JLab has a proven track record with its headphones and earbuds for solid audio quality at extremely affordable prices. At CES 2024, the company is debuting its first premium headphones with active noise cancellation (ANC), but it's keeping the price low at just $80. Despite the affordable investment, JLab didn't cut too many features as the JBuds Lux ANC Wireless Headphones pack long battery life, multipoint Bluetooth, customizable EQ, spatial audio, Google Fast Pair and a quick-charge feature. 

JLab says the JBuds Lux have the same size drivers, 40mm, as flagship headphones from the likes of Bose, Sony and others. The company further explains that these components are capable of 20-20kHz frequency response, the most common rage for headphones, and promises "exceptional audio quality" as a result. In terms of ANC, the JBuds Lux can reduce noise by up to 25dB with the option to turn it off or employ Be Aware (transparency) mode, and levels are customizable via the JLab App. You can fully configure the EQ with that software or choose from one of three audio presets. The JBuds Lux also support spatial and Bluetooth LE audio. 

The company touts over 40 hours of use with noise canceling on, with that figure extending to over 70 hours with it disabled. Bluetooth 5.3 with multipoint connectivity adds convenience, as does Google Fast Pair and a 10-minute quick-charge feature that gives you four hours of playback. JLab opted for a folding design for easy storage, with cushiony ear pads and physical playback controls. 

The JBuds Lux ANC headphones are available for preorder now from JLab. White, gray and green color options are scheduled to ship in late February while the purple version will arrive in March.

JLab

Before the party officially begins in Las Vegas, JLab also revealed a new set of budget earbuds. The third-gen JBuds ANC ($60) can manage seven hours of use with noise cancellation turned on with nearly four full charges in the case. With ANC off, you can expect up to nine hours from the earbuds and another 33 in the case. As JLab has done on previous models, the charging case here is still about the size of a flash drive, and an attached USB-C cord tucks away for storage. 

Onboard touch controls handle both playback and calls, plus JLab says they're customizable inside of its app. Sound profiles can also be tailored to your preferences by either tweaking the EQ or using an audio preset. The company has included a Safe Listening Mode that keeps the maximum volume within the limits recommended by the World Health Organization (WHO). Bluetooth multipoint is here as well, with an IP55-rated design that can withstand workouts, a low-latency Movie Mode for streaming and Google Fast Pair. 

The JBuds ANC 3 wireless earbuds are available now, but they only come in black. 

We're reporting live from CES 2024 in Las Vegas from January 6-12. Keep up with all the latest news from the show here.

CES 2024 is just around the corner and tech companies are already providing sneak peeks of what we can expect to see on the ground in Las Vegas. LG is bringing a range of wonderful, weird gadgets to the showcase, including the newly announced DukeBox by LG Labs. The audio device marries old and new with vacuum tube audio working alongside transparent OLED panel technology. 

Vacuum tube audio has been around for over 100 years and is beloved for its ability to produce a warm sound quality that highlights each instrument — almost creating the sense that musicians are playing the music live. The DukeBox utilizes this technology alongside front-facing bottom speakers and 360-degree speakers on top. The vacuum pipes remain visible for an extra retro feel, though the OLED display's transparency is adjustable. 

The DukeBox is kind of like a smart speaker for people who want a more sleek, retro design. While it's reminiscent of old jukeboxes, this device isn't exclusive to music. It has the option to play content like movies or even create a "fireplace" with the tubes visible along the flames. 

LG claims its Labs zone at CES 2024 will be twice the size of last year's space. The company has also announced other products that will be on display, like the CineBeam Qube, a 4K projector with 3,840 x 2,160 resolution images measuring up to 120 inches. The three-pound device also has image-mapping and a handle that could pass for a crank. 

Neither the DukeBox or the CineBeam Qube currently have a release date or price. LG will likely release more information on these and other new products at CES this month. The showcase should also give us a chance to test out the products' quality for ourselves and provide an informed recommendation. 

We're reporting live from CES 2024 in Las Vegas from January 6-12. Keep up with all the latest news from the show here.

