I had a favorite version of Mulan growing up (Anita Yuen in the 1998 Taiwanese TV series). I obsessed over Chinese period TV series like Legend of the Condor Heroes, My Fair Princess and The Book and the Sword. I consider myself fairly well-versed in Chinese historical figures, especially those represented in ‘90s and 2000s entertainment in Asia. So when I found out that a UK-based studio had made a VR game called The Pirate Queen based on a forgotten female leader who was prolific in the South China Sea, I was shocked. How had I never heard of her? How had the Asian film and TV industry never covered her?

I got to play a bit of the game this week, which was released on the Meta Quest store and Steam on March 7th. The titular character Cheng Shih is voiced by actor Lucy Liu, who also executive produced this version of the game with UK-based Singer Studios’ CEO and founder Eloise Singer. Liu and Singer sat with me for an interview discussing The Pirate Queen, Cheng Shih, VR’s strengths and the importance of cultural and historical accuracy in games and films.

Cheng Shih, which translates to “Madam Cheng” or “Mrs Cheng,” was born Shi Yang. After she married the pirate Cheng Yi (usually romanized as Zheng Yi), she became known as Cheng Yi Sao, which translates to “wife of Cheng Yi.” Together they led the Guangdong Pirate Confederation in the 1800s. Upon her husband’s death in 1807, she took over the reins and went on to become what South China Morning Post described as “history’s greatest pirate.”

Singer Studios

How did Singer Studios learn about Cheng Shih and decide to build a game (and upcoming franchise including a film, podcast and graphic novels) around her? According to Singer, it was through word of mouth. “It was a friend of mine who first told me the story,” Singer said. “She said, ‘Did you know that the most famous pirate in history was a woman?’”

Cheng Shih had been loosely referenced in various films and games before this, like the character Mistress Ching in the 2007 film Pirates of the Caribbean: At World’s End and Jing Lang in Assassin’s Creed IV: Black Flag. As Singer pointed out, Cheng Shih had also appeared in a recent episode of Doctor Who.

Singer said that her team started developing the project as a film at the end of 2018. But the pandemic disrupted their plans, causing Singer to adapt it into a game. A short version of The Pirate Queen later debuted at Raindance Film Festival, and shortly after, Meta came onboard and provided funding to complete development of the game. Liu was then approached when the full version was ready and about to make its appearance at Tribeca Film Festival 2023.

“The rest is history,” Liu said, “But not forgotten history.” She said Cheng Shih was never really recognized for being the most powerful pirate. “It seems so crazy that in the 19th century, this woman who started as a courtesan would then rise to power and then have this fleet of pirates that she commanded,” Liu added. She went on to talk about how Cheng Shih was ahead of the time and also represented “a bit of an underdog story.” For the full 15-minute interview, you can watch the video in this article or listen to this week’s episode of The Engadget Podcast and learn more about Liu and Singer’s thoughts on VR and technology over the last 20 years.

Capturing the historical and cultural details of Cheng Shih’s life was paramount to Liu and Singer. They said the team had to create women’s hands from scratch to be represented from the player’s perspective in VR, and a dialect coach was hired to help Liu nail the pronunciation for the Cantonese words that Cheng Shih speaks in the game. Though I’m not completely certain if Cheng Shih spoke Mandarin or Cantonese, the latter seems like the more accurate choice given it’s the lingua franca in the Guangdong region.

Singer Studios

All that added to the immersiveness of The Pirate Queen, in which players find themselves in an atmospheric maritime environment. The Meta Quest 3’s controllers served as my hands in the game, and I rowed boats, climbed rope ladders and picked up items with relative ease. Some of the mechanics, especially the idea of “teleportation” as moving around, were a little clunky, but after about five minutes I got used to how things worked. You’ll have to point the left controller and push the joystick when you’ve chosen a spot, and the scene changes around you. This probably minimizes the possibility of nausea, since you’re not standing still while watching your surroundings move. It’s also pretty typical of VR games, so those who have experience playing in headsets will likely be familiar with the movement.

