On Wednesday, the US House of Representatives passed a bill that could provide at least some accountability for Ticketmaster and other live event vendors. NBC News reports the TICKET Act (not to be confused with the Senate’s separate bill with the same try-hard acronym) would mandate that ticket sellers list upfront the total cost of admission — including all fees — to buyers.

In addition to the full pricing breakdown, the bill would require sellers to indicate whether the tickets are currently in their possession. It would also ban deceptive websites from secondary vendors and force sellers to refund tickets to canceled events. The bill doesn’t appear to address price gouging or extravagant fees.

It now moves to the Senate, which is floating two separate event-reform bills: the other TICKET Act and a bipartisan Fans First Act. The latter was introduced in December to strengthen the 2016 BOTS Act that bars the use of bots to buy tickets, a practice that Taylor Swift fans (among others) can attest is still all too common.

Reforming the ticketing industry became a political point-scoring item in late 2022 after Ticketmaster’s Taylor Swift fiasco. The Live Nation-owned service, which has a stronghold on the industry, melted down as millions of fans battled “a staggering number” of bots. Ticketmaster said presale codes reached 1.5 million fans, but 14 million (including those pesky bots) tried to buy tickets.

Live Nation President and CFO Joe Berchtold testified in front of the Senate Judiciary Committee in January 2023, where he largely passed the buck to Congress to fix the mess. He suggested the government strengthen the BOTS Act, which one of the Senate’s bills would try to do. During the hearing, Senator Richard Blumenthal (D-CT) needled the executive for dodging blame, accusing the company of pointing the finger at everyone but itself.

Representatives Gus Bilirakis (R-FL), Jan Schakowsky (D-IL), Cathy McMorris Rodgers (R-WA) and Frank Pallone Jr. (D-NJ) issued a joint statement on Wednesday about the House’s TICKET Act. “This consensus legislation will end deceptive ticketing practices that frustrate consumers who simply want to enjoy a concert, show, or sporting event by restoring fairness and transparency to the ticket marketplace,” the group wrote. “After years of bipartisan work, we will now be able to enhance the customer experience of buying event tickets online. We look forward to continuing to work together to urge quick Senate passage so that we can send it to the President’s desk to be signed into law.”

Artists publicly supporting legislation to combat the ticketing industry’s failures include (among others) Billie Eilish, Lorde, Green Day, Cyndi Lauper, Jason Mraz and Dave Matthews. “We are joining together to say that the current system is broken: predatory resellers and secondary platforms engage in deceptive ticketing practices to inflate ticket prices and deprive fans of the chance to see their favorite artists at a fair price,” a joint letter from over 250 musicians reads.

YouTube said it would comply with an order blocking access to videos of Hong Kong’s protest anthem inside the region, according to The Guardian. The platform’s decision comes after an appeals court banned the protest song “Glory to Hong Kong,” which the largely China-controlled government (predictably) framed as a national security threat.

Alphabet, YouTube and Google’s parent company, followed its familiar playbook of legally complying with court orders undermining human rights while issuing statements puffing up its advocacy for them. “We are disappointed by the Court’s decision but are complying with its removal order,” YouTube’s statement to The Guardian said. “We’ll continue to consider our options for an appeal, to promote access to information.”

Alphabet reportedly told the outlet the block would take effect immediately inside the region. It added that it shares the concerns of human rights groups that it could deal a blow to online freedoms.

YouTube reportedly said links to the videos will eventually no longer be visible in Google Search inside Hong Kong. I tried using a Hong Kong-based VPN server while in the US, and the videos were still viewable on Thursday morning. However, The Guardian said attempts to view it from inside the region show the message, “This content is not available on this country domain due to a court order.”

Fujifilm’s successor to the GFX 100S, its 2021 medium format camera with terrific performance but slow speeds, is the aptly named GFX 100S II. The new model is $1,000 cheaper, smaller, lighter and has (shocker) AI features to improve its autofocus, one of our gripes with its predecessor.

The Fujifilm GFX 100S II uses a 102MP high-speed sensor and the X-Processor 5 processing engine. The company says its medium format sensor is about 1.7 times larger than a 35mm full-frame sensor. Its body weighs around 883g (including the battery and memory card), making it the lightest in the lineup.

The camera has “enhanced” in-body image stabilization, allowing for a maximum of eight-stop, five-axis performance. This could boost its image quality when using longer exposure times. 

Fujifilm says it improved the sensor’s pixel layout design, enabling a standard sensitivity of ISO80. “When the sensor sensitivity is set at ISO80, the camera can capture images at greater dynamic range and lower noise than with the previous model” when shooting in 16-bit RAW mode, the company wrote in a press release. This should lead to better low-light performance, autofocus accuracy and overall image quality.

