summer vacation with me.

The battery and speaker upgrades make it a worthy improvement over its predecessor, as well, though I am disappointed to see Sonos raise the price yet again on one of its products. But if you’re looking for one speaker that can cover as many bases as possible, the Move 2 fits the bill — and it’ll be that much more useful if you have other Sonos products to pair it with.

It's been almost exactly four years since Sonos first introduce the Move, the company's first portable speaker. The Move was a solid speaker when it was first introduced, but in the years that have passed, things like its lower-than-average battery life have made it harder to recommend. But even with the summer quickly fading, Sonos has a new portable speaker for powering autumn days outside, the Move 2. On the surface, the Move offers the same formula as the original. It's a relatively large, loud speaker that you can lug around with you; it's also quite durable, able to withstand drops, bumps, extreme temperatures, rain and snow. 

But unsurprisingly, Sonos has taken some inspiration from the recent Era 100 and Era 300 speakers here for some improvements. The new top panel touch controls are the same as you'll find on those speakers. There's a volume slider as well as dedicated forward and back buttons. It also has a USB-C line-in jack, so you can connect the Move 2 to a turntable or other audio equipment. 

Perhaps most importantly, its internal speaker design is similar to that of the Era 100, with two angled tweeters providing stereo sound, unlike the mono, single-tweeter design of the original Move. In my testing of the Era 100, I didn't find that the two tweeters really give you a stereo experience like you'll get with multiple speakers, but it's still a definite improvement. 

Sonos

The other most significant change is that Sonos has more than doubled the quoted battery life on the Move 2, from about 11 hours to more than 24 hours. That's a huge jump and should be enough to silence those who were unhappy with the original Move's rather pedestrian longevity. 

Oh, and there's a new color this time, olive green. I wish that it also came in the lovely blue and orange shades you can get the smaller Sonos Roam in, but alas. 

Like the original Move, this new speaker supports audio over Bluetooth as well as Wi-Fi for when you're away from your network. It's also a quick way to let friends play music over the speaker, and there's a Bluetooth sharing feature that pipes audio the Move receives over Bluetooth to the rest of your Sonos speakers. Of course, you can also group and share audio across other Sonos devices using the traditional multi-room audio controls, as well. 

The Move 2 has microphones built in for automatic speaker tuning using the company's Trueplay software — this adjusts the sound quality based on where you place the speaker. The microphones also work with the Sonos voice assistant as well as Amazon Alexa, and there's a physical mute switch on the back that disconnects power to the mics entirely. And if you get two Move 2 speakers, you can pair them together in stereo. That should make for a potent audio setup, though you'll need to re-pair the speakers if you take one on the go and remove it from your Wi-Fi network. 

Unfortunately, Sonos is bumping up the price of its gear again — the Move 2 costs $449, up from the $399 it asked for the original model. For that price, Sonos is also including the handy ring-shaped wireless charger that lets you easily pick up the Move 2 and get going. Yes, there are a number of improvements here, but Sonos can't go on raising the prices of its products every time it releases a new model, can it? We haven't had a chance to hear the Move 2 yet, so it's too soon to say whether it'll be worth the cash, but hopefully the improvements here merit the price premium. The Move 2 goes on sale on September 20. 

It’s been a little while since Ultimate Ears (UE) released an entirely new speaker model and this one slots right into the existing lineup between the Megaboom and the Hyperboom. Continuing with the whimsical hyperbole, this latest model is called the Epicboom and it’s available starting today at the company’s website for $350. Now that it’s here, it seems obvious a speaker was missing from the UE lineup. It pumps out a bit more volume than the Megaboom, but is still more portable than the larger Hyperboom party speaker.

The UE Epicboom is like a double-wide Megaboom in size and shape, and it still provides 360-degree sound. It does seem that the two 1.5-inch mid-high transducers are on the rounded sides with passive radiators along the front and back. This enhances the surround sound vibes if you’re listening to it head-on. Inside, the Epicboom packs a 4.6-inch woofer for a more rounded bass experience down to 50Hz, at least. And just like the Hyperboom, it has an adaptive EQ that supposedly helps provide the best audio output possible for your space.

