This year was a bit of a reset for the entertainment industry, with more people returning to theaters and more must-watch TV shows hitting streaming networks. That's a fairly major change from 2021, when many movies hit services like HBO Max on the same day as theaters. But if you've gotten used to catching up on everything on your couch, don't worry — there's still plenty to watch over the holidays. (And be sure to check out our recommendations from last year, which are still good, I swear!)

HBO Max

Station Eleven

Perhaps the best piece of media I've seen this year, Station Eleven is an adaptation of Emily St. John's novel about a society-collapsing swine flu epidemic. Wait, don't run away! While the series may evoke the worst of our COVID experience at first, it also transforms into a hopeful tale about the power of stories (and pop culture!) and human connection. It delivers something we could all use right now: Hope.

Tuca and Bertie Season 3

After being unceremoniously canceled by Netflix in 2020, the cartoon duo of Tuca and Bertie found a new home on Cartoon Network last year. The third and (unfortunately) final season of the series aired this year, and it remains a delight. Created by Lisa Hanawalt and executive produced by Raphael Bob-Waksberg (BoJack Horseman), it follows a pair of friends as they deal with life, love and simply existing in their '30s.

Also on HBO Max:

The White Lotus (Season 2): Mike White's series on the exploits of privileged resort guests, this time in Sicily instead of Hawaii, remains a delight.

Harley Quinn (Season 3): This show remains one of the best DC series currently airing. Tune in for a comedic and more adult spin on your Batman faves.

Disney+

Andor

Yes, it's another Star Wars show, but Andor ended up being one of the biggest surprises of the year. Created by Tony Gilroy (who helped transform Rogue One into a stellar film), it centers on Cassian Andor (Diego Luna), a small-time thief with a healthy distrust for the Empire. The show follows his journey towards becoming a member of the rebels, and in doing so it also serves as a blueprint for taking down authoritarian systems.

Fire of Love

Katia and Maurice Krafft were a rare couple, two expert volcanologists who were also madly in love. They dedicated their lives to documenting active volcanoes, often by directly confronting lava flows, rock explosions and acid lakes. Fire of Love unearths their original footage to show just how far they went in the name of science. But it also paints a portrait of a truly rare couple, one whose contributions we still owe much to.

Also on Disney+:

Tales of the Jedi: A short animated series that gives us a bit more backstory on Ahsoka Tano and... Count Dooku? If you've been interested in the Star Wars cartoons, but don't want to slog through tons of old episodes, this is a good start.

Bluey: This remains the best kids show on TV. Bluey's latest season is as funny and poignant as ever. It's the rare show that can teach both kids and their parents.

Netflix

Cyberpunk: Edgeunners

Cyberpunk 2077 had a notoriously rocky game launch, but the setting of Night CIty was always compelling. Edgerunners is an anime spin on that universe, centering on a plucky street kid who finds himself equipped with a military-grade spine implant. You know, typical teenage stuff. Will his newfound power keep him on the wrong side of the law? And will he ever get revenge against the people who ruined his life? The show doesn't do much new, but it features genuinely compelling characters and some of the best animation in recent years.

The Midnight Club

Mike Flanagan can do no wrong. The talent behind Midnight Mass, Doctor Sleep, and the excellent “Haunting of…” horror shows on Netflix has now set his sights on a Christopher Pike adaptation, and the results are glorious. The show, co-created by Leah Fong, follows a group of terminally ill teenagers as they tell spooky stories and explore the supernatural mysteries of their hospice mansion. It's a meditation on the power of storytelling, but also yet another Flanagan exploration of the value of life.

Also on Netflix:

Wednesday: Come to see Tim Burton finally get his shot at The Addams Family, stay for Jenna Ortega's perfectly deadpan performance.

Hulu

The Bear

Can an award-winning chef truly come back home and save his family's beleaguered sandwich shop? Or is he just trying to work through the death of his brother the only way he knows? The Bear captures the energy and madness of kitchen life better than any TV show — forget all the glossy stuff you've seen on Chef's Table. But amid the insanity, it's the story of a found family banding together to mourn and save the place they all love.