The camera’s sensor has an improved micro-lens design, increasing light use efficiency at its edges. Fujifilm says this gives it better image quality and autofocus accuracy around the edges than its predecessor.

Fujifilm

Like nearly every other bit of recent tech gear, Fujifilm is using AI in its products — in this case, AI-based subject detection. Fujifilm says it can automatically recognize animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones and focus accordingly. The company claims its improved autofocus predictive algorithm and a continuous shooting speed of up to seven FPS make it better at tracking high-speed subjects. Autofocus was one of our nitpicks in Engadget’s review of the GFX 100S, so we’ll be curious to see if those claims hold up in practice.

On the video front, the new camera supports 4K / 30P 4:2:2 10bit videos (for more precise color reproduction) when using its internal SD card. It’s equipped with the F-Log 2 profile for improved dynamic range. Its compatibility is boosted by supporting Apple ProRes, but only when using an external solid-state drive connected via USB-C.

The Fujifilm GFX 100S II costs $4,999, or €5,499 in Europe. That’s cheaper than the $7,500 GFX 100 II, trading some extra video perks for less of a hit on the wallet. You can order it on Friday from Fujifilm’s website.

After shirking tradition and devoting its entire Google I/O keynote to showcase how it’s stuffing AI into everything imaginable, the company has reserved day two to catch up on the one-time star of the show, Android. Alongside the arrival of the second Android 15 beta on Wednesday, Google is unveiling previously unannounced security features in its 2024 mobile software, including AI-powered theft detection, Google Play fraud protection and more.

Theft Detection Lock is a new Android 15 feature that will use AI (there it is again) to predict phone thefts and lock things up accordingly. Google says its algorithms can detect motions associated with theft, like those associated with grabbing the phone and bolting, biking or driving away. If an Android 15 handset pinpoints one of these situations, the phone’s screen will quickly lock, making it much harder for the phone snatcher to access your data.

A fallback Remote Lock feature lets you quickly lock your handset if someone manages to take it without triggering Theft Detection Lock. With Remote Lock, you can (you guessed it) remotely lock the phone’s screen from any device with only your phone number and the completion of a “quick security challenge.” This is designed to avoid situations where someone gets their phone taken (or loses it) but doesn’t know their Google account password to access Find My Device.

Along similar lines, Offline Device Lock automatically locks your phone’s screen — requiring authentication to unlock — when it’s off the grid. This is designed to counter thieves who quickly take a stolen device offline before the owner can lock or wipe it remotely.

Meanwhile, an update to factory reset protection will require your credentials to use the phone after a data wipe, reducing the incentives for them to steal it in the first place. In addition, disabling Find My Device or lengthening the phone’s screen timeout will require security authentication, voiding another common tactic phone snatchers use to reset the device before getting locked out.

Similar to a feature Apple rolled out earlier this year, Android 15 will also require extra authentication when trying to change account security settings (changing the PIN, disabling theft protection or accessing Passkeys) from an untrusted location.

Catch up on all the news from Google I/O 2024 right here!

The increasingly discriminatory X (Twitter) now considers the term “cisgender” a slur. Owner Elon Musk posted last June, to the delight of his bigoted brigade of blue-check sycophants, that “‘cis’ or ‘cisgender’ are considered slurs on this platform.” On Tuesday, X made good on the regressive provocateur’s stance and reportedly began posting an official warning that the LGBTQ-inclusive terms could result in a ban from the platform. Not that you’d miss much.

TechCrunch reported on Tuesday that trying to publish a post using the terms “cisgender” or “cis” in the X mobile app will pop up a full-screen warning reading, “This post contains language that may be considered a slur by X and could be used in a harmful manner in violation of our rules.” It then gives you the choice of continuing to publish the post or conforming to the backward views of the worst of us and deleting it.

Of course, neither form of the term cisgender is a slur.

As the historically marginalized transgender community finally began finding at least a sliver of widespread and long overdue social acceptance in the 21st century, the term became more commonly used in the mainstream lexicon to describe people whose gender identity matches their sex at birth. Organizations including the American Psychological Association, World Health Organization, American Medical Association, American Psychiatric Association recognize the term.

But some people have a hard time accepting and respecting that some humans are different from others. Those fantasizing (against all evidence and scientific consensus) that the heteronormative ideals they grew up with are absolute gospel sometimes take great offense at being asked to adjust their vocabulary to communicate respect for a community that has spent centuries forced to live in the shadows or risk safety due to the widespread pathologization of their identities. 

