When it comes to making coffee at home, there are people who do it and there are people who are obsessed with it. For many of us, we can’t just grab a bag of pre-ground swill from the grocery store and slap it in an auto-drip machine each morning. We need an arsenal of gear capable of extracting the nuanced flavors out of your locally roasted beans. And, if you’re like me, you like having the option of at least seven brewing methods because you really never know what you’ll be in the mood for. For true coffee lovers, a versatile grinder is a crucial piece of the at-home setup.
Fellow has a proven track record for well-designed, sturdy coffee gear. The company makes everything from travel mugs to kettles, including a grinder primarily designed to prepare beans for pour-over. That first model, the Ode, houses flat burrs capable of 31 grind settings that can cover AeroPress, French press, cold brew and other brewing methods too. However, it’s not capable of producing the fine grounds you need for espresso, and it was a pricey $299 at launch (the company now sells it for $255).
Enter the Opus. Fellow’s second grinder is more versatile than the Ode and can be used to prep beans for 9-bar espresso in addition to pour-over, French press, cold brew and much more. It also has ten more grind settings than the previous model and employs conical burrs to achieve consistent results. Like the Ode, the Opus has a magnetically-aligned catch cup outfitted with a spouted ring that helps keep your counter clean, doing so with the assistance of Fellow’s anti-static technology. Also like its predecessor, the Opus doesn’t have a massive hopper to store beans on top: it’s meant to be a single-dose machine where you can grind up to 110 grams at a time. This saves space since the Opus is considerably shorter than a lot of the competition. Plus, that design choice gives the device a much more refined appearance than the typical coffee grinder.
Billy Steele/Engadget
I have been using the Baratza Encore since I compiled the first coffee buyer’s guide for Engadget in 2019. If you take a poll among professional baristas, I’d wager the majority of them would tell you that’s the gold standard for at-home coffee grinders. And it’s for good reason: the Encore is very versatile and has been producing consistent quality for years. It does have the big hopper up top, whether you want to store your beans there or not. It’s loud, and because it pushes ground coffee into the catch from the side, there’s a lot of mess that ends up on your counter.
The Opus quickly solved two of the issues I have with the Encore. First, it’s remarkably quiet. I can actually run the Opus at night or early in the morning while my two-year-old is still asleep in a room near the kitchen free from worry I’ll wake him. That’s not always the case with the Encore. Second, the Opus drops grounds straight down into the catch cup, leaving less room for debris to escape. Fellow’s new grinder doesn’t have a knocker to reduce grind retention like the Ode, but it doesn’t need one. When I put in 70 grams of whole beans, I get 70 grams of ground coffee every time. It’s been so consistent I no longer feel the need to reweigh grounds to make sure I have enough – an added step I undertook with the Encore. And when you’re grinding for espresso, Fellow has included an insert for the catch cup to make transferring small loads to a portafilter a much less messy affair.
Fellow has also made the Opus very easy to use. A rotating ring near the top spins to adjust to your desired coarseness. If you’re like me and forget which setting to use for French press or pour-over, Fellow has printed a guide inside the lid of the bean chamber. No more reaching for a notebook or your phone to Google, the details you need will be right there when you go to load whole beans.
Billy Steele/Engadget
Ease of use extends to the controls. There’s only a single button you press to operate the Opus: one press for 30 seconds, two for a minute and three for 90 seconds. You can also long press the button for the grinder to run a full two minutes. Unlike the Ode, the Opus doesn’t turn off when it senses all the beans are ground. Instead, it runs until the selected time runs out or you mosey back to and press the button one final time. The lack of auto-shutoff doesn’t bother me though, since the Encore runs until you turn it off with no set time options.
The Opus improves three things for my daily coffee routine. It runs quietly and it keeps my kitchen cleaner while producing consistently ground beans no matter which setting I put it on. It also looks a lot better than the two coffee grinders I’ve used for any length of time, mostly due to the fact that the lack of a large hopper makes it as much of a showpiece as a piece of brewing equipment. At $195, it’s significantly cheaper than the Ode but slightly more than the Encore. Those few extra dollars I’d gladly part with for clean counters, a toddler that sleeps a few more minutes and a dash of modern flair.
When Traeger overhauled its Timberline pellet grills last year, the company undertook a complete redesign of its flagship model. It introduced a truckload of new features that made cooking on and cleaning the grills much easier. Today, Traeger revealed a retooled version of its Ironwood series, the WiFi-connected pellet grills that sit in the company's midrange. While it did bring a lot of the upgrades from the new Timberline to these more affordable options, there are still premium tools reserved for the more expensive model.
First, the Ironwood is now equipped with a touchscreen controller like the Timberline. This display puts critical information in an easier to read format on the grill. Of course, the company's WiFire tech is onboard as well, allowing you to control and monitor the Ironwood from anywhere via the Traeger app. This includes adjusting grill temperature, monitoring food temperature, setting alerts/timers and watching pellet supply levels (there's a dedicated pellet sensor). You can also control Ironwood and other Traeger grills with Alexa or Google Assistant if you'd rather go the hands-free route. The app is a wealth of culinary knowledge with over 1,600 recipes and cooking guidance from the company's pros. Like previous Traeger pellet grills, the new Ironwood is capable of everything from low-and-slow smoking to high-heat searing, including baking, roasting, braising and grilling.