Shopping for a home theater setup typically means buying a soundbar, subwoofer and rear speakers separately. Some companies may include a sub with the soundbar, but you don’t always get everything you’ll need for the most immersive sound in the same box with high-end models. Samsung includes all of those additional speakers with the HW-Q990C soundbar ($1,900), though you’re obviously paying a premium. The company offers Dolby Atmos along with a range of audio options and two HDMI inputs, beaming crisp 11.1.4-channel sound into your living room. The Q990C is a significant investment, but it’s also one-stop shopping.

Design

As the Q990C is Samsung’s high-end soundbar in its current lineup, it’s also the biggest. It’s 48.5-inches wide, which is actually about three inches less than the Sony HT-A7000. Of course, companies need the extra space on the flagship models to pack in all of the speakers. In Samsung’s case, the Q990C houses 11 front-facing drivers (including some side-firing), four up-firing drivers and an internal subwoofer. The separate wireless sub is also substantial at 16 x 16 x 8 inches and weighing in at 26 pounds. The wireless rear speakers aren’t huge, but they do have a three-driver setup with front-, side- and up-firing drivers where other companies might only have one.

Samsung opted for a mesh plastic covering for both the soundbar and rear speakers. It’s easier to keep clean than the typical speaker fabric. Samsung also kept things simple on the soundbar itself, putting just four buttons up top. Here, you’ll find a multi-function button that either turns the speaker on or cycles through the input sources. Volume controls and a microphone mute. From the front, a small display on the right side will show you input information, volume level and other settings. Instead all 90-degree angles the Q990C’s side panels follow the position of the side-firing speakers.

Setup

The initial setup for the Q990C is among the easiest I’ve ever completed for a home entertainment bundle. Once you power on the soundbar and connect it to the SmartThings app, the subwoofer and rear speakers are automatically added when you turn them on. There’s no waiting for anything to sync and I didn’t have to connect each thing individually. There are buttons on the sub and rears if you need to manually connect to the soundbar, but I never had to use them. The whole thing was quick and frustration-free, which gets you to the music and movies soon after unboxing.

Like many flagship soundbars, Samsung has included two additional HDMI inputs on top of the HDMI eARC jack you’ll use to connect your TV. Many more affordable, more compact models only have the eARC connection so you have to rely on your TV’s ports, but the pricier models typically offer additional options for connecting directly to the soundbar. Samsung says you can expect 4K/60 and HDR10+ passthrough on the Q990C, but not 4K/120 as the unit doesn’t have HDMI 2.1. That’s a big omission in a $1,900 soundbar being sold in 2023.

There’s also an optical input on the Q990C as well as Bluetooth and Wi-Fi connectivity. The latter brings Tidal Connect, Spotify Connect and AirPlay to the mix. It also allows you to connect wirelessly to a compatible Samsung TV for audio. This means you can get Dolby Atmos to the soundbar with no cables running from your television, which is handy if you’ve already mounted the display flush with the wall. And if you have a compatible Samsung phone, you can enable Tap Sound which connects to the Q990C via Bluetooth when you gently touch the speaker with the handset. As an iPhone user, I wasn’t able to test this.

SmartThings app and other features

Photo by Billy Steele/Engadget

In addition to helping with setup, the SmartThings app is where you can tweak the Q990C’s settings. The current input and volume controls are the most prominent on the device screen, with sound modes, EQ and woofer level just below. There are also options for SpaceFit Sound, which automatically tunes the audio to the room, and Active Voice Amplifier, which combats room noise by optimizing on-screen dialog. The advanced settings menu offers voice and bass enhancement alongside a Night Mode, but all of these are on or off toggles with no further customization. SmartThings allows you to choose either Bixby or Alexa for the voice assistant you want to employ on the soundbar.

Samsung lets you choose between Standard, Surround, Game Pro and Adaptive Sound modes. The first doesn’t tweak the audio at all and it’s the only mode where the fully adjustable EQ is available (just bass and treble on the rest). For all of the others, the Q990C upscales 2.0, 5.1 and 7.1 audio to the 11.1.4-channel output the soundbar offers. Of course, all Dolby Atmos and DTS:X content is beamed out at 11.1.4, too. Surround mode is self-explanatory while Game Pro creates more immersive audio with 3D-optimized sound specifically for gaming. Adaptive Sound is the option I used most as it analyzes audio in real time to keep dialog sounding clear across a range of volumes for movies, news and sports. I found it the best-sounding preset for music, too.

