Canon has unveiled its cheapest R-series camera yet, the $480 EOS R100 that's similar to the old EOS M50 II with a new mount. It's "designed for new, first-time mirrorless camera or existing interchangeable camera users who previously enjoyed EOS Rebel or EOS M cameras," the company said. For that price, though, it's missing some key features that you'd expect on a modern mirrorless camera. 

The EOS R100 has a 24.2-megapixel APS-C sensor, and and offers slowish 6.5 fps burst speeds and Dual Pixel AF with face and eye detection. To frame your subjects, it offers a basic but respectable 2.36 million dot OLED electronic viewfinder. 

Canon

The 1.04 million dot rear LCD display is where Canon really cut corners to make that price point, though. It doesn't even tilt, let alone articulate, and is a non-touch screen. That means you'll need to set the focus point using the D-Pad and navigate menu choices via the buttons. The EOS M50 II, by contrast, had a fully articulating touch display for $120 more at launch. 

Like the M50 II, you can shoot 4K video at up to 24 fps, though it has a significant crop and you only get contrast-detect autofocus at 4K. 1080p can be shot at up to 60fps and does use the Dual Pixel AF system. Canon didn't specify the crop, but it's a significant 1.5X on the M50 II. 

Other features include support for a single SD-UHS I memory card, microphone and HDMI micro inputs, Bluetooth/WiFi and a tiny 356 gram (12.56 oz) weight. 

As Canon mentions, the main advantage compared to a smartphone is the ability to use multiple lenses. To wit, the company also unveiled a new pancake lens, the full-frame $300 RF28mm f/2.8 that should be great for tourism and street photography. If fixed to the R100, the latter would still be lighter than most mirrorless cameras at about 480 grams. 

The R100 is as basic as it gets, but if you're looking for a new mirrorless camera, it's the cheapest one by far at $480. What's more, you can get it in a kit with the RF-S18-45mm f/4.5-6.3 IS STM lens for $600, still cheaper than the EOS R50, or $829 with that lens and the RF-S55-210mm f/5-7.1 IS STM. Neither has stellar quality, but would give beginners a solid range of focal lengths plus the R100 for less than the price of most camera bodies. That being said, if you can afford $200 more, Canon's EOS R50 is a much better choice. 

Canon

Yes, Sony is still making smartphones, and its latest is the flagship Xperia 1 V designed for both photographers and vloggers. It features a new stacked, backside-illuminated (BSI) sensor along with features aimed at content creators found in its Alpha-series cameras. 

The Xperia 1 V has a new image sensor called "Exmor T for Mobile" designed to be faster and work better with computational (AI) photography, while offering "approximately double" the low-light performance of the Xperia 1 IV, Sony said. As you'd expect in a flagship, it offers other high-end features like a Snapdragon 8 Gen2 Mobile Platform, a 6.5-inch 4K 120Hz OLED HDR display, a 5,000 mAh battery that allows for up to 20 hours of continuous 4K playback, up to 12GB of RAM and more.

With that, Sony is promising "best in class" gaming performance, thanks to a Game Enhancer function that provides visual and auditory support. It also lets players livestream their gaming directly to YouTube. 

The key feature is clearly the camera system, though. The main 24mm f/1.9 equivalent 52-megapixel camera features a Type 1/1.35-inch (about 12mm diagonally) Exmor T sensor that's 1.7 times larger than the Xperia 1 IV's sensor, Sony said. It also comes with an ultrawide 12-megapixel camera and an 85-125mm 12-megapixel optical telephoto zoom, like the one on the Xperia 1 IV. The front 12-megapixel camera has a Type 1/2.9-inch sensor. 

Purists will be able to shoot video and photos using the professional modes that allow for full manual control. Chief among those is the Photography Pro mode designed for creative control. It also allows live streaming while letting creators see viewer comments in real time.

Sony

If you set it to Basic mode, though, you'll get a good dose of computational imaging seen in other Android phones. Those include a Night mode and color settings for subjects like flowers and a blue sky. It also delivers real-time eye autofocus and tracking, along with high-speed continuous shooting of up to 30 fps with auto-exposure and AF enabled. 

For vloggers and content creators, it now features the same Product Showcase setting found on Sony's vlogging cameras like the ZV-E1. The new sensor also promises improved skin tones, thanks to extra saturation available on the sensor. It also has a new voice priority mic placed near the rear camera that can pick up voices even in busy outdoor locations. 

Sony

One cool feature that might justify the price alone for many video shooters is the ability to use the phone as a monitor for select Sony Alpha cameras. The Xperia 1 IV could do that as well, but the new model offers multiple display options with waveforms, gridlines, and zebra lines normally only found on professional field monitors. You can also control settings and record content to phones, features that weren't available before. Meanwhile, the phone's microphones can capture sound while monitoring audio via the Xperia 1 V's headphone jack.

As with past Xperia models, the catch here is the price. The Xperia 1 V starts at $1,400 (in khaki green or black) with 12GB of RAM and 256GB of storage (upgradeable via an microSD slot). That's a lot of money for most smartphone users (even flagship buyers) but might make sense for content creators, avid photographers and others. 

Along with the Xperia 1 V, Sony also unveiled a far more mainstream smartphone, the Xperia 10 V. It's powered by a Snapdragon 695 chipset and offers a 6.1-inch 1080p OLED display that's 50 percent brighter than before, but only refreshes at 60Hz. The camera system features a main 48-megapixel Type-1/2.0-inch sensor with a wide lens, along with a 2x telephoto and an ultrawide. Other features include a 5,000 mAh battery and up to 6GB of RAM. It's priced at €449 in Europe, with sales set to start in June. US pricing/availability is not yet available.

Nikon has announced the 45.7-megapixel Z8, a powerful full-frame mirrorless camera with up to 8K60p RAW video, 20fps RAW burst speeds and more. It's effectively a slimmed-down version of Nikon's Z9, and shares the latter's stacked, backside-illuminated (BSI) sensor and complete lack of a mechanical shutter. The main thing the Z8 lacks next to the Z9 is unlimited video recording, but it's also $1,500 cheaper.

Nikon is best known for photography, but the Z8's headline feature is the 8K60p N-RAW video. There's an interesting story there, as the cinema camera company RED has used its patents to stop other camera companies from using RAW video in the past. However, RED's lawsuit against Nikon was dismissed late last month, allowing Nikon to use N-RAW (a compressed 12-bit RAW codec developed in conjunction with a company called intoPIX) in any of its cameras. It can also capture 12-bit ProRes RAW video. 

Nikon

Along with 8K60p, the Z8 supports 4K capture at up to 120fps and 10-bit ProRes, H.264 and H.265 formats. It also offers exposure tools like waveforms, customizable autofocus and more. As mentioned, the smaller body means it can't record all video formats for an unlimited time like the Z9. Rather, you're limited to 90 minutes for 8K30p and two hours for 4K60p without overheating. With the stacked sensor, rolling shutter should be very well controlled, just like on the Z9.

In terms of photography, the Z9's burst speeds aren't restrained by a mechanical shutter, because there isn't one. As such, you can capture 14-bit RAW+JPEG images at up to 20 fps, mighty impressive for such a high-resolution camera. It comes with settings designed for portrait photographers like skin softening and human-friendly white balance. 

