Less than four months after debuting its mid-range Accentum headphones, Sennheiser revealed another version at CES that remains more affordable than its flagship Momentum set. Dubbed the Accentum Plus, this more-expensive model swaps the physical buttons for touch controls while offering revised active noise cancellation (ANC), wear-detection and other conveniences the first version didn’t. All of the additions come at a price, though, as the Plus ($230) costs $50 more than the regular Accentum. For a set of headphones that mostly looks the same, are internal updates enough to justify a bigger investment?

Design

It’s difficult to tell the Accentum Plus and Accentum apart at first glance. That lack of physical controls on the older model is what primarily distinguishes the two. The Plus version still has one button which manages power, pairing and voice assistants, but all of the audio and call controls are touch-based and located on the outside of the right ear cup. They work well, from taps for playback to swipes for volume, but depending on your preferences, ditching the physical controls for touch may be a turn off. The other difference is that the Plus has a 3.5mm aux jack along with a USB-C connection whereas the first Accentum only has the latter.

A nearly identical design means Sennheiser didn’t address my key criticism of the first Accentum. The headphones remain almost entirely made out of plastic, which gives them a cheap look and feel. Plus, it doesn’t inspire a lot of confidence in the build quality for a set of $230 headphones. The company introduced its new design style on the Momentum 4 in 2022, which it continued with the overall look on the Accentum line. But, the latest Momentums are a bit more polished than these two more recent models.

Software and features

For the most part, the Sennheiser Smart Control App offers the same features for the Accentum Plus as it does for the Accentum. Almost everything you’d need is on the main screen, with battery percentage at the top. Below that sit connection management for multipoint Bluetooth and My Sound audio customization. There, you can adjust a five-band EQ, select a prebuilt sound preset or make your own. The company also offers Sound Personalization that calibrates the audio based on your responses to a few samples in the app.

Sennheiser’s Sound Zones are here as well, giving you the ability to configure specific audio settings based on your location. You can create up to 20 of these for places like home, work, gym and more. Of course, you have to give the app permission to track your location, which could be a nonstarter for some users.

The last item on the main interface of the app is ANC control. Here, you can disable the automatic “adaptive” adjustment to the Accentum Plus’ noise cancellation and leave “regular” noise cancellation on. There’s a slider to blend of ANC and transparency as you see fit. You can cycle between ANC and transparency mode with a double tap on the right ear cup, but that action doesn’t allow you to activate any preferred blends. Instead, it only turns on full ANC or complete transparency.

Sound quality

Photo by Billy Steele/Engadget

Sennheiser’s flagship earbuds and headphones have consistently offered the best sound quality among all of the products I’ve tested. The company has a knack for a well-tuned audio profile that's dynamic, but not overbearing, and that offers plenty of fine detail thanks to excellent clarity across the EQ. That trademark crispness returns on the Accentum Plus, but it’s at its best at around 65-75 percent volume. Knock that level down to around 50 percent and sound quality begins to suffer.

There’s a pleasant airy, atmospheric quality to tracks on Fever Ray’s Radical Romantics on the Accentum Plus, enveloping you the way the sound on more expensive headphones would. However, when you decrease the volume to about 50 percent, bass begins to overpower some of the details and the audio profile begins to muddy. The clarity that makes Sennheiser’s headphones so good is gone at this point, which is a bummer for those of us who don't always desire louder listening.

While there’s ample bass that’s offset by crisp highs throughout most genres, more chaotic styles like metal can be a mixed bag. Boomy bass is still there on Texas In July’s Without Reason and Better Lovers’ God Made Me An Animal, but finer details in guitars and drum textures start to get lost. The overall performance is a bit flat with all of the instruments coming across compressed compared to other sets. Switch over to something more mellow like Charles Wesley Godwin’s Live From Echo Mountain and it’s like you put on different headphones. It feels much more like you’re in the room where this was recorded.