In addition to selecting a sound mode in the app, you can cycle through them with a dedicated button the included remote. It also gives you access to SpaceFit Sound, Active Voice Amplifier, Voice Enhancement and more with a Sound Control button that’s labeled with the settings/gear icon. A Channel Level button lets you adjust the volume of each speaker, with Center level, Side level, Wide level, Front Top level, Rear level, Rear top level and Rear side level among the choices. There’s also a button for Tone Control, putting bass and treble tweaks just a few button presses away. These are all in addition to the standard power, input, volume (overall and subwoofer only), mute, pairing and playback options soundbar remotes typically have.

Sound quality

Thanks to the Q990C’s upscaling abilities, nearly every movie or TV show sounds more immersive than if you were listening in stereo or even with a 5.1 setup. Netflix’s Drive To Survive, which is offered in Dolby Atmos if you have the priciest Ultra HD plan, is still amazing with this soundbar for those of us on the more affordable monthly rate. The whir of the cars as they zoom past, pitlane noise and crunching crashes make the meticulously-shot series even better. Marvel shows and movies on Disney+ are available with Atmos and they sound amazing.

I can confidently say this is the closest I’ve come to a movie theater-like experience in my living room. The additional drivers in the rear speakers undoubtedly elevate the overhead sensation, contributing significantly more to directional audio than normal single-driver units. Fight scenes like the one that opens The Falcon and the Winter Soldier are loud and chaotic, but they sound more like you’re watching in real life, taking in the thud of each punch, the fire of every gun and the drone of choppers navigating the canyon.

The Q990C is also a great option for music. Crisp, clear highs and powerful, punchy bass compliment nearly every genre. Even at lower volumes, tunes like Sia’s “Everyday Is Christmas” come across layered rather than compressed. Vocals cut through clear and the bassline doesn’t overpower. The same goes for Turnpike Troubadours’ A Cat in the Rain where each member of the band stands on their own, with snare hits and country-rock vocals slicing through the mix. Bass from the large subwoofer is present but restrained, only as bombastic as it needs to be and never muddy or dull.

Samsung

The sound on those albums was impressive and I wasn’t even streaming them in Dolby Atmos. Tunes in the immersive format sound even more incredible on the Q990C. TesseracT’s prog-metal War Of Being is soaring and atmospheric, with the staccato guitars and slapped bass on tracks like “The Gray” showing off the dimensional quality of Atmos Music. Less intense genres like Tyler Childers’ Rustin’ In The Rain come across more like live performances than streamed albums. The sound is full, crisp and envelopes the room with guitars, piano, steel guitar and perfectly calculated drum hits, all supporting Childers’ trademark eastern Kentucky vocals.

This soundbar system works well in a multi-room setup, too, and you don’t need other Samsung speakers to do it. Thanks to AirPlay, you can easily select the Q990C and other speakers on your Wi-Fi network. I was able to consistently link the soundbar with a HomePod in another room with just a few taps in Apple Music. The audio performed consistently once the two speakers were linked and I never heard any dropouts or clipping when they were used in tandem.

One audio feature that I wasn’t able to test is Q-Symphony. This uses the speakers inside Samsung TVs in addition to the drivers in the soundbar setup. The company promises it “can optimize all the channels” for a “masterfully orchestrated sound experience.” I don’t have a Samsung TV, but the soundbar system sounds great without it. What’s more, this sort of thing isn’t unique to Samsung devices as Sony offers a similar tool called Acoustic Center Sync with its soundbars and TVs.

The competition

Sony’s HT-A7000 is the best alternative to the Q990C. It also does Atmos and music very well, but everything you add to it is an additional purchase. At current prices, the soundbar, the cheapest sub and rear speaker options will cost you $1,600 while soundbar alone is $1,000. There are better choices for both the woofer and rears, but those significantly raise the price.

The A7000 offers a lot of what the Q990C has on its spec sheet. That includes the two HDMI 2.1 inputs with 4K/120 passthrough. Sony includes compatibility with both Hi-Res and 360 Reality Audio alongside various pieces of virtual surround tech and a number of sound modes. The key differences between this and the Q990C is that the A7000 is a 7.1.4-channel setup, versus 11.1.4, and the aforementioned HDMI 2.1 support.

The Q990C is currently on sale for $1,400, but it’s unclear if that price cut is permanent. The $500 savings make the all-inclusive Samsung setup even more attractive, if you can live without HDMI 2.1.