Nikon

It offers face, eye, vehicle and animal detection autofocus, promising AF speeds at the same level as the (excellent) Z9. It can recognize nine types of subjects automatically, including eyes, faces, heads and upper bodies for both animals and people, along with vehicles and more. 

The Z8's magnesium-allow body may be smaller than the Z9, but it's equally as dust- and weather-resistant. It's also much the same in terms of controls, with a generous array of dials and buttons to change settings. Battery life is good at 700 shots max (CIPA) and two-plus hours of 4K video shooting, but if you need more, you can get the optional MB-N12 battery grip ($350). 

Other features include 6.0 stops of in-body stabilization with compatible lenses, which is good but not as good as recent Sony, Canon and Panasonic models. The electronic viewfinder (EVF) has a relatively low 3.69 million dots of resolution, but also very low lag and a high 120Hz refresh rate. Unfortunately, the 3.2-inch, 2,100K dot rear display only tilts up and doesn't flip out, so the camera won't be suitable for many vloggers — a poor decision on Nikon's part, in my opinion. 

It has one SD UHS-II and one CFexpress card slot that supports speeds up to 1,500 MB/s required for internal 8K RAW recording. That differs from the Z9, which has two CFexpress card slots. On top of the usual USB-C charging port, it has a super-speed USB communication terminal for rapid data transfers. It also comes with a full-sized HDMI connector for external video recording and monitoring, along with 3.5mm headphone and microphone parts. 

The Nikon Z8 goes on sale on May 25th, 2023 for $4,000. That's $1,500 less than the $5,500 Z9, $2,500 less than the Sony A1 and $700 more than Canon's R5 — with far less serious overheating issues. 

Nikon

It’s a strange and wonderful time to buy a camera. Since smartphones have gutted the casual photography market, manufacturers are focusing on building technological marvels designed for very specific uses. Mirrorless cameras continue to improve in terms of autofocus, video and more. Action cams provide sharp, fluid video, compact cameras are targeted to both tourists and vloggers, and DSLRs are available at some of the best prices we’ve seen. With so much choice, though, you may need some guidance to find just the right camera – and that’s where we come in. Whether you’re a creator looking for just the right vlogging camera, an aspiring wildlife photographer or an adrenaline sports junkie, we’ll help you find the perfect model to match your budget and needs.

What to consider before choosing a camera

There are a lot of reasons to choose a camera over a smartphone. The larger sensors in mirrorless cameras let more light in, and you have a wide choice of lenses with far superior optics. Where smartphones have one f/stop, cameras have many, which gives you more exposure control. You also get natural and not AI-generated bokeh, quicker shooting, a physical shutter, more professional video results and so on.

With that extra quality comes a lot of extra factors to consider, however. The first thing is sensor size. In general, the larger the sensor size, the better (and usually more expensive) the camera.

Full frame is available on models like Sony's new ZV-E1, the Canon EOS R6 II and Panasonic S5 II. At a size equivalent to 35mm film (36 x 24mm), it offers the best performance in terms of image quality, low-light capability and depth of field. It's also the most expensive and finicky. While bokeh looks incredible at f/1.4, the depth of field is so razor thin that your subject's nose might be in focus but not their eyes. This can also make video shooting difficult.

The next size category is APS-C (around 23.5 x 15.6mm for most models and 22.2 x 14.8mm for Canon), offered on Fujifilm's X Series lineup, Canon’s R10 and R50 and the Nikon Z50. It's cheaper than full frame, both for the camera body and lenses, but still brings most of the advantages like decent bokeh, high ISOs for low-light shooting and relatively high resolution. With a sensor size the same as movie cameras, it's ideal for shooting video, and it’s easier to hold focus than with full-frame cameras.

Micro Four Thirds (17.3 x 13mm), a format shared by Panasonic and Olympus, is the next step down in sensor size. It offers less bokeh and light-gathering capability than APS-C and full frame, but allows for smaller and lighter cameras and lenses. For video, you can still get reasonably tight depth of field with good prime lenses, but focus is easier to control.

The other common sensor size is Type 1 (1 inch), which is actually smaller than one inch at 12.7 x 9.5mm. That's used mostly by compact models like Sony’s ZV-1 vlogging camera. Finally, action cameras like the GoPro Hero 11 and DJI’s Osmo 3 have even smaller sensors (1/1.9 and 1/1.7 size, respectively).

For photographers, another key factor is autofocus (AF) speed and accuracy. Most modern mirrorless cameras have hybrid phase-detect AF systems that allow for rapid focus and fast burst speeds. The majority also feature AI smarts like eye-detect AF for people and animals. However, some models are just a bit faster and more reactive than others.

The electronic viewfinder (EVF) and rear display are also key. The best models have the sharpest and brightest EVFs that let you best judge a shot before taking it. For things like street photography, it’s best to have as bright and sharp a rear display as possible. You may also want a screen that flips out rather than just tilting.

DSLRs and mirrorless cameras let you change lenses, but you're stuck with what's built into a compact camera. While that's great for portability, a single lens means you're going to sacrifice something. Fujifilm's X100V, for instance, has a fast but fixed 35mm-equivalent f/2.0 lens and no zoom. Sony's RX100 V has a 24-70mm zoom, but it's slower at the telephoto end (f/2.8) and less sharp than a prime lens.

When it comes to video, there are other factors to consider. Does your camera do “pixel-binning” for video recording or read out the entire sensor? Better cameras tend to do the latter. Another key factor is sensor speed, as slower sensors tend to have more rolling shutter that can create a “jello” effect that skews video.

In addition, how’s the battery life? How do you like the handling and feel? How long can you shoot video before the camera heats up or stops? Does it support 10-bit HDR video? Is there a microphone and/or a headphone jack? (if you do a lot of interviews, it's preferable to have both.) How's the video autofocus? All of these things play a part in your decision – so now let’s take a look at the best models.

The best cameras

Best mirrorless cameras

Mirrorless is far and away the biggest category of cameras these days, so it’s the best way to go if you’re shopping for a modern camera with the most advanced features. Both Canon and Nikon recently announced they’re discontinuing development of new DSLRs, simply because most of the advantages of that category are gone, as I detailed in a recent video. The biggest selling feature of a mirrorless camera is the ability to change lenses depending on the type of shooting you want to do.

The key features are sensor size, resolution, autofocus, shooting speeds and video specs. If you’re primarily a sports or wildlife photographer, you’ll likely want fast shooting speeds and accurate autofocus. Portrait and landscape shooters will likely favor large sensors and high resolution to maximize image quality. And content creators will want to look for things like flip-out displays, high-end video specifications and good in-body stabilization. Price is of course a major factor as well.

Mirrorless cameras under $2,000

Best mirrorless camera under $2,000: Canon EOS R50

My top budget camera pick is Canon’s brand new 24.2-megapixel R50, which is a great model for both photographers and content creators. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this price range, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. The only drawback is the lack of decent quality lens that’s as affordable as the camera itself, and a lack of in-body stabilization.

