Three years after becoming the newest branch of the US Armed Forces, the Space Force has an official song. Titled “Semper Supra” (or “Always Above,” if you’re not a fan of Latin), the tune made its debut on Tuesday at the 2022 Air, Space and Cyber Conference in Maryland. Now, before I say anything else about it, I think it’s best you hear the song for yourself.

If you ask me, it’s jauntier than I expected, particularly for a song that is supposed to embody a 21st-century military branch. According to Chief of Space Operations John Raymond, the Space Force wanted a song that “spoke to our Guardians” – and, no, he’s not talking about Destiny 2 players.

The eight lines of lyrics you hear were the result of “years of research and revisions.” Former service and US Air Force Band member James Teachenor wrote "Semper Supra" with General Raymond’s help. "The song was a long work in progress because I wanted it to encompass all the capabilities that the Space Force offers and its vision," Teachenor said. Once the two settled on the song’s lyrics, they recruited Sean Nelson of the US Coast Guard Band to create an arrangement, with the USCG Band providing the instrumentation. 

If you ask us, the final product sounds a bit too similar too to other Armed Forces tunes like “The Army Goes Rolling Along.” Personally, I think the Space Force should have gone down a prog rock route and made the song sound, you know, spacey. 

In addition to being one of the best games of the year, FromSoftware’s Elden Ring features an absolute treat of a soundtrack. Tsukasa Saitoh, Shoi Miyazawa, Yuka Kitamura, Yoshimi Kudo and Tai Tomisawa crafted an orchestral score that pays homage to the studio’s past while offering something new, and now you can listen to their work without booting up the game.

Publisher Bandai Namco has uploaded Elden Ring's entire 67-track score to nearly every streaming service out there. Among other platforms, you can listen to the soundtrack on Apple Music, Amazon Music, Spotify, Tidal and YouTube Music. If you still buy albums, it's also available through iTunes.  

As is so often the case with From’s games, the songs that play during boss battles are among the most memorable. I had to stop myself from gritting my teeth after Malenia’s theme came on. Thankfully, the more ambient tracks, including "Limgrave," are there to balance things out. Bandai Namco also released an all-too-short behind-the-scenes video showcasing the Budapest Film Orchestra recording some of the music you can hear in-game and online. You can watch it below.

Just as it is to Eddie Munson in Stranger Things 4, Metallica's "Master of Puppets" is, to me, the “most metal ever.” I spent my teen years obsessively learning the guitar, and Metallica was one of my biggest influences. The combination of vocalist and rhythm guitarist James Hetfield's thrash riffs and progressive song structures along with lead guitarist Kirk Hammett's shredding gave me plenty to try and master. I was never quite fast or precise enough to fully nail Metallica's hardest songs, but I could do a pretty decent impression when I was on my game.

Some 20-plus years later, I am decidedly not on my game, having only played sporadically over the last decade. I've tried getting back into playing in fits and starts, but nothing has really stuck. Just recently, though, Finnish company Yousician came on my radar thanks to a collaboration with — who else? — Metallica.

At a high level, the Yousician software listens to your guitar playing and matches it to the lesson or song you're trying to play, giving you a higher score depending on how accurate you are. The app features courses and songs for guitar, piano, bass, ukulele and vocals, but my time was only spent on the guitar section.

For people who've never played before, there are loads of introductory lessons — but the most interesting thing about Yousician for someone like me are the song transcriptions. The app is loaded up with tons of popular songs that have, in my limited testing, fairly accurate transcriptions that help you learn to play along with the original recording. Queuing a song up brings up a continuously scrolling tablature overview of the song; play along with it and Yousician will try and tell you if you hit a chord right on the beat, whether you're a little early or late or whether you blew it completely.

From what I can tell, the vast majority of the music on Yousician has been recorded by session musicians — so you're not playing along to the original Nirvana or Foo Fighters tracks, but a well-recorded, though somewhat soulless, reproduction. That's OK, as these exercises work well enough for learning a song, and then you can just go play along with the original once you have it perfected.

But the Metallica course is different, and far more compelling. Yousician got access to the master recording for 10 of the band's songs, which means you're learning from and playing along with the original songs you (presumably) love.