The Dropout

What makes Elizabeth Holmes tick? This series, which stars Amanda Seyfried as the notorious Theranos founder, paints a more complete picture of Holmes than the 2019 HBO documentary The Inventor. We see Holmes' early life, as well as her initial connection with Sunny Balwani (Naveen Andrews, perhaps the best TV adaptation glow-up any South Asian man can hope for). After proving her smarts in college, she sets off to build the world's best blood testing machine with Theranos. We all know how that went. When the hype around Theranos starts to fall apart, The Dropout turns into a fascinating portrait of self-deception.

Also on Hulu:

Fleishman is in Trouble: Toby Fleishman is going through a divorce. But as he starts to rebuild his own identity, he also needs to deal with the wreckage of his marriage (and find his missing ex-wife).

Apple TV+

Severance

Taking the idea of work/life balance a step too far, Severance follows a group of people who’ve received a procedure that completely splits their memories between home and office life. The result is two completely separate personalities within the same body, both trapped in their respective cages. Severance is a bit of a slow burn, but it’s a fascinating exploration of corporate control akin to Terry Gilliam’s Brazil. (Be sure to check out our interview with the creator of the show, Dan Erickson, on the Engadget Podcast.)

Pachinko

An adaptation of Min Jin Lee’s 2017 novel, Pachinko follows a Korean family across several generations starting in 1917 and reaching into the late ‘80s. We see a young fish seller fall in love and make her way to Japan as an outsider, while her grandson struggles to maintain his identity in the pressure-filled business world. Pachinko has almost everything you’d want in a family epic: Children struggling to live up to their parents’ standards, forbidden love and the constant threat of generational trauma. Also, it has one of the best opening sequences of the year.

Other things to watch

The Good Fight (Paramount+): Over its six-season span, The Good Fight tackled the insanity of our current social and political environment better than any other TV show. It’s first and foremost a legal procedural, but coming from the minds of Michelle and Robert King, it ends up being so much more.

Gangs of London (AMC+): Now on its second season, Gangs of London is one of the most brutal crime shows on TV. It’s part gangster epic, part martial arts smackdown (it comes from Gareth Evans, director of The Raid films). While the plot becomes increasingly ludicrous, it’s worth a watch just for the sheer ambition of its action sequences, many of which go far harder than anything we’ve seen in American films lately.

Gone are the days when free games equated to ropey puzzle games and knock-off clones of games that had a price tag. These days, courtesy of in-app payments and the ease of offering both a sample of a title alongside its full-fat version, there are actually plenty of great games to play without spending a dime. Following the continued success of titles like Fortnite, the level of quality across mobile, PC and consoles has never been higher. Put your card away, and consider this your starting point.

Genshin Impact

Hoyoverse

At launch, many of us assumed Genshin Impact was a tenuous Zelda: Breath of the Wild copy with impressive anime graphics and not much else. But this turned out to be a very different game Nintendo’s action RPG, with over 50 characters, at this point, to play as. The world is rich and varied. It’s also a huge accomplishment for a free game that’s found a huge chunk of its audience on smartphones.

While battles with foes form a major part of the game, a lot of the joy and satisfaction comes from customizing that army of characters, building up a collection of loot and strengthening them further. While there is an entire microtransaction system baked into the game, much of the game is playable (and enjoyable) without having to spend a dime. Did we mention it’s totally gorgeous?

Overwatch 2

Blizzard Entertainment

Even though Blizzard has improved the onramp for new players this time around, Overwatch 2 still has a steep learning curve. Stick with it, though, and you’ll get to indulge in perhaps the best team shooter around. Overwatch 2 has a deceptively simple goal — stand on or near an objective and keep the other team away long enough to win. It’s much more complex in practice. To the untrained eye, matches may seem like colorful chaos, but Overwatch 2 has a deceptively simple goal — stand on or near an objective and keep the other team away long enough to win.

It’s much more complex in practice. Blizzard reduced the number of players on each team from six to five. That, along with across-the-board character tweaks, has made gameplay faster-paced and more enjoyable than the original Overwatch. There's a greater emphasis on individual impact, but you'll still need to work well with your teammates to secure a victory.