Wrap-up

Samsung’s latest flagship soundbar is a sonic powerhouse. And, perhaps more importantly, it comes with the subwoofer and rear speakers you’ll need to make the most of it in the box. For the cost of what you’d pay for a soundbar alone from some of the company’s main competitors, you get the complete package, and one that’s easy to set up and customize as needed. The sound quality is great and Atmos content is as crisp and immersive as ever, so long as you have space to accommodate the bundle. The lack of HDMI 2.1 hinders performance for gamers, and that’s a glaring omission on a premium soundbar these days. The Q990C isn’t cheap, even at the current discounted price, but at least you’re getting everything you need in one go.

Arturia just launched a massive firmware update for its MiniFreak hybrid hardware synthesizer. Firmware version 2.0 brings a host of improvements and new features for avid fans of Arturia’s weird-but-powerful instrument. The biggest news here is a brand-new wavetable sound engine, boasting 32 wavetables and 64 patches. However, the engine’s only available on one of the oscillators, which does slightly decrease sound design options. Still, more engines are never a bad thing.

There’s also a new Super Unison effect, which is basically a souped-up chorus that increases stereo width by stacking up to six copies of a sound on top of the dry signal. The MiniFreak has some high-quality effects, so this should be fun to fool around with. Arturia says this effect will “transform a simple patch into a supersaw monster.”

LFO modulation has gotten a bit more useful with this update. Users can now adjust the LFO rate to correspond to a single step or even the entire curve, encouraging more “nuanced, evolving and expressive modulations.” For those with active sound design aspirations, Arturia is adding an easily-accessible favorites panel to the MiniFreak to store and bring up custom-made patches.

MiniFreak owners can now also access a dedicated store to purchase sound banks. There are three free banks at launch, with 32 patches, and two paid banks, with 64 patches. These sound packs are available for both the hardware MiniFreak and the affiliated software plugin. Arturia-branded sound packs typically cost $10 to $15. The company promises this is just the beginning, with more MiniFreak sound packs to come.

Other minor enhancements include more control over the Macro Edit mode and increased volume options. MiniFreak Firmware 2.0 is available now as a free update to current owners.

Apple will reward record labels and artists who offer their music in spatial audio, a relatively new audio format that is more immersive than regular stereo. According to a Bloomberg report, artists who release their music in spatial audio will receive “added weighting” starting next year. That, Bloomberg speculates, could mean higher royalties.

Nearly all of Apple’s audio hardware such as AirPods, HomePod, the iPhone and the upcoming Vision Pro headset, support playback in spatial audio, so the company’s move to incentivize artists is almost certainly to ensure that most music available on Apple Music is available in a format that Apple has positioned as a selling point. Notably, Bloomberg notes that Apple Music listeners wouldn’t necessarily have to stream a song in spatial audio for artists to be rewarded. Simply having their music available in the format would be enough.

Apple added spatial audio, which is powered by technology from Dolby Atmos, to Apple Music in 2021. Most of the company’s original shows and movies on Apple TV+ are also offered in the format. Artists also have the option of mixing their older music in the new format, something that bands from all decades are already doing. Mixing music in the format isn’t wildly expensive, according to Bloomberg; if true, this push could help get independent musicians and smaller acts on board.

Some Apple Music competitors like Amazon Music and Tidal also offer spatial audio on their services. But Spotify, Apple’s biggest music stream rival, is a notable exception, even though rumors about a high-quality music format on the service have swirled for years.

The Sonos Era 100 wireless bookshelf speaker is back down to $199, matching prices found during Black Friday and Cyber Monday. That’s a discount of around $50, as the MSRP for this speaker is $250. If you squint, it’s almost like the holiday spending season never ended. (That’s because it mostly didn’t.)

This sale is for the both the black and white colorways, suiting those with diverging aesthetic preferences. The Sonos Era 100 boasts touch controls and voice controls, like many modern speakers. It’s wireless via Bluetooth or WiFi, which is handy, but also features a line in for connecting record players, home stereo systems and other audio devices that require an analog input.

We admired the Sonos Era 100 in our official review, calling out the excellent sound quality for the price, the simple yet attractive form factor and the built-in mics that allow for easy TruePlay tuning. For the uninitiated, TruePlay measures how sound reflects off of your walls and furniture to fine tune the speakers for optimal playback.