The Metallica portion of Yousician isn't limited to learning specific songs, however. There are three courses to play through: Riff Life, Rock in Rhythm and Take the Lead, each of which dives into a different aspect of the band's music. Each of those courses, in turn, has a handful of lessons focused on a song and the skills needed to play it. There are also videos featuring members of the band talking about the overarching concept. While James and Kirk aren't literally teaching you the songs, it's still great to see them play up close and personal and hear about how they approach writing and performing.

For example, the "Rock in Rhythm" course has a whole section on downpicking, a more percussive and aggressive way of using your picking hand that has come to define much of Metallica's riffs and heavy metal music in general. Seeing James Hetfield perform some of his most complicated and fast riffs in great detail is an absolute treat.

Mixed in with these videos are lessons that focus on a specific part of a song. The Riff Life course starts things out extremely simple, with the key riffs to songs like "For Whom the Bell Tolls," "Nothing Else Matters'' and "Enter Sandman." These lessons follow a pretty standard format. First, you'll listen to the isolated guitar part to get it in your head, sometimes accompanied by a Yousician instructor showing you how to approach the song. After that, you play the part in the context of the song, starting out slowly and then gradually speeding up to play it at full speed. Then, to complete the lesson, you perform the complete song.

For that last option, Yousician offers multiple ways to move forward. If you're a beginner, you can play simplified versions of the song — but Yousician also includes full versions of the rhythm guitar track or a combo of the rhythm and lead parts. If you're just learning the song for the first time, you're not going to want to jump right into those versions. But if you're up for the challenge, the practice mode helpfully divides the song up into sections like intro, verse, chorus, solo and so forth. You can slow the song down, work on those sections, and then string the entire thing together. The app uses time stretching so that the music’s pitch isn’t affected.

As someone already familiar with the Metallica songs included, I can tell Yousician has done an impressive job with these full transcriptions. I've already picked up some tricks and learned a few improved ways to play these songs, even for very simple parts like the opening riff to "Enter Sandman." I've known that song basically since I first picked up a guitar, but Yousician identified that Hetfield plays the riff with his left hand in a fairly unconventional finger position, one that is not simple but makes the notes ring out clearer once you master it.

The lead guitar parts are also impressively detailed, considering how fast and complex some of Hammett's solos can be. This is a case where I'm sure it helped to have access to Metallica's master recordings for these songs; being able to isolate parts and slow things down makes the learning process much more accessible and also likely made a difference in the accuracy of the transcriptions. While I can't say that the notation for extremely fast solos like those in "One" or "Battery" are 100-percent accurate, they should be good enough for a convincing performance.

Unfortunately, I ran into some problems when trying to tackle the aforementioned epic, “Master of Puppets.” While I was working my way through the downpicking lessons, I was presented with the riff played during the main verse. Whether through my own ineptitude, Yousician not “hearing” me well enough or some other unknown issue, I simply could not play the riff accurately enough to move forward. It’s definitely a fast one, but even at slowed down speeds, Yousician consistently didn’t recognize that I was hitting the sliding power chords that anchor the end of the riff. A colleague of mine had previously tried Yousician and had a similar problem with the app not recognizing his playing, which can be a major bummer if you’re trying to ace each lesson.

I can’t say why this happened with this particular riff. Yousician did a good job at hearing me play the song’s introduction, which is equally fast and pretty complex in its own right. There seemed to be something specific to those sliding chords that the app had a hard time picking up. I’m not well-practiced enough to attempt the fastest solos the Metallica course offers, so I can’t say how well it’ll pick those up, but it did a fine job of recognizing the quick, arpeggiated licks near the end of the “Fade to Black” solo. Yousician did a better job of picking things up when I plugged my guitar straight into my computer using the iRig 2 interface. But since I don't usually go straight into my computer, I didn't have any virtual amps or effects set up, which meant playing wasn't nearly as much fun as it is through my amp.

Despite these occasional issues, I really enjoyed the Yousician Metallica course. Whether it’s worth the money is another question altogether – Yousician costs $140 a year or $30 a month. That’s not cheap, but it’s less expensive than the private guitar lessons I took 20 years ago. Obviously, Yousician can’t tailor its lessons to me, but I’m still impressed with the attention to detail and comprehensive nature of the Metallica course, and there’s a host of other things I could play around with, too. Between the accuracy of the transcriptions, a solid song selection and the ability to slow down tracks for practicing, there’s a lot to like here.