There’s an outdoor mode available, which seems to drop the low end down a bit in favor of the mid to high end output so it can be heard more clearly at greater distances. The speaker has Bluetooth 5.2 and in keeping with tradition, the speaker claims up to 180 feet in range (in the best line-of-sight conditions possible I assume). The Epicboom definitely has a robust range and worked throughout my apartment without the sound dipping out, which is commendable.

As usual, the speaker is fully waterproof with an IP67 rating. Go ahead and plop it in the pool if you like. It’s a rugged box of beats that will fit into a backpack although it will take up a good deal of space at 6.3 x 4.6 x 9.4-inches and 4.36 pounds. You shouldn’t have to worry about battery life much either, since it's rated for up to 17 hours and there's an LED battery indicator just above the +/- buttons. Unlike the Boom and Megaboom, there’s no charging dock accessory for the Epicboom. It has a single USB-C charging port along the back and no aux inputs.

Photo by Jon Turi / Engadget

The speaker is slightly chunky and unless you’ve got big mitts, the rounded edges makes it a little bit difficult to grab and hold by hand. There is a carrying strap of course, and if you hate having a loose loop dangling about your device, you’re in luck. This flattened strap uses a small magnet to help keep it in place along the back. It's heavy nylon (like seat belts) and although it has a loop, it takes some fiddling to pull it apart. I found myself just grabbing the strap as it is to haul it around.

NFC, a long lost Ultimate Ears feature, has returned with the Epicboom. It works for users with Android 8.0 or later, but sadly there's no support for iOS. The speaker has multipoint connectivity allowing you to pair up to eight devices and this can help speed up the process immensely. It also helps to future proof the speaker, as aging devices can sometimes be difficult to pair with and NFC is a great backup plan.

Photo by Jon Turi / Engadget

You can use the PartyUp feature in the Boom app (which gets an update today) to play music on the Epicboom plus any other Hyperboom, Megaboom and Boom models nearby. There are also a variety of pre-set EQs including Signature, Bass Boost, Game/Cinema, Podcast/Vocal, and a new Deep Relaxation mode. I didn't get a chance to test the new app experience yet, so I can't provide any more details in that regard.

If you’re an Ultimate Ears fan and want to upgrade your output, but still have a speaker that’s relatively easy to bring along when you’re out and about, the Epicboom could be right for you. It seems to have a more spacious sound than the Megaboom models and its audio output definitely covers some ground for a device this size. It’s not quite the powerhouse party output of the Hyperboom, but it's a decent upgrade from the Megaboom 3. People in the United States, Europe, and Asia-Pacific regions can order the $350 UE Epicboom starting today on the company's website and other retailers will begin selling the product on September 22nd. 

Product Specifications

• Size: 6.3 inch (L) x 4.6 inch (W) x 9.4 inch (H)

• Weight: 4.36 lbs / 1.98 kg

• Bluetooth version: 5.2 

• Bluetooth range: 180 ft / 55 meters

• Battery life: Up to 17 hours

• Charge time: < 3 hours (with 5V/0.5A or more than 0.5A adapter)

• Drivers: Two 1.5-inch active mid-high frequency transducers and one 4.6-inch woofer

• Maximum Sound Pressure Level (SPL): 94 dBC(normal) and 95 dBC (outdoor)

• Frequency range: 50Hz to 20kHz

• Rating: IP67 

• Sustainability factors: 100% post-consumer polyester fabric mesh, 59% post-consumer recycled plastic

Some companies allow you to use the speakers in your TV to augment the drivers in a soundbar or other speakers in order to enhance overall audio quality. Samsung has Q-Symphony and Sony has Acoustic Center Sync, for example. Today, Dolby has announced a new Atmos feature that will function similarly, pairing TV speakers with any wireless speakers you have in the room. Officially dubbed Dolby Atmos FlexConnect, the tech will debut first on 2024 TCL TVs.

