YouTube is getting a fresh look and some extra features. For one thing, you'll be able to pinch to zoom into a video on the iOS and Android apps. When you remove your fingers, the video will stay zoomed in. That seems like a handy option for everyone who's about to pore over Taylor Swift's new videos to look for Easter eggs. YouTube started testing the pinch-to-zoom feature with Premium users in August, and now it will be available to everyone.

Another feature should help you get to the right part of a video more easily. On desktop and mobile, you'll be able to drag your cursor up or swipe up while scrubbing through a video to view a row of thumbnails (a bit like you might see on Netflix). As YouTube suggests, this should help you avoid rewinding too far back while you're watching a tutorial and want to rewatch a step.

YouTube

On the visual front, there's a new ambient mode that tweaks the background color of the app to match the video. YouTube UX director Nate Koechley describes this in a blog post as a subtle effect that takes advantage of dynamic color sampling, with the aim of drawing users' eyes into videos and placing more focus on the content. 

Ambient mode will also be available on video playlists. You'll see ambient mode on web and mobile watch pages when you have the dark theme enabled. On that note, dark mode will soon look even darker on the web, mobile and smart TVs.

YouTube

Elsewhere, YouTube links in video descriptions will now be displayed as buttons. The service has reworked common actions such as like, share and download to "minimize distractions" too. Moreover, the subscribe button will have a new look — it will be a pill-shaped button instead of a rectangular one. Although the button will no longer be red, YouTube suggests the high-contrast redesign will help it stand out more on watch pages and channel pages.

YouTube is starting to roll out these changes today. They should be live for everyone within the next few weeks.

Lyft now lets driver's search, reserve and pay for a parking spot on its app, The San Francisco Chronicle has reported. It has partnered with parking company SpotHero to offer the service, promising "guaranteed parking, quick-find locations and transparent pricing." 

The company will offer the service in "select locations," including San Francisco, but Lyft didn't list any other regions — but SpotHero is available in 300 US and Canadian cities in 47 states/provinces. All Lyft says in its FAQ is that you need to "tap the steering wheel icon in your app to see if parking is available near you."

Lyft

To use the feature, you'll need to add your vehicle license plate and other details. If you tap the parking icon, it shows the locations of various spots on a map, including the closest one. From there you just hit the "Reserve Now" button, and you'll see the final price before you tap "Reserve and Pay." It then shows the details, including your car license plate, facility info and more.

It's an odd tie-up, as using Lyft means you don't need to worry about parking. Still, a lot of people have Lyft on their phones, so it's more convenient than downloading yet another app. At the same time, it's likely a big boost to SpotHero and a new source of revenue for Lyft. 

Discord is making it more affordable to pay for perks if a $10 Nitro subscription or Premium Membership is beyond your budget. After testing, the company is launching a $3 per month Nitro Basic plan on October 20th that offers 50MB file uploads and enables custom emoji anywhere. You'll miss out on regular Nitro's 100MB uploads, HD video streaming, custom profiles, server boosts and most Activities (more on those in a moment), but this might be useful if you just want to upload short videos or flaunt emoji from a streamer's server.

Activities (shown above) are also rolling out in earnest. Chatters can now play games, watch videos and otherwise share experiences without having to leave the app. Only Putt Party and Watch Together viewing are available for free, but regular Nitro users can invite non-subscribers to join an expanded catalog that includes games like Chess and Sketch Heads. More Activities should be available as developers build for Discord's platform.

Apps are becoming more useful at the same time. Discord is now testing Premium App Subscriptions that let you pay to unlock features without heading elsewhere first. And if you're running a server, there's now an App Directory that helps you find useful add-ons.

The strategy behind Nitro Basic and the other upgrades is clear. Discord is hoping to not only reel in more subscribers, but to foster an app ecosystem that ultimately bolsters the company's bottom line. Having said this, you might not mind if this helps you pass on a full-fledged Nitro account or participate in a viewing party.

Bruce Willis may have retired from acting following a diagnosis of aphasia, but a version of him will live on in future projects. Last year, the actor's "digital twin" appeared in an ad for a Russian telecom created by a company called Deepcake. Now, it's being reported that he sold his rights for future film, advertising and other projects to Deepcake, according to the company's website and The Telegraph. 