Now featuring a cast of more than 30 heroes, each with distinct abilities and playstyles, you’ll surely find a few Overwatch 2 characters that you can connect with. The first batch of new heroes are all a blast to play. There are many great (though often fairly expensive) new skins to kit them out with too. The game looks and sounds terrific too, thanks to Blizzard’s trademark level of polish. At least until you figure out how to play Overwatch 2, you can marvel at how good it looks.

Fortnite Battle Royale

Epic Games

Fortnite is a social space as much as it is a game. Where else can you see Spider-Man doing John Cena's "You Can't See Me" taunt next to Indiana Jones dancing to a Dua Lipa song, or Ariana Grande hanging out with Goku while you catch up with friends in voice chat? It also happens to be a great video game with a clear path to victory. Drop onto the island, grab some weapons and gear and try to be the last player or team standing as a storm pushes survivors closer to each other.

Epic made Fortnite far more approachable earlier this year when it introduced a Zero Build mode, which prevents players from building structures for cover. If you have the skills to box an opponent into a skyscraper in mere seconds, by all means, go for it in the other modes, but Zero Build levels the playing field for new players.

Fall Guys

Mediatonic/Epic Games

Fall Guys is a different flavor of battle royale. Sure, there can still only be one player or squad standing tall at the end, but there are no guns in sight here. It's essentially a platformer in the vein of MXC or Takeshi’s Castle, in which only a certain number of players will qualify from each obstacle-laden round.

It’s also maybe the goofiest and purely enjoyable multiplayer game around. You don’t necessarily need to win to have a good time. It’s hard to feel aggrieved, even when another player shoves you off a ledge to knock you out. It rarely feels mean-spirited even when another player messes with you.

With developer Mediatonic adding more levels and cute cosmetics fairly frequently, the game rarely feels stale. Whenever you return to Fall Guys after a break, you’ll probably run into a new type of bedlam.

Apex Legends

Apex Legends

From the studio that brought you Titanfall, Apex is a 60-player deathmatch with teams consisting of three people each. The goal is for your team to be the last one standing in Kings Canyon, where you’ll have to loot and fight your way to survival using characters like Octane, an adrenaline junkie whose ultimate move is deploying a jump pad that catapults you into the air for sneak attacks.

You can download it and use the majority of Apex’s characters without having to spend any money. That said, you will have to shell out some cash to access to certain content, including weapon skins and new characters such as Wattson. If you don’t like the cartoonish aspect of Fortnite, and if you’re a fan of the action-packed Titanfall gameplay, it doesn’t get much better than Apex.

Dota 2

Dota 2

Dota 2 has one of the steepest learning curves of any game. Only after sinking hundreds upon hundreds of hours into the five-on-five MOBA can you even begin to understand the deep game mechanics, 100+ unique characters and team strategies. But the fact Dota 2 is so challenging makes those big plays and hard-fought victories all the more satisfying. The sky-high skill ceiling means there's always something to learn, and if you eventually make it into the pro ranks, one tournament win can turn you into an overnight millionaire.

Pokémon Go

Niantic

When Pokémon Go launched in 2016, there were some obvious omissions, such as trading and player-versus-player trainer battles. Now, almost every problem and missing feature has been addressed. The game isn't perfect, but the fundamentals — walking around outside, spinning Pokéstop signs and catching critters — make this a truly unique and health-beneficial experience for Pokemon fans. The daily "research" quests and timed events, which boost the appearance of certain monsters, are a great excuse to log in every day. Niantic continues to expand the Pokédex, too, so that your collection is never quite finished.

Call of Duty: Warzone

Activision

For years, Fortnite was the battle royale of choice for younger players, until Call of Duty: Warzone came along. Boosting by interest during the pandemic, the free-to-play battle royale has persisted through numerous iterations of the Call of Duty franchise, with new maps, game modes and weapons helping to push the player base above the 100 million mark. The core game requires you to either drop in solo or as part of a team and duke it out with up to 149 other players, running between different points of interest to forage for weapons, tactical items and vehicles. If that wasn’t enough, a wall of gas will force you into increasingly tight areas.

