Twitch is redesigning its mobile app for the first time since 2019. The company’s CEO, Dan Clancy, wrote in an open letter on Wednesday that the discovery feed will be the app’s new landing page. The update, expected later this year, will also make it easier to share quick updates, including uploading short video stories from the mobile app.

“We’re redesigning the mobile app (the first major update since 2019) to bring you a more modern, immersive viewing experience by making the discovery feed available to all Twitch users as the new landing experience in the app,” Clancy wrote. The discovery feed, currently only available as an “experiment” in the mobile app, shows real-time updates blending streams from people you follow with recommended content.

Clancy says the mobile app will also add new features that encourage quick updates for your followers, including the ability to create and upload short video stories from your phone. Other additions will include pinch-to-zoom in photos (better late than never?) and the ability to share portrait videos to stories.

Twitch moderators with iPhones have something to look forward to, as the mobile app will include mod tools for the first time. Previously desktop-only, the mobile tools will be “flexible, easy to use, and move with you,” according to Clancy. The company says the mod tools will roll out to iOS later this year; it hasn’t yet addressed Android availability.

Looking beyond the mobile app, other 2024 Twitch updates will include updated community guidelines. Clancy says the new rules include “clearer, updated harm definitions, and more severe penalties for some types of harassment.” The platform also plans to roll out tools to help users better identify harassment, including some that Clancy claims “would block more harassment before it shows up in your chat.”

Finally, Twitch’s clip editor (which reportedly helped enable child exploitation on the platform) will soon make it easier to share content. Clancy says the feature will make it easier for creators and viewers to share clips to social channels, including an option to export directly to Instagram. In addition, the mobile app’s big update will add the clip editor when it arrives later this year.

Specs for the Rivian R2 leaked this week ahead of Thursday’s unveiling. Found by “internet sleuths” who tipped off Electrek, its specifications were buried in source code for the EV’s teaser website (briefly visible to anyone in the public using a web inspector). The code suggests the R2 will have up to a 330-mile range and a $47,000 starting price when it arrives in 2026.

The R2 allegedly has a three-second 0 to 60 mph acceleration time, but it’s probably wise to expect that only in the top-tier models. The code lists the compact SUV as a five-seater with a 115.6-inch wheelbase. Other details include a length of 185.6 inches, a width of 75 inches (84.4 inches with mirrors) and a height of 66.9 inches.

The code says it will have a NACS chargeport but adds that it can also charge at CCS stations. The leak also lists powered rear glass and a bike mount that “snaps into the rear accessory ports.” (It mentions that no tools are needed.) The bike mount allegedly fits in the R2’s frunk when not in use. “We design our vehicles to maximize storage throughout,” the marketing copy from the source code reads. “The roomy front trunk offers plenty of space to stow large items — from weekend gear to weekly grocery haul.”

Other details from the source code include a maximum ground clearance of 9.8 inches, a 32-inch wheel and tire diameter, a 25-degree approach angle and a 27-degree departure angle.

Rivian confirmed last month that it will officially unveil the R2 on March 7. The automaker’s CEO, RJ Scaringe, had previously said the vehicle would be smaller and cheaper than the R1. Its $47,000 starting price (the code also lists $47,500 in other places) would put it squarely within the $40,000 to $60,000 range CFO Claire McDonough previously promised.

Unfortunately, news of more layoffs at Rivian emerged ahead of Thursday’s launch event. Crain’s Chicago Business (via Quartz) first reported that the EV maker laid off “about 100” employees at its Normal, IL factory. That’s about one percent of the plant’s total workers. The cuts follow (or are perhaps part of) those announced in February when Rivian said it would lay off 10 percent of its workforce.

Microsoft is pulling the plug on Android apps for Windows. The company said it’s ending support for Windows Subsystem for Android (WSA), the underlying component behind the Amazon Appstore (and other Android apps) in Windows 11. Microsoft told Engadget it was responding to “evolving customer needs.”

Microsoft first said in 2021 that Windows 11 would be able to run Android apps. When it arrived the following year, users could install the Amazon Appstore, and some individual Android apps were found in the Microsoft Store. The rollout was viewed as an answer to the dual threats of Android apps on Chromebooks and iOS apps on Apple Silicon Macs.