It certainly would have been a fantastic tool when I was learning the guitar as a teenager – but in 2022, there are a wide variety of options for learning your favorite songs. That’s probably the biggest catch with Yousician. Most people will probably be happy to view YouTube instructional videos and look up transcriptions for free online. I just did a quick search for “Master of Puppets guitar lesson” and found a host of excellent videos, including one multi-parter where the instructor spent ten minutes just demonstrating the first two riffs. It was a thorough, detailed lesson from someone who clearly knows the song as well as Metallica’s approach to playing in general.

That said, I’d still encourage Metallica fans to check out a monthly subscription to Yousician. The song selection spans simpler tracks to some of their toughest material, making it useful regardless of your skill level. The video content is entertaining and informative; you don’t often get to see a band speaking so candidly about their approach to playing their instruments. And as good as some YouTube lessons are, being able to look at and play along with detailed tablature transcriptions of extremely fast guitar solos makes the learning experience much better. Those transcriptions combined with the original Metallica master tracks that you can slow down or speed up as needed are an excellent practice tool. For anyone looking to unleash their inner Eddie Munson, Yousician’s Metallica course is a solid place to start.

TikTok has teamed up with Ticketmaster to help users discover events and buy tickets directly through the app. Creators such as music artists, comedians, sports teams and venues can search for relevant Ticketmaster events and link to them on their videos. The feature is only open to select creators at the outset, though more will gain access over time.

Demi Lovato, OneRepublic, Usher, the Backstreet Boys and WWE are among those who can use the feature at the jump. Event links will appear on the bottom left of the screen. Users can tap or click through to an in-app browser to buy a ticket.

Ticketmaster says the partnership with TikTok will help event organizers and creators reach more fans and potential ticket buyers. Along similar lines, Snapchat added a Ticketmaster Mini app in February to help users find events.

Earlier this week, it emerged that TikTok may be working on its own music streaming service. According to a trademark filing, the mooted TikTok Music service would allow folks to "purchase, play, share, download music, songs, albums, lyrics... live stream audio and video... edit and upload photographs as the cover of playlists... [and] comment on music, songs and albums."

TikTok has helped users discover both current and past musical artists, and now it might be starting its own music streaming service. Parent ByteDance has filed a trademark application with the US Patent and Trademark Office for "TikTok Music," Insider has reported. The service would let users "purchase, play, share, download music, songs, albums, lyrics... live stream audio and video... edit and upload photographs as the cover of playlists.. [and] comment on music, songs and albums." 

ByteDance already has a music streaming app called Resso, but it's only available in India, Brazil and Indonesia. That app has some of the features mentioned in the trademark filing, like playlists, song-sharing and community interaction. On top of that, TikTok redirects users in Brazil to the full song on Resso, as Insider notes.

The trademark application was first submitted in Australia and then filed in the US on May 9th. It's not clear if it intends to base such a service on Resso, but it has to demonstrate that it will actually use the trademark before applying for it in the US — so it's not just a placeholder, according to Insider. The company also described said you could "live stream audio and video interactive media programming in the field of entertainment, fashion, sports, and current events," as other possible use cases. 

Snap has set up a new grant program to pay indie musicians behind popular songs on Snapchat. It created the Snapchat Sounds Creator Fund to "recognize emerging, independent artists for the critical role they play in driving video creations, inspiring internet trends and defining cultural moments," according to a blog post.

Starting in August, the fund will give artists who distribute music on Snapchat Sounds via DistroKid up to $100,000 in total each month. For now, the program is limited to 20 songs each month. The artists behind each of the songs Snapchat selects will receive $5,000. "We want to support the independent and emerging artists that are driving creation on Snapchat," said Snap's global head of music partnerships Ted Suh said. 

Artists need to be at least 18 years old to be eligible (or 16 if they have written consent from a parent or guardian). Snap says artists can't apply for a grant and it will decide recipients at its own discretion.