You can still walk around and explore, of course. I scrutinized the corners of rooms, inspected the insides of cabinets and more, while hunting for keys that would unlock boxes containing clues. A lot of this is pretty standard for a puzzle or room escape game, which is what I used to play the most in my teens. But I was particularly taken by sequences like rowing a boat across the sea and climbing up a rope ladder, both of which caused me to break a mild sweat. Inside Cheng Shih’s cabin, I lit a joss stick and placed it in an incense holder — an action I repeated every week at my grandfather’s altar when I was growing up. It felt so realistic that I tried to wave the joss stick to put out the flame and could almost smell the smoke.

It’s these types of activities that make VR games great vehicles for education and empathy. “We didn’t want to have these combat elements that traditional VR games do have,” Singer said, adding that it was one of the challenges in creating The Pirate Queen.

“It’s nice to see and to learn and be part of that, as opposed to ‘Let’s turn to page 48,’” Liu said. “That’s not as exciting as doing something and being actively part of something.” When you play as a historical character in a game, and one that’s as immersive as a VR game, “you’re living that person’s life or that moment in time,” Liu added.

While The Pirate Queen is currently only available on Quest devices, Singer said there are plans to bring it to “as many headsets as we possibly can.” Singer Studios also said it is “extending The Pirate Queen franchise beyond VR into a graphic novel, film and television series.”

This week, it’s all about cars and Lucy Liu in VR. Devindra chats with Senior Writer Sam Rutherford about his visit to the New York International Auto Show, where he saw the Polestar 4, a unique new EV without a rear window. Also, Cherlynn pops in to chat with Lucy Liu about her new VR game, The Pirate Queen. We also explore the issues around Florida’s bill banning young kids from social media sites, and Sam tells us why he likes Netflix’s Avatar: The Last Airbender adaptation.

Listen below or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcast, Engadget News!

Topics

• Sam Rutherford on what’s new in EVs and car tech from the New York Auto Show – 0:57

• Cherlynn Low interviews Lucy Liu about her new VR game The Pirate Queen – 34:39

• Florida Governor signs bill banning young children from social media – 54:55

• Intel confirms Copilot will eventually run locally – 58:33

• There’s finally a version of Chrome that runs well on ARM-based Windows machines – 1:02:43

• Canadian researchers have created a camera that takes 156.3 trillion frames per second – 1:05:06

• Working on – 1:07:08

• Pop culture picks – 1:12:44

Subscribe!

• iTunes

• Spotify

• Pocket Casts

• Stitcher

• Google Podcasts

Credits 

Hosts: Devindra Hardawar and Sam Rutherford
Guest: Cherlynn Low and Lucy Liu
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien

This week, it’s all about cars and Lucy Liu in VR. Devindra chats with Senior Writer Sam Rutherford about his visit to the New York International Auto Show, where he saw the Polestar 4, a unique new EV without a rear window. Also, Cherlynn pops in to chat with Lucy Liu about her new VR game, The Pirate Queen. We also explore the issues around Florida’s bill banning young kids from social media sites, and Sam tells us why he likes Netflix’s Avatar: The Last Airbender adaptation.

Listen below or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcast, Engadget News!

Topics

• Sam Rutherford on what’s new in EVs and car tech from the New York Auto Show – 0:57

• Cherlynn Low interviews Lucy Liu about her new VR game The Pirate Queen – 34:39

• Florida Governor signs bill banning young children from social media – 54:55

• Intel confirms Copilot will eventually run locally – 58:33

• There’s finally a version of Chrome that runs well on ARM-based Windows machines – 1:02:43

• Canadian researchers have created a camera that takes 156.3 trillion frames per second – 1:05:06

• Working on – 1:07:08

• Pop culture picks – 1:12:44

Subscribe!