Dolby explains that FlexConnect "intelligently optimizes the sound" based on the layout of the room and location of any speakers. The company says the technology will free users from the sonic limitations of room size, furniture positioning or the location power outlets. FlexConnect will allow speakers to be placed anywhere in a room and calibrate each of them to the TV speakers. This creates a customized Dolby Atmos sound profile unique to each user's home. 

Dolby says setup is quick and easy as acoustic mapping is done using microphones inside the TV. Those components locate each speaker before performing the aforementioned audio calibration. The company explains that the result should be more consistent immersive sound no matter where you're sitting in the room. 

FlexConnect isn't just boosting the center channel either. Instead, the feature is adjusting the sound for each speaker, even the ones inside the TV. If the system notices that a pair of speakers are at the front of the room, for example, it can tweak the audio so that the TV handles the bulk of the dialog and the speakers take on the rest of the front soundstage. If there are two speakers near the back of the room, the TV then handles dialog and those sounds that need to come from the front of the room. 

One item that could play a key role with Dolby Atmos FlexConnect is interoperability. Samsung's Q-Symphony and Sony's Acoustic Center Sync both require you to have a compatible soundbar and TV made by those companies. LG's Wow Orchestra works the same way. If this new technology is open to manufacturers to integrate in their products like Dolby Atmos as a whole, it would great if users could pair a TCL TV with a Sennheiser soundbar — just as one example. As you might expect, TCL plans to debut wireless speakers to accompany its upcoming FlexConnect-compatible TVs.

Bose is reportedly preparing to launch some new headphones and earbuds, a refresh in the QuietComfort line, as leaked by MySmartPrice. The Bose QuietComfort Ultra earbuds will be a successor to the well-reviewed QuietComfort Earbuds II and the QuietComfort Ultra headphones look to be a more premium-take on the company’s QuietComfort 45 headphones.

One of the highlights of any Bose product, and particularly the QuietComfort II earbuds, is active noise cancellation. The company’s ANC technology is unparalleled and these new products offer it in spades. Both new products offer fully-integrated ANC technology so you can safely ignore the person next to you on your next flight.

Beyond ANC, the QuietComfort Ultra earbuds ship with a variety of soft ear tips, with a similar exterior design to its predecessor. They are available in black or white and should include a built-in microphone, touch controls, Bluetooth v5.3 support, IPX4 water-resistance and more. Bose hasn’t officially announced these yet, so some specs remain under wraps.

MySmartPrice

The Bose QuietComfort Ultra headphones will also be available in black or white, with physical buttons to adjust volume and control music similar to other products in the QuietComfort line. There’s also a USB-C port for both charging and for making wired connections, and a sleek design reminiscent of the beloved Bose 700 line of headphones.

Remember, these are leaks from a reputable third-party, so Bose hasn’t announced pricing or availability. A recent report from Dealabs, however, suggests that the QuietComfort Ultra earbuds will cost around $380, and the QuietComfort Ultra headphones will cost $550. As for availability, Bose tends to release new product lines in September, so look for a launch around then.

The original Sonos Move stood out as one of the few fully connected portable speakers when it debuted in 2019, but technology has moved on since then — and so, apparently, has Sonos. The Vergeclaims to have leaked details of a Move 2 speaker that promises major upgrades to the outdoor-friendly device. Most notably, it should upgrade from mono to stereo sound. If you thought the first version didn't sound as good as conventional speakers, you may be happier this time.

The new speaker's battery life reportedly leaps from 10 hours on the Move to a full 24 hours of playback You could easily host an all-day party without plugging in. The power pack is said to still be replaceable, and reduced idle power consumption could make it easier to use the speaker over the course of a weekend.