Runner up: Canon EOS R8

Full-frame cameras generally used to start at $2,000 and up, but Canon’s brand new EOS R8 is priced at just $1,500. It offers Canon’s excellent Dual Pixel AF with subject recognition AI, and can shoot bursts at up to 40 fps. It's equally strong with video, supporting oversampled 10-bit 4K at up to 60 fps. The R8 also offers a flip-out display, making it great for vloggers. The main drawback is a lack of in-body stabilization.

Another good option: Panasonic Lumix S5 II

Content creators should take a hard look at Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus "wobble" and other issues a thing of the past. You can shoot sharp 4K 30p video downsampled from the full sensor width, or 4K 60p from an APS-C cropped size, all in 10-bit color. It even offers 5.9K 30p capture, along with RAW 5.9K external output to an Atomos recorder. You also get a flip-out screen for vlogging and updated five-axis in-body stabilization that’s the best in the industry. Photo quality is also good thanks to the dual-gain 24-megapixel sensor. The main drawback is the slowish burst speeds.

Mirrorless cameras over $2,000

Best mirrorless camera over $2,000: Sony ZV-E1

Equipped with the same backside-illuminated (BSI) 12-megapixel sensor as the A7S III, Sony’s ZV-E1 offers excellent low-light performance, 4K at up to 120p and a host of new AI features like auto framing. It also comes with an updated in-body stabilization system aimed at vloggers that can smooth out even jolting movements like footsteps. The $2,200 price tag makes it enticing for vloggers as it offers features found on the $3,500 A7S III for considerably less money.

Runner up: Fujifilm X-H2S

If you’re OK with a smaller APS-C sensor, check out the Fujifilm X-H2S. It has an incredibly fast stacked, backside-illuminated 26.1-megapixel sensor that allows for rapid burst shooting speeds of 40 fps, along with 4K 120p video with minimal rolling shutter. It can capture ProRes 10-bit video internally, has 7 stops of in-body stabilization and a class-leading EVF. Yes, it’s expensive for an APS-C camera, but on the other hand, it’s the cheapest stacked sensor camera out there. The other downside is AF that’s not quite up to Canon and Sony’s level.

Another good option: Sony A7R V

For the ultimate high-resolution camera, check out Sony’s A7R V. With a 61-megapixel sensor, it shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has equally fast and reliable autofocus, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap, albeit with significant rolling shutter. If you don’t need the video, however, Sony’s A7R IVa does mostly the same job, photo-wise, and costs a few hundred dollars less.

Best action camera

The most important features to look for in an action cam are image quality, stabilization and battery life. GoPro has easily been beating all rivals over the last few years in all those areas, but DJI made some strides last year with the Osmo Action 3. At the same time, GoPro’s latest models are more expensive than rivals.

Best action camera: GoPro Hero 11 Black

GoPro didn’t change the design on its latest model, but it has a larger sensor that enables a couple of cool features – Horizon Lock stabilization and Full Frame mode that makes it easier to shoot for, say, TikTok and YouTube at the same time. It also offers a new wider, though slightly distorted Hyperview field of view.

Otherwise, the Hero 11 Black offers better video quality than ever (up to 5.3K 60p), Hypersmooth stabilization that’s still the best in the business (by far), battery life that’s improved by 40 percent over the last model, and more. It’s easily the best action camera on the market, but you pay for that: it’s $400 with a one year subscription ($500 without it), compared to $329 for the DJI Osmo Action 3 and $300 for the Insta360 RS 4K bundle. If you’re serious about filming extreme sports, though, it’s worth it.

Runner up: DJI Osmo Action 3

After experimenting with an oddball modular design on the Action 2, design has gone back to a more classic action cam design on the Osmo Action 3. It also comes with a slick new magnetic quick-release mount that lets you connect the camera directly to a GoPro-style mount with or without the case. Video quality and stabilization are quite good, but fall short of the Hero 11 Black (the Action 3 tops out at 4K 120p resolution compared to 5.3K 60p on the GoPro). While it’s not quite as good as the Hero 11, it’s considerably cheaper.

Best compact camera

This category has fewer cameras than it did even a few years ago and many models are older, as manufacturers focus instead on mirrorless models. However, I’m still a big believer in compact cameras. They’re a big step up from smartphones quality-wise, and a lot of people will take a compact traveling or to events when they’d never bother with the hassle of a DSLR or mirrorless camera.

Compacts largely have type 1-inch sensors, but a few offer larger options, particularly Fujifilm’s XF-100V. Another popular model, Sony’s XV-1, is primarily aimed at content creators looking to step up. In any case, desirable qualities include image quality, a fast lens, relatively long zoom, flip-out display, good battery life, a high quality EVF, decent video and good pocketability.

Best compact camera: Fujifilm X100V

The X100V is the latest in Fujifilm's famous fixed-lens X100 camera series. Like other models in the lineup, it has an APS-C sensor and a 23mm f/2.0 lens, equivalent to 35mm on a full-frame sensor. You also get the same hybrid optical/electronic viewfinder, mechanical dials, film simulations and good looks as before. But the X100V is the most significant advancement in the series' history. It has Fujifilm's latest 26.1-megapixel X-Trans 4 CMOS sensor compared to 24.2-megapixels on the last model and a new, sharper lens to handle that extra resolution.

A new tilting rear display makes "shooting from the hip" street photography much easier, as does the fast 11 fps/20 fps shooting speeds in mechanical/silent shutter modes. You also get a better hybrid phase- and contrast-detect autofocus (AF) system with more AF points along with face and eye detection. Finally, it now has the same 4K video-shooting features as the X-T30. It doesn't come cheap, but the X100V is the ultimate camera if you're into street photography – assuming you can find one.

Runner up: Sony ZV-1

The ZV-1 is Sony’s first RX100-series camera designed specifically for vlogging. It does that job well thanks to a lightweight body, built-in high-quality microphone, flip-out display, best-in-class autofocus and excellent image quality. The 24-70mm lens is sharp, but it needs to be wider because of the 25 percent crop when using electronic stabilization. It also lacks a true touch display and a headphone port. That nitpicking aside, if you’re looking to step up from a smartphone or just want something simple, it does the job nearly perfectly.

Another good option: Panasonic ZS-200

For a value compact camera, the best option is Panasonic’s 20-megapixel ZS-200. It offers a lot of features for the price, like a 1-inch, 20.1 megapixel sensor, 5-axis stabilization, 4K, 30 fps video and more. Its main claim to fame, though, is the 24-360x lens that offers incredible reach for travel and more. Though it dates back to 2018, it’s actually one of the more recent compact models.

Best DSLR camera

With mirrorless cameras taking over the interchangeable lens market, but DSLRs still give you the ability to change lenses at relatively cheap prices. The defining feature is the reflex mirror that lets you look directly through the lens at your subject with no electronics in between. Most also have very fast autofocus thanks to a dedicated phase-detect sensor, and very fast battery life. However, many lack features you’d expect on modern mirrorless cameras like subject tracking, eye-detection and more.