Engineers created the digital double drawing from content in Die Hard and Fifth Element, when Willis was 32 and 42, respectively. With his likeness now on the company's AI platform, it can graft his likeness onto another actor's face in a relatively short amount of time. However, Willis's estate has final approval on any projects. 

In the ad for Megafon, Willis's face was swapped onto actor Konstantin Solovyov. "I liked the precision of my character. It's a great opportunity for me to go back in time," Willis said in a statement on Deepcake. "With the advent of the modern technology, I could communicate, work and participate in filming, even being on another continent. It's a brand new and interesting experience for me, and I grateful to our team."

In March, Willis's family announced that he was retiring from acting to due a diagnosis of aphasia, which impairs communication and comprehension. In the last few years, the 67-year-old has appeared in a series of projects amid concern about his cognitive state.

Actors have already appeared as digital versions of themselves, notably in The Book of Boba Fett with a young Mark Hamill. Digital versions of Carrie Fisher and Peter Cushing also appeared in Star Wars: Rogue One, despite the fact that both are deceased. James Earl Jones recently sold Disney the right to recreate his voice using AI, so he could retire. 

The practice has stoked controversy. Deepfakes vary widely in quality, but many approach the "uncanny valley" where characters don't look quite right because of stiff movements, dead eyes and other issues. There's also the question of rights, as deceased actors can't turn down posthumous film roles, even if the family or estate approves. 

Twitch is testing a new feature that gives viewers a way to make sure their favorite streamer (and their fellow fans) can see their message in the chatbox. The livestreaming platform has given select channels access to an experimental feature called "Elevated Chat," which pins a viewer's message for visibility if they're willing to pay for it. Similar to YouTube's Super Chat, the more people pay, the longer their message stays highlighted. A payment of $5 will elevate their message for 30 seconds, while $10 will get them a minute. If they want 1.5 minutes, they'll have to pay $25. Two minutes? That's $50. And if they want their message to stay highlighted for 2.5 minutes, they better be prepared to pay $100 for it. 

Paying $100 on YouTube's Super Chat is typically enough to highlight a message for an hour. That said, while the features are similar, their implementations aren't exactly the same. YouTube adds markers to the top of the chatbox for each Super Chat, and clicking on them will take viewers to the donor's message. Meanwhile, Twitch is testing two potential locations for elevated chats. Streamers who've been chosen to participate will see the highlighted messages appear either at the top of the chatbox or at the bottom of the video. Also, it sounds like there can only be one highlighted message at a time, since Twitch said in the feature's support page that viewers will enter a queue if multiple people pay for elevated chats at the same time.

Twitch

Of course, $100 for 2.5 minutes of visibility sounds pretty outrageous no matter what — especially if you can just pay for five 30-second elevated messages for $25. The experiment will last for four weeks, after which Twitch will likely look at data from the test to decide whether to give the feature a wider rollout.

Ahead of its annual MAX event next month, Adobe has unveiled the 2023 version of its non-subscription Elements products. As with yearspast, the highlights are new AI features like animation for Photoshop Elements images and AI-applied art styles for Premiere.

For Photoshop Elements 2023, the most dramatic update is the ability to add motion to still photos. To do so, you just need to select the part of the image you want to move and indicate the direction of movement using the arrow tool. The AI will then do the rest, adding appropriate movement to water, fabrics, sand and so on. A bit cheesy, sure, but it could work in some situations. 

Adobe

Another key tool for Photoshop Elements is guided edits. That lets you do things like "peek-throughs" or putting foreground objects in a photo, along with "perfect portrait" that lets you smooth blemishes, whiten teeth, adjust face tilt or make the subjects smile wider (or even change a blink to open their eyes). Another guided lets you replace an ugly background with, say, a sunset. 

The perfect portrait feature adds a touch of uncanny valley to subjects if overused, and the background replacement work can be a bit wonky, depending on how well the AI isolates your subject. Still, it could be fun for certain uses. Other features include new collage and slideshow templates, faster performance, Apple M1 chip support and a new Android companion app to upload mobile photos and videos to Elements on desktop (English-only beta).  