Musk seems to consider those the good ol’ days.

This isn’t the billionaire’s first ride on the Transphobe Train. After his backward tweet last June (on the first day of Pride Month, no less), the edgelord’s platform ran a timeline takeover ad from a right-wing nonprofit, plugging a transphobic propaganda film. In case you’re wondering if the group may have anything of value to say, TechCrunch notes that the same organization also doubts climate change and downplays the dehumanizing atrocities of slavery.

X also reversed course on a policy, implemented long before Musk’s takeover, that banned the deadnaming or misgendering of transgender people.

Google is adding Gemini-powered AI automation to more tasks in Workspace. In its Tuesday Google I/O keynote, the company said its advanced Gemini 1.5 Pro will soon be available in the Workspace side panel as “the connective tissue across multiple applications with AI-powered workflows,” as AI grows more intelligent, learns more about you and automates more of your workflow.

Gemini’s job in Workspace is to save you the time and effort of digging through files, emails and other data from multiple apps. “Workspace in the Gemini era will continue to unlock new ways of getting things done,” Google Workspace VP Aparna Pappu said at the event.

The refreshed Workspace side panel, coming first to Gmail, Docs, Sheets, Slides and Drive, will let you chat with Gemini about your content. Its longer context window (essentially, its memory) allows it to organize, understand and contextualize your data from different apps without leaving the one you’re in. This includes things like comparing receipt attachments, summarizing (and answering back-and-forth questions about) long email threads, or highlighting key points from meeting recordings.

Google

Another example Google provided was planning a family reunion when your grandmother asks for hotel information. With the Workspace side panel, you can ask Gemini to find the Google Doc with the booking information by using the prompt, “What is the hotel name and sales manager email listed in @Family Reunion 2024?” Google says it will find the document and give you a quick answer, allowing you to insert it into your reply as you save time by faking human authenticity for poor Grandma.

The email-based changes are coming to the Gmail mobile app, too. “Gemini will soon be able to analyze email threads and provide a summarized view with the key highlights directly in the Gmail app, just as you can in the side panel,” the company said.

Summarizing in the Gmail app is coming to Workspace Labs this month. Meanwhile, the upgraded Workspace side panel will arrive starting Tuesday for Workspace Labs and Gemini for Workspace Alpha users. Google says all the features will arrive for the rest of Workspace customers and Google One AI Premium users next month.

Catch up on all the news from Google I/O 2024 right here!

Microsoft has unveiled the next round of Xbox Game Pass arrivals. The marquee attraction is Senua’s Saga: Hellblade II, which launches as a day-one Game Pass title on May 21. But the second May batch also includes Humanity (one of the best PlayStation games from last year), hockey sim EA Sports NHL 24, magical first-person shooter Immortals of Aveum, the heartfelt classic Brothers: A Tale of Two Sons and more.

First up is Brothers: A Tale of Two Sons, the 2013 puzzle-adventure game that returns to Game Pass today after several years off the platform. Engadget’s review from yesteryear described the game as “an essential treasure” that makes up for its bland and redundant title with a unique control scheme (a thumbstick for each bro), beautiful visuals (although dated today), clever puzzles and a touching story that weaves together nicely with its action. The game is available for Game Pass members today (Tuesday) for console, PC and cloud players.

The long-awaited Senua’s Saga: Hellblade II arrives on Game Pass on May 21. Announced way back in 2019 alongside the Xbox Series X, the game sends the hero to Iceland, where she tries to find the Vikings who have invaded her hometown. Developer Ninja Theory promises more “perception puzzles led by [Senua’s] experiences of psychosis,” one of the highlights of the 2017 original. You can play it on the cloud, PC and console (Xbox Series X / S) when it lands on Game Pass next week.

tha LTD.

Humanity, the innovative puzzler that launched on PlayStation and Steam in 2023, heads to Game Pass on May 30. From Rez creator Tetsuya Mizuguchi, the game puts you in charge of a Shiba Inu guiding herds of Lemmings-like humans across an impressive 90 stages, including boss fights. It also includes a level-creator tool that lets you make your own or try others’ constructions online.

Meanwhile, Immortals of Aveum borrows first-person shooter mechanics but swaps guns for a little hocus pocus. The single-player, narrative-driven game comes from independent developer Ascendant Studios but manages to look and feel like a big-budget game. Wield otherworldly magic at your fingertips as you step into the Everwar, taking on the Rasharnian Army. The 2023 game comes to Game Pass (cloud, PC and current-gen consoles) on May 16.