• iTunes

• Spotify

• Pocket Casts

• Stitcher

• Google Podcasts

Credits 

Hosts: Devindra Hardawar and Sam Rutherford
Guest: Cherlynn Low and Lucy Liu
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien

Getty has flagged another photo captured by the Princess of Wales as digitally altered that was released back in 2022, featuring Queen Elizabeth II surrounded by her grandchildren and great-grandchildren. "Getty Images is undertaking a review of handout images and in accordance with its editorial policy is placing an editor's note on images where the source has suggested they could be digitally enhanced," a spokesperson told CNN. This comes on the heels of a recent controversy, where a photo of Kate Middleton was revealed to be doctored.

The publication found 19 alterations in the photo that most people likely wouldn't notice unless they zoom in very closely and examine every pattern. It found a few misalignments in the subjects' clothing, random floating artifacts, cloned hair strands and heads that looked like they were pasted in from another photo due to the difference in lighting. Kate, or whoever edited the picture, might have simply been looking to create the best version of it possible, but agencies like Getty only allow minimal editing for the photos in their library to avoid spreading misinformation. 

The princess' absence from public events since Christmas last year has, as you might have expected, spawned all kinds of conspiracy theories. It even gave rise to a whole Wikipedia article entitled "Where is Kate?" because people around the world are apparently that invested in the British monarchy and can't quite believe that she'd undergone abdominal surgery. 

In the midst of it all, William's and Kate's social media accounts posted the aforementioned doctored photo of the Princess of Wales with her children on Mother's Day in the UK. But when the Associated Press and other news agencies pulled the photo because they found that it had been edited, those conspiracy theories became even more outlandish. The wildest claim we've heard so far is that the video of her out shopping with the Prince of Wales wasn't her at all but a body double. Or a clone, apparently, because that's the way it goes on the internet.

In less than two years, NVIDIA’s H100 chips, which are used by nearly every AI company in the world to train large language models that power services like ChatGPT, made it one of the world’s most valuable companies. On Monday, NVIDIA announced a next-generation platform called Blackwell, whose chips are between seven and 30 times faster than the H100 and use 25 times less power.

“Blackwell GPUs are the engine to power this new Industrial Revolution,” said NVIDIA CEO Jensen Huang at the company’s annual GTC event in San Jose attended by thousands of developers, and which some compared to a Taylor Swift concert. “Generative AI is the defining technology of our time. Working with the most dynamic companies in the world, we will realize the promise of AI for every industry,” Huang added in a press release.

NVIDIA’s Blackwell chips are named in honor of David Harold Blackwell, a mathematician who specialized in game theory and statistics. NVIDIA claims that Blackwell is the world’s most powerful chip. It offers a significant performance upgrade to AI companies with speeds of 20 petaflops compared to just 4 petaflops that the H100 provided. Much of this speed is made possible thanks the 208 billion transistors in Blackwell chips compared to 80 billion in the H100. To achieve this, NVIDIA connected two large chip dies that can talk to each other at speeds up to 10 terabytes per second.

In a sign of just how dependent our modern AI revolution is on NVIDIA’s chips, the company’s press release includes testimonials from seven CEOs who collectively lead companies worth trillions of dollars. They include OpenAI CEO Sam Altman, Microsoft CEO Satya Nadella, Alphabet CEO Sundar Pichai, Meta CEO Mark Zuckerberg, Google DeepMind CEO Demis Hassabis, Oracle chairman Larry Ellison, Dell CEO Michael Dell, and Tesla CEO Elon Musk.

“There is currently nothing better than NVIDIA hardware for AI,” Musk says in the statement. "Blackwell offers massive performance leaps, and will accelerate our ability to deliver leading-edge models. We’re excited to continue working with NVIDIA to enhance AI compute,” Altman says.

NVIDIA did not disclose how much Blackwell chips would cost. Its H100 chips currently run between 25,000 and $40,000 per chip, according to CNBC, and entire systems powered by these chips can cost as much as $200,000.

Despite their costs, NVIDIA’s chips are in high demand. Last year, delivery wait times were as high as 11 months. And having access to NVIDIA’s AI chips is increasingly seen as a status symbol for tech companies looking to attract AI talent. Earlier this year, Zuckerberg touted the company’s efforts to build “a massive amount of infrastructure” to power Meta’s AI efforts. “At the end of this year,” Zuckerberg wrote, “we will have ~350k Nvidia H100s — and overall ~600k H100s H100 equivalents of compute if you include other GPUs.”