Adobe

The key feature for Premiere Elements also revolves around Adobe's Sensei AI. The "artistic effects" tool lets you add painterly styles to video including Van Gogh, DaVinci, Monet and so on. The effect takes motion into account for a consistent look, though again, this can get very tacky if overused. 

Adobe also added over 100 new audio tracks to give you some free music for videos, while boosting performance and stability and adding Apple M1 chips support. The Android companion app can also be used with Premiere Elements to make it easier to upload videos from your phone (again, only for the English-only beta). Adobe Photoshop Elements and Premiere Elements are now available for $100 new or $80 as upgrades, or $150 for both products ($120 as an upgrade). 

Slack has introduced a new feature called "canvas," which it describes as a "surface" where teams can "curate, organize and share mission-critical resources." When it launches next year, Canvas could replace external apps or programs teams use to collate and share information and ideas, such as Google Docs, company Wikis or Notion. 

Users can create a new canvas by choosing the option in the drop-down menu beside their Slack team's name. They can embed files in it, along with links, channel lists, videos, workflows, tasks to complete and other resources — anything useful team members might need, so they don't have to waste precious time hunting for information.

The company envisions canvas as something teams could use to organize marketing campaigns, to share executive briefings with everyone and to onboard new hires. Users can create canvases without having to use code, and they can keep editing existing templates instead of creating new ones again and again. Here's an example of what a canvas could look like:

Slack

Slack has also started rolling out the new and updated huddles with features it promised back in June. Huddles provides an audio chat capability for teams within Slack, but this update gives users the option to switch on video, as well. Opting for a video huddle will open a separate window, and users will have the ability to blur their backgrounds like they can in other video conferencing apps such as Zoom. And yes, they can use emoji reactions in video huddles. 

In addition, the revamped huddle allows more than one person to share their screen at the same time. In a session where multiple people are sharing screens, they can use live cursors and the ability to draw on the shared screens as a visual aid. Any information shared during a huddle, including links, files and notes, will automatically get saved in a thread in the channel or the DM where it was launched. These threads can be pinned for easy access and will even be searchable. If they're posted in channels instead of in DMs, even users who aren't part of the huddle will be able to see them. It could take a while for everyone to get access to these features, but Slack says they'll make their way to all users over the coming weeks. 

Discord, the social messaging service that helped to displace old-school internet forums, now wants to bring them back. Today, the company announced Forum Channels, which are exactly what you'd imagine: A dedicated space to have conversations without the worry of a fast-paced chat feed. You'll find them right below your usual Discord channels. When creating a forum, you'll be able to restrict posting permissions and set guidelines for the conversation. Crucially, they'll also be compatible with Discord's AutoMod, which can help to clean up discussions. (Moderation was always the downfall of a poorly-run forum.)

Discord

While it's nice to have the concept returning, it's funny to see Discord explaining the concept of forums to younger users. Yes kids, back in our day, we had to furiously refresh web pages to discover the latest reply to our Halo lore theories. Discord has often been framed as a return to the messaging blitz of IRC, paired together with real-time voice chat. So it only makes sense that it'll be responsible for helping us relive the glory days of forums. 

These days, the idea of a camera just for “action” feels like a bit of an anachronism. In 2022 social media is king, and action is a just one subsection thereof. You only need to look at the last few GoPros, and the competition, to see that brands with skin in the game are all too aware of that. Enter the Hero 11 Black, where everything feels a bit grown up, in a skate-dad kinda way.

As for what’s new, if you had “physical design” on your bingo card, you’re out of luck. Substantial redesigns seem to come along every three or four years, but for now the Hero 11 looks exactly the same as the 10 just with a 1 replacing the 0 painted on the side.

As usual, though, there are some extra shooting modes. SuperView is now available right up to 5K60/4K120 (previously 4K/60 was the max). Similarly, still images receive a boost from 23-megapixels up to 27. There’s also 10-bit color across the board. The shrewd among you will have spotted that this means there is a new sensor and it’s core to some of the other new features below. Despite the move up from 1 /2.3 to 1 /1.9 those extra megapixels don’t seem to have really translated to improved low light performance (accordingly there’s no such claim). Instead you have more pixels to play with.