Inside, Traeger has taken steps to make the new Ironwood more efficient. The company says its Smart Combustion tech "maintains incredibly precise temperatures" while an EvenFlow heat shield evenly distributes heat over the entire cooking area. There's also an insulated double wall construction to help prevent unwanted fluctuations in temps. The combination of Traeger's existing Super Smoke mode and its Downdraft exhaust system keep wood smoke circulating around the cooking chamber. Plus, the company says its FreeFlow firepot now assists with that task of keeping smoke moving during a cook.
On the bottom, the so-called EZ-Clean grease and ash keg that debuted on the Timberline is here as well, sending both liquid run-off and pellet debris to one place for easy removal and cleaning. Like the Timberline, the pellet hopper is cleaned out from the front on the new Ironwood, making it much easier to swap out pellets between cooks when you need to switch to a different variety.
You'll notice the most difference between the Ironwood and Timberline on the outside. Not only do the grill lids have a different look, but the Ironwood keeps the four-leg base Traeger grills traditionally have. The new Timberline sits on more of a cart, with an enclosed cabinet, casters and small exterior shelves. What's more, the Timberline has an induction burner on the left side where that area on the Ironwood is just a shelf. The Ironwood does offer Traeger's ModiFire system of accessories though, thanks to a "Pop-And-Lock (PAL)" rail that allows you to snap on an assortment of shelves, storage bins, tool hooks and more — and it allows you to position those items exactly where you need them. The Ironwood only comes with two wired food probes where the Timberline ships with a set of Meater wireless probes. However, you can purchase them separately as the Ironwood does support them. A two-pack costs $230.
The Ironwood and Ironwood XL are available now from Traeger and other retailers in the US and Canada for $1,799 and $1,999 respectively (616 square inches of cooking space vs. 924). While you'll have to sacrifice some features, that's much less than the Timberline which clocks in at $3,499 and $3,799.
Apple already announced a lot of the details on its MLS Season Pass, the company's biggest entry into live sports streaming yet. However, the company and the league still had a few details they hadn't yet revealed. As the start of the new season draws closer, the two collaborators announced more info today, including streaming and audio quality in addition to scheduling, the number of games and studio show formats
In what will be a disappointment for some, Apple will stream every game in 1080p. That's the same quality the company offered for its weekly Major League Baseball games last year. However, it's an improvement for MLS as every game wasn't available in 1080p previously. The plan is to have more cameras on the field at each match, so despite a lack of 4K, the comprehensive nature of the visuals should be better than what fans are used to seeing. All MLS regular season and Leagues Cup matches will also be streamed with Dolby 5.1 audio as well as alternate broadcast options like local radio.
One key thing that will be a welcome change for MLS fans is that the league has standardized game start times and scheduling. With a few exceptions, games will be on Saturday or Wednesday nights and they'll start at 7:30PM local time. There are some Sunday matches scheduled and a few afternoon games, but since MLS is dealing primarily with one broadcaster now, it had the ability to make things a lot easier to follow. Fans can expect at least 13 matches every Saturday or Wednesday night and they'll start at one of four times: 7:30PM Eastern, Central, Mountain or Pacific.
Billy Steele/Engadget
This schedule change also makes it easier to plan studio programming. Apple and MLS will offer three options: a preview show (MLS Countdown), a post-game show (MLS Wrap-up) and continuous "whiparound" coverage for the entire five hours games take place (MLS 360). A typical Saturday will begin with MLS Countdown 30 minutes prior to the east coast games kicking off. There will also be 15-minute installments of Countdown before the Central, Mountain and Pacific time zone matches begin. During the entire night, MLS 360 will offer coverage of key moments (goals) as they happen with live look-ins of in-progress matches with studio commentary. Finally, Wrap-up will air when all the games have concluded as a recap of all of the day's action.
In total, Apple and MLS will offer up almost 1000 games through Season Pass. That's every regular season game, the All Star Game and MLS Cup playoffs. Then there's the 77 matches of the Leagues Cup that will include every team from MLS and Mexico's Liga MX (group stage and knockout rounds). Season Pass will also stream 250 live MLS Next Pro matches from league-affiliated development teams, including playoffs and the championship game. There will also be over 100 games from the MLS Next youth level, some of which are tournaments or qualifying tournaments, with MLS club academies on display here.
As Apple has said before, MLS Season Pass will be available everywhere you find the Apple TV app. That includes the web, Apple TV (4K, HD and 3rd generation), iPhone, iPad and Mac as well as Samsung, Vizio, LG, Sony, Panasonic and Hisense smart TVs. You'll also find it on Roku, Fire TV, Android TV and Google TV streaming devices and it's available on PlayStation and Xbox consoles. Comcast in the US, Sky in the UK, Free in France, Magenta TV in Germany and B TV in Slovakia are TV providers that offer access.