It has Alexa built-in, but recently lost support for Google Assistant, which is a bummer. You can, however, also access proprietary voice controls. The stereo separation is minimal, but that comes with the territory of trying to use a single speaker to complete the work of a matched stereo pair.

Sonos is also selling other speakers at Black Friday/Cyber Monday prices. The wireless soundbar Beam is down to $400 instead of $500 and the portable Roam speaker now costs $134 instead of $180. All of these speakers make for great stocking stuffers, except for the fact that they likely won’t actually fit in stockings.

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The headphone industry isn’t known for its rapid evolution. There are developments like spatial sound and steady advances in Bluetooth audio fidelity, but for the most part, the industry counts advances in decades rather than years. That makes the arrival of the Aurvana Ace headphones — the first wireless buds with MEMS drivers — quite the rare event. I recently wrote about what exactly MEMS technology is and why it matters, but Creative is the first consumer brand to sell a product that uses it.

Creative unveiled two models, the Aurvana Ace ($130) and the Aurvana Ace 2 ($150) in tandem. Both feature MEMS drivers, the main difference is that the Ace model supports high-resolution aptX Adaptive while the Ace 2 has top-of-the-line aptX Lossless (sometimes marketed as “CD quality”). The Ace 2 is the model we’ll be referring to from here on.

In fairness to Creative, just the inclusion of MEMS drivers alone would be a unique selling point, but the aforementioned aptX support adds another layer of HiFi credentials to the mix. Then there’s adaptive ANC and other details like wireless charging that give the Ace 2 a strong spec-sheet for the price. Some obvious omissions include small quality of life features like pausing playback if you remove a bud and audio personalization. Those could have been two easy wins that would make both models fairly hard to beat for the price in terms of features if nothing else.

Photo by James Trew / Engadget

When I tested the first ever xMEMS-powered in-ear monitors, the Singularity Oni, the extra detail in the high end was instantly obvious, especially in genres like metal and drum & bass. The lower frequencies were more of a challenge, with xMEMS, the company behind the drivers in both the Oni and the Aurvana, conceding that a hybrid setup with a conventional bass driver might be the preferred option until its own speakers can handle more bass. That’s exactly what we have here in the Aurvana Ace 2.

The key difference between the Aurvana Ace 2 and the Oni though is more important than a good low end thump (if that’s even possible). MEMS-based headphones need a small amount of “bias” power to work, this doesn’t impact battery life, but Singularity used a dedicated DAC with a specific xMEMS “mode.” Creative uses a specific amp “chip” that demonstrates, for the first time, consumer MEMS headphones in a wireless configuration. The popularity of true wireless (TWS) headphones these days means that if MEMS is to catch on, it has to be compatible.

The good news is that even without the expensive iFi DAC that the Singularity Oni IEMs required to work, the Aurvana Ace 2 bring extra clarity in the higher frequencies than rival products at this price. That’s to say, even with improved bass, the MEMS drivers clearly favor the mid- to high-end frequencies. The result is a sound that strikes a good balance between detail and body.

Listening to “Master of Puppets” the iconic chords had better presence and “crunch” than on a $250 pair of on-ear headphones I tried. Likewise, the aggressive snares in System of a Down’s “Chop Suey!” pop right through just as you’d hope. When I listened to the same song on the $200 Grell Audio TWS/1 with personalized audio activated the sounds were actually comparable. Just Creative’s sounded like that out of the box, but the Grell buds have slightly better dynamic range over all and more emphasis on the vocals.

For more electronic genres the Aurvana Ace’s hybrid setup really comes into play. Listening to Dead Prez’s “Hip-Hop” really shows off the bass capabilities, with more oomph here than both the Grell and a pair of $160 House of Marley Redemption 2 ANC — but it never felt overdone or fuzzy/loose.

Photo by James Trew / Engadget

Despite besting other headphones on specific like-for-like comparisons, as a whole the nuances and differences between the headphones is harder to quantify. The only set I tested that sounded consistently better, to me, was the Denon Perl Pro (formerly known as the NuraTrue Pro) but at $349 those are also the most expensive.