The biggest story this week was TikTok and the US government going at it again, with the house voting in favor of a bill that could force TikTok's parent company to sell to a US owner or face getting banned outright. Don't worry, though; your elected officials didn't waste the chance to embarrass themselves, as usual. Meanwhile, Mike Tyson comes out of retirement to box for Netflix. He'll face-off against Jake Paul, which I feel is best represented by this Punch-Out! tweet.  

This week's stories:

✅🕣⛔️ House passes bill that could ban TikTok

🥊🥊😵 The real fight isn't Tyson vs. Paul — it's Netflix vs. its livestreaming infrastructure

📹🏨 Airbnb to hosts: please stop filming the guests

And read this:

To celebrate this website's 20th anniversary, we're looking back at the products and services that have changed the industry since Engadget's inception on March 2, 2004. I've also been here for over half of its existence. Horrifying. I'd share my not-great first hands-on video for the site, but the footage only lives on through Russian content scrapers. What a shame.

All of the stories live here, but I suggest starting with our stories on how streaming video changed the internet and the game-changer that was (and is) Bluetooth audio.

Netflix is the new streaming home of the Mark Twain Prize for American Humor as part of a multiyear deal. This year's prize is going to Kevin Hart, who is being honored for his "extraordinary contributions to the genre and his impressive achievements across comedy, film and television." The likes of Dave Chappelle, Jimmy Fallon, Tiffany Haddish, Regina Hall, Chelsea Handler, Nelly, Chris Rock and Jerry Seinfeld are set to pay tribute to Hart (and perhaps roast him a bit) at the ceremony. For what it's worth, Hart inked a multiyear movie deal with Netflix in 2021.

The Mark Twain Prize is in its 25th year and it's perhaps one of the most prestigious comedy awards in the US. It's awarded to those who have had "an impact on American society in ways similar to the distinguished 19th-century novelist and essayist Samuel Clemens, best known as Mark Twain," a press release notes. Previous recipients include Richard Pryor, Whoopi Goldberg, Lily Tomlin, Lorne Michaels, Steve Martin, Billy Crystal, George Carlin, Tina Fey, Will Ferrell, Carol Burnett, Eddie Murphy, Bill Murray, David Letterman, Julia Louis-Dreyfus, Jon Stewart and Adam Sandler.

The ceremony takes place on March 24 at the Kennedy Center Concert Hall in Washington DC. You'll be able to watch it when it hits Netflix on May 11. That's during the Netflix is a Joke festival, a series of stand-up shows taking place in Los Angeles that will also stream on the platform. Netflix has a rich history of comedy specials and shows at this point, so it seems like a natural fit for the Mark Twain Prize, which was previously broadcast on Comedy Central, PBS and CNN.

There aren't enough films that put movie stars in mechs and task them with saving the world. But that's just what Netflix flick Atlas is doing with Jennifer Lopez.

She plays Atlas Shepherd, "a brilliant but misanthropic data analyst with a deep distrust of artificial intelligence," who joins a team that's aiming to secure a renegade robot. As it happens, Atlas and said machine share "a mysterious past," according to Netflix. Inevitably, things don't go as planned. Atlas finds herself stuck on a distant planet (a long way from any block), inside a robot she has to trust to help her protect life back home.

The first trailer doesn't shed much more light on the plot, but it does have plenty of explosive visuals. Titanfall springs to mind here, especially since it shows a mech dropping from the sky to the surface. Sadly, it's probably the closest we'll ever get to a proper Titanfall film.