The 2023 season starts February 25th, but MLS Season Pass has already launched. There's plenty of on-demand content to prepare you for the season if you want to sign up now. The streaming plan costs $15 per month or $99 for the season. If you're an Apple TV+ customer, you'll get the discounted rates of $13/month or $79 a season. There will be a number of free games during the season, including every match on opening weekend. For a list of what you'll be able to watch without a subscription for the first month, check the MLS schedule here. Some games will also air on FOX and FS1.
Apple dabbled in live sports with weekly Major League Baseball games last year, but now the company is launching its most ambitious offering yet. Today, the company debuts MLS Season Pass, a subscription that gives soccer fans access to every game of the 2023 season, the Leagues Cup and both MLS Next Pro and MLS Next matches — all with no blackouts. While you can sign up today and start watching a library of archived content, the first games begin February 25th.
MLS Season Pass will be available to stream through the Apple TV app on the company's range of devices, game consoles, streaming gadgets, set-top boxes, smart TVs and on the web. Anywhere you find that piece of software you'll be able to access the subscription. The streaming plan costs $15 per month or $99 for the season. If you're an Apple TV+ customer, you'll get the discounted rates of $13/month or $79 a season. What's more, avid fans who are season ticket holders for an MLS club will get the all-inclusive streaming subscription for free. Apple's tie-in with MLS is part of a 10-year deal, so the US league's games aren't going to another network or streaming service any time soon.
If you're not sure if you want to commit just yet, "the majority" of the on-demand content already streaming is available for free. More importantly, Apple will offer every game on opening weekend free of charge and will follow that up with weekly free games. That library of on-demand items includes archived matches going back to 2019, documentary-style stories, the best moments from last season and curated highlights.
Apple
Each team has a club page with highlights, schedule info and archived games. Once you select the team(s) you want to follow, match reminders will display in the Up Next section of the Apple TV app. As the season approaches, you'll be privy to game previews and other team-specific content. During matches, updates will show on your iPhone lockscreen via Live Activities.
Apple has committed to English and Spanish commentary teams for every match. Additionally, MLS Season Pass will offer French for matches that include the leagues Canadian clubs. Apple has already announced a team of nearly 50 announcers, including a wide range of experienced broadcasters and former players. Maurice Edu, Cobi Jones, Taylor Twellman, Lori Lindsey and Danielle Slaton are just a few of the many. In addition to games, MLS Season Pass will offer live pre-game, halftime and post-game analysis in addition to a "whip-around show" with live look-ins at in-progress matches and detailed discussions of key moments from every game.
Interestingly, Apple will also provide radio broadcasts as part of the streaming plan. If you don't care for the broadcast team, or just prefer to listen to your favorite club's radio crew, you can opt for that alternate audio. The company promises that the sound will sync up with the live action so it will be a true replacement if you choose it. One of the key things that Apple hasn't announced yet is streaming quality. The company says that the "full production plan" will be announced ahead of the season's start, which will hopefully include that info. Apple's weekly MLB games were streamed in 1080p at 60fps, but since MLS Season Pass is a much more elaborate effort that includes literally every match, maybe the company will surprise us and upgrade to 4K.
When Apple debuted the HomePod in 2018, it was already late to the smart speaker game. Sure, the company has never been worried about tardiness, choosing instead to focus on being the best. Unfortunately, that wasn’t the case with its first attempt. The HomePod sounded good, but lacked a lot of the basic functionality and voice assistant smarts the likes of Amazon and Google offered. Apple has spent the last five years improving both HomePod and HomePod mini, adding features like multi-room audio, multi-user support and an intercom tool.
In 2021, Apple discontinued the original model in favor of the $99 HomePod mini. But now, the larger version is back with a familiar look, but lots of changes on the inside. Like the first, the new HomePod ($299) is best suited for those who’ve committed to Apple’s ecosystem. So if that’s not you, I understand if you don’t want to go any further. If it is, just know that the company has given its speaker a lot more tools than it had at launch five years ago, including more capable assistance from Siri and more smart home abilities. Plus, the second-generation HomePod is $50 cheaper.
A familiar design updated on the inside
If you were hoping for a wholesale redesign with the new HomePod, Apple undoubtedly disappointed you. However, there are some noticeable changes upon close inspection. First, the speaker’s touch panel is now slightly recessed like the HomePod mini. On the original version, that panel sits flush with the top rim. When you trigger Siri, lighting for that panel now goes all the way to the edge too. Next, the power cord is now detachable. This means if you have an issue with that very necessary component, it should be easier to get a replacement (via Apple Care). If you have excellent vision, you might also be able to discern the 2023 model is 0.2-inches shorter at 6.6-inches tall (vs. 6.8 inches) if they’re sitting side by side.