ANC performance

Sennheiser says the Accentum Plus has hybrid adaptive ANC where the Accentum just has hybrid ANC. This means that the Plus model adjusts to changes in environmental noise while the regular model has just one level of blocking ability. During my tests, I struggled to tell a big difference between the two, even when switching quickly from one set to the other. The overall ANC performance is solid in most circumstances, but it’s far from what you’d get on the best that Bose, Sony and even Sennheiser have to offer. And since the Plus version is more expensive, I expected an obvious improvement.

Call quality

Photo by Billy Steele/Engadget

Like most over-ear headphones, the Accentum Plus is just fine for calls. The audio quality isn’t pristine, but it’s certainly passable for most uses. That includes work calls, although I’d suggest something with a better mic if you’re actually leading the presentation. Overall, the voice quality comes across compressed and a bit tinny. It’s not the worst, but it’s also probably not what you want when how you sound really matters. You can choose to have the headphones automatically switch to transparency mode when you take a call. However, the Accentum Plus doesn’t pipe in your voice, so the overall audio isn’t as natural as more-expensive options like the AirPods Max.

Battery life

The Plus’ battery life remains unchanged from the regular Accentum at 50 hours. That’s definitely not a bad thing. In fact, I exceeded that figure during my tests, notching 57 hours of use with ANC enabled. This included a mix of listening and calls, and during the latter I switched to transparency mode instead of noise cancellation. There were also a few days in between sessions where the headphones sat unused. When you do find yourself out of juice, you can get five hours of listening time after plugging in for only 10 minutes.

The competition

Given that the upgrades on the Plus are marginal, it’s hard to recommend them over the cheaper Accentum. Both carry Sennheiser’s crisp, clear sound that performs well most of the time. The ANC improvements aren’t enough to justify spending more and the only thing you may truly benefit from is automatic pausing that wear-detection brings. The company’s Momentum 4 would definitely be an upgrade over either Accentum, but that costs around $300. Plus, Sennheiser’s flagship headphones still have its newer, more-boring design – albeit with a few refinements.

If you’re in the market for affordable noise-canceling headphones that don’t cut too many corners, consider the Sony’s WH-CH720N. Currently available for $105, this budget option won’t win any design awards as it’s also all-plastic, but it’s more comfortable and has great audio for the price. Noise cancellation is just okay, though Adaptive Sound Control allows you to automate audio settings based on activity or location and there’s support for Sony’s 360 Reality Audio.

Wrap-up

Sennheiser’s attempt to improve on its initial mid-range Accentum offering is a mixed bag. For all of its updates, the Accentum Plus isn’t the massive improvement you’d expect with its higher price. Sure, the sound is great at times and the ANC will get the job done, but the best thing about this Plus version is the better-than-expected battery life. However, you can get that same play time on the regular Accentum for $50 less. Some small design refinements and a more-obvious step up in terms of audio quality and ANC performance would’ve made a larger impact. But, as it stands, the Accentum Plus isn't a significant upgrade over last year’s model.

There are plenty of portable headphone amps out there that plug directly into instruments like electric guitars and basses, but Boss just kicked things up a notch. The company has announced the Katana:GO headphone amp and it’s a doozy, with a combination of features I’ve never seen together in one little box.

Just like rival products, this thing plugs into the input jack of a preferred instrument and includes a headphone jack to hear what’s going on. Guitar players can choose from ten amp models and bassists get three amp models, each pulled from the pre-existing Katana line of modeling amplifiers. Boss Katana amps are known primarily for their surprisingly great selection of tones, and it looks like the company managed to squeeze those same models into a headphone amp. Rival products are certainly convenient, but don’t always sound that great.

There are 60 effects to choose from, with all of the reverbs, delays and, of course, choruses musicians have come to expect from Boss. These are also the same effects featured in the larger and pricier combo amps.

So, there are good amp tones and a robust lineup of effects. What sets the Katana:Go apart from, say, the Mustang Micro? First of all, there’s a built-in tuner, which is always a welcome addition. The Katana:GO also includes spatial audio tech to mimic a live setup, further enhancing its usefulness as a practice amp. It remains to be seen how realistic this sounds, but Boss says it lets users position a virtual amp in different locations to give the impression of playing on stage or “jamming in a room with friends.” I’ve used many of these amps before and have found the “in your face” nature of the headphone signal rather off-putting, so I’m intrigued by this feature.