In fact, this new, taller sensor is what enables two of the main new features: First is 360-degree horizon lock in Linear mode (up to 5.3K/30). Horizon-leveling was already pretty good on the Hero 10, but now it’s absolute. If your activities involve a lot of tight corners or literal body spinning this can be used for creative effect. If, like me, you’re just prone to wonkily mounting your camera you can really just forget about all that now. Both DJI’s new Osmo Action 3 and the Insta360 offer similar horizon lock features, but GoPro’s is available in frame rates such as 4K/60 and 2.7K/120, whereas DJI’s, for example, tops out at 2.7K/60.

The second, and probably bigger advantage to the taller sensor is the ability to record in “Full Frame.” This isn’t a camera mode per se – although it can be used as such if you like 8:7, 5.3K video. It’s more of a tool for shooting absolutely everything and then “punching out” the aspect ratio you want (or more than one) after the fact. With Full Frame, you can shoot once and pull a 4K,16:9 video out for YouTube and then a 9:16 version for TikTok, for example. Both with completely different framing if you wish. Alternatively, you can kinda set and forget, and then just frame the shot after the fact.

James Trew / Engadget

This feature has a lot of potential, especially if you’re not really sure what shooting mode to go for. I tried it out by mounting the camera on my bike perpendicular to the frame (turning the bike into a dolly of sorts). I rode past some interesting scenery and then punched out a conventional 16:9 edit and a mobile-friendly 9:16 version. The landscape clip came out pretty good as I was able to cut out a lot of pavement and focus on the subject. The mobile version still turned out better than if I had to crop it out from a 16:9, and of course there was no loss of resolution, but this particular shot didn’t end up being suitable for portrait. Either way, the Full Frame feature improved both videos and the fact I could frame each of them differently definitely got me thinking about other cool things I could do with this.

If there was a negative, you might find yourself having to think backwards. For example, I did a short intro to camera using the front screen to frame myself, but when I was choosing the aspect ratio I wanted to punch out later, I realized that I was filling the screen so had to settle for a weird crop. Something I would have avoided if I was recording in a fixed FOV like 16:9 from the start.

Keeping things frame-related, there is a new “digital lens” (which is GoPro’s marketing language for Field of View) called HyperView. Way back in 2013 the company introduced SuperView which shoehorned everything on the sensor into a 16:9 aspect ratio. It’s a bit intense, but does make first-person shots feel faster and more immersive. Well, HyperView is essentially that but for the new, taller sensor and it’s a bit bonkers.

James Trew / Engadget

You will absolutely not want to use this one for everything, but for certain shots it should be a go-to. I tried it while mounted on my handlebars and it was very noticeable how warped trees and buildings looked as I passed. Worse, those slightly weird angles made the video feel like I was watching a 90s first-person-shooter game.

That said, I did a second shot with the camera hanging low by my board as I skated around town and I can’t stop watching it. The proximity to the floor and the pace and intensity of objects as they passed by made it feel like I was in the cockpit of a tiny FPV drone. Even I felt like I needed to slow down after watching the video, despite knowing in reality I wasn’t going particularly fast.

Now, this might have been a great time to test another flagship feature – automatically generated highlight videos. GoPro has gradually been making it easier to turn the contents of your SD card into an interesting edit for a few years. Now, the company is taking things into its own (AI) hands and will rustle up an edit for you once you get back home and plug the camera in. You’ll need a GoPro subscription to take advantage of this feature, but given it’s effectively cheaper these days to buy the sub with the camera that shouldn’t keep too many people excluded.

Unfortunately, at time of writing this, the feature isn’t available to test.

Something that we can talk about are the new night lapse modes. There are three in total: Star Trails, Light Painting and Vehicle Lights. All three are pretty explanatory and they add some welcome additions to the standard time-lapse options, but I’m going to guess these aren’t really things most folk will be using regularly, though they can make for some good creative B-roll type shots or fun things to share when you’re in a location with low light pollution (or near a crazy motorway intersection at night we presume).