A Microsoft spokesperson clarified to Engadget why it’s now terminating the feature. “As part of our commitment to meeting evolving customer needs, we periodically update our product offerings,” they said. “This involves introducing new technical innovations and retiring products. Microsoft remains dedicated to an open platform and ecosystem, and we look forward to continuing to bring the best experiences and apps to Windows.”

With Microsoft blazing full-tilt into all things AI, it may now see its past attempts at making Windows a dramatically better touch-focused platform as no longer worth the resources. Another possibility, as The Verge speculates, is that people hunting for Android apps on Windows expected the full Google Play Store experience — not Amazon’s variant, which has an inferior overall selection.

Microsoft says customers who installed the Amazon Appstore (or other apps and games using WSA) on their Windows 11 machines before Tuesday can keep using them until March 5, 2025. Meanwhile, Amazon clarified that its Appstore and associate apps will no longer be discoverable in the Microsoft Store beginning on Wednesday. In addition, developers can no longer submit new apps for the Amazon Appstore on Windows, but those with existing ones can continue to submit updates for them until this time next year.

As for what’s next for Microsoft, the company is rumored to launch new Surface devices on March 21. The Surface Pro 10 and Surface Laptop 6 are expected, with the company possibly marketing them as its first AI PCs.

Amid complaints that its search results have declined in quality, Google is tweaking its algorithms to do a better job of weeding out spammy or automated content. The company says the ranking updates, arriving in May, will “keep the lowest-quality content out of search.” Of particular note, Google says its engine will be better at eradicating today’s automated (read: AI-generated) content that’s harder to spot.

Google says it’s taking what it learned from a 2022 algorithmic tuneup to “reduce unhelpful, unoriginal content” and applying it to the new update. The company says the changes will send more traffic to “helpful and high-quality sites.” When combined with the updates from two years ago, Google estimates the revision will reduce spammy, unoriginal search results by 40 percent.

“This update involves refining some of our core ranking systems to help us better understand if webpages are unhelpful, have a poor user experience or feel like they were created for search engines instead of people,” Google product management director Elizabeth Tucker wrote. “This could include sites created primarily to match very specific search queries.”

Google sounds like it’s targeting AI-generated SEO spam with its notes about scaled content abuse. The company says it’s strengthening its approach to the growing problem of sites that generate garbage automated articles (as well as zeroing in on old-fashioned human-created spam).

“Today, scaled content creation methods are more sophisticated, and whether content is created purely through automation isn’t always as clear,” Tucker said. Google says the changes “will allow us to take action on more types of content with little to no value created at scale, like pages that pretend to have answers to popular searches but fail to deliver helpful content.”

AI-generated content farms shotgun-blasting content to game the system are an increasing problem, so Google’s changes — if they’re as effective as promised — will be welcome. Although sites spamming that content exclusively may be easier to spot, it will be interesting to see if scenarios where once-reputable outlets experimenting with AI-generated spam (CNET and Sports Illustrated are recent examples) will be affected.

Another change to the algorithm will tackle the practice of otherwise reputable sites hosting low-quality content from third parties designed to leech off the site’s good name. Google provides the example of an educational site hosting a third-party payday loan review. “We’ll now consider very low-value, third-party content produced primarily for ranking purposes and without close oversight of a website owner to be spam,” Tucker wrote.

Finally, Google’s updates will allegedly do better at rooting out expired domains bought by someone else and transformed into click mills. The search engine will begin treating those websites as spam.

You won’t see the improvements immediately as Google is giving site owners a two-month notice to adapt accordingly. The search engine changes will take effect on May 5.

Google’s Waze is adding some quality-of-life navigation features in the coming weeks and months. New options can help you find parking garages (and learn how much they’ll cost), alert you when the speed limit is about to decrease and guide you through roundabouts.

Partnering with the Flash parking app, Waze will soon provide information about nearby parking garages. It can show you prices, whether it’s covered or open-air, wheelchair accessibility options, valet services and EV charging stations. Waze says you can also reserve a parking space from the app. The feature will roll out “in the coming weeks.”