Warzone offers some fresh takes on the traditional battle royale formula. For example, if you die, you will be sent to the ‘Gulag’ to fight with other downed players for a one-time chance to redeploy back into the game. Should you lose, teammates can still ‘buy’ your return, but requires them to first earn enough in-game money to afford it. Following the release of Modern Warfare 2, Warzone was overhauled. It got a new map, Al Mazrah, which is the largest playzone in the game’s history. Loadouts – a system that allowed players to customize a Primary and Secondary Weapon, Tacticals, Lethals and three Perks before the game – have been changed too. 

Warhammer shows and films may be coming to Prime Video in the next few years. Amazon has secured the global rights to Warhammer 40,000, according to Deadline, and Henry Cavill is set to star in and executive produce the franchise. The company's confirmation comes after the announcement by Games Workshop, the manufacturer behind the miniature wargame, that it has "reached an agreement in principle" with Amazon. It's unclear if the two companies have already worked out the details of their partnership, but Games Workshop said it's giving Amazon the rights to develop films and TV series based on the IP, along with any associated merchandising rights. Deadline lists games and animation as other potential projects.

The tabletop wargame has been around since 1987 and is set in the distant future with a rich lore that encompasses humans, alien races and gods. Based on Deadline's report, production company Vertigo Entertainment teamed up with Cavill, who once posted a photo of himself painting a Warhammer miniature in the middle of pandemic lockdowns, to secure the Warhammer 40,000 IP before bringing the project to Amazon. Cavill recently left The Witcher, where he played Geralt of Rivia, and was supposed to play Superman in future DC films. However, he was ultimately dropped as the superhero after DC Studios' new co-chairman James Gunn decided to write a movie for a younger Man of Steel. 

In a statement, Cavill said: "I have loved Warhammer since I was a boy, making this moment truly special for me. The opportunity to shepherd this cinematic universe from its inception is quite the honour and the responsibility. I couldn’t be more grateful for all the hard work put in by Vertigo, Amazon Studios and Games Workshop to make this happen. One step closer to making a nigh on lifelong dream come true."

IMDb announced today that entertainment professionals can now choose whether to display their age and other demographic information on their profiles. Screen performers’ union SAG-AFTRA had pushed for the change for years, viewing it as a front in the war on ageism in Hollywood.

The new policy lets anyone with an IMDb page claim their profile and choose whether their age and birth year, birth name, alternate names and other demographic information show on their profiles. Although performers’ ages will remain on places like Wikipedia, the actors’ union SAG-AFTRA believes the policy will discourage age-based discrimination.

In a letter to union members (reported by Variety), SAG-AFTRA President Fran Drescher said she worked closely with IMDb for several months to influence the policy shift. “This means professionals can choose how they want to represent themselves to fans and industry decision-makers,” she wrote. “And it will make it easier for casting directors, producers and others to discover and hire talent from all backgrounds for their project.” In addition, Drescher noted that the new policy covers free and paid IMDb accounts.

IMDb, which Amazon owns, spent years resisting the change. In 2016, California passed a law barring websites from publishing the ages and birthdates of performers. It was a popular law with performers, as over 2,300 people asked IMDb to remove their ages in the three months following the bill’s passage. However, IMDb refused to oblige, filed an injunction based on First Amendment rights and won. (SAG-AFTRA and the state of California appealed, but an appeals court upheld the initial ruling.) Apart from Drescher’s note about working with IMDb, it’s unclear what factors led to Amazon's about-face.

Although ageism isn't limited to any single industry, Hollywood is a textbook example — especially towards women. Dame Helen Mirren hasn’t minced words on the subject, describing the practice as “fucking outrageous” in a 2015 interview. “We all watched James Bond as he got more and more geriatric, and his girlfriends got younger and younger. It’s so annoying.”