The amp has 30 preset slots, for creating and saving unique tones, and integrates with the company’s Tone Exchange service. This allows users to trade presets like Pokémon. Okay, not quite like Pokémon, but you get the gist.

Boss

The Katana:GO even doubles as an actual USB audio interface. Just plug it into a computer, smartphone or tablet and record straight into a DAW. Finally, there’s a dedicated mobile app, with the ability to jam along to songs from streaming sites or a personal library. This is especially handy for getting that daily practice session in, and there’s a looping feature for nailing down difficult segments.

Just like the other headphone amps on the market, it folds up neatly and easily fits into a standard gig bag. The Boss Katana:GO costs $120 and, incidentally, is the same price as the Mustang Micro, which doesn’t double as an audio interface or include a built-in tuner. It’s available to purchase right now.

“When you think about the history of Bluetooth, and specifically about audio, you really have to go back to the mid-to-late ’90s.”

Chuck Sabin is a Bluetooth expert. As a senior director at Bluetooth Special Interest Group (SIG), he oversees market research and planning as well as business development. He’s also leading the charge for emerging uses of Bluetooth, like Auracast broadcast audio. In other words, he’s an excellent person to speak to about how far Bluetooth has come — from the days of mono headsets solely used for voice communication to today’s devices capable of streaming lossless-quality music.

In the mid ’90s, mobile phones were starting to become a thing, and of course so were regulations about hands-free use of them in cars. Sabin previously worked in the cellular industry, and he remembers how costly and intrusive the early hand-free systems were in vehicles. Bluetooth originated from cell phone companies working together to cut the cord to headphones since using those not-yet-wireless audio accessories in the car was cumbersome. One of the first mobile phones with Bluetooth was from Ericsson in the late ’90s, although an updated model didn’t make it to consumers until 2001. That same year, the IBM ThinkPad A30 became the first laptop with Bluetooth built in. At that time, the primary intent of the short-range radio technology was for voice calls.

Bose

“You had a lot of people who ended up with these mono headsets and boom mics,” he explained. You know, the people we all probably made fun of — at least once. Most of these things were massive, and some had obnoxious blinking lights. They’re definitely a far cry from the increasingly inconspicuous wireless earbuds available now.

Bluetooth as a specification continued to evolve, with companies leveraging it for music and streaming audio. To facilitate music listening, there had to be faster communication between headphones and the connected device. Compared with voice calling, continuous streaming required Bluetooth to support higher data speeds along with reduced latency. Where Bluetooth 1.0 was call specific, version 2.0 began to achieve the speeds needed for audio streaming at over 2 Mb/s. However, Sabin says, the 2.1 specification adopted by Bluetooth SIG in 2007 was when all streaming audio capabilities were implemented in automobiles, phones, headphones, headsets and more.

Of course, it would still be a few years before wireless headphones were mainstream. In the early 2000s, headphones were still directly connected to a mobile phone or other source device. Once Bluetooth became a standard feature in all new phone models, as well as its inclusion in laptops and PCs, consumers could count on wireless connectivity being available to them. Even then, music had to be loaded onto a memory card to get it on a phone, as dedicated apps and streaming services wouldn’t be a thing until the 2010s.

“The utility of the device that you carried around with you all the time was evolving,” Sabin said. “Bluetooth was ultimately riding that continued wave of utility, by providing the opportunity to use that phone as a wireless streaming device for audio.”

Photo by James Trew/Engadget

About the time wireless headphones had become popular, a few companies arrived with a new proposition in 2015: true wireless earbuds. Bluetooth improvements meant reduced power requirements leading to much smaller devices with smaller batteries — and still provide the performance needed for true wireless devices. Bragi made a big splash at consecutive CESs with its Dash earbuds. The ambitious product had built-in music storage, fitness tracking and touch controls, all paired with a woefully short three-hour battery life. Perhaps the company was a bit overzealous, in hindsight, but it did set the bar high, and eventually similar technologies would make it into other true wireless products.