It would be remiss of me not to point out that there were also many songs and tests where differences between the various sets of earbuds were much harder to discern. With two iPhones, one Spotify account and a lot of swapping between headphones during the same song it’s possible to tease out small preferences between different sets, but the form factor, consumer preference and price point dictate that, to some extent, they all broadly overlap sonically.

The promise of MEMS drivers isn’t just about fidelity though. The claim is that the lack of moving parts and their semiconductor-like fabrication process ensures a higher level of consistency with less need for calibration and tuning. The end result being a more reliable production process which should mean lower cost. In turn this could translate into better value for money or at least a potentially more durable product. If the companies choose to pass that saving on of course.

For now, we’ll have to wait and see if other companies explore using MEMS drivers in their own products or whether it might remain an alternative option alongside technology like planar magnetic drivers and electrostatic headphones as specialist options for enthusiasts. One thing’s for sure: Creative’s Aurvana Ace series offers a great audio experience alongside premium features like wireless charging and aptX Lossless for a reasonable price — what’s not to like about that?

Logitech has introduced the Astro A50 X gaming headset that does more (and costs more) than most rival products we've ever seen. It not only offers audiophile sound features, but comes with a dock that can switch your entire setup, including sound and video, between PlayStation 5, Xbox Series X and PC at the touch of a button. 

The headphones themselves come with 40mm graphene audio drivers (the same we saw in the Logitech G Pro X 2), a 16-bit 48 kHz "broadcast quality" microphone, Dolby Atmos support and Logitech's Lightspeed wireless system. You can tune the EQ and levels through the Logitech G Hub, so it's the company's first Astro headset to support that function. Bluetooth is on tap for mixing in phone audio or connecting a Nintendo Switch, and it runs for up to 24 hours between charges. They can be wirelessly charged on the hub or via a USB-C port.

Logitech

The hub adds a very nerdy element that will test your cable management skills. It offers what Logitech calls PlaySync tech that uses HDMI passthrough, allowing it to be used as a switch for your game and home AV setup. It comes with two HDMI 2.1 input ports that support 4K at 120Hz (for Xbox and PS), a USB-C DisplayPort for PC and one HDMI 2.1 output. With all that, it can switch between devices and pass through a single HDMI output to your TV or monitor, without interfering with variable refresh rate (VRR) or auto low latency mode (ALLM) gaming features.

To hook it up, you connect the HDMI output from your console(s) to the HDMI input on the Astro A50 X's hub. You also need to make a USB-C connection between each device. Your PC, meanwhile, will connect to the hub via a USB-C DisplayPort connection, rather than HDMI. Then, the hub connects to your TV or monitor via HDMI 2.1. 

Logitech

To use it, you don the headset and hit the PlaySync button to select the sources (PS5, Xbox or PC) to display on the screen. The corresponding sound is wirelessly sent from each source to the headset, of course. Once set up, you can be anywhere in the room with your headset and controller in hand, and quickly switch between devices. You can also output sound to external speakers by placing the headset in the dock, which stops audio to the headset but still allows switching via the PlaySync button. 

Logitech didn't say so, but I can't see any reason why you couldn't connect, say, a Blu-ray player to one of the HDMI inputs if you only have one console (I've asked the company to confirm that). Also bear in mind the length limitations on HDMI 2.1 cables. 

If all of that sounds insanely complicated, then you're probably not the target market for this product. Once set up, though, it looks like a way for serious gamers to quickly switch between devices from any location. Yes, $379 is high for a gaming headset, but if you consider that it's also a 3-in-1 HDMI 2.1 switcher with wireless audio output and Bluetooth input, it's a relatively good deal. 

Audio device leader Rode just acquired rival company Mackie, creating something of a pro audio and streaming powerhouse. Rode used to exclusively deal with pro-level audio devices, like condenser microphones, but has since turned its eye to the growing streaming market. To that end, products like Rode’s PSA1+ boom arm have become fixtures with popular live streamers.

Mackie has taken a similar route. The company made a name for itself during the home recording boom of the 1990s and early 2000s by offering affordable, yet highly functional, mixers, PA systems and related devices. Nowadays, the company has leaned into the streamer/creator space with consumer-grade streaming mixers and monitor controllers, though it still manufactures pro audio gear.