There will reportedly be smaller but still useful upgrades. Like the Roam, the Move 2 will let you share Bluetooth audio across the home. Bluetooth 5.0 and WiFi 6 support will also help the speaker keep up with modern devices. You'll need a USB-C adapter (as with the Era 100) for line-in audio, but the same port can also charge your phone during a camping trip. The IP56 dust and water resistance hasn't changed, but that's still good enough to survive the rain or a windy day.

Other touches may include revised controls, a mic cutoff switch and a detachable power adapter on the base station. You can't use Google Assistant for obvious reasons, but Alexa and Sonos' own voice controls would be available.

Sonos is said to be launching the Move 2 at the end of September for $449, or $50 more than its predecessor. That makes it as expensive as the spatial audio-capable Era 300. As before, though, the portability might justify the premium. You're buying a speaker that can be useful in both your living room and the backyard, saving you the trouble of getting two devices as long as you're willing to haul a speaker around. 

After almost six years, Beats is back with new over-ear, noise-canceling headphones. A significant update from the Studio 3 Wireless, the new Studio Pro is a familiar formula that’s been reconfigured from the inside out. A second-generation version of Beats’ own audio chip powers this new model, delivering improvements to active noise cancellation (ANC), spatial audio with dynamic head tracking and wired audio modes via USB-C connection. Small design tweaks and slightly better battery life are also on the spec sheet, while the price remains $350 for Beats’ flagship headphones.

Design

To refresh the aesthetics, Beats enlisted the help of Samuel Ross, a fashion and product designer who has worked with Hublot, Nike, Oakley and others. The result is an updated look with new colors, materials, packaging and branding. While the tweaks are subtle and the folding design remains the same overall, there are a few notable changes to point out. First, Studio Pro is available in four new colors and even the black option now has a matte finish. Where the headband hinge used to have a contrasting color for most of the variants, that’s now a tone-on-tone finish and the model name has been removed. The iconic lowercase “b” logo remains on both sides, though.

Another key change is to the earpads. Beats and Ross opted for a seamless design here, with cushions made of a new UltraPlush memory foam, though they’re still wrapped in leather. Beats is clear the clamping force from previous Beats models remains the same, unfortunately and the weight hasn’t changed. Indeed, the new ear pads help to a degree, but after about an hour of use, I start to feel the pressure that’s been an issue with Beats headphones for years.

Since Beats headphones first debuted, the company’s models have become mainstays for gym goers and pro athletes. You won’t catch warm-ups for many professional sports events without at least one person wearing Beats headphones. Still, the company hasn’t issued a proper IP rating for sweat and water resistance. Beats says it’s confident the Studio Pro will be just fine for workouts, but it’s also clear that earpad replacements won’t be available through the company. You’ll need to find a third-party supplier should they get too grimey.

Physical on-board controls are back on the Studio Pro. On the outside of the left ear cup, a multi-function button in the center handles single, double and triple taps to control music and calls. A long press here will activate your voice assistant, even though the headphones support hands-free Siri on Apple devices. Above and below this center button are the volume controls, while the noise modes are toggled with a double press of the power button on the right ear cup. If you’re in USB-C audio mode, two taps of that button will cycle between three EQ presets specifically designed for wired use (Signature, Entertainment and Conversation). A line of five LEDs below the power control blinks when you’re in pairing mode and gives you a battery life estimate with a single press when the headphones are powered on.

Software and features

Photo by Billy Steele/Engadget

Beats continues its move away from Apple’s audio chips with the Studio Pro. These headphones contain the company’s own second-gen platform instead, but a lot of the features that Apple silicon offers are still here. Hands-free Siri, one-touch pairing, iCloud pairing, Apple Watch hand-off and Find My compatibility are all baked into iOS. Multipoint pairing and automatic switching between devices isn’t available on iOS, iPad and Mac right now, but Beats says it may arrive later. There’s no need to download a separate app on iOS to access the settings though, they’re also available in the Control Center. For Android users, the Beats app offers one-touch pairing via Google Fast Pair, automatic connection to Android or Chrome devices through your Google account, seamless device transitions, Find My Device, customization and widgets.