James Trew / Engadget

We've come this far without talking about how the videos and photos actually look. GoPro image quality has come a long way in recent years. Last year there was a noticeable improvement in sharpness. And while there’s no real change this time around, colors do seem to pop a little bit more, without the slightly over-saturated look of older cameras. That’s likely thanks to the new 10-bit color which will be appreciated by pro users having more data to crunch in post.

HyperSmooth, once again gets some love, with the software-stabilization now in its fifth iteration. Honestly, at this point the stabilization is so good that it’s hard to tell how it’s improved. Mentally I’ve written off any GoPro before the Hero 7 as I just can’t go back to pre-stabilization days. Just know that videos look as smooth and steady as you likely ever need.

Perhaps you haven’t used a GoPro before, or since the dark days when there was only a small monochrome display on the front. In which case, using a modern model can be a bit overwhelming as there are a lot of features and shortcuts crammed into the rear display. To help with that, GoPro introduced “Easy” mode which uses a single preset for each of the three main shooting modes (Time Lapse, Video, Photo).

Easy mode doesn’t make it instantly clear what FOV or framerate you’re shooting in, but it’s 5.3K/30 at 16:9 according to a test video and the small text in the “speed” shortcut menu that I’ll get to in a minute. Time Lapse defaults to Time Warp (stabilized videos made from still images), which is probably the most useful of the lot, so that makes sense. Photos default to SuperPhoto which is GoPro’s own “automatic” mode so that also makes sense.

James Trew / Engadget

Despite the lack of menu options, you’ll still find shortcuts to change the “speed” (slow motion) and the amount of Horizon Lock (or not) to use. Likewise, in photo mode you can still change the FOV if you wish and add a self-timer. I’m never going to complain about having a more accessible option for those that don’t want to be bombarded with choice, but regular users probably want to stick to Pro mode.

Whichever option you choose, it’s no good if the battery doesn’t give you time to enjoy it. That cheesy transition is me introducing the regular battery-life section. Last year the company introduced a new extreme weather “Enduro” battery as an additional accessory. Now, that battery is the standard cell for the camera.

Despite the name, the claims are ambiguous, stating a battery life improvement of up to 40 percent. That seems to be specifically tied to the performance under more intense temperatures. The most “extreme” weather I was able to test in was regular 94-degree summer heat. I had a few outings where the camera was on constantly and recording with GPS activated, save a few occasions when I was changing settings and so on. This includes plenty of connecting to the camera with my phone and pulling media wirelessly. On average, the GoPro lasted for about an hour and a half which isn’t quite as long as I’d hoped, but it is a 20 percent increase over last year’s camera in similar testing (minus GPS).

This, of course, is constant use with all the wireless/GPS on. If you’re turning the camera on and off throughout the day, not shooting in maximum resolution and not using the app heavily like I was, you can reasonably expect something decently north of that. Either way, given the new battery comes as standard there’s at least a small saving here over having to buy it as an accessory.

James Trew / Engadget

Which naturally brings us onto the overall value proposition. The good news is, the Hero 11 Black costs the same as last year’s flagship: $399.98 with a subscription or $500 without. There’s literally no reason to buy it without the subscription though as far as I can tell. However, even at the lower price, the Hero 11 Black is more expensive than the Osmo Action 3 ($329) and the Insta360 RS 4K bundle ($300).

One hundred dollars (or two, potentially) is a pretty wide spread for competing products. GoPro has the richest ecosystem of the three cameras mentioned above, but the rivals broadly sidestep this with compatible mounts. When it comes down to features, there’s a lot of overlap, but I have found GoPro’s are the better balance of practical-yet-creative. But as noted above with things like Horizon Lock, the specifics can vary from brand to brand.

What’s less in doubt is the dilemma if you were thinking of upgrading. If you’re coming from the Hero 10, there’s maybe not enough of a step forward to make it worthwhile just yet. If you’re coming from an older model, like the Hero 8 and before, the decision is much easier.

As much as this feels like an iterative update in many ways, we’ve had two years of fairly strong revisions with the Hero 9 and Hero 10. In tandem, the competition from DJI and Insta360 has really started to put some serious pressure on GoPro. The result is that it is possibly the best time in history to be buying what was formerly known as the action camera.