Best DSLR camera: Nikon D850

Nikon's full-frame (FX) D850 is the best deal on a high-end camera and arguably the best camera for photography. With a 45.7-megapixel sensor and max 102,400 ISO, it gives you the best quality for the money, whether mirrorless or DSLR. It can also shoot fast, at up to 7fps, which is very good for such a high-res camera. In addition, the battery life (1840 shots on a charge) puts any mirrorless option to shame, and there’s a massive number of FX Nikkor lenses to choose from. Nikon has upped its video game as well with the D850 by introducing 4K internal recording. If you’d still rather have a live optical rather than an electronic view, the D850 is the best option available.

Runner up: Canon EOS Rebel SL3

Another one of the best cameras for photography is Canon’s 24-megapixel APS-C EOS Rebel SL3, which has a great blend of features, build quality and value. It offers features like a vari-angle touchscreen, 4K video (albeit with a crop) and Dual Pixel autofocus technology in live mode. You get shooting speeds of up to 5 fps, 1600 shots on a charge and an ISO range up to 51,200 (expanded). It also offers guided screen options for beginners. Best of all, it offers excellent picture quality for the price thanks to Canon’s skin-friendly color science.

DJI has unveiled its new flagship consumer drone, the Mavic 3 Pro, with a triple-camera setup that includes a new 70mm lens designed for "powerful subject framing." It also includes a new 10-bit D-Log M color mode, improvements in the tele cameras, and ProRes capture on the Mavic 3 Pro Cine option. It's the company's fourth Mavic 3 drone, joining the Mavic 3, the Mavic 3 Classic and the Mavic 3 Enterprise models. 

Like the Mavic 3, it's available in regular and Cine models, with the latter having advanced features for filmmakers like Apple ProRes capture (ProRes 422 HQ, ProRes 422, and ProRes 422 LT), a 1TB SSD drive and a 10Gbps lightspeed data cable. However, you'll pay a premium of nearly $1,000 to get those.

DJI

The new 70mm camera has a 1/1.3-inch sensor that's the same size as on the Mini 3 Pro. Though considerably smaller than the 4/3 chip on the main Hasselblad camera, DJI says the camera is designed for a "range of different scenarios from framing intriguing buildings to cars in commercial shoots." That comment indicates that the quality should be better than the 7x tele camera. It can handle 48-megapixel (MP) high-res or 12MP low light photos, along with 4K/60fps video. 

Like the main camera, it supports a new log format called D-log M along with DJI's original D-Log. D-Log M is designed to deliver "natural color gradations with delicate details" even in high-contrast situations like sunsets, the company says. At the same time, it's easier to grade than typical log footage, according to DJI. It can shoot up to 10-bit 4:2:2 ProRes video on the Mavic 3 Pro Cine model and 10-bit 4:2:0 (H.264/H.265) on the regular model. 

DJI

DJI has also improved the 7x (166mm equivalent) tele camera, boosting the aperture from f4.4 to f3.4, which should make it considerably better in low light. It also offers boosted video specs, up from 4K at 30p on the Mavic 3 to 4K/60fps.

Aside from those improvements, it's much the same as the Mavic 3. The main 4/3 Hasselblad camera can shoot video at up to 5.1K at 50fps or DCI 4K at 120fps, with the new D-Log M mode, along with D-Log and HLG options. As before, it can capture 10-bit 4:2:2 ProRes (Mavic 3 Pro Cine) and 10-bit 4:2:0 H.264/H.265 video on the Mavic 3 Pro. 

DJI

It allows up to 43 minutes of flight time, roughly the same as before. You'll also get DJI's omnidirectional sensing and APAS 5.0 obstacle protection, with eight wide-angle vision sensors and a high-performance vision computing to engine "to precisely sense obstacles in all directions and plan a safe flight to avoid them," DJI says. Its DJI O3+ transmission system can transmit a 1080p/60fps HD live feed at high frame rates at a distance of up to 15 km (10 miles), though considerably less in Europe. 

The Mavic 3 Pro also offers key AI features seen on the Mavic 3 and other models. Among those is ActiveTrack 5.0 designed to track a subject while avoiding obstacles, Spotlight (moving the drone around the subject), and Point of Interest (allows the drone to circle around the subject while keeping it centered in the frame). 

DJI

In addition, it includes features designed for creators like MasterShots 4, QuickShots 5 with diverse camera movements like Dronie, Rocket, Circle and Helix, and Panorama 6, designed to take a 100 MP photo. It also comes with a time lapse mode. 

As for the price, the Mavic 3 Pro is only a bit more expensive than the Mavic 3's current $2,049 starting price. The Mavic 3 Pro with a DJI RC starts at $2,199, while the Fly More combo with the DJI RC, three intelligent flight batteries, a charging hub, carrying bag and one ND filter set is $2,999. The same thing with the DJI RC Pro remote (the high-end one with a screen) is $3,889, and the Mavic 3 Pro Cine Premium Combo (with the latter accessories) is $4,799. It's now available to order with shipping starting in May. 

After debuting the first "1-inch" mobile camera sensor with the 12S Ultra last year, Xiaomi is back with a familiar-looking successor but with some significant upgrades. The new Xiaomi 13 Ultra packs not three but four rear Leica cameras, with the 23mm OIS (optical image stabilization) main camera using the same "1-inch" 50-megapixel Sony IMX989 sensor, but now with variable aperture to toggle between f/1.9 and f/4.0 for different artistic takes. 

The remaining three cameras do ultra-wide (12mm, f/1.8, 122-degree FOV), periscopic 5x zoom (120mm, f/3.0, OIS) and the new 3.2x zoom (75mm, f/1.8, OIS) for sharp portraits with more bokeh. These all use the new 50-megapixel 1/2.51-inch IMX858 sensor, which claims to offer the same noise reduction, all-pixel focus and DOL-HDR performance as its 1-inch cousin. If true, this would ensure a more consistent image quality across all four cameras, which had been a big challenge for smartphone makers previously. On the other side of the phone, the punch-hole selfie camera remains at 32 megapixels.

As with recent flagship phones, it comes as no surprise that the Xiaomi 13 Ultra is powered by Qualcomm's Snapdragon 8 Gen 2 processor, with up to 16GB of LPDDR5X RAM and up to 1TB of UFS 4.0 storage. The device also supports USB 3.2 with up to 5Gbps of transfer speed — 10x faster than the 12S Ultra — and up to 4K 60Hz of DisplayPort video output. The slightly larger 5,000mAh battery is complemented by a 90W charger, which reaches 100-percent charge in 35 minutes. You can also use it with Xiaomi's 50W wireless charger, when you're not in a rush. But if you do run out of juice, the new "Hibernation mode" can apparently stretch the final 1-percent battery into 60-minute standby or a 12-minute call, thanks to Xiaomi's very own P2 and G1 co-processors.

While the AMOLED display still comes in at 6.73 inches wide with the same 3,200 x 1,440 resolution, this time it's a new LTPO panel supplied by CSOT (a TCL subsidiary). This supposedly benefits from a new C7 luminous material with a more precise 12-bit color depth, along with a peak brightness of 2,600 nits (or up to 1,300 nits in high brightness mode), better viewing angles and lower power consumption. You get Dolby Vision support as well.