Other titles arriving in the second half of May and beyond include the 2014 action RPG Lords of the Fallen (May 30 - cloud, PC, console), EA Sports NHL 24 (May 16 - Xbox Cloud Gaming via EA Play!), puzzle-adventure title Chants of Sennar (May 15 - cloud, console, PC), Moving Out 2 (May 28 - cloud, console, PC) and Firework (June 4 - PC). Several day-one launch titles coming to Game Pass soon include Galacticare (May 23 - cloud, PC, console), Hauntii (May 23 - cloud, console, PC), and Rolling Hills (June 4 - cloud, console, PC).

Apple will reportedly focus its first round of generative AI enhancements on beefing up Siri’s conversational chops. Sources speaking with The New York Times say company executives realized early last year that ChatGPT made Siri look antiquated. The company allegedly decided that the large language model (LLM) principles behind OpenAI’s chatbot could give the iPhone’s virtual assistant a much-needed shot in the arm. So Apple will reportedly roll out a new version of Siri powered by generative AI at its WWDC keynote on June 10.

Apple Senior Vice Presidents Craig Federighi and John Giannandrea reportedly tested ChatGPT for weeks before the company realized that Siri looked outdated. (I would argue that the epiphany came about a decade late.) What followed was what The NYT describes as Apple’s “most significant reorganization in more than a decade.”

The company sees generative AI as a once-in-a-decade tentpole area worth shifting heaps of resources to address. You may recall the company canceled its $10 billion “Apple Car” project earlier this year. Apple reportedly reassigned many of those engineers to work on generative AI.

Apple executives allegedly fear AI models could eventually replace established software like iOS, turning the iPhone into “a dumb brick” by comparison. The clunky, awkward and overall unconvincing first wave of dedicated AI gadgets we’ve reviewed, like the Human AI Pin and Rabbit R1, aren’t good enough to pose a threat. But that could change as software evolves, other smartphone makers incorporate more AI into their operating systems and other hardware makers have a chance to innovate.

So, at least for now, it appears Apple isn’t launching direct competitors to generative AI stalwarts like ChatGPT (words), Midjourney (images) or ElevenLabs (voices). Instead, it will start with a new Siri and updated iPhone models with expanded memory to better handle local processing. In addition, the company will reportedly add a text-summarizing feature to the Messages app.

Apple

Apple’s first foray into generative AI, if The NYT’s sources are correct, sounds like less of an immediate threat to creators than some had imagined. The company ran a video plugging the new iPad Pro at its May iPad event. The clip accidentally served as the perfect metaphor for the (legitimate) fears of artists, musicians and other creators, whose work AI models have trained on — and who stand to be replaced by those same tools as they become more normalized for content creation.

This week, Apple apologized for the ad and said it canceled plans to run it on TV. 

Samsung and Google have already loaded their flagship phones with various generative AI features that go far beyond improving their virtual assistants. These include tools for editing photos, generating text and enhancing transcription (among other things). These features typically rely on cloud-based servers for processing, whereas Apple’s approach will allegedly prioritize privacy and handle requests locally. So Apple will apparently start with a more streamlined approach that sticks to improving what’s already there, as well as keeping most or all processing on-device.

The New York Times’ sources add that Apple’s culture of internal secrecy and privacy-focused marketing have stunted its AI progress. Former Siri engineer John Burkey told the paper that the company’s tendency to silo off the information various divisions share with each other has been another primary culprit in Siri’s inability to evolve far past where the assistant was when it launched a day before Steve Jobs died in 2011.

Climate protestors in Germany broke through police barricades on Friday, amid clashes between activists and law enforcement. The protestors either made it onto (according to protestors) or near (according to local police) the grounds of a Tesla gigafactory in Grünheide, Germany, near Berlin. It’s part of a planned five-day demonstration ahead of a local government vote next week to determine whether Tesla’s plant can expand.

Wired flagged social media videos showing activists, many of whom have been camping out in treehouses in nearby forest encampments, running toward a Tesla building on the site. In addition, the German newspaper Welt said at least one person participating was injured. Police reportedly police used pepper spray and batons to try to thwart the crowd, and there were at least some arrests.

A spokesperson for one of the groups participating in the protests told Wired that they broke the police barriers and stormed the Tesla grounds. “Eight hundred people have entered the premises of the gigafactory,” Lucia Mende of Disrupt Tesla said. However, local police posted on X (Musk’s social media platform) that the activists only reached a field facing the site. “We have been able to prevent them from entering so far,” they posted.