On the inside though, Apple made a host of changes. Both versions have an upward facing woofer with a group of tweeters around the bottom. For the second-generation, Apple reduced the number of tweeters from seven to five, angling them slightly upward where previously they were almost perfectly side-firing. The company also cut the number of voice microphones from six down to four. And perhaps the most important change internally, Apple swapped the iPhone 6’s A8 chip for the much more modern S7 – the silicon that powers the Apple Watch series 7.
Software and setup
Despite the lack of changes on the outside, the second-gen HomePod is a better speaker because Apple has been improving it and the HomePod mini over time. The company added stereo pairing and multi-room audio alongside AirPlay 2 a few months after launch of the first generation model. Multi-user support and audio handoffs were added in 2019 and the intercom feature arrived ahead of the HomePod mini in 2020. And in 2021, HomePod gained the ability to play any TV audio via an Apple TV 4K over eARC and both spatial audio and Apple Music lossless streaming. So many of the key features Apple is chatting up on the new HomePod are things it has been slowly adding since 2018. And many of which, I’d argue, should’ve been there from there from the start.
Everything you need to set up and control the HomePod is found in Apple’s Home app. First, you’ll need to add a new speaker like you would any other smart home device with this software, including assigning it a room or location in your home. The app allows you to set up Automations and Scenes along with configuring how you’d like to interact with Siri.
Billy Steele/Engadget
You have the ability to disable voice cues or the long press on the HomePod’s touch panel in order to activate the assistant (both are enabled by default). You can also have the speaker light up and play a sound when using Siri – or do one or neither. The Home app will let you use Siri for Personal Requests too, where the speaker can recognize your voice for things like messages, calls and reminders so long as your iPhone is close by. The software allows you to disable the HomePod’s intercom feature as well, should you prefer not to use that tool.
Like the first HomePod, the 2023 model is equipped with room calibration. This detects reflections off of walls and other surfaces to configure the sound for the best performance. The HomePod does this the first time you play music, but it isn’t constant monitoring. Instead, like it did on the previous generation, the setup leverages an accelerometer to determine when it has been moved. If it has, the speaker will then reinitiate the room sensing process when music is played.
A smart home with Siri
Billy Steele/Engadget
When we reviewed the original HomePod in 2018, one of our biggest gripes was with Siri’s limited abilities. Sure the speaker sounded good, but the lack of polish with the voice assistant made it seem like a work in progress. Apple has done a lot to improve Siri over the last five years, so a lot of those issues with the original have been fixed.
First, the HomePod, like Siri on your iPhone, is capable of recognizing multiple users. Personal Requests can allow it to peek at your Calendar, Notes, Reminders, Messages, Find My and more when you ask. Plus, HomePod can give each member of your family (up to six people) their unique responses from certain iPhone apps. What’s more, Siri can create recurring home automations without you having to pick up your phone and swipe over to the appropriate app.
Even with fewer microphones to pick up your voice, the new HomePod doesn’t suffer any performance setbacks. It’s just as capable as ever at picking out your voice even in a noisy room. And, while playing music with voice commands used to be limited to Apple Music, services like Pandora, Deezer and several others can now be controlled via Siri.
HomePod is also a smart home hub, easily pairing with HomeKit and Matter accessories. The new model is equipped with temperature and humidity sensing, and that info is displayed prominently in the Home app. Of course, you can use that data to create automations with other smart home devices. I don’t have a compatible smart thermostat, but I was able to successfully trigger a smart plug once the HomePod detected a certain temperature in my living room.
Sound Recognition is arguably the most notable new feature that Apple is debuting with the new HomePod, but it’s not ready yet. It can listen for smoke or carbon monoxide alarms and send a notification to an iPhone, iPad or Apple Watch. What’s more, you’ll be able to “check in'' on what’s happening via an audio feed or camera. Sound Recognition won’t arrive until later this spring, so we’ll have to wait to test it.
Sound quality
Billy Steele/Engadget
Audio quality wasn’t an issue with the first-gen HomePod and it’s still great here. But like the first version, Apple’s choice for tuning won’t appease everyone. There’s a continued emphasis on voice, so things like vocals in music or dialog on a TV show or movie take center stage. At times it’s fine though, with some genres and content, it leads to a rather subpar experience.
Don’t get me wrong, for the most part HomePod sounds outstanding, especially when you put it up against other smart speakers. The fact is many of those don’t sound very good at all, so Apple continues its track record for making a device that has serious audio chops and smart features. RTJ4 has ample bass for its bombastic hip-hop beats while Sylvan Esso’s No Rules Sandy gets enough low-end for its synth-heavy rhythms. Thanks to the HomePod’s excellent clarity, detailed styles like bluegrass and jazz shine. Sometimes the bass is a little too subdued for metal (Underoath’s Voyuerist) or full-band country (Zach Bryan’s 2022 live album), and the vocals too forward, but overall, it sets the standard for smart speaker sound. And the HomePod only shines brighter as a stereo pair.