Snapchat started letting users attach music to snaps through the Sounds feature in October 2020. Creators have made more than 2.7 billion videos with music from Sounds and have accrued more than 183 billion views in total. The Snapchat Sounds Creator Fund seems like a reasonable way to reward musicians whose work has become a viral hit on the platform or helped creators to express themselves.

Apple is no stranger to exclusive tunes, but now it's using them to more directly challenge its rivals. The company has launched an Apple Music Sessions series that, much like Spotify Sessions, revolves around live performances from big-name artists at in-house venues. Not surprisingly, Apple is wielding its technical clout to reel you in — every song is available in spatial audio, and videos of the performances are available if listening isn't enough.

The initial sessions cater to country fans, with Carrie Underwood and Tenille Townes playing favorites and covers in Apple's Nashville studio. Upcoming releases will feature the likes of Ingrid Andress and Ronnie Dunn. There will be releases for other genres, so don't worry if you prefer live music without a twang.

There's no mystery to the strategy here. As with Apple's other exclusives, ranging from early iTunes Originals through to recent spatial audio offerings, this is all about giving you a reason to either switch to the service or stay hooked. The company just isn't shy about its main competition this time — it's hoping to draw in some Spotify converts, or at least keep Apple Music fans from jumping ship.

Hulu has ordered a docuseries inspired by the influential hip-hop playlist RapCaviar from Spotify and Sony’s IPC studio, reportedThe Hollywood Reporter. RapCaviar Presents will feature the perspectives of artists like Tyler, the Creator, Jack Harlow, Megan Thee Stallion, Doja Cat and Saweetie. The show has no official release date yet, but is expected to debut on Hulu sometime later this year.

For those who are unfamiliar with RapCaviar, both the 14-million follower strong playlist and companion podcast are known for launching the careers of once unknown artists such as Migos, Lil Uzi Vert and Kyle. For emerging hip-hop artists, getting a track featured on RapCaviar can quickly result in millions of streams and draw the attention of record labels. The creator of the playlist is Tuma Basa, Spotify’s global head of hip hop programming, who hand-picks the music himself.

Filmmaker Karam Gill (Supervillain: The Making of Tekashi 6ix9ine) will serve as executive producer and creative director of the docuseries. The co-EPs are Av Accius and Marcus A. Clarke. The showrunner is Steve Rivo, the writer of the Showtime film about the world’s longest-running music video, You’re Watching Video Music Box.

If the appetite for original programming about music is strong enough, we could possibly see even more documentaries and shows in other genres from Spotify in the future. There’s even a fictionalized series about Spotify in the works. The Playlist, a scripted series about the music streaming service's origin story, will debut on Netflix later this year.

In 1982, when the BBC’s prime-time technology show – Tomorrow’s World – did a segment on a new musical format called the “Compact Disc” the presenter skeptically asked "Whether there's a market for this, remains to be seen". We all know what happened next, but even in the early ‘80s the benefits of CDs should have been clear: high quality, non-degrading sound in a compact format. Oh, and you could even skip, shuffle and repeat tracks, which, in a pre-digital world, truly felt like the future

The Compact Disc turns 40 this year, and there are already signals the format is primed for a mini revival. For the first time in 17 years, CD sales actually went up - and by almost 50 percent, according to the RIAA’s sales database.

It’s still a long way from the format’s peak. In 2021, 46.6 million CDs were shipped in the US – compared to nearly a billion back in 2000. For context, that 46.6 million barely accounts for four percent of last year’s total music revenue. Vinyl albums, by contrast, sold fewer overall units (39.7M) but are more of a money spinner for artists (seven percent of total revenues).

Some reports claim that the uptick in CD sales is mostly due to mega-artists like Adele and BTS releasing new albums (the former’s 30 accounted for two percent of total CD sales alone). But there are other potential – and more practical – contributing factors, too, including the pandemic.

“CD sales are growing again now that retail stores are reopening and artists are back on tour. And while CDs haven’t yet seen the same type of revival as vinyl, the CD format remains a steady revenue stream for independent artists.” Rob Bach, COO of CD Baby told Engadget. They should know, as one of their services is the production and distribution of CDs for indie bands.