It’s no secret that the streaming space is more lucrative than pro audio. It’s just simple math, as there are more content creators than serious audio engineers. The acquisition puts this new Rode/Mackie behemoth in a great place to compete with companies like Corsair’s Elgato. The Elgato Stream Deck controller has been a massive success, quickly becoming a ubiquitous fixture for podcasters and live streamers alike.

Rode has already made its own inroads in the space, thanks to products like the Rodecaster Pro series of mixing consoles and the Streamer X audio interface. Mackie has similar products, like the M-Caster line of podcast-adjacent mixers. The combined force of both companies could put a major dent in Elgato’s armor and offer more competition to burgeoning rivals like Razer.

As for pro audio, Rode/Mackie aren’t giving up that space anytime soon. If anything, the merger makes them a bigger threat to companies like Shure and Tascam. Rode’s parent company, Freedman Group, says that the merged entity will service “up-and-coming content creators to professionals working in live production and everyone in-between.”

Several companies have taken shots at Sonos over the years when it comes to multi-room audio and self-tuning speakers with built-in voice assistants. These devices are a lot more common in 2023 than they used to be, so there’s a whole host of options if you’re looking for alternatives to the Move or Era. JBL is the latest to give it a go with new additions to its Authentics line of speakers. While audio may be its primary use, these devices are the first to run two voice assistants simultaneously without having to switch from one to the other. And on the Authentics 300 ($450), you get a portable unit that doesn’t have to stay parked on a shelf.

Design

Most wireless JBL speakers fit into three categories. They’re either rugged and compact, modern-looking boomboxes or internally-lit party units. For this new Authentics series, the company opted for a more refined design: all black with a gold frame around the front speaker grille. It’s certainly an aesthetic that fits in nicely on a shelf, without the raucous palette of some of the company’s smaller options. All three of the Authentics speakers look almost exactly the same with the main difference being size, although the 300 does have a boombox-like rotating handle the other two don’t. That’s because it’s the only portable option in the range with a built-in battery.

JBL describes the Authentics look as “retro,” but I’m not sure I agree. Sure, there’s a classic vibe thanks to the ‘70s-inspired Quadrex grille the company has employed in the past, but the finer details and onboard controls are decidedly modern. Speaking of controls, up top you’ll find volume, treble and bass knobs that illuminate the level as you turn them. Pressing in the center of the volume dial gives you the playback controls. There are also Bluetooth, power and Moment buttons along with a thin light bar that indicates charging status when the speaker is plugged in. Around back is a microphone mute switch, along with Ethernet, 3.5mm aux, USB-C and power ports.

Software and features

Photo by Billy Steele/Engadget

The features and settings for the Authentics speakers are managed inside the JBL One app. Here, you’re greeted with a list of the company’s products you own as well as their connected status, battery level and whatever media is playing on the device. After selecting the Authentics 300, JBL dumps you into the specifics, with battery level once again visible up top. A media player is just below, complete with the ability to sync Amazon Music, Tidal, Napster, Qobuz, TuneIn, iHeartRadio and Calm Radio so you can play them directly inside this app.

JBL offers some limited EQ customization. There’s a manual slider with options for bass, mid and treble, but that’s it. You won’t find any carefully-tuned presets or the ability to make more detailed adjustments along the curve. To get to your tunes quickly, JBL offers a feature called Moment. Accessible via the heart button on the speaker, this allows you to save a favorite album or playlist from the app’s list of supported streaming services. You can also specify volume and auto-off timing during setup.

Lastly, a word on streaming music over Wi-Fi. The Authentics line supports a range of options here, including AirPlay, Chromecast, Alexa, Spotify Connect and Tidal Connect, all of which are more convenient than swiping over to the Bluetooth menu and pairing the speaker every time you use it. With Wi-Fi, playing music on the Authentics devices are just a couple of taps away inside of the app where you’re browsing and selecting music or podcasts from. The speakers also support multi-room audio via AirPlay, Alexa and the Google Home app

Double assistants, double the fun

Photo by Billy Steele/Engadget

JBL says the Authentics series is the first set of speakers to run two voice assistants simultaneously. Each of the three units can employ both Alexa and Google Assistant without you having to pick one or the other beforehand. This opens up availability across compatible smart home devices and it means your speaker choice isn’t as limited by your go-to assistant.