Netflix has added two more titles to its (very good) stable of mobile games: Kentucky Route Zero and Twelve Minutes. They're the first Annapurna Interactive titles to join the lineup. They're available now for all subscribers, including those on the ad-supported plan, on iOS and Android.

It's been a while since Netflix first said it would bring Kentucky Route Zero to its library and it's a welcome addition. It's a narrative-driven point-and-click adventure game that took the developers at Cardboard Computer almost a decade to see through. The first chapter debuted in 2013 and the fifth and final one arrived in 2020. It was a long journey, but the BAFTA award winner garnered strong reviews along the way.

Twelve Minutes, on the other hand, wasn't received quite as warmly. It's a time loop game with a trio of stars in the main roles: Daisy Ridley, James McAvoy and Willem Dafoe. However, we felt that some bad twists ruined a promising idea. You can try it out on your phone now.

Netflix also revealed a couple other games that are coming to the service in the first three months of 2023. Teenage Mutant Ninja Turtles: Shredder’s Revenge, which dropped on other platforms earlier this year, is an absolute joy. Tribute Games did a fantastic job of capturing everything great about the TMNT beat-'em-ups of the late '80s and early '90s and updating them for a modern audience. Shredder's Revenge will only be available on mobile if you're a Netflix subscriber.

Also on deck for early 2023 is Vikings: Valhalla from Tilting Point. This is a tie-in to Netflix's sequel to Vikings, which debuted earlier this year. In this strategy game, you'll lead Viking clans and build settlements. Eventually, you'll battle against others as you try to extend your reach across the continent.

Meanwhile, Netflix recently announced Valiant Hearts: Coming Home, the first of three Ubisoft games that are coming to the service next year. It's a sequel to Valiant Hearts: The Great War and will tell the story of the Harlem Hellfighters, who were the first African-American infantry unit to fight in World War I. Expect this one in early 2023 as well.

Avatar: The Way of Water is a triumph. As a sequel to the highest-grossing film ever, which was criticized for its formulaic story (and the surprisingly small ripple it had on pop culture), the new movie is a genuine surprise. It's a sweeping epic that reflects on the nature of families, our relationship to the natural world and humanity's endless thirst for violence and plunder. Fans of the original film often had to make excuses for writer and director James Cameron's stilted script, but that's no longer the case for The Way of Water, thanks to additional help from Amanda Silver and Rick Jaffa (who both worked on the recent criminally under-loved Planet of the Apes trilogy).

Perhaps most impressive, though, is that James Cameron has managed to craft the best high frame rate (HFR) movie yet. Certain scenes play back at 48 frames per second, giving them a smoother and more realistic sheen compared to the standard 24fps. That leads to 3D action scenes that feel incredibly immersive — at times HFR can make you forget that the lush alien wildlife on Pandora isn't real.

Fox/Disney

Unlike the handful of high frame rate movies we've already seen – The Hobbit trilogy, as well as Ang Lee's Gemini Man and Billy Lynn's Long Half-Time Walk – the Avatar sequel deploys the technology in a unique way. Rather than using HFR throughout the entire movie, Cameron relies on it for major action sequences, while slower dialog scenes appear as if they're running at 24fps. To do that, the entire film actually runs at 48fps, while the calmer scenes use doubled frames to trick your brain into seeing them at the typical theatrical frame rate.

If this sounds a bit confusing, your brain may have a similar reaction while watching the film. The Way of Water often jumps from hyper-real HFR to pseudo-24 fps in the same scene — at one point, I counted around a dozen switches in a few minutes. This is a strategy Cameron has been discussing for years. In 2016, he noted that HFR is "a tool, not a format," and later he rejected Ang Lee's attempt at using HFR for Gemini Man's entire runtime.

Cameron's dual-pronged approach to HFR is bound to be controversial. Even for someone who appreciates what the technology has to offer — pristine 3D action scenes with no blurring or strobing — it took me a while to get used to flipping between high frame rate and 24 fps footage. With Gemini Man, my brain got used to the hyper-reality of HFR within 15 minutes. In The Way of Water, I was almost keeping an eye out for when the footage changed.