When you add the second HomePod in the Home app, the software asks you if you want to use them together. Once you tell it which side the additional unit is on (left or right), the app completes the setup for you, assigning the appropriate channel to each speaker. Now everywhere you previously saw a single HomePod icon, you’ll see two, constantly reminding you of the stereo arrangement. The double speaker option is great for music. On Béla Fleck’s My Bluegrass Heart, the two-speaker arrangement adds a lot of dimensionality to each track. There was already a spatial element to the tunes, but dual HomePods heightens the sensation, making it seem like you’re in the middle of the musicians while they record each song.
Billy Steele/Engadget
When you select a HomePod for use with the Apple TV you still need to deselect your TV speakers. Those aren’t disabled just because you’ve asked the streaming box to also send audio to a HomePod or two. TV audio with stereo pair is fine, but I can’t see using a single unit for the same purpose. In a multi-room setup you might want to send the sound from a live event like the Super Bowl to a solo speaker, but having just one as your lone living room audio from a TV isn’t a great experience. While the HomePod beams sound in all directions, with a single speaker it’s clear the sound is coming from a fixed location – something that’s a lot less noticeable with a pair or with a soundbar.
As is the case with vocals, dialog takes prominence with a HomePod and Apple TV. At times it can seem slightly muffled when watching things like live sports. Otherwise, there’s good clarity, nice bass and great dimensional audio when streaming Formula 1: Drive to Survive or Slow Horses. But, honestly, if you’re looking to improve your living room audio, a soundbar and sub is a better option. The driver arrangement in those speakers does a better job of filling a room completely and evenly. Plus, most companies give you the ability to use adjustments or presets to dial in how much you want those speakers to focus on dialog so you can fine-tune things to your liking.
The competition
Billy Steele/Engadget
Because the HomePod is best suited to people who have married themselves to Apple’s ecosystem, the best alternative to the second-gen HomePod is the cheaper HomePod mini. If all you’re after is some Siri assistance with your smart home and a speaker that’s good enough for casual listening and podcasts, the $99 option will work well for you. Plus, Apple just unlocked the smaller speaker’s inactive temperature and humidity sensor and it’s due to get Sound Recognition.
Wrap-up
Apple has been preparing for a new HomePod for five years, constantly improving both the original version and the HomePod mini. And the fact that the company has made Siri a more capable companion certainly helps. Plus, there’s more smart home abilities than before. Apple hasn’t strayed from its emphasis on the spoken (or sung) word for HomePod’s sound profile, but that’s okay. It’s clear that the company is focused on expanding the toolbox for its smart speakers after their debut, so I’d expect that much like the original HomePod, this is just the beginning for the second generation.
When Bowers & Wilkins announced its Px7 S2 headphones last year, the company made it clear that it already had a more premium offering nearly ready for prime time. Three months later, the Px8 arrived. While the Px8 carries a similar look to its predecessor, Bowers & Wilkins crafted this set of headphones out of more luxurious materials and managed to improve what was already great sound quality. However, the upgrades come at a steep price: the $699 Px8 is $300 more than the Px7 S2.
Design
At a glance, the Px8 looks nearly identical to the Px7 S2 Bowers & Wilkins debuted last year. Upon close inspection though, the differences become apparent. The Px8 has a slightly more refined aesthetic, with soft leather replacing the woven fabric on the outside of the headband and ear cups. The outermost panels of the earcups, where the company’s wordmark resides, is now metal instead of plastic. And the arms and headband slider are cast aluminum, further complementing the more premium design.
The Px8 weighs 13 grams more than the Px7 S2, which is probably (at least partially) due to the change in materials. Memory foam ear cushions keep things comfy, but you can feel the extra load if you’re doing a side-by-side comparison. For that reason, I give a slight edge to the S2 if you need something to wear for several hours at a time. After a Vegas to Atlanta flight this month, I was starting to feel the added weight – and also the rings around the ear cups.
On-board controls are still physical buttons on the Px8, and they’re in the exact same locations as the Px7 S2. On the right, a power/pairing slider sits above a trio of buttons for volume, playback and calls. Over on the left side, a single control toggles between active noise cancellation (ANC), transparency mode and both off. While some companies have nixed buttons in favor of touch panels, those aren’t always reliable, but what Bowers & Wilkins offers here certainly gets the job done.
Software
Billy Steele/Engadget
The Bowers & Wilkins Music app gives you access to all of the settings on the Px8, just like it has for the company’s previous headphones. On the main screen, there’s up-to-date battery status with noise mode selection just below (ANC, Pass-through and off). You can also manage connections here as the Px8 supports multipoint Bluetooth with two devices. Lastly, the company has put media controls (if you link compatible services), tone settings, a quick start guide and product support right on that first panel.
Once you dive deeper into the settings section, battery life percentage and noise mode (or Environmental Control as the company calls it) are prominently displayed once more. Treble and bass sliders are there as well, allowing for very basic EQ tweaks. The company hasn’t provided any presets here, so you’re left with those two variables to adjust. The ability to manage connections is repeated here as well, just above the option to reassign the Quick Action button on the left earcup. By default, it cycles between sound modes. However, if you prefer, you can make it summon a voice assistant.