The Flash app only averages 1.5 out of 5 stars on the App Store and 2.2 out of 5 on the Play Store. (Many customers complained about its bugginess and unreliable scanning at parking kiosks.) Hopefully, Waze’s integration won’t replicate the apparent rough spots from its new partner’s app.

The Waze app will also let you know when the speed limit is about to drop. After the feature rolls out this month, the navigation screen will show a speed limit sign at the spot in the road where it’s about to slow down, giving you time to prepare. An alert at the screen’s bottom will count down how many feet away the speed reduction is. (The app won’t show when speed limits are about to increase, presumably to avoid encouraging people to punch it and get a head start.)

Waze

Waze will soon give you more information about your favorite routes to places you often travel to, like home, work or go-to coffee shops. Starting this month, when you start navigation, the app will compare your favorite routes with the fastest ones. It will use live traffic updates to contrast ETA estimates and help you decide if your favorite pathway is too backed up to be worth it.

Making your way through roundabouts will be easier, too. When you approach a traffic circle, Waze will help you figure out where to enter, which lanes to use and where to exit. The feature arrives on Android this month, but iPhone owners will have to wait until “later this year.”

Building on the app’s community-sourced approach, another new feature will alert you to upcoming hazards. These include sharp curves, speed bumps and toll booths. This “navigate like a local” feature will land on Android and iOS this month.

Finally, Waze now notifies you when emergency vehicles are stopped ahead. When navigating, an emergency icon will sit on the virtual road ahead alongside an alert and countdown (measured in feet) as you approach it. This is the only new feature Waze says is available now (in the US, Canada, France, Mexico and France) on Android and iOS. The feature will support more countries soon.

On Tuesday, Shure unveiled its better-late-than-never entry into the creator-focused wireless consumer lapel mic space. The audio company’s MoveMic system — available in single-channel (the $249 MoveMic One) and dual-channel (the $349 MoveMic Two) models — joins an increasingly crowded space of wireless lavalier mics alongside three tiers of Rode’s Wireless Go system and two iterations of DJI’s Mic.

Most products in this space require a receiver for your phone, but Shure offers direct-to-phone wireless transmission — including for two mics in the dual-channel model. But the catch is that it only works when using Shure’s MOTIV apps (available on iOS and Android), which won’t be everyone’s cup of tea.

For more versatile recording (including with cameras, computers and third-party phone apps), you’ll have to use the MoveMic Receiver. It’s available as a standalone $199 purchase or as part of a $499 bundle with two dual-channel mics.

Shure

The mic has subtle styling, with most of its body designed to tuck away behind clothing. Each mic weighs 8.2g and measures 46 x 22mm, and it has an IPX4 rating for resistance to at least light splashes and sprays of water (including rain).

The MoveMic has a 50Hz to 20kHZ frequency range with a tolerance of +/-1dB. Its range covers up to 100ft away (direct line) from the paired device. Shure estimates eight hours of recording per mic, plus another two full charges when using its bundled charging case.

Shure

Shure’s entry into this space isn’t cheap. The single-channel MoveMic One costs $249, the dual-channel model (including two mics) jumps to $349 and a bundle with a pair of mics with a receiver runs $499.

By comparison, the Rode Wireless Go II costs $299 for a bundle with a pair of dual-channel mics and a receiver, and the DJI Mic 2’s equivalent package is $349. (And that isn’t including those companies’ budget models.) Shure is banking on its industry reputation and the MoveMic’s more subtle appearance to justify the extra cost. Still, creators and video journalists will want to ask themselves whether those warrant the premium before taking the plunge.

Jack Teixeira, the Massachusetts Air National Guardsman accused of leaking classified defense secrets on Discord, has pled guilty. The New York Times reports the 22-year-old withdrew his not-guilty plea on Monday, trading a guilty admission for up to around 16 years in prison. Had he gone to trial and lost, he could have faced up to 60 years.

In a Boston federal court, Teixeira pleaded guilty to six counts of “willful retention and transmission of national defense information” under the Espionage Act. Federal authorities arrested the airman at his mother’s house last April.