Fox/Disney

Despite the distracting format changes, The Way of Water’s high frame rate footage ultimately worked for me. At times, the film appears to be a window into the world of Pandora, with breathtaking shots of lush forests and lush oceans. It makes all of Cameron’s creations, from enormous flying fish-like creatures that you can ride, to alien whales with advanced language, appear as if they’re living and breathing creatures. HFR also works in tandem with the sequel's more modern CG animation, making the Na'vi and their culture feel all the more real.

 Over the film’s three hour and twelve-minute runtime, I eventually managed to see what the director was aiming for, even if his ambition exceeded his grasp.  (Cameron, who has the world’s first [Avatar] and third-highest grossing films [Titanic] under his belt, and who dove into the Marianas Trench in a self-designed personal submarine, suggests you can use the bathroom anytime you want during The Way of Water. You’ll just catch up the next time you see it in theaters. Baller.)

The re-release of Avatar earlier this month also used a combination of HFR and traditional footage (in addition to brightening the picture and upscaling the film to 4K). But even though that revamp grossed over $70 million on its own, there hasn't been much discussion about how it integrated high frame rate footage. (I saw it on a Regal RPX screen, which offered 3D but no extra frames, sadly.) There's a better chance you'll be able to catch Avatar: The Way of Water exactly how Cameron intended. It'll be screening in 4K, HFR and 3D at all AMC Dolby Cinema locations and select IMAX theaters (single laser screens get everything, some dual-laser screens will only offer 2K 3D with HFR). While you could see it in 2D, why would you?

After suffering through the interminable Hobbit movies in HFR, I figured the technology was mostly a waste of time, yet another money-grab that Hollywood can use to pump up ticket prices. Director Peter Jackson struggled to recreate the magic of his Lord of the Rings trilogy, and amid production issues, he also failed to change the way he shot the Hobbit films to account for HFR. So that led to sets that looked like they were ripped from B-grade fantasy movies and costumes that seemingly came from a Spirit Halloween pop-up.

Ang Lee’s more studious attempts at using the technology, especially with the action scenes in Gemini Man, convinced me HFR still had some potential. But even he struggled along the way. Billy Lynn’s Long Half-Time Walk is a cinematic curiosity, where HFR makes slow dialog scenes appear too distractingly real. Gemini Man was cursed by a messy script and the need to be a big-budget Will Smith blockbuster.

Fox/Disney

Avatar: The Way of Water benefits from the creative failures of all of the earlier high frame rate films. For many, it’ll be their introduction to this technology, so it’ll be interesting to see how general audiences respond. Video games and hyper-real YouTube action footage have made 60fps footage far more common, so I could see younger audiences, those raised on hundreds of hours of Minecraft and Fortnite, vibing with Cameron’s vision. Everyone else will need more convincing. For me, though, I’m just glad there’s finally a high frame rate film that’s genuinely great, instead of just a technical exercise.

The Hollywood Foreign Press Association announced the 2023 Golden Globes nominations today. Streaming services dominated television categories, while direct-to-streaming films were recognized as well. Netflix and HBO Max had the best showings among streamers, tallying 14 television nods.

Netflix’s The Crown received four nominations: Best Drama Series, Best Television Actress - Drama Series (Imelda Staunton), Best Supporting Actress - Television Series (Elizabeth Debicki) and Best Supporting Actor - Television Series (Jonathan Pryce). Monster: The Jeffrey Dahmer Story also received four: Best Limited Series - Anthology Series or Television Motion Picture and acting nominations for Evan Peters, Niecy Nash and Richard Jenkins. Other Netflix series receiving nods include Ozark's three nominations (including Best Drama Series), along with a single nod each for Inventing Anna and The Addams Family spinoff Wednesday.

Netflix also did well in the film categories, with Glass Onion: A Knives Out Mystery nominated for two awards (including Best Picture - Musical/Comedy) and Guillermo del Toro’s Pinocchio picking up two more (including Best Picture - Animated). Additionally, three more Netflix movies received acting recognition: Ana de Armas (Blonde), Adam Driver (White Noise) and Eddie Redmayne (The Good Nurse).