“Companies that were building products were really starting to stretch the specification to its limits,” Sabin explained. “There was a certain amount of innovation that was happening [beyond that] on how to manage the demands of two wireless earbuds.” Bluetooth’s role, he said, was more about improving performance of the protocol as a means of inspiring advances in wireless audio devices themselves.

He was quick to point out that, for the first few years, true wireless buds accepted the Bluetooth signal to only one ear and then sent it to the other. That’s why the battery in one would always drain faster than the other. In January 2020, Bluetooth SIG announced LE Audio at CES as part of version 5.2. LE Audio delivered lower battery consumption, standardized audio transmission and the ability to transmit to multiple receivers — or multiple earbuds. LE Audio wouldn’t be completed until July 2022, but it offers a lower minimum latency of 20 to 30 milliseconds versus 100 to 200 milliseconds with Bluetooth Classic.

“All of the processing is now done back on the phone itself and then streamed independently to each of the individual earbuds,” Sabin continued. “That will continue to deliver better performance, better form factors, better battery life and so on because the processing is being done at the source level versus [on] the individual earbuds.”

The increased speed and efficiency of Bluetooth has led to improvements in overall sound quality too. Responding to market demands for better audio, Qualcomm and others have developed various codecs, like aptX, that expand what Bluetooth can do. More specifically, aptX HD provides 48kHz/24-bit audio for wireless high-resolution listening.

“One of the elements that came into the specification, even on the classic side, was the ability for companies to sideload different codecs,” Sabin explained. “Companies could then market their codec to be available on phones and headphones to provide enhanced audio capabilities.”

LE Audio standardizes Bluetooth connectivity for hearing aids, leading to a larger number of supported devices and interoperability. The use cases range from tuning earbuds to a user’s specific hearing or general hearing assistance needs, with or without the help of active noise cancellation or transparency mode, to simply being able to hear valuable info in public spaces via their earbuds or hearing aid.

“Bluetooth is becoming integral for people with hearing loss,” he explained. “Not only for medical-grade hearing aids, but you’re seeing hearing capabilities built into consumer devices as well.”

Sony

Sabin also noted how the development of true wireless earbuds have been key for people with hearing loss and helped reduce the stigma around traditional hearing aids. Indeed, companies like Sennheiser and Sony have introduced assistance-focused earbuds that look no different from the devices they make for listening to music or taking calls. Of course, those devices do that too, it’s just their primary aim is to help with hearing loss. The boom, which has been going on for years, was further facilitated by a 2022 FDA policy change that allowed over-the-counter sale of hearing aids.

One of the major recent developments for Bluetooth is broadcast audio, better known as Auracast. Sabin described the technology as “unmuting your world,” which is exactly what happens when you’re able to hear otherwise silent TVs in public spaces. You simply select an available broadcast audio channel on your phone, like you would a Wi-Fi network, to hear the news or game on the TV during your layover. Auracast can also be used for things like PA and gate announcements in airports, better hearing at conferences and sharing a secure audio stream with a friend. Companies like JBL are building it into their Bluetooth speakers so you can link unlimited additional devices to share the sound at the press of a button.

“You’re seeing it in speakers, you’ll see it in surround sound systems and full home or party-in-a-box type scenarios,” he said. Sabin also noted that applications beyond the home could simplify logistics for events, since Auracast audio comes from the same source before it’s sent to a PA system or connected earbuds and headphones with no latency. Sabin said the near-term goal is for Bluetooth audio to be as common in public spaces as Wi-Fi connectivity, thanks to things like Auracast and the standard’s constant evolution.

Even after 20 years, we’re still relying on Bluetooth to take calls on the go, but both the voice and audio quality have dramatically improved since the days of the headset. Smaller, more comfortable designs can be worn all day, giving us constant access to music, podcasts, calls and voice assistants. As consumer preferences have changed to having earbuds in at all times, the desire to tune into our surroundings rather than block them out has increased. “Unmuting your world” is now of utmost importance, and the advancement of Bluetooth technology, from the late ’90s through LE Audio, continues to adapt to our sonic preferences.