Beats has added Transparency Mode to the Studio Pro, giving its over-ear headphones a very useful tool that was missing from the Studio 3. The company’s audio chip also powers Spatial Audio with dynamic head tracking. While the previous model supported immersive sound, it didn’t offer head tracking or the ability to personalize audio, the latter of which Apple debuted last year.

For the first time, Beats has enabled USB-C wired audio on the Studio Pro. In addition to listening to high-resolution and lossless tunes, you can also take calls while the headphones are actively charging. The Studio Pro has a built-in digital-to-analog converter (DAC) that can accommodate sample rates up to 24-bit/48kHz. That’s enough to handle the high-res streaming from Apple Music, Amazon Music HD and Tidal. Beats has also included three USB-C sounds profiles for wired listening: Signature, Entertainment and Conversation. As the names suggest, each one is tailored to music, movies/TV shows and calls, adjusting the frequency curve for what the company thinks is the best in each scenario. And yes, there’s still 3.5mm playback, which can be used with ANC and Transparency Mode as needed.

Sound quality

Photo by Billy Steele/Engadget

Inside, Beats swapped out the drivers for new 40mm units. A two-layer diaphragm combines with micro vents and fine acoustic mesh to streamline the airflow and minimize distortion. The company says the new drivers can provide “near-zero” distortion even at high volumes, which is an up to 80 percent improvement from the Studio 3. That claim holds true as the Studio Pro doesn’t distort when you crank it up to the eye-watering full volume. However, what the new components have done to improve clarity while providing a more balanced sound profile is more impressive.

In its early days, Beats had a reputation for being too heavy-handed with the bass. While that hasn’t been the case for a while, the company still has a propensity to highlight low-end. For the Studio Pro, there’s still ample bass when a track calls for it, but that boom doesn’t come at the sacrifice of mids and highs – or more importantly detail. Even the driving thump of the kick drum on TesseracT’s “War of Being” has noticeable texture throughout the song. It’s not just a repetitive boom.

Overall, the attention to clarity and the even-handed tuning across the EQ curve gives the Studio Pro quite immersive sound out of the box. Everything seems open and airy, with even the instruments in chaotic metal tracks remaining perfectly discernible. Turn on something softer like Charles Wesley Godwin’s Live From The Church or Nickel Creek’s Celebrants (country and bluegrass, respectively), and you immediately hear the layers of acoustic instruments and finer detail unique to each. Those records can sound like you’re in the room while they’re being recorded on the best-sounding headphones, and there’s a sense of that on the Studio Pro. As you might expect, this latest Beats model excels with hip-hop tracks. The droning bass lines on albums like Killer Mike’s MICHAEL lay a thick foundation for the rest of the song to be built.

While Spatial Audio returns, chances are it won’t sway your buying decision. The integration is similar to previous Beats and Apple earbuds and headphones, with Personalized Spatial Audio added in this time around. The technology still simulates the sound of 64 speakers, capable of moving with you if you have head tracking enabled. If you’ve experienced Spatial Audio before, you know exactly what to expect: slightly louder, more airy tunes where the technology’s immersive nature can vary from album to album and genre to genre. When it hits though, like on Pearl Jam’s “Even Flow,” older tracks have new life. With boygenius’ The Record though, I can’t tell the difference when Spatial Audio is on. I’m also less sold on the dynamic head tracking Beats added on the Studio Pro.

Photo by Billy Steele/Engadget

Then there are the new USB-C EQ profiles. When you’re connected to a computer or other compatible device, ANC and Transparency mode are disabled. Instead, the power button on the Studio Pro cycles through wired presets for music, entertainment and calls. That 5-LED array below the power control indicates which profile you’re on and will be essential until you memorize the audible tones for each one. Signature and Conversation work best for music and calls respectively, while I’m less impressed by the Entertainment setting. All three are fine, but those two are the ones I found myself coming back to in wired mode. Like Spatial Audio content in Dolby Atmos, mileage can vary listening to lossless tunes via Apple Music. Some albums are noticeably better with wired USB-C, while others sound nearly identical to streaming over Bluetooth.