HBO

The White Lotus was HBO Max’s top series, picking up four nominations, including Best Limited Series - Anthology Series or Television Motion Picture. The dark comedy anthology also picked up acting nods for Jennifer Coolidge, Aubrey Plaza and 83-year-old F. Murray Abraham. Hacks was close behind with three, including Best Musical/Comedy Series and two acting noms (Jean Smart and Hannah Einbinder). Finally, House of the Dragon’s three nominations (including Best Drama Series) brought the Game of Thrones franchise back to awards season.

Severance and Black Bird put Apple TV+ on the board. The former was nominated for Best Drama Series, along with acting recognition for Adam Scott and John Turturro. Black Bird was nominated for Best Limited Series - Anthology Series or Television Motion Picture, alongside acting noms for Taron Egerton and Paul Walter Hauser.

Disney+

Disney+ had a limited presence on this year’s list. Diego Luna picked up an acting nod for the title role in Andor while Turning Red was nominated for Best Picture - Animated. However, Hulu — Disney’s other streaming service — did very well, picking up noms for Pam & Tommy (four, including Best Limited Series, Anthology Series or Television Motion Picture), Only Murders in the Building (three), Elizabeth Holmes story The Dropout (two) and Under the Banner of Heaven (two).

As always, there were several high-profile omissions. Amazon’s budget-shattering epic, Lord of the Rings: The Rings of Power, didn’t receive a single nomination. Meanwhile, whether because of Will Smith’s damaged reputation or the movie itself, Apple TV+ film Emancipation was also left out.

Winners will be announced at the 2023 Golden Globes ceremony on January 10th, starting at 8 PM ET. The show will air on NBC and Peacock with comedian Jerrod Carmichael as host.

The Game Awards gave us a busy night for gaming news.. First up, Idris Elba will star in Cyberpunk 2077’s first big DLC. Phantom Liberty is a spy thriller introducing a new character, FIA agent Solomon Reed, played by Elba. The DLC also includes new missions and a new district in Night City, all of it culminating in "an impossible mission of espionage and survival," according to developer CD Projekt RED. I wonder if he’ll bump into Keanu Reeves’ character.

CD Projekt RED

A Hades sequel might be the biggest reveal. While the game looks similar to the Supergiant hit, you can expect a new female protagonist, Melinoë, training with the witch goddess Hecate, and generally slaying beasts in the underworld. We also got release dates for Final Fantasy XVI (June 22nd), Street Fighter 6 (June 2nd) and Diablo IV (June 6th). In short, June 2023 is shaping up to be a busy month in gaming.

Hideo Kojima was also ready to reveal his next project, Death Stranding 2 – yes, another sequel. Both Norman Reedus and Léa Seydoux will reappear in the game, headed for PS5. Kojima added that his studio is also working on a second, completely new project with an experimental edge. So, not a sequel?

We’ve pulled together all the other big gaming headlines right here. But which game won? FromSoftware’s Elden Ring, of course. It beat games like God of War Ragnarok, Horizon Forbidden West, Stray and Xenoblade Chronicles 3 to claim Game Of The Year.

– Mat Smith

The Morning After isn’t just a newsletter – it’s also a daily podcast. Get our daily audio briefings, Monday through Friday, by subscribing right here.

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IKEA's latest Sonos Symfonisk speaker is a $260 floor lamp

It’s the most expensive member of the Symfonisk lineup.

IKEA

IKEA and Sonos’ floor lamp collaboration, at $260, is the most expensive speaker in the Symfonisk lineup. Current models range from $120 for a bookshelf speaker (with less than stellar audio) to $250 for musical wall art. And your investment in the floor lamp could creep even higher if you want something other than the included bamboo shade. It’ll launch in January 2023.

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Google merges its Maps and Waze teams

But it says apps will remain separate.