The speaker never had trouble hearing my commands and it didn’t mistake a query for one assistant with a question for the other. When you ask Google Assistant for help, a white light shows at the top center of the speaker grille. Summon Alexa and that LED burns blue until your convo is over. When you mute the microphones with the switch on the back of the 300, that light glows red and remains until you turn them back on. As is the case with any smart speaker, the voice command limitations are the general hindrances of the assistants themselves rather than any shortfalls of the speaker.

Sound quality

The Authentics 300 really shines with more mellow, chill music like jazz, bluegrass and acoustic-driven country. There’s a warm inviting sound with great clarity across those styles. When you jump to the full band chaos of metal and hardcore, or even the guitar-heavy but mellifluous tones of Chris Stapleton, the speaker’s tuning overemphasizes vocals and the lack of bassy thump creates a muddy overall sound.

Sure, you can dial up the bass with the physical controls or the EQ in the app, but that doesn’t add the kind of deep low-end that would open up the soundstage. It does improve the overall tuning of albums like Stapleton’s Higher, but there’s still an overemphasis on vocals. You can really hear the impact on The Killer’s Rebel Diamonds as Brandon Flowers almost entirely drowns out the backing synth on “Jenny Was A Friend Of Mine” from Hot Fuss.

At times though, the Authentics 300 is a joy to listen to. Put on some Miles Davis and the speaker is at its best. Ditto for the bluegrass of Nickel Creek, the mellow country tunes of Charles Wesley Godwin and classic Christmas mixes. However, the inconsistency across styles is frustrating. Interestingly, JBL says the Authentics speakers offer automatic self-tuning every time you power them on, but I didn’t notice much difference as I moved the 300 around.

Battery life

Photo by Billy Steele/Engadget

JBL says the Authentics 300 will last up to eight hours on a charge. Within two minutes of unplugging, the JBL One app already had the battery level down two percent while playing music via AirPlay 2, at about 30 percent volume. That may seem like a low level, but it’s good for “working music” on this speaker. After 30 minutes, the app was showing 88 percent, but things slowed down and I managed to still have 24 percent remaining when the eight-hours were up. During a test over Bluetooth, the percentages fell in a similar fashion, but I had no problem making it to eight hours at 50 percent volume (Bluetooth was quieter than AirPlay at 30 percent).

JBL does offer a Battery Saving Mode to help you maximize playtime when you’re away from home. This setting “optimizes” both volume and bass to extend battery life, according to the company. There’s also an optional automatic power off feature that kicks in at either 15 minutes, 30 minutes or an hour when you’re not connected to power and audio is no longer playing.

The competition

JBL offers two alternatives to the Authentics 300 within the same speaker range. The smaller Authentics 200 ($350) is more compact, but not portable, while the larger 500 ($700) is a high-fidelity unit with support for Dolby Atmos. Both still run two voice assistants at the same time and have both Bluetooth and Wi-Fi, along with everything else the Authentics line offers. In order to support that immersive audio, the Authentics 500 has more drivers than the other two, with three 25mm tweeters, three 2.75-inch mid-range and a 6.5-inch subwoofer. I look forward to seeing if the extra components and added 170 watts of output power improve sound quality, but it only has slightly lower frequency response than the 300 (40Hz vs. 45Hz).

If you’re looking for something portable that can also pull double duty at home, the Sonos Move 2 is a solid option. It’s too big to haul around with ease, but it does support both Bluetooth and Wi-Fi along with improved sound and better battery life compared to version 1.0. There’s also startling loudness and a durable design. What’s more, it’s the same price as the Authentics 300 at $449. For something more stationary and immersive, you could get the Sonos Era 300 without paying more. My colleague Nathan Ingraham noted the excellent sound quality on this unit during his review, but he did encounter inconsistent performance when it came to spatial audio. There’s also no Google Assistant support on this model.

Wrap-up

When I try to come up with a final verdict on the Authentics 300, I find myself running in circles. For every thing I like about the speaker, there’s immediately something that I don’t. The company certainly deserves some kudos for being the first to run two assistants at the same time and for figuring out how to do that with no confusion or headaches. However, the inconsistent sound quality is a major problem, especially on a $450 speaker. And while the device offers better-than-advertised battery life, it’s larger size makes portability an issue. So unless you absolutely need to seamlessly switch between Alexa and Google Assistant, there are better-sounding options.