DJI has done another 180 on its Osmo action cam lineup. The original Osmo Action had a classic GoPro look, but then with the Action 2 (no Osmo), DJI went to an oddball modular design. It had some interesting ideas – it was nice and small, and you could add storage, a front-facing screen and more with the add-on units. But it suffered from overheating, proved to be somewhat fragile and was overly complex.

Now with the Osmo Action 3, DJI has brought back the action-cam form factor. It also made numerous small improvements from the mount to the displays to the battery – but kept the previous model’s 1/1.7-inch, 12-megapixel sensor and maximum 4K 120p video resolution.

The rival Hero 10 is in a class by itself with its HyperSmooth 4.0 stabilization, 5.3K 60p resolution and 240fps 2.7K frame rate – and GoPro has teased a new model (“taking it to 11”) arriving in exactly an hour – quite the interesting coincidence. To see how it stacks up, I tested it on a vehicle, bike and on foot, while getting a face-first look at the improved durability.

Body and handling

Without the battery module, the Action 2 has a fairly weak 60 minutes of battery life. DJI has addressed that with the new “Extreme Battery” on the Osmo Action 3 that lasts up to 160 minutes. It’s also the first action camera with fast-charging (via the Multifunction Battery Case) that allows for an 80 percent charge in just 18 minutes, or a full charge in 50 minutes.

It has a slick new magnetic quick-release mount that lets you connect the camera directly to a GoPro-style mount with or without the case. It also allows for easy vertical mounting, making the Action 3 better for social media.

That lets you detach the camera from a bike, car or other mount without the need to remove it from the case. DJI notes that the mounting system “eliminates loose connections and withstands impact such as a rider falling off their bike,” but recommends not doing that.

Steve Dent/Engadget

So naturally, I executed a perfect face plant on my mountain bike, and can confirm that the camera came away unscathed, unlike my face (yes, there’s video). The camera clearly made some contact with the ground but stayed attached to the mount and suffered no visible damage – so kudos to DJI for that.

You also get a front (1.4-inch, 360x360) and rear (2.25-inch, 640x360) screen that are both touch-enabled, making for easier vlogging or self-shooting. Gorilla Glass on the displays aids in the promised impact resistance. The menu system works in the same way as the Action 2, mainly by swiping. You swipe up to change primary settings like resolution and frame rate, down to access the main menu, left to change the shooting mode and right to play back footage. The menus work in the same way on both the front and rear displays.

It’s not terribly intuitive, but probably the best option for a screen that small. You can also connect the camera to DJI’s Mimo app, which is easier to use and more like what you’ll find on its Fly and Go drone apps. That lets you control video and photo captures remotely, while changing all the key camera settings.The app is also used to update the camera’s firmware.

As before, the Osmo Action 3 can work as a webcam, promising higher-quality video and audio than your typical built-in camera for conference calls and livestreams. This works well, with minimal setup and an easy connection via USB-C, though video is very wide. It also lets you livestream via WiFi at up to 1080/30p.

Video and stabilization

The Action 3 uses the latest version of DJI’s stabilization, Rocksteady 3.0, to eliminate camera shake in all directions up to the maximum 4K/120fps. It's nearly on par with GoPro’s HyperSmooth 4. I tested it on a vehicle over rough gravel roads, riding a bike on trails and roads with the camera mounted on my helmet, and on foot with the included selfie stick. It smoothed out the video perfectly in all those situations, only letting me down once (when I crashed), for some unknown reason.

It also uses DJI’s Horizon features that first arrived on the Osmo Action to keep the image level. HorizonSteady does a combination of shake reduction and horizon leveling, even through heavy bumps and extreme 360 degree rotations. This could be useful for… I’m not sure? Perhaps skydiving, scuba diving or the like. Note that it only works at up to 2.7K resolution and crops the image, no doubt because it requires the surrounding pixels to compensate for rotation.

Steve Dent/Engadget

HorizonBalancing corrects the tilt horizontally within ±45° and allows for steady recording at 4K/60fps. DJI calls it “a good middle ground between RockSteady and HorizonSteady, where a smooth 4K picture in dynamic movement is priority, such as an obstacle course run.” That feature kept my footage both smooth and steady, even through steep banks on a bike through streets.