The Air National Guardsman is accused of sharing classified documents on a Minecraft-focused Discord server in late 2022. The posted files included volumes of information about the war in Ukraine (including details about military equipment and Russian and Ukrainian troop movements), as well as Russia’s attempts to stockpile more weapons from Egypt and Turkey. The content eventually landed on 4chan, Telegram and other Discord servers.

The leaked docs also contained a report about the hacking of an unnamed American company by “a foreign adversary” and details about a plot to assault US troops serving abroad. 

The government said it didn’t find evidence of deliberate espionage motives, nor did it accuse Teixeira of acting as a whistleblower in the mold of Edward Snowden. Instead, prosecutors concluded he wanted to gain status with his online friends. The New York Times reports that a senior federal law enforcement official, speaking anonymously to the paper, said the DOJ wouldn’t have agreed to the reduced sentencing if it had uncovered more malicious motives.

The judge presiding over the case, Indira Talwani, scheduled a hearing in September to finalize her endorsement of the deal. The sentencing guidelines range from 11 to more than 16 years in prison. His lawyer, Michael K. Bachrach, told reporters Teixeira’s immaturity played a pivotal role while promising he would push for the lowest sentence. “He is very much a kid,” the attorney reportedly said. “We will be able to establish why his youth played a substantial role.”

A NYT investigation of more than 9,500 of Teixeira’s messages, published last May, revealed an obsession with “weapons, mass shootings, shadowy conspiracy theories — and proving he was in the right, and in the know.”

Tropic Haze, the popular Yuzu Nintendo Switch emulator developer, appears to have agreed to settle Nintendo’s lawsuit against it. Less than a week after Nintendo filed the legal action, accusing the emulator’s creators of “piracy at a colossal scale,” a joint final judgment and permanent injunction filed Tuesday says Tropic Haze has agreed to pay the Mario maker $2.4 million, along with a long list of concessions.

Nintendo’s lawsuit claimed Tropic Haze violated the anti-circumvention and anti-trafficking provisions of the Digital Millennium Copyright Act (DMCA). “Without Yuzu’s decryption of Nintendo’s encryption, unauthorized copies of games could not be played on PCs or Android devices,” the company wrote in its complaint. It described Yuzu as “software primarily designed to circumvent technological measures.”

Yuzu launched in 2018 as free, open-source software for Windows, Linux and Android. It could run countless copyrighted Switch games — including console sellers like The Legend of Zelda: Breath of the Wild and Tears of the Kingdom, Super Mario Odyssey and Super Mario Wonder. Reddit threads comparing Switch emulators praised Yuzu’s performance compared to rivals like Ryujinx. Yuzu introduces various bugs across different titles, but it can typically handle games at higher resolutions than the Switch, often with better frame rates, so long as your hardware is powerful enough.

Tropic Haze / Nintendo

As part of an Exhibit A attached to the proposed joint settlement, Tropic Haze agreed to a series of accommodations. In addition to paying Nintendo $2.4 million, it must permanently refrain from “engaging in activities related to offering, marketing, distributing, or trafficking in Yuzu emulator or any similar software that circumvents Nintendo’s technical protection measures.”

Tropic Haze must also delete all circumvention devices, tools and Nintendo cryptographic keys used in the emulator and turn over all circumvention devices and modified Nintendo hardware. It even has to surrender the emulator’s web domain (including any variants or successors) to Nintendo. (The website is still live now, perhaps waiting for the judgment’s final a-okay.) Not abiding by the settlement’s agreements could land Tropic Haze in contempt of court, including punitive, coercive and monetary actions.

Although piracy is the top motive for many emulator users, the software can double as crucial tools for video game preservation — making rapid legal surrenders like Tropic Haze’s potentially problematic. Without emulators, Nintendo and other copyright holders could make games obsolete for future generations as older hardware eventually becomes more difficult to find.

Nintendo’s legal team is, of course, no stranger to aggressively enforcing copyrighted material. In recent years, the company went after Switch piracy websites, sued ROM-sharing website RomUniverse for $2 million and helped send hacker Gary Bowser to prison. Although it was Valve’s doing, Nintendo’s reputation indirectly got the Dolphin Wii and GameCube emulator blocked from Steam. It’s safe to say the Mario maker doesn’t share preservationists’ views on the crucial historical role emulators can play.