Xiaomi

As with its predecessor, the Xiaomi 13 Ultra features IP68 rating for dust- and water-resistance. In addition to its metallic unibody, the device also consists of a second-generation nano-tech material with anti-bacterial properties and UV resistance. Internally, it touts a new loop-shaped vapor cooling chamber, which uses multiple liquid channels to supposedly dissipate heat three times faster than a conventional design. This is mainly to keep the phone cool while shooting 4K videos. 

The company also implemented a dual-wing cellular antenna module, which apparently offers a 58-percent boost in signal reception across all bands. As a bonus, the symmetrical antenna layout should reduce interference from hands, and there's also a new dedicated 5G antenna which apparently boosts the n78 band's signal by 100 percent.

Xiaomi

The Xiaomi 13 Ultra is already available for pre-order in China, starting from 5,999 yuan (around $870) for the 12GB RAM with 256GB storage model, all the way to 7,299 yuan (around $1,060) for the 16GB RAM with 1TB storage option. Color-wise, you can choose between olive green, black and white. For an extra 799 yuan ($120), you can get the "Xiaomi 13 Ultra Professional Photography Kit" which includes a camera grip attachment (with a physical shutter button) and a special phone case — one that lets you attach the included 67mm filter ring adapter and lens cap.

Engadget understands that the Xiaomi 13 Ultra will reach international markets at some point (except for the white version, sadly), so stay tuned.

DJI unveiled its latest high-end drone for professional filmmakers today. The Inspire 3 is a full-frame 8K cinema drone in a “highly portable form factor” that can be yours this summer for a mere $16,499.

The DJI Inspire 3 has a Zenmuse X9-8K Air Gimbal Camera with a wide range of dynamic colors and compatibility with various lenses. Its camera system has dual native ISO for clear low-light footage while covering over 14 stops of dynamic range to help capture highlights and shadows in sunrises and sunsets. It has a Tilt Boost and 360-degree Pan structures. Its FPV camera, visual sensors, positioning antennas and storage slot are “seamlessly integrated into the airframe for a minimalist look and modern industrial aesthetics.” It can capture video in various formats, including CinemaDNG and Apple ProRes RAW.

The drone supports RTK-powered Waypoint Pro and omnidirectional sensing for precise flight paths and improved safety. The drone has nine sensors to help detect and avoid obstacles and protect your $16.5K purchase. In addition, you can toggle horizontal, upward and downward obstacle-sensing independently and manually set its obstacle-alert range if the automatic function doesn’t suit your needs. (With active avoidance turned off, the display will still show incoming obstacles and sound an alert if it’s within a set range.) It also has hot-swappable TB51 intelligent dual batteries for up to 28 minutes of flight time and up to 58.4 mph speeds.

DJI

It uses DJI’s O3 Pro transmission and control system with a range of up to around 9.2 miles with one controller and up to 7.5 miles in dual-control mode (where one person pilots the drone and a second pilot controls the gimbal). It includes a first-person view (FPV) camera with an ultra-wide 161-degree field of view and night vision. The pilot’s feed has a latency of 90ms in 1080p / 60 fps mode. Additionally, it supports 4K / 30 fps feeds, although that mode reduces the drone’s range to an estimated 3.1 miles.

The DJI Inspire 3 will be available “by the end of June.” If you’re a pro filmmaker with over $16,000 to spare, you’ll get Zenmuse X9-8K Air Gimbal Camera, RC Plus remote controller and other accessories. The company’s DJI Care Pro accidental protection plans are also available for an additional cost.

Sony has unveiled its latest, and by far greatest vlogging camera to date, the full-frame ZV-E1. Equipped with the same backside-illuminated (BSI) 12-megapixel sensor as the A7S III, it promises excellent low-light performance, 4K at up to 120p and a host of new AI features like auto framing. The $2,200 price tag also makes it enticing for vloggers as it offers features found on the $3,500 A7S III for considerably less money.

Key among those are the excellent video specs. The full-frame sensor lets you significantly blur the background so subjects stand out more than with cameras using smaller APS-C or Micro Four Thirds sensors. And like the A7S III, the ZV-E1 gives you 4K at 24/30/60/120 fps, using a full-pixel readout with no binning in all modes. It also offers capture in easy-to-edit All-I modes with data rates up to 600Mbps. 

Photo by Sam Rutherford/Engadget

10-bit 4:2:2 recording is available with S-Log-3/S-Gamut3.Cine log modes, delivering up to 15 stops of dynamic range, Sony claims. And the 12-megapixel BSI sensor has an ISO range up to 409,600 expanded (80-102400 in normal modes), the best high ISO performance in the Alpha series. That opens up a lot of interesting creative opportunities, as you can shoot in near pitch-black conditions. 

The ZV-E1 is Sony's first full-frame camera with a vlogging-style body, so it lacks the large grip and generous controls seen on other A-series models. In exchange, it's much smaller and lighter than those models, weighing in at just 483 grams, compared to 699 grams for the A7S III. It's even lighter (and smaller) than the A7C, but uses the same Z-batteries as larger Sony models, letting you capture up to 570 shots or record 4K 60p video for 95 minutes (however, 4K 60p is temperature-limited to approximately 30 minutes).

Photo by Sam Rutherford/Engadget

It has a single rear dial, with the front dial replaced by a motor zoom control. There are just a few other controls (three programmable buttons, a Fn button and Sony's usual D-Pad), along with a Still/Movie/S&Q switch, product showcase button, and background defocus button. It also has a tally light that can be seen from the front and top.

For other settings, and functions like focus, you have to use the touchscreen. Luckily it's a fully articulating display that allows easy self-shooting or high/low angle framing. Sony has also adopted the A7R V's relatively intuitive menu system that places common settings on one screen and makes it relatively easy to find more advanced functions.  

Also missing is an electronic viewfinder, so the only way to see your subject is via the touchscreen or an external monitor. We've seen the same thing on all its other ZV-series vlogging cameras so it's no surprise, but it's a bit jarring to see such a high-spec camera without an EVF.

Photo by Sam Rutherford/Engadget

Otherwise, though, ZV-E1 actually adds some features not found on other Sony cameras. To start with, it offers 5-axis in-body stabilization, with a new "Active" optical mode that's supposed to boost shake reduction while walking. And if that's not enough, the "Dynamic Active" mode adds extra smoothing for rapid movements in exchange for some extra cropping. "Combined with a wide-angle lens, hand-held shooting is possible even in fast walking scenes that would otherwise be difficult without the use of a gimbal," Sony claims.

Another new feature is the AI-based auto framing mode that should be incredibly handy for solo creators. Using subject recognition tech, it automatically crops the frame to keep the subject in a prominent position, even though the camera may be fixed on a tripod. Using the feature, you can select a small, medium or large crop, have it track you quickly or slowly, auto start based on subject recognition or subject selection, and switch between the cropped and full angle after 15 or 30 seconds. It can even record two types of images at once, capturing the full image to an HDMI output and the cropped version to an internal memory card. 