The last two notable items have to do with power management. First, Bowers & WIlkins offers an automatic standby feature that activates a low power state after 15 minutes of inactivity. You can switch it off if you’d like. The second tool is the ability to activate or disable the wear sensor for automatic pausing. The company says this should pause music when you lift one earcup, but that isn’t always the case. Bowers & Wilkins gives you three sensitivity options to help fine-tune it (low, medium and high), but none of those remedy the fact that the Px8 – like the Px7 S2 – is slow to pause when you lift an ear cup or take them off your head. This could still use some work so that at the very least audio resumes quicker after a break.
Sound quality
Billy Steele/Engadget
One key area the Px8 differs from the Px7 S2 is sound quality. Where the latter packs in a pair of 40mm bio cellulose drivers, the former is equipped with two carbon units of the same size. I’ll admit I don’t know enough about headphone construction to tell you if one is technically better than the other, but what I do know is that the Px8 sounds incredible. The Px7 S2 already had great audio quality, but Bowers & Wilkins somehow manages to take things a step further with this model.
There’s a warmth to the sound profile that invites you to sit and listen a while, no matter the genre. An almost extreme clarity to the audio keeps the most chaotic metal perfectly organized, allowing you to pick out individual instruments. And in the case of Underoath’s Voyuerist, it’s easy to distinguish the backing synth even when it’s very subtle or laid underneath the full band going flat out. The amount of detail the Px8 exudes from bluegrass and jazz tracks is staggering, making it seem like you’re in the room with Béla Fleck as he recorded My Bluegrass Heart. It’s not just banjo, guitar, bass, mandolin and fiddle. You can hear the nuance in the sound of each one as they envelope you.
And it’s more than the clarity and detail. The Px8 is a well-tuned powerhouse for bass-heavy electronic music and hip-hop too. When a track demands it, these headphones tap into a stash of low-end that rivals some of the best. And like everything else, you can hear the subtlety in the kick drum, drum machine and bass line. That’s true across the board, whether it’s bombastic beats of RTJ4 or the intricate synth work on Sylvan Esso’s No Rules Sandy.
In terms of active noise cancellation, the Px8 does an admirable job. It’s not miles better than the Px7 S2, but in nearly every circumstance – including on an airplane – these headphones are up to the task. Bose and Sony manage to block out more on the QuietComfort 45 and the WH-1000XM5 respectively, but Bowers & Wilkins didn’t phone it in here. There’s some solid ANC performance, it’s just not the absolute best.
Call quality
Bowers & Wilkins says it moved two of the six on-board microphones closer together and re-angled them to improve voice quality. The company explained that these tweaks should also reduce wind noise. Call audio for the person on the other end was already good on the Px7 S2, but the lack of a natural-sounding transparency mode made me feel a bit shouty during voice and video chats. On the Px8, that pass-through audio is still good, but not great, and not as natural sounding as the AirPods Max.
The Px8 does a great job of cutting down on background noise, though, so the headphones will help whoever is on the other end focus on your voice. However, overall voice quality isn’t great as you’ll still sound like you’re on speaker phone rather than having a decent mic near your face. Are they fine for most video and voice calls? Sure. If you’re doing those things often should you consider these as your primary tool? Probably not.
Battery life
Billy Steele/Engadget
Bowers & Wilkins has a track record of under promising and over delivering when it comes to battery life on its headphones. The company consistently outperforms the stated figure by a mile and the same is true on the Px8. Much like the Px7 S2, this model still had 40 percent left in the tank at the 30-hour mark – the company’s official rating. And yes, that’s with active noise cancellation turned on over the course of a few days, plus the occasional use of transparency mode for calls. After 30 hours on the Px7 S2, there was 33 percent left, so the Px8 seems to be slightly more efficient than its more affordable sibling – or perhaps has a slightly bigger battery.
The company has included a quick-charge feature that gives you seven hours of listening time in 15 minutes. That’s nice if you find yourself in a pinch, but with well over 30 hours of ANC use available, I’m only charging once a week after using the Px8 a few hours each day. The battery life here stacks up well against the best you can get in noise-canceling headphones right now.
The competition
At $699, the Px8 is the most expensive set of wireless noise-canceling headphones I’ve reviewed. Even Master & Dynamic’s priciest model is $100 cheaper (the MW75). You have to really dig what Bowers & Wilkins is putting down to dive in here. Simply put, there are great alternatives available for less – some of which offer more features. Heck, I’d argue the company’s own Px7 S2 is a better value at $399.
The Px7 S2 may not have the high-end look of the Px8, but it does have excellent sound quality, solid ANC performance and better-than-advertised battery life. The company’s warm, crisp and clear audio is on display on the more affordable model and it’s more comfortable to wear for long periods of time. Aside from the boost in overall sound quality and that refined design, the Px7 S2 has every other feature you get on the Px8 – for a lot less.