To celebrate Engadget's 20th anniversary, we're taking a look back at the products and services that have changed the industry since March 2, 2004.

Sony's 1000XM-series headphones have topped our list of the best wireless headphones you can buy for a couple years running. The current top pick is held by the WH-1000XM5 ANC headphones and right now they're $72 off at Amazon, making them $328 instead of their $400 list price. That's not an all time low — we saw them dip to $250 just before the holidays last year and this year they've gone for $300 and $280 at different retailers. But if you don't want to wait and see if those discounts come back, $72 represents a decent savings on a pair of highly recommended over-ear speakers. The sale comes as part of a larger sale on Sony audio at Amazon. 

Even at full price, the WH-1000XM5 are a wise buy if you're looking for superior audio, excellent noise cancellation and an enduringly comfortable fit. Our audio expert, Billy Steele, said these are in a league of their own in his review. The audio is an improvement over the previous generation — which was already great — but now the bass is punchier and the clarity is even more finely tuned. They pack a long, 30-hour battery life and the noise cancellation is adept at blocking human voices, TV sounds and various other environmental noises. There are plenty of easy-to-suss out onboard controls, letting you do things like skip tracks and answer calls. There's even a feature that pauses what you're listening to when you start talking.  

While these are an improvement over the prior model, Sony's WH-100XM4 headphones, those are still a compelling option with great sound and a comfortable fit. They're on sale for a much lower $248. That's $100 off the list price and about $20 more than the all-time low they hit for Black Friday last year.  

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Sonos has been excluding its first music speaker designed for spatial audio from previous sales events since it was released last year, so listen up: The company is selling refurbished units of the Era 300 for $359, or $91 less than retail. Yes, it's not brand new, but Sonos' refurb program has a good track record. At the moment, only the white Era 300s are available at a discount — the black version is sold out — but if you don't care about color, then you will get three free months of Apple Music with your purchase. 

We found the Era 300 to be one of the best-sounding speakers Sonos has made when we reviewed it. The model's spatial audio experience can be a hit or miss in that sometimes, the Atmos versions of songs could sound like they have too much reverb that the vocals get lost in the mix. But overall, it exhibited excellent sound quality and can make songs shine by reproducing bass, vocal and instrumentation in great detail. It makes songs sound rich, crisp and vibrant. We advised not buying the Era 300 only for the sake of spatial audio in our review, since the library of tracks that support the feature remains quite small. That could change in the future, though, especially if Apple truly does start rewarding artists for offering their music in spatial audio.

It's worth noting that Sonos recommends pairing two Era 300 speakers for "mind-bendlingly realistic surround sound," and getting the cheaper versions would make that a more affordable prospect. The model is pretty easy to set up anyway — just add the speaker to your Sonos app and then pair it with your music services of choice — so having two or more won't be an issue. In case you're looking for something else, though, Sonos is selling more refurbished devices on its website.

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Tidal is condensing its plans in a bid to compete with fellow music streamers. The platform is removing its HiFi Plus and HiFI tiers to create one individual plan, aptly called Tidal. The new option will offer everything Plus users paid $20 monthly for but for $11— the same price as Spotify and Apple Music's one-person plans. It seems Tidal could no longer justify asking people to pay an extra $9 when its competitors offered similar perks for less (the company notably laid off 10 percent of its employees in December). 

The new solo tier will include Dolby Atmos, HiRes FLAC and lossless audio for over 100 million songs. Apple Music also offers lossless audio, but this puts Tidal ahead of Spotify, which has yet to roll it out. There is a small catch for current HiFi Plus subscribers: Tidal's DJ integration feature is becoming a DJ Extension — which will cost subscribers another $10. Anyone who has used DJ integration in the last 90 days will automatically have the extension added to their new plan when the tier overhaul takes effect on April 10. Notably, Tidal's family plan will also condense into just one option, a $17 offer rather than the HiFi Plus' $30 a month price tag. 