Axel Schmidt via Getty Images

At least at first glance, it’s easy to wonder why activists are pouring so much energy into fighting Tesla. After all, despite Musk’s increasingly unhinged right-wing conspiracy-mongering and Nazi-catering on X, other automakers pushing gas-guzzling cars seem like more appropriate targets (not to mention the fossil fuel companies spending big bucks on anti-climate-reform disinformation). However, several factors make the issues at the heart of the protests less simplistic.

A (nonbinding) vote in February showed Grünheide residents opposed the expansion by almost a two-to-one ratio. If for no other reason, the local government having a chance to brush aside the overwhelming will of the voters in the name of capitalism is enough to raise the eyebrows of anyone who balks at minority rule.

Wired notes the area is also one of the most water-scarce in Germany, and residents worry the gigafactory will drain the resource, leaving much less for the humans who live there. The plant could also pollute local water supplies.

Those fears appear to have merit: The plant is licensed to use 1.4 million cubic meters of water annually, and a separate Wired report from Tuesday noted that’s enough to supply for a large town. As for the contamination fears, Tesla was fined in 2019 by the EPA for several hazardous waste violations at a California factory. The company paid a grand total of $31,000 to settle. (Tesla had a market cap of almost $76 billion in 2019.)

But some of the groups protesting have concerns that go much farther than those more immediate issues affecting the locals, instead taking issue with the entire electric vehicle movement. “Companies like Tesla are there to save the car industry, they’re not there to save the climate,” Esther Kamm, spokesperson for Turn Off the Tap on Tesla told Wired.

Another activist, who only gave Wired the name Mara, described the factory as the result of “green capitalism.” She views the EV movement as little more than a theatrical performance in the name of profit. “This has been completely thought up by such companies to have more growth, even in times of an environmental crisis,” she said.

I wouldn’t exactly say flipping the bird to the EV movement is a “workable” solution to the very real and pressing climate crisis. Regardless of your thoughts on the matter, the world needs to move quickly to fend off climate change’s most ravaging effects, and the scientific consensus is that the planned shift to EVs will need to play a central role.

Tesla reportedly told its employees at the factory to work from home on Friday, shutting down the plants for the planned protests. As for Friday’s protests, Welt reports that the situation had calmed by afternoon — at least for now.

Apple has reportedly apologized for its tone-deaf “Crush!” ad that sparked a furious backlash with artists, musicians and other creators. AdAge reports that Apple said the video “missed the mark” and has scrapped plans to run the cutesy-turned-cringey commercial on TV.

It’s clear that Apple intended for the ad to serve as a metaphor for all the myriad creative tools one has when they throw down $1,000 or more for a new iPad Pro. Run during Tuesday’s event, the video shows a series of musical instruments and creative tools, including a guitar, drums, trumpet, amplifiers, record player, TV and much more. “All I Ever Need Is You” by Sonny & Cher soundtracks the clip.

Soon, it’s revealed that the objects are all sitting on an industrial crusher. The crusher descends upon the scattered creative instruments, exploding in plumes of colorful smoke. But when the crusher pulls back up, it’s revealed that everything was transformed into a shiny new iPad Pro.

Apple

A decade ago, this ad likely wouldn’t have been a big deal. But Apple’s marketers completely whiffed on the context of the moment. The ad comes weeks before Apple will take the stage at WWDC to announce its generative AI features that its investors have been salivating for.

Generative AI, as you may have heard, needs something to train on — and that means humans’ work. It trains on existing content to make algorithmically generated words, pictures, music or who knows what else. It also has the capability to put those same creators — most of whom don’t have cushy jobs at Apple or other Big Five tech companies — out of work as corporations and consumers eagerly adopt the robots destined to put creators on the unemployment line.

Context is everything, and Apple failed spectacularly there. Its ad serves as a spectacularly perfect metaphor for generative AI’s potential to crush human creation, turning us all into “prompt artists” who type words into text boxes to replace their years of training and experience. (Granted, generative AI has genuinely exciting applications, too, but much more needs to be made of the society-level chaos it can and will unleash.)

“Creativity is in our DNA at Apple, and it’s incredibly important to us to design products that empower creatives all over the world,” Tor Myhren, Apple VP of marketing communications, told AdAge. “Our goal is to always celebrate the myriad of ways users express themselves and bring their ideas to life through iPad. We missed the mark with this video, and we’re sorry.”

Hey, an apology means something. But we’ll see what tone Apple adopts next month when it rolls out the tools that set the stage for the apology in the first place. Something tells me that train is out of the station and will be plowing forward full steam, no matter how much creativity the company has in its DNA.