Kevin Breuner, SVP of Artist Engagement and Education for the company, thinks there’s an increasing appetite for CDs as memorabilia, rather than just as a way of playing music. “Part of it is that streaming hasn’t replaced anything at the merch table … the appeal of a physical item like a CD is that it’s a piece of memorabilia in a live setting, something you can have signed by artists. Similarly, for artists, there’s nothing that can replace when a fan goes back to the merch table to buy a CD or a t-shirt; it’s always been that way.”

There’s also the fact that what once seemed restrictive to younger listeners – having to own a song if you wanted to hear it – now presents a different way of enjoying music. A good album isn’t merely a collection of songs, but a structured experience to be enjoyed from start to finish. You can, of course, do this with streaming, but a CD requires getting up to change, Spotify is usually just a click away.

CDs launched in Japan in October 1982. The format and hardware to play it on didn’t land in the US and Europe until the following year. Adoption was relatively swift and just two years later the first million-selling CD album - Brothers in Arms by Dire Straits – would cement the shiny disc's popularity. By the early ‘90s, assisted by increasingly smaller, affordable and even portable players, the CD was the de facto way to listen to music. And for good reason.

In this new digital world, the CD format was consistent in a way that analog never could be. What became known as the “Red Book” standard – two-channel 16-bit PCM at 44.1kHz – would be the prevailing specification from there on out. When someone used to say “it’s CD quality” one might assume that’s what they were referring to.

This standard is considered the minimum requirement to be called “lossless” by today's streaming services. Of course, how or what you record at 16-bit/44.1 is really what matters, but that’s a whole other story.

Jamal Saidi / reuters

More important than any of this, for the labels and artists at least, is that the arrival of the CD meant they could re-sell us our entire music collection in the new wonder format. The ‘90s were a good time to be in the music industry, at least until Sean and Shawn came along.

There were other benefits to this new digital medium, too. And not just the aforementioned ability to skip/program/shuffle tracks. With CDs, you could hide bonus tracks in new ways that would otherwise be visible on a vinyl record or instantly found by anyone that left a cassette tape running.

Even more exciting? Once PCs started being a more common feature in homes, artists and labels realized you could bundle in entirely different bonus media like videos and karaoke versions – as found on some versions of Americana by The Offspring, for example.

Before we show you some ways you can enjoy/rediscover the joys of compact discs, bear in mind the experience was far from flawless.

Despite being more durable than vinyl, it definitely is possible to scratch a CD. When a record has a scratch, it’s almost charming. With CDs, it’s more like walking slowly through hell as they dig up the streets. If your disc was damaged, it also might work in some players yet, frustratingly, not in others. Many an hour has been wasted cleaning and reseating a CD in the hope it would take.

Of course, many CD players took only one disc, so you’d frequently be swapping them out. If you knew someone who had every CD in the right jewel case, that was often a tell that this person doesn’t listen to their music enthusiastically or often enough (It’s possible they were just slightly organized, but where’s the fun in that). This “which disc is in which case” problem became even worse when someone decided CD singles – one song you wanted and some less good songs on one disc – were a good idea.

Not to mention the fragility of the cases they came in. Jewel case hinges would crack just by looking at them, while center hubs (the part that held the disc in place) would crumble no matter how well you handled things. Most often while moving house or the aforementioned enthusiastic listening with friends.

Unlike other formats, the CD is unique in that it played a part in its own demise. With the advent of CD burners, you could easily copy your friends’ album collection, print out album artwork and even print circular stickers with the CD art on them, too. This was how music was stolen for the short period when CD burners and blank discs were affordable and online piracy hadn’t taken hold. The CD was then effectively relegated to the role of external storage medium before quietly regressing into obscurity. Until now, of course.

With those small challenges in mind, if you’re ready and willing to give the humble Compact Disc another, uhm, spin, here are some recommendations, new and old, cheap and not-so, to dive into the world of the CD.

Where to find CDs

Maybe you already have a collection, if so, you’re good to go. But if you’re new around here, you’re going to want to grab a few albums to get you started. For current, mainstream music you’ll be able to find a selection at Target and Walmart. Jeff Bezos will of course also happily sell you a CD. Tower Records also recently returned as an online-only store which also has a good selection of CDs. For more of an indie-artist focus, there’s of course Bandcamp – or the good old-fashioned merch stall at a gig.