While the changes are overall a good deal for Tidal subscribers, the music streamer is getting rid of multiple options — including its free tier. As of March 4, Tidal also removed its discount for newly subscribing military personnel and first responders. Existing free tier subscribers will have to pay full price starting April 10, while military personnel and first responders who already use Tidal will have to make the switch starting June 10. Students who use Tidal will keep their $5 monthly rate. 

The Marshall Middleton Bluetooth speaker has a list price of $300, but right now Amazon is selling it for $236. That's a 21 percent discount and the lowest price we've tracked since it's launch last March, beating the former low of $260 it hit last December. It's also on sale for $250 at B&H Photo. We named the Middleton one of the best mid-range ($200 to $400) Bluetooth speakers you can buy in our guide. It combines good sound quality with a IP67 rating, meaning it's dust-tight and can survive a dip in a meter of water for up to 30 minutes. Plus there's a handy carry strap to drag it around.   

Marshall markets the Middleton as their flagship Bluetooth speaker — and the company's largest portable with a waterproof rating. At four pounds, it's still small enough to toss in a backpack, but large enough to house three battery cells adding up to 9,600mAh of charge to enable a 20-hour run time. You can even siphon off some of that juice to charge a phone thorough the USB-C port. 

It puts out 360-degree sound from two 15-watt woofers, two 10-watt tweeters and a pair of passive radiators. We found the output to be respectable, handling low frequencies well. Marshall's sound tends to have a good dynamic range combined with significant depth, and that's what you get here. 

The Middleton is also the biggest model to support Stack Mode which lets you pair up with another Middleton or the smaller Emberton II or Willen. Pairing happens using the app and double pressing the speakers' Bluetooth buttons.  

Speaking of other music boxes, the Emberton II speaker, which we named one of the best picks under $200 in that same speaker guide, is also on sale. It's 21 percent off and down to $134, which isn't an all-time low — it went for $14 less last Black Friday. It's not the loudest speaker in it's size range, but the sound is pleasantly balanced and a good accompaniment to small gatherings. 

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A two-pack of Sonos Era 100 wireless smart speakers is currently going for one of the best prices we’ve seen since the holiday season on Woot. You can get two of the speakers for $410, or $88 off the normal price. That’s almost as low as the Black Friday price from last year, when the Sonos Era 100 speaker dropped to an individual price of $199. If you’re looking for some decent midrange speakers to upgrade your home audio setup, the Sonos Era 100 is a solid option, especially at an 18 percent discount.

The Sonos Era 100 was released last year as the successor to the Sonos One, and it brought a lot of improvements. It packs two tweeters and a bigger woofer than the Sonos One, making for high quality sound. The Sonos Era 100 is our choice for the best midrange smart speaker of the moment thanks to its impressive sound quality and features like Trueplay tuning, which Sonos made even better with this model. The Era 100 uses its built-in mics to tune itself for the optimal output for its location.

With the Era 100, you also have the option to manually connect a device to the speaker via its USB-C port. Unfortunately, you’ll most likely need an adapter to connect something like a turntable, but it’s still nice to have the line-in option (the Sonos One did not). If you’re hoping to use a voice assistant with the Era 100, you know it’s best suited for people working with the Alexa ecosystem. The speaker supports Alexa and Sonos’ own voice assistant, but it does not work with Google Assistant.

The Sonos Era 100 is a good choice for multi-room audio or a home theater setup, and can be coupled with a soundbar for an even better experience. It also has better on-device controls compared to the Sonos One, and a physical mic switch for when you want to be sure it’s not listening.

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This week, Adobe revealed an experimental audio AI tool to join its image-based ones in Photoshop. Described by the company as “an early-stage generative AI music generation and editing tool,” Adobe’s Project Music GenAI Control can create music (and other audio) from text prompts, which it can then fine-tune in the same interface.

Adobe frames the Firefly-based technology as a creative ally that — unlike generative audio experiments like Google’s MusicLM — goes a step further and skips the hassle of moving the output to external apps like Pro Tools, Logic Pro or GarageBand for editing. “Instead of manually cutting existing music to make intros, outros, and background audio, Project