Despite the settlement, it appears unlikely the open-source Yuzu will disappear entirely. The emulator is still available on GitHub, where its entire codebase can be found.

Apple has walked back its decision to remove home screen web apps in the European Union (EU). After initially blaming its decision to ditch them on the Digital Markets Act’s (DMA) requirement to support non-WebKit browsers, Apple now says European users will return to enjoying the same web app experience from before when iOS 17.4 arrives early this month.

“We have received requests to continue to offer support for Home Screen web apps in iOS, therefore we will continue to offer the existing Home Screen web apps capability in the EU,” Apple wrote Friday in an updated developer support document. “This support means Home Screen web apps continue to be built directly on WebKit and its security architecture, and align with the security and privacy model for native apps on iOS.”

Progressive web apps (PWAs) act much like native apps with features like dedicated windows, notifications and local storage. Apple removed them for European customers in the second iOS 17.4 beta, instead asking if users want to open the website in Safari.

At the time, the company claimed web app support could compromise security, given the DMA’s requirement to support non-WebKit browser engines. “Addressing the complex security and privacy concerns associated with web apps using alternative browser engines would require building an entirely new integration architecture that does not currently exist in iOS and was not practical to undertake given the other demands of the DMA and the very low user adoption of Home Screen web apps,” the company wrote in February.

The Open Web Advocacy organization chimed in quickly to criticize Apple’s now-reversed move. “Apple has had 15 years to facilitate true browser competition worldwide, and nearly two years since the DMA’s final text,” the organization wrote in February. “It could have used that time to share functionality it historically self-preferenced to Safari with other browsers. Inaction and silence speaks volumes.”

The EU didn’t sound much happier about the web app removal. European Commission officials said in late February they were probing Apple’s decision in what sounded like the build-up to a formal investigation. The Financial Times reported that regulators sent developers questions about the impact of Apple’s PWA removal.

Whatever may have happened between then and now to change Apple’s mind, it’s remaining tight-lipped. Instead, the company is framing its reversal as a simple response to “requests” it received to continue offering home screen web apps. Perhaps EU officials assured the iPhone maker the company wouldn’t need to support PWAs from other browser engines, or maybe the company merely wanted to head off a formal probe (and the bad PR it could generate). Regardless, only European iOS 17.4 beta users are without web apps, and they’ll have them back once the software’s final version arrives.

This week, Adobe revealed an experimental audio AI tool to join its image-based ones in Photoshop. Described by the company as “an early-stage generative AI music generation and editing tool,” Adobe’s Project Music GenAI Control can create music (and other audio) from text prompts, which it can then fine-tune in the same interface.

Adobe frames the Firefly-based technology as a creative ally that — unlike generative audio experiments like Google’s MusicLM — goes a step further and skips the hassle of moving the output to external apps like Pro Tools, Logic Pro or GarageBand for editing. “Instead of manually cutting existing music to make intros, outros, and background audio, Project Music GenAI Control could help users to create exactly the pieces they need—solving workflow pain points end-to-end,” Adobe wrote in an announcement blog post.

The company suggests starting with text inputs like “powerful rock,” “happy dance” or “sad jazz” as a foundation. From there, you can enter more prompts to adjust its tempo, structure and repetition, increase its intensity, extend its length, remix entire sections or create loops. The company says it can even transform audio based on a reference melody.

Adobe says the resulting music is safe for commercial use. It’s also integrating its Content Credentials (“nutrition labels” for generated content), an attempt to be transparent about your masterpiece’s AI-assisted nature.

“One of the exciting things about these new tools is that they aren’t just about generating audio—they’re taking it to the level of Photoshop by giving creatives the same kind of deep control to shape, tweak, and edit their audio. It’s a kind of pixel-level control for music,” Adobe Research scientist Nicholas Bryan wrote.

The project is a collaboration with the University of California, San Diego and the School of Computer Science, Carnegie Mellon University. Adobe’s announcement emphasized Project Music GenAI Control’s experimental nature. (It didn’t reveal much of its interface in the video above, suggesting it may not have a consumer-facing UI yet.) So you may have to wait a while before the feature (presumably) makes its way into Adobe’s Creative Cloud suite.