Google is planning to merge its Waze and Maps divisions, The Wall Street Journal has reported. The move aims at reducing duplicated work across the products, but Google said it will still keep the Waze and Maps apps separate. Waze and Maps have been sharing features ever since Google acquired Waze for $1.1 billion back in 2013. "Google remains deeply committed to Waze’s unique brand, its beloved app and its thriving community of volunteers and users," a spokesperson told the WSJ. Waze CEO Neha Parikh will leave her role after a transition period, but there will reportedly be no layoffs.

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Google says it's making Chrome less of a battery and memory hog

Two new modes should help lighten the load on your desktop or laptop.

With a new Memory Saver mode, Google says Chrome will reduce its memory usage by up to 30 percent on desktop. The mode frees up memory from open tabs you aren't using. Google says this will help to give you a smoother experience on active tabs. Chrome will reload inactive tabs when you switch back to them. The company has also revealed a Battery Saver mode, which Google says can kick in when you're using the browser and your device's battery level drops to 20 percent. Chrome will limit background activity, including tabs with videos and animations. Google says all users will have access to them in the coming weeks, and it's rolling out the build already.

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EU sets December 2024 deadline for USB-C wired charging on new phones

Expect to see a USB-C iPhone by 2025 at the latest.

The European Union has set a firm deadline for manufacturers to adopt USB-C charging for most electronic devices sold in the region. New phones, tablets, headphones, portable speakers and many other types of devices will need to adopt the standard for wired charging as of December 28th, 2024. Laptop makers will need to switch to USB-C by April 2026.

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The first major bit of DLC for Cyberpunk 2077 — unless you count a buttload of patches — is due out in 2023 for PC, PlayStation 5, and Xbox Series X and S. Phantom Liberty is a spy thriller, and it introduces a new character, FIA agent Solomon Reed, who's played by Idris Elba. The DLC also includes new missions and a new district in Night City, all of it culminating in "an impossible mission of espionage and survival," according to developer CD Projekt Red.

Phantom Liberty will be the first batch of paid DLC for Cyberpunk 2077, though there's no word on exactly how much it will cost.

Cyberpunk 2077 came out in December 2020 and was immediately lambasted as a glitchy, unpolished mess by many players and reviewers. CD Projekt Red released a series of fixes for the game and, over time, it's stabilized and players have found the fun that was hiding there all along.

Elba joins fellow mainstream actor Keanu Reeves in the Cyberpunk universe, and this won't be the last we'll hear of the franchise. There's a fabulous Netflix anime based on the game and CD Projekt Red is already building a full-on sequel, codenamed "Orion."

Hideo Kojima's next project is Death Stranding 2. The reveal trailer for the sequel shows Fragile, played by Léa Seydoux, and Sam, played by Norman Reedus, in a world still infested with lethal BTs. There's no word on a release date, but according to the trailer's YouTube description, it's heading to PlayStation 5. 

Kojima took the stage during The Game Awards to introduce Death Stranding 2. Its cast is just as star-studded as the original, featuring Elle Fanning, Shioli Kutsuna and Troy Baker alongside Reedus and Seydoux.

Death Stranding came out in 2019 and it steadily became the industry's favorite walking simulator (despite the fact that it may have been a better movie than a video game). By the end of 2022, more than 10 million people had played Death Stranding. Its primary gameplay innovation was an online system that allowed players to communicate with each other, even though it was a single-player experience. Death Stranding was the first title out of Kojima Productions, the studio Kojima himself founded after parting ways with his longtime employer, Konami. 

Ahead of The Game Awards on December 8th, Kojima tweeted some teases for the show, including an image that seemed to be Fragile from Death Stranding. The tweet included the text, "How come?" and Kojima added, "'WHO' 'WHERE' 'HOW' and now 'WHY'."

We now know what Kojima was talking about — not that he asked.

Footage of what appeared to be Kojima's next project leaked online in early November in the form of a super strange video. It showed a character resembling Mama from Death Stranding traversing creepy corridors with a dark presence at her back, and ended with a title screen reading, "Overdose." It also included the reflection of a lounging shirtless man recording the footage off-screen, but that's likely unrelated to any gameplay mechanics. Today at The Game Awards, Kojima said his studio is also working on a second, completely new project with an experimental edge, so there's still some hope for whatever this was.