Atlas also stars Simu Liu and Sterling K. Brown. The film is directed by Brad Peyton (San Andreas, Rampage). It'll hit Netflix on May 24. In the meantime, Team Engadget couldn't help but come up with some alternative titles:

• Mech In Manhattan

• Jenny from the Bot

• This is Mech... now

Despite combining for 32 nominations, Netflix and Apple TV+ were nearly shut out of of the 2024 Oscars, with Netflix winning a single award for Wes Anderson's The Wonderful Story of Henry Sugar (Best Live Action Short Film). The big surprise was Martin Scorsese's Killers of the Flower Moon (Apple TV+) not gaining a single statue, notably Lily Gladstone losing the Best Actress prize to Poor Things' Emma Stone. 

Universal was the big winner with Oppenheimer (Best Picture, Best Director, editing, Best Actor, Best Supporting Actor, original score, cinematography) while Poor Things (Disney's Searchlight Pictures) garnered four prizes. The other half of "Barbenheimer," (Barbie, ofc) took just a single prize for best song with What Was I Made For (and not I'm Just Ken, sung live at the ceremony by supporting actor nominee Ryan Gosling). 

The gala was a letdown for Netflix, which scored six prizes last year. Netflix has won 23 Oscars since 2017, but has yet to win in the Best Picture or Best Actor/Actress categories. That's despite four nominations this year for Bradley Cooper and Carey Mulligan (Maestro), Colman Domingo for Rustin and Annette Bening for Nyad. 

Lily Gladstone was perhaps slightly favored over Stone to win for Killers of the Flower Moon and she also would have been the first Indigenous American to win an Academy Award for Best Actor or Actress. The studio was also up for Best Supporting Actor with nominee Robert De Niro and Best Director for Scorsese. Apart from Gladstone's loss, though, awards were distributed largely as anticipated. 

This year, it couldn't be said that judges were swayed by a lack of theatrical presence from streamers. Killers of the Flower Moon had a fairly wide release in cinemas, while Maestro stayed in theaters for a month prior to its Netflix release. Both chalked up decent box office numbers. 

The ceremony itself appears to have been decent, with Deadline proclaiming that producers "finally made an Academy Awards ceremony for the 21st century" and The Hollywood Reporter calling it "busy and eclectic." USA Today did describe it as "boring," but every Oscars for the past 20 years has gotten the same knock.

There’s been a lot of discussion in recent years about the practice of capitalizing on celebrities’ digital likenesses without their consent, whether after they die or while they’re still alive. Zelda Williams, for one — the Lisa Frankenstein director and daughter of Robin Williams — slammed the “disturbing” trend of people trying to recreate the voices and faces of the deceased last year, as striking actors fought for, among other things, better protections around studios’ potential use of AI clones. Yet despite the obvious ethical issues, companies keep doing it. The latest? Soul Machines just unveiled “Digital Marilyn,” an AI chatbot designed to look and talk just like Marilyn Monroe.

The company, which specializes in what it refers to as Biological AI-powered Digital People, debuted the Marilyn bot at SXSW on Friday in a partnership with Authentic Brands Group. ABG owns the rights to Monroe’s likeness and those of numerous other celebrities both dead and living, including Elvis Presley and Shaq. Digital Marilyn, powered by GPT 3.5, is “hyper-real” and capable of responding with “emotions and nuanced expressions,” Soul Machines says in a press release. She can hold a roughly 20-minute conversation.

“More than just an impressive impersonation, Digital Marilyn is an autonomous Digital Person capable of engaging in natural, dynamic conversations that feel authentic and responsive,” Soul Machines wrote in a blog post. “It’s as if the spark of Marilyn herself has been translated into the AI age, offering a unique and deeply personal connection for both devoted fans and curious newcomers.” Anyone else’s skin crawling?

Soul Machines touts its digital celebrities (there are others, including an upcoming Carmelo Anthony bot) as a way for famous people to “engage 1-on-1 with their fans, without limits” and “deliver 24/7 connection.” Notably, all of the other AI celebrities the company currently offers chats with — Mark Tuan, Francis Ngannou and Jack Nicklaus — are men who are alive and thus able to weigh-in on their inclusion. Soul Machines introduced its Marilyn Monroe AI to the public with an Instagram post for International Women’s Day, because nothing says “celebrate women” like exploiting the likeness of a female celebrity who is no longer around to give permission.