At this point, Sony’s WH-1000XM5 is still the best you can buy, mostly for the mix of audio and noise-canceling performance, with a long list of handy features on the side. The two most notable are the M5’s ability to automatically change sound modes based on your location or activity and the Speak-to-Chat tool that pauses the audio when you begin to speak. Simply put, no other company comes close to packing in as much as Sony.
Wrap-up
When a pair of headphones costs $699, I start to expect things. Mainly that they need to be damn near perfect for me to recommend them. The Px8 nearly is when it comes to sound quality, but there are other areas where they fall short of the company’s previous model and some of the competition. Automatic pausing is still in need of refinement, even with the sensitivity settings. And overall, the Px7 S2 is much more comfortable to wear for long periods of time. Bowers & Wilkins impresses with this most premium offering, but there are still some rough edges to smooth out.
Bowers & Wilkins debuted its first true wireless earbuds in the spring of 2021. In fact, it announced two models at that time: the Pi7 and Pi5. Today, the company revealed updated versions for both which will carry the S2 label Bowers & Wilkins typically uses for retooled but not entirely brand new products. While the Pi7 S2 and Pi5 S2 aren't rebuilt from the ground up, there are still some notable upgrades to both.
The Pi7 S2 and Pi5 S2 now both offer five hours of battery life on a charge. That's up from four hours on the Pi7 and Pi5. A 15-minute quick-charge feature still gives you two hours of use and the included cases carry an additional 16 hours for the Pi7 S2 and 19 hours for the Pi5 S2. Both still have wireless charging capabilities, though the case for the Pi7 S2 is equipped with Wireless Audio Retransmission. Like it did for the Pi7, the case can connect to can external audio source — like in-flight entertainment — and wirelessly send sound to the earbuds. This isn't novel to Bowers & Wilkins earbuds, but it is a handy feature nonetheless. Bowers & Wilkins says it also updated the antenna design on the Pi7 and Pi5 to increase Bluetooth range up to 25 meters.
The key difference between the two models is audio quality. The Pi7 S2 supports aptX Adaptive with 24-bit/48kHz streaming from compatible devices and services. 9.2mm balanced armature dynamic drivers are paired with Bowers & Wilkins' digital signal processing tech for higher quality audio that what the Pi5 offers with CD-quality sound and regular aptX. The Pi7 S2 also packs one additional microphone per earbud which should make it the preferred option for calls. And while both feature active noise cancellation (ANC), the Pi7 S2 has an adaptive setup that automatically monitors your surroundings to adjust the audio as needed for "the best possible, uninterrupted listening experience."
Both the Pi7 S2 and Pi5 S2 are available starting today, replacing the Pi7 and Pi5. The $399 Pi7 S2 comes in black, white and dark blue color options while the $299 Pi5 S2 offers light grey, dark grey and purple. A green version of the Pi5 S2 is slated to arrive later this spring.
Apple discontinued its original HomePod smart speaker in 2021, choosing instead to focus on the cheaper mini version of the device. Today, the company has resurrected the bigger unit with several notable upgrades along the way, including upgraded audio, an S7 chip, more smart home abilities and a lower price. The overall design, however, is mostly unchanged from the first speaker that debuted in 2018.
The "official" start of grilling season may be a few months away, but Weber is unveiling its 2023 lineup with plenty of time to spare. Today, the company revealed a trio of new models covering smart pellet grills, griddles and a compact electric unit. Weber also has new options when it comes to accessories it hopes will help you expand the utility of a grill you may already own.
First, the company has a new version of its SmokeFire smart pellet grill. Dubbed the Sear+, this model carries all of the features of last year's Stealth edition. That includes an all-black exterior with interior lighting. The key difference here is the Sear+ is better equipped for — you guessed it — searing. A two-sided porcelain enamel searing grate gives you the ability to cook both larger cuts and more delicate items. Also inside, a removable, folding top cooking grate adds more capacity. When you don't need it, Weber has added grate hooks for storage outside. There's also an additional side shelf on the left which should give you more room to prep foods before they go on the grill.
Of course, the versatility that's been constant since the SmokeFire line was introduced in 2020 is still here. Like most pellet grills, these can handle low-and-slow barbecue, high-heat searing and everything in between with a temperature range of 200-600 degrees Fahrenheit. However, the key piece of Weber's pellet grills is its Connect smart cooking tech. The system works with an app on your phone to give you step-by-step guidance for a massive library of recipes. It will even tell you when to wrap a pork butt or flip your steaks. The tech also calculates estimated completion times on top giving you the ability to monitor food and grill temps from afar. You can even adjust the cooking temperature from your couch if needed.
The SmokeFire Sear+ will be available in 24- and 36-inch sizes (ELX4 and ELX6 model names) from Weber and other retailers this spring for $1,399 and $1,599 respectively.