Photo by Sam Rutherford/Engadget

Other AI tricks including a framing stabilizer that uses subject recognition tech to crop in to the subject and keeps them stable when you're walking beside them. "Multiple face recognition" automatically reduces bokeh when a second face is detected so both subjects stay in focus. And as with other Sony vlogging models, it has a bokeh switch that automatically defocuses the background, along with a "product showcase" button that lets the camera instantly focus on an object put in front of the camera. 

As with other recent Sony models, the ZV-E1 has a variety of subject recognition modes besides humans, including animal, bird, car/train, airplane and insect. It includes the focus breathing compensation feature first seen on the A7 IV that digitally compensates for any zooming when the focus changes from one subject to another. It also offers the focus map and AF assist seen on recent models, along with adjustments for the AF transition speed. 

Photo by Sam Rutherford/Engadget

On the audio front, the ZV-E1 has a built-in 3-capsule mic that can change directionality depending on the situation. For instance, if a human subject is recognized, the mic direction changes to "front," but if there's no subject it defaults to "all directions." It comes with a windscreen, and if you'd rather using your own mic, there's a 3.5mm headphone jack and digital audio interface on the hotshoe. 

Other features include UVC/UAC webcam capability, with support for up to 4K 30p video, besting most other Sony models. It also comes with a headphone port, a single SD UHS-II card slot, a microHDMI output and USB-C. Finally, it's a decent photo camera as well, shooting 12-megapixel RAW photos at up to 10fps — but there's no mechanical shutter, of course. 

As mentioned, the ZV-E1 is priced at $2,200 for the body only, or $2,500 in a kit with the SEL 28-60mm zoom. It goes on pre-order tomorrow, with shipping set to start in early April — stay tuned for a full review.

We were left impressed with Oppo's Find X5 Pro last year, so naturally, we have high expectations for its successor. As announced earlier, the upcoming Find X6 Pro meets the basic requirements you'd expect from a 2023 flagship: Qualcomm's Snapdragon 8 Gen 2 processor, Sony's IMX989 "1-inch" sensor for the main camera, a bright 6.82-inch 3,168 x 1,440 AMOLED screen, a generous 5,000mAh battery, an IP68 ruggedness rating and up to 16GB of RAM plus 512GB of storage. As a bonus, Oppo also brought back a periscopic telephoto camera — a missing feature since the Find X2 Pro from 2020 — to make full use of its photopgrahy partnership with Hasselblad, as well as its very own MariSilicon X imaging neural processor.

The Find X6 Pro features what's arguably the largest external redesign since the Find X3 Pro, with the three rear cameras — all with a 50-megapixel resolution plus optical stabilization — residing within a large circular island. The glass-covered upper part houses the main camera (23mm equivalent), the ultra-wide camera (15mm equivalent), the LED flash and Hasselblad's logo, while the lower part features the periscopic camera with 3x optical zoom (65mm equivalent) or 6x "in-sensor" zoom — we'll get to that later. As for video recording, you can get up to 4K at 60fps, though the 32-megapixel punch-hole selfie camera (21mm equivalent) on the other side is limited to 1080p at 30fps.

Richard Lai/Engadget

While the 3x optical zoom on this new periscopic camera may sound less exciting than the 5x counterpart on the Find X2 Pro, it does offer a 6x "in-sensor" zoom. This is thanks to the relatively large Sony IMX890 sensor (1/1.56-inch), which still offers a good amount of pixels even when cropped natively. With a pre-release firmware, I was able to capture impressively clean and sharp shots even at 6x. Of course, any other 10x optical zoom camera would beat this hybrid solution, but this is still a viable alternative, especially given how handy the 3x optical zoom comes in for food photography and the new Hasselblad Portrait Mode — the latter claiming to simulate "the colors and depth of field of Hasselblad’s classic XCD30 and XCD80 lenses."

As for the ultra-wide camera, it also uses an IMX890 sensor, which is apparently the largest offering to date in this category. Like before, this camera packs a freeform surface lens to minimize distortion, along with a relatively large f/2.2 aperture.

Of course, there are plenty other non-photography goodies on the Find X6 Pro. The 5,000mAh battery is now paired with a new 100W SuperVOOC fast charging, which goes from zero to 100-percent charge in just 28 minutes. Or you can go with 50W AirVOOC wireless charging, which takes 52 minutes to reach a full charge. Oppo also claims to double the battery lifespan with its Battery Health Engine from last year.

In addition to the usual stereo speakers, Oppo implemented a design dubbed "Active Privacy Protection for Voice Calls" to the earpiece, which is apparently "capable of improving sound insulation by up to a factor of 3.5 to reduce audio leakage." In other words, people stood around you are less likely to eavesdrop on your calls.

Last but not least, while not all flagship phones come with an infrared remote control, some may still appreciate this feature on the Oppo Find X6 Pro to control things like TVs, air conditioners and lights.

Richard Lai/Engadget

The Oppo Find X6 Pro will be available in China from March 24th, with design options including a dual-tone brown (glass plus vegan leather), black (glass) and green (glass). Prices range from 5,999 yuan or about $873 (12GB RAM with 256GB storage) to 6,999 yuan or about $1,018 (16GB RAM with 512GB storage).

There's also a similar-looking but more affordable Find X6, which swaps out the Snapdragon 8 Gen 2 chip with MediaTek's Dimensity 9200. Also, its main camera uses an IMX890 instead of the 1-inch IMX989, whereas its ultra-wide camera uses a Samsung JN1 sensor and, sadly, lacks a freeform lens. That said, this phone still packs a generous 4,800mAh battery with 80W fast charging, and it comes with an IP64 ruggedness rating. It'll be offered in green, gold and black, with prices going from 4,499 yuan or around $654 (12GB RAM with 256GB storage) to 4,999 yuan or about $727 (16GB RAM with 512GB storage).

We'll be keeping an eye out for international availability, even though it'll likely be limited to Europe for the west. Stay tuned.

The last few months in the camera world have been tumultuous, to say the least. Since our previous guide, we’ve seen numerous new models from Sony, Canon, Fujifilm, Nikon and Panasonic with better shooting speeds, autofocus and video. That’s exciting if you’re after the latest cameras, but it also means that deals can be found on great older models, as well.

If you’re confused about which models have the best AF capabilities, stabilization or other features, we’re here to clear things up. Our 2023 guide will catch you up on all the latest models and deals, so you can select the best camera whether you’re a vlogger, sports shooter or wildlife photographer.

What to look for in a mirrorless camera

To learn more about mirrorless tech and why it’s taken over the camera world, check out our previous camera guide for an explanation, or watch our Upscaled video on the subject for an even deeper dive.

Why get a camera when my smartphone takes great photos, you may ask? In a word, physics. The larger sensors in mirrorless cameras let more light in, and you have a wide choice of lenses with far superior optics. Where smartphones have one f/stop, cameras have many, which gives you more exposure control. You also get natural and not AI-generated bokeh, quicker shooting, a physical shutter, more professional video results, and so on. Smartphones do have impressive AI skills that help make photography easier, but that’s about it.

With that settled, mirrorless is the best way to go if you’re shopping for a new camera. Both Canon and Nikon recently announced they’re discontinuing development of new DSLRs, simply because most of the advantages of that category are gone, as I detailed in a recent video. With putting all their R&D in mirrorless, that’s where you’ll find the most up-to-date tech.