Although Beats doesn’t quantify with a number, it says ANC performance is improved on the Studio Pro when compared to the Studio 3. Fully adaptive active noise cancellation uses outward facing mics to monitor your environment while inward pointing units catch any sounds that might sneak through due to fit. The company explains that the ANC boost is also partially due to updated microphones all around as they have higher sensitivity and a better signal-to-noise ratio. While the Studio Pro doesn’t beat the noise-blocking powers of Bose or Sony, the ANC on the Studio Pro is noticeably better than the Studio 3 – especially for things like television noise and human voices. And similar to the previous model, the latest Beats headphones analyze audio up to 48,000 times per second to maintain pristine clarity.

Lastly, let’s discuss Transparency Mode. While I welcome the inclusion here over not offering ambient sound at all, I did have higher hopes. It works fine, but lacks the natural clarity of Apple’s AirPods Max or AirPods Pro. I thought Beats might come close since it works closely with Apple on several aspects of its products, but that’s not the case. Apple remains truly unmatched when it comes to Transparency Mode. It often sounds like you’re not even wearing headphones at all, mostly due to how natural your own voice sounds fed back through those devices.

Call quality

Photo by Billy Steele/Engadget

Beats says you can expect up to 27 percent better voice clarity than the Studio 3 Wireless, thanks to voice-targeting microphones and a machine-learning algorithm. The company explains that it trained the system on over 7,000 hours of “real-world environments” in order to create a setup that can “precisely hone in” on your voice. Those are lofty claims for sure, and part of them hold true.

The Studio Pro is great at cutting out constant background noise, like a fan or A/C unit. Neither of those came through on calls when I was sitting right underneath one or the other. It’s better than the speakerphone-like quality most headphones and earbuds offer, but it isn’t pristine.

Battery life

When it comes to battery life, Beats says you can expect up to 40 hours with ANC off. That’s the same figure it promised on the Studio 3. However, with noise cancellation or Transparency Mode enabled, the company offers two hours more than the previous model at 24 hours. There’s still a quick-charge feature here, dubbed Fast Fuel, that gives you up to four hours of use in just 10 minutes.

During my tests with the Studio Pro, I still had 23 percent battery left after 25 hours of use with either ANC or ambient sound active. That’s also doing a mix of music, podcasts, streaming TV and taking calls. I powered the headphones completely off several times during that span as well and I plugged them in via USB-C for a few minutes to test those modes.

The competition

Photo by Billy Steele/Engadget

When it comes to flagship headphones at this price, Beats’ biggest competition remains Sony and Bose. Sony’s 1000X line has been our top pick for best wireless headphones for years, as the company’s mix of stellar sound, powerful noise cancellation and a literal truckload of handy features is unmatched. With the latest version, the $400 WH-1000XM5, the company simply packs so much into their headphones that many others can’t compete. The Bose 700 is that company’s best option, which is currently available for about $10 less than Sony’s 1000XM5. Bose doesn’t come close to Sony in terms of features, but it does do slightly better when it comes to ANC performance. If blocking out distractions is your primary goal, the 700 is worth a look.

Wrap-up

While Beats didn’t completely redesign its over-ear headphones for the Studio Pro, its latest model is a significant update. The company did well to incorporate features and technology other companies have introduced over the last five years, and its relationship with Apple continues to enhance its products. The improvements to ANC and sound quality alone are good, but the fact that the company was also able to add in a wired USB-C audio, upgrades to Spatial Audio and better voice performance while keeping the price the same is notable. There’s no doubt these are still premium headphones, but the Studio Pro positions Beats to better compete with the likes of Sony and Bose in a number of areas where it used to fall short.

Beats Studio Pro is available to order today in black, brown, navy and Sandstone color options for $350. The headphones will be available at Apple retail stores and other resellers starting tomorrow, July 20th.