You can, of course, also navigate the secondhand market either locally (thrift stores, local record shops) or online at places like Discogs, eBay or even apps like Letgo.

What you may already own

Aaron Souppouris / Engadget

Maybe, you have a CD player unironically in your front room right now. We admire the dedication. Or perhaps you have an old one in storage somewhere? But if you’re young enough to have gone straight to streaming, it’s worth asking family and friends in case they have one gathering dust somewhere.

That said, you might even own a CD player without even knowing it. If you have an Xbox with a disc drive, congratulations, you’re already in the club. PlayStation fans, however, need either a PS1 (original), a PS2 or a PS3, as after that Sony decided the functionality for audio discs was no longer needed.

Cheap and easy

There was a brief period where the only CD player in the house might well have been in your PC. Primarily used for installing software or the drivers for a peripheral (yeah, we know, bad times) the CD-ROM drive was also good for playing music too.

Most PC cases these days aren’t really made with a CD-R drive in mind, and the last Mac to include a CD drive was the 2012 MacBook Pro. That model was discontinued in 2016, the same year Apple nixed the iPhone’s headphone jack - a rough year for many music listeners.

No worries, there’s a sort of dongle for that. You can pick up a USB CD-Drive for a little over the price of one album, such as this one for a reasonable $22. You’ll also get DVD and CD burning functionality thrown in, which surely will also be due their own revivals before long.

A new take on a classic

James Trew / Engadget

For many, the advent of the portable CD player was a long time coming. But the format wasn’t entirely suited to being in motion. Not initially at least, with even the slightest of movements causing a disc to skip. Over time this was resolved as players were able to buffer more music to ride out those bumps.

NINM Labs’ “Long Time No See” portable CD player (approx $117) blends the best of the past with modern conveniences like Bluetooth and USB power. The transparent design gives off early-aughts Game Boy vibes, while a clever speaker “lid” accessory means you’re never without a way to listen to those discs. That said, there’s of course the aforementioned Bluetooth for connecting to speakers and headphones and even a good old fashioned headphone port.

What’s more, you can run the player directly from USB power or AA batteries. You can even charge said batteries while it’s connected over USB. And the whole thing is magnetic, too, so you can get creative with where you place it.

Taking things to a (much) higher level

James Trew / Engadget

For the most authentic experience, it has to be HiFi separates. In the ‘90s a good HiFi was the quickest way to let someone know you were serious about music. No MegaBASS or often even an EQ for these dedicated listeners, just pure unadulterated sound. They may also be seen with magic pebbles or some CDs in the freezer.

Cambridge Audio has been around long enough to know what makes a great CD player. Its CXC “player” comes right in at $700. The CXC doesn’t even convert the CD to audio, it passes the digital signal directly to… something else, as long as it has either S/PDIF coaxial or TOSLINK in puts. You may as well complete the look with Cambridge Audio’s CXA61 amplifier ($1,100) with a DAC. It’s the perfect companion for the CXC both in terms of looks and connectivity. Of course, spending $1,800 on fancy HiFi gear doesn’t always mean you’re set. You still need some speakers, so you might as well toss in the SX60 bookshelf set for the fully-loaded CD setup.

Drums are an exciting instrument to learn to play, but often prohibitive if there are housemates or close neighbors involved. For that problem there are still electronic drums which can be played much more quietly, but then the problem becomes one of price. To solve at least part of that one, [Jeremy] turned to using an Arduino to build a drum module on his own, but he still had to solve yet a third problem: how to make the Arduino fast enough for the drums to sound natural.

Playing music in real life requires precise timing, so the choice of C++ as a language poses some problems as it’s not typically as fast as lower-level languages. It is much easier to work with though, and [Jeremy] explains this in great detail over a series of blog posts detailing his drum kit’s design. Some of the solutions to the software timing are made up for with the hardware on the specific Arduino he chose to use, including an even system, a speedy EEPROM, hardware timers, and an ADC that can sample at 150k samples per second.

With that being said, the hardware isn’t the only thing standing out on this build. [Jeremy] has released the source code on his GitHub page for those curious about the build, and is planning on releasing several more blog posts about the drum kit build in the near future as well. This isn’t the only path to electronic drums, though, as we’ve seen with this build which converts an analog drumset into a digital one.