Steve Dent/Engadget

Compact cameras still exist as a category, but barely. Panasonic has built a number of good models in the past, but recently said it would focus only on video-centric mirrorless models going forward. And we haven’t seen any new ones from Canon or Nikon lately, either. Only Sony and Fujifilm are still carrying the compact torch, the latter with its $1,400 X100V model, which has become famously hard to find. Most of Sony’s recently compact models, like the ZV-1F, are designed for vloggers.

Now, let’s talk about features you need in a mirrorless camera. The one that affects your photography (and budget) the most is sensor size. The largest is medium format, but that’s only used on niche and expensive cameras from Hasselblad, Fujifilm and Leica, so we’ll skip over those for this article. (See my Fujifilm GFX 100S and Hasselblad X2D reviews for more.)

The most expensive category we’ll be discussing here is full-frame, largely used by pros and serious amateurs. Models are available from all the major brands except Fujifilm, including Sony, Canon, Nikon and Panasonic. That format offers the best image quality, low-light capability and depth of field, with prices starting around $1,000. With the right lenses, you can get beautifully blurred backgrounds, but autofocus is more critical. Lenses are also more expensive.

Down one size are APS-C cameras, offered on Fujifilm, Sony, Nikon and Canon models. Cameras and lenses are cheaper than full-frame, but you still get nice blurred “bokeh,” decent low-light shooting capability and relatively high resolution. With a sensor size equivalent to 35mm movie film, it's ideal for shooting video.

Steve Dent/Engadget

Micro Four Thirds, used by Panasonic and Olympus, is the smallest mainstream sensor size for mirrorless cameras. It offers less dramatic bokeh and light-gathering capability than APS-C, but allows for smaller and lighter cameras and lenses. For video, it’s harder to blur the background to isolate your subject, but focus is easier to control.

The next thing to consider is sensor resolution. High-res cameras like Sony’s 61-megapixel full-frame A7R V or Fujifilm’s 40-megapixel APS-C X-H2 deliver detailed images – but the small pixels mean they’re not ideal for video or low-light shooting. Lower-resolution models like Panasonic’s 10.3-megapixel GH5s or Sony’s 12.1-megapixel A7S III excel at video and high-ISO shooting, but lack detail for photos.

Image quality is subjective, but different cameras do produce slightly different results. Some photographers prefer the skin tones from Canon while others like Fujifilm’s colors, for example. It’s best to check sample photos to see which model best suits your style.

What about handling? The Fujifilm X-T5 has lots of manual dials to access shooting controls, while Sony’s A6600 relies more on menus. The choice often depends on personal preferences, but manual dials and buttons can help you find settings more easily and shoot quicker. For heavy lenses, you need a camera with a big grip.

Video is more important than ever. Most cameras deliver at least 4K at 30 frames per second, but some models now offer 4K at up to 120p, with 6K and even 8K resolution. If you need professional-looking results, choose a camera with 10-bit or even RAW capability, along with log profiles to maximize dynamic range.

In-body stabilization, which keeps the camera steady even if you move, is another important option for video and low-light photography. You’ll also want to consider the electronic viewfinder (EVF) specs. High resolutions and refresh rates make judging shots easier, particularly in sunny environments.

Other important features include displays that flip up or around for vlogging or selfie shots, along with things like battery life, the number and type of memory card slots, the ports and wireless connectivity. Lens selection is also key, as some brands like Sony have more choice than others. For most of our picks, keep in mind that you’ll need to buy at least one lens.

Now, let’s take a look at our top camera picks for 2023. We’ve divided the selection into four budget categories: under $800, under $1,500, under $2,500 and over $2,500. We chose those price categories because many recent cameras slot neatly into them. Manufacturers have largely abandoned the low end of the market, so there are very few mirrorless models under $500.

Best mirrorless cameras under $800

My top pick in the budget category is Canon’s brand new $680 24.2-megapixel R50, an impressive model considering the price. It can shoot bursts at up to 15 fps in electronic shutter mode, and offers 4K 10-bit at up to 30p with supersampling and no crop. It has a fully articulating display, and unlike other cameras in this category, an electronic viewfinder. It uses Canon’s Dual Pixel AF with subject recognition mode, and even has a popup flash. The only drawback is the lack of decent quality lens that’s as affordable as the camera itself. Pre-orders are open with delivery set for spring.

Your next best option is an older model, the 20.7-megapixel Olympus OM-D E-M10 Mark IV, as it offers the best mix of photography and video features. You get up to 15 fps shooting speeds, 4K 30p or HD 120p video, and it’s one of the few cameras in this price category with built-in five-axis stabilization. It’s portable and lightweight for travel, and the lenses are compact and affordable. The drawbacks are an autofocus system that’s not as fast or accurate as the competition, and a small sensor size.

If you’re a creator, Sony’s 24.2-megapixel ZV-E10 is a strong budget option. It can shoot sharp, downsampled 4K video at up to 30 fps with a 1.23x crop (or 1080p at 120 fps) and uses Sony’s fantastic AI-powered autofocus system with face and eye detection. It also has a few creator-specific features like Product Showcase and a bokeh switch that makes the background as blurry as possible so your subject stands out. Another nice feature is the high-quality microphone that lets you vlog without the need to buy an external mic. The main drawbacks are the lack of an EVF and rolling shutter.

Another good creator option that’s better for photography is Panasonic’s Lumix G100, on sale right now with a 12-32mm lens. As with the ZV-E10, it can shoot 4K video at 30 fps (cropped 1.47x), though 1080p is limited to 60 fps. Unlike its Sony rival, though, the G100 has a 3.68-million dot EVF and 10 fps shooting speeds. Other features include a fully-articulating display, and 5-axis hybrid image stabilization.

Honorable mentions go to two models, starting with Nikon’s 20.9-megapixel APS-C Z30, another mirrorless camera designed for vloggers and creators. It offers 4K using the full width of the sensor, 120fps slow mo at 1080p, a flip-out display and AI powered hybrid phase-detect AF. The drawbacks are the lack of an EVF and autofocus that’s not up to Sony’s standards. And finally, another good budget option is the Canon EOS M50 Mark II, a mildly refreshed version of the M50 with features like a flip-out screen, tap-to-record and focus, plus 4K video with a 1.5x crop.

Best mirrorless cameras under $1,500

Your best option overall in this category is Canon’s 32.5-megapixel APS-C EOS R7. It offers very fast shooting speeds up to 30 fps using the electronic shutter, high-resolution images that complement skin tones, and excellent autofocus. It also delivers sharp 4K video with 10 bits of color depth, marred only by excessive rolling shutter. Other features include 5-axis in-body stabilization, dual high-speed card slots, good battery life and more.

Full-frame cameras generally used to start at $2,000 and up, but now there are two new models at $1,500. The best by far is Canon’s brand new EOS R8 – basically an R6-II lite. It has Canon’s excellent Dual Pixel AF with subject recognition AI, and can shoot bursts at up to 40 fps. It's equally strong with video, supporting oversampled 10-bit 4K at up to 60 fps. The R8 also offers a flip-out display, making it great for vloggers. The main drawback is a lack of in-body stabilization. It’s now on pre-order with delivery set for spring.