The Action 3’s camera offers a 155-degree field of view (equivalent to a 12.5mm full-frame lens), considerably wider than the GoPro Hero 10’s 19mm equivalent in linear mode or about 16mm in fisheye mode. It also offers a standard dewarped (linear) view, along with wide and ultra-wide FOVs, with the latter considerably distorted. The zoom function is digital-only and looks pretty poor – you’d be better off zooming in using your video editing app.

As mentioned, DJI is playing up the vertical aspect ratio, with not just a vertical mount and user interface, but vertical shooting capability. The feature allow for 9:16 vertical shooting so you can post social media content at all the available resolutions with no need for cropping. 

Video quality is excellent, at least on par with the Hero 10 at the equivalent resolution (the Action 3 has a 130Mbps max data rate, while Hero 10 tops out at 100Mbps). As mentioned, it can do 120fps at 4K, or 240fps at 1080p. On top of the video modes, you can shoot 12-megapixel photos.

The Hero 10, meanwhile, supports 5.3K at up to 60fps, 4K at 120 fps and 2.7K at 240fps. It’s nice to have the 240fps option at a higher resolution, but the DJI Osmo Action 3 is arguably a touch sharper at the full 4K 120p resolution. 

The Hero 10 is better in low light, though. Despite the larger pixels, the Action 3’s video can get quite noisy, even in daylight in shaded forest, for instance. By contrast (sorry), the Hero 10 delivers clearer footage in similar situations.

With the new model, DJI has added the D-Cinelike color mode from its drones to boost dynamic range and make editing easier with contrasty footage. It also added a new color temperature sensor that automatically adjusts white balance and exposure in a single shot if you’re moving from shadows to bright sunlight or diving into water, for instance. That usually gave me relatively smooth transitions from shaded to sunlit areas, though again, the Hero 10 does a better job in this regard.

The Action 3 is waterproof at depths up to 16 meters (52.5 feet) without any housing and 64 meters with the optional waterproof case. That makes it ideal for snorkeling, light scuba diving, surfing and other watersports without the case, and deeper diving with it. I didn’t get a chance to test that feature other than splashing some water on it, but it certainly looks tight and solid.

Some users complained about overheating on the previous model, but DJI said that a new heat management system allows for continuous 4K 60p recording "until the battery runs out." I ran it at that resolution for 60 minutes with no issues, but at 4K 120p, the camera warns that the maximum recording time is nine minutes. GoPro Hero 10 users have reported recording times around 20-30 minutes at 5.3K 60p or 4K 120p. 

Where the Action 2 required the optional display module for extra microphones, the new model has three built-in mics (two on the bottom front and one on top) with wind-noise reduction that offer reasonably high quality sound. You can also plug DJI’s microphone into the USB-C port or use another external mic via a USB-C to 3.5mm adapter.

It offers voice controls and voice prompts that give you the current settings without the need to stop or unmount the camera. Other features include the “Invisistick” feature to hide a selfie stick while skiing, loop recording and quick switching between five custom modes. Finally, it offers a low-power timelapse feature with presets for crowds, clouds and sunsets, along with dynamic timelapse video stabilization that offers smooth exposure and color temperature changes.

Wrap-up

Steve Dent/Engadget

So what to make of the Osmo Action 3? DJI wisely returned to an action cam form, while addressing the overheating and other complaints of users who purchased the Action 2. It also introduced features that trump the Hero 10, like the magnetic clip mount and long-lasting, fast-charging battery.

However, it still doesn’t beat GoPro where it really counts: the footage. Stabilization is nearly comparable, but the $400 Hero 10 (with subscription) has superior low-light powers, smoother scene transitions and higher resolution. Another option is the $300 Insta360 One RS, but the the linear frame rates (with the 4K Boost Lens) are lower than either the Hero 10 or Action 3 at 4K, 2.7K and 1080p resolutions — though it's a good option if you need 360-degree capture.

The Osmo Action 3 looks like a good option for many folks, though, particularly at the $329 base price. You can also grab it for $439 in the adventure combo, with three Extreme Batteries and the multifunction case, protective frame, a 1.5m extension rod, flat adhesive base, pair of quick-release adapter mounts and more. DJI also offers a large number of accessories including