Weber
When it comes to the Weber Connect smart cooking tech, the company is planning a big overhaul for 2023. In addition to more content and optimization for the app, the company plans to add recipes for flat top or griddle cooking. That's because Weber is debuting griddle inserts for its Genesis and Spirit gas grills ($199, $249 and $299), some of which have Weber Connect built in. Existing Connect programs will still work even if you're using the flat top, but more fine-tuned cook profiles are coming. The company also revealed a standalone gas griddle that comes in 3- and 4-burner options (28- and 36-inch cooking surfaces) starting at $449. Weber Connect doesn't come on that unit though, but you can use the standalone Smart Grilling Hub if you're looking for some guidance or remote monitoring. Both the griddle insert and the new Weber Griddle will be available this spring.
The third piece of news from Weber to begin 2023 is a compact electric grill it calls Lumin. Designed to be used in places like porches and balconies where open flames aren't allowed, this model can hit temperatures of over 600 degrees Fahrenheit. Weber says Lumin can be ready for high-heat searing in 15 minutes. Grill controls are simplified to four modes — grill, smoke, steam and warm — with accessories available to help with each cooking method. Unlike a lot of electric grills, Weber has left the heating element exposed, so when juices drip they will help flavor your food like they would on a charcoal or gas grill.
The Weber Lumin is available today in six color options and in two sizes. The "compact" model is $429 for black and $459 for additional colors while the "full-size" version is $479 in black and $519 in other hues.
Drive to Survivedid wonders for Formula 1. The hit Netflix series has drawn fans to the sport through its (sometimes manufactured) drama and beautiful cinematography. What you likely don’t know is that Formula E has its version, albeit with shorter episodes and massively condensed storylines. Even still, Formula E Unplugged is a great primer for the new season whether you’ll be watching the EV racing series for the first time or you’re a veteran fan.
Season two of Unplugged, which chronicles 2022’s Season 8 of Formula E,hit some broadcasters just before Christmas and all six episodes have made the rounds a few times here in the US already (CBS Sports Network). That’s a big change from season one’s 15 episodes which weren’t widely distributed and now live on the Formula E YouTube channel. The other difference with this new season is the episodes are 30 minutes with commercials, slightly longer than the 10- to 15-minute entries in the previous installment. But even with some added time, many of the narratives are condensed to the point they’re hard to follow at times.
Simon Galloway/LAT Images
Episode one covers Mercedes-EQ in its final season (the team was purchased by McLaren). Eventual series winner Stoffel Vandorne has to contend with the fact his teammate is the defending champion. The second episode offers a biographical look at Jaguar TCS’ Mitch Evans, including interviews with his family, his disappointing end to Season 7 and the title push in Season 8 that goes down to the very end.
In episode three, Unplugged covers two teams: TAG Heuer Porsche and ROKiT Venturi Racing. While one banked an early 1-2 finish in Season 8, the other had to contend with drama during its home race. This is the first taste of anything close to Drive to Surive drama. The fourth episode is all about the rookies as Dan Ticktum tries to put his past behind him, Antonio Giovinazzi looks to move on from F1 and American Oliver Askew tries his hand at a global series with the aid of British teammate Jake Dennis.
“Formula E Unplugged presents a realistic picture of life inside the paddock and helps fans to understand more about what makes us tick and where we are coming from,” said Ticktum, who drives for NIO 333 Racing. “I can be pretty fiery, but I think the ‘behind the scenes’ nature of Unplugged will show that sometimes there is a lot more to what drivers are going through than can be seen during races or on social media.”
Sam Bloxham/LAT Images
More drama ensues in episode five when the series covers DS Techeetah, a team with two former Formula E champions in its garage. Things get heated on multiple occasions when both Jean-Éric Vergne and António Félix Da Costa have an equal desire to win. The final installment offers a look at the lead up to the final two rounds in South Korea. A four-way fight for the title, driver changes and a brief discussion of the Gen3 car round out the sixth episode.
There’s plenty to glean despite the compressed format. Even I learned new things as someone who follows the sport. However, Unplugged really focuses on the top four teams in the championship standings, with the exception of Porsche who looked strong at the outset and the episode about rookies. It would’ve been great to include Envision Racing’s Robin Frijns, who finished level on points in the driver’s standings with Di Grassi and Dennis. I can appreciate that Formula E likely has a limited budget for the show, which is why we only get a half dozen episodes, but it would’ve been nice to get to know the likes of Mahindra and Nissan eDAMS along the way (the latter is covered in S1). And there could’ve been an entire episode dedicated to the Gen3 car, especially when you consider how much more advanced it is (or eventually will be) over the Gen2 racer.
In the US, Formula E races are broadcast on CBS Sports Network and usually on a tape delay a few hours after the event. For example, the first race in Mexico City this weekend won’t air until 11:30PM ET Saturday night (race is at 2PM ET). Both practice sessions will stream on the Formula E YouTube channel (5:25PM ET Friday, 8:25AM ET Saturday). Qualifying, which is completed in a knockout-style format, is only viewable on CBSSports.com. If you’re outside of the States, select your country here for the broadcast info.