A better choice for video is Panasonic’s Micro Four Thirds GH5 II. It’s one of the least expensive models with 10-bit, high data rate 4K 60p video. It also offers effective image stabilization, pro inputs, dual high-speed card slots and a flip-out screen. Negative points are the small Micro Four Thirds sensor and relatively low 20-megapixel photo resolution.

Several cameras are worthy of honorable mention in this category, including Canon’s 30.3-megapixel EOS R, still a great budget option for 4K video and particularly photography despite being released over four years ago. Other good choices include the fast and pretty Olympus OM-D E-M5 III and Sony’s A6600, which offers very fast shooting speeds and the best autofocus in its class. Finally, Nikon’s 24.3-megapixel Z5 is another good choice for a full-frame camera in this price category, particularly for photography, as it deliver outstanding image quality.

Best mirrorless cameras under $2,500

This category currently has the most choices, with the Sony A7 IV leading the charge. Resolution is up considerably from the 24-megapixel A7 III to 33 megapixels, with image quality much improved overall. Video is now up to par with rivals with 4K at up to 60p with 10 bit 4:2:2 quality. Autofocus is incredible for both video and stills, and the in-body stabilization does a good job. The biggest drawbacks are rolling shutter that limits the use of the electronic shutter, plus the relatively high price.

The next best option is the EOS R6 II, Canon’s new mainstream hybrid mirrorless camera that offers a great mix of photography and video features. The 24.2-megapixel sensor delivers more detail than the previous model, and you can now shoot RAW stills at up to 40 fps in electronic shutter mode. Video specs are equally solid, with full sensor 4K supersampled from 6K at up to 60 fps. Autofocus is quick and more versatile than ever thanks to expanded subject detection. It’s still not quite up to Sony’s standards, though, and the microHDMI and lack of a CFexpress slot isn’t ideal.

If you’re OK with a smaller APS-C sensor, check out the Fujifilm X-H2S. It has an incredibly fast stacked, backside-illuminated 26.1-megapixel sensor that allows for rapid burst shooting speeds of 40 fps, along with 4K 120p video with minimal rolling shutter. It can capture ProRes 10-bit video internally, has 7 stops of in-body stabilization and a class-leading EVF. Yes, it’s expensive for an APS-C camera at $2,500, but on the other hand, it’s the cheapest stacked sensor camera out there. The other downside is AF that’s not quite up to Canon and Sony’s level.

Video shooters should look at Panasonic’s full-frame S5 II. It’s the company’s first camera with hybrid phase-detect AF designed to make focus "wobble" and other issues a thing of the past. You can shoot sharp 4K 30p video downsampled from the full sensor width, or 4K 60p from an APS-C cropped size, all in 10-bit color. It even offers 5.9K 30p capture, along with RAW 5.9K external output to an Atomos recorder. You also get a flip-out screen for vlogging and updated five-axis in-body stabilization that’s the best in the industry. Photo quality is also good thanks to the dual-gain 24-megapixel sensor. The main drawback is the slowish burst speeds.

The best value in a new camera is the Fujifilm X-T5. It offers a 40-megapixel APS-C sensor, 6.2K video at 30p/4K 60p 10-bit video, 7-stop image stabilization, and shooting speeds up to 20 fps. It’s full of mechanical dials and buttons with Fujifilm’s traditional layout. The downsides are a tilt-only display and autofocus system that can’t keep up with Sony and Canon systems. If you want better video specs for a bit more money, Fuji’s X-H2 has the same sensor as the X-T5 but offers 8K 30p video and a flip out display.

Honorable mentions in this category go to the $2,000 Nikon Z6 II, which offers excellent image quality, solid video specs and great handling. For budget options, take a look at Sony’s compact full-frame A7C, along with Fujifilm’s older, but still great X-T4.

Best mirrorless cameras over $2,500

Finally, here are the best cameras if the sky’s the limit in terms of pricing. At the apex is Sony’s 50-megapixel stacked sensor A1, a stunning camera with a stunning $6,500 price. It rules in performance, with 30 fps shooting speeds and equally quick autofocus that rarely misses a shot. It backs that up with 8K and 4K 120p video shooting, built-in stabilization and the fastest, highest-resolution EVF on the market. The only real drawbacks are the lack of a flip-out screen and, of course, that price.

For a bit less money, the Nikon Z9 packs a 45.7-megapixel stacked sensor that’s so fast, it doesn’t even have a mechanical shutter. It has Nikon’s best autofocus system by far, and delivers outstanding image quality. Video is top notch as well, with 8K 30p internally and 8K 60p RAW via the HDMI port. The main drawbacks are the lack of an articulating display and high price, but it’s a great option if you need speed, resolution and high-end video capabilities.

Tied for the next positions are Sony’s A7S III and A7R V. With a 61-megapixel sensor, the A7R V shoots sharp and beautiful images at a very respectable speed for such a high-resolution model (10 fps). It has equally fast and reliable autofocus, the sharpest viewfinder on the market and in-body stabilization that’s much improved over the A7R IV. Video has even improved, with 8K and 10-bit options now on tap, albeit with significant rolling shutter. If you don’t need the video, however, Sony’s A7R IVa does mostly the same job, photo-wise, and costs a few hundred dollars less.

The 12-megapixel A7S III, meanwhile, is the best dedicated video camera, with outstanding 4K video quality at up to 120 fps, a flip-out display and category leading autofocus. It also offers 5-axis in-body stabilization, a relatively compact size and great handling. While the 12-megapixel sensor doesn’t deliver a lot of photo detail, it’s the best camera for low-light shooting, period.

And if you want a mirrorless sports camera, check out Canon’s 24-megapixel EOS R3. It can shoot bursts at up to 30 fps with autofocus enabled, making it great for any fast-moving action. It’s a very solid option for video too, offering 6K at up to 60 fps in Canon’s RAW LTE mode, or 4K at 120 fps. Canon’s Dual Pixel autofocus is excellent, and it offers 8 stops of shake reduction, a flip-out display and even eye detection autofocus. The biggest drawback for the average buyer is the $6,000 price, so it’s really aimed at professionals as a replacement for the 1DX Mark III DSLR.

Honorable mention goes to Canon’s 45 megapixel EOS R5. For a lot less money, it nearly keeps pace with the A1, thanks to the 20 fps shooting speeds and lightning fast autofocus. It also offers 8K and 4K 120p video, while besting Sony with internal RAW recording. The big drawback is overheating, as you can’t shoot 8K longer than 20 minutes and it takes a while before it cools down enough so that you can start shooting again. Another solid option is Panasonic’s S1H, a Netflix-approved mirrorless camera that can handle 6K video and RAW shooting.

You’re now caught up, new models have been arriving thick and fast, including potential rumored APS-C models from Canon. Another known model coming in May is Panasonic's S5 IIx, which offers the same features of the S5 II plus internal SSD recording and live streaming for just $200 more. We’ll have full coverage of those when they arrive, so stay glued to Engadget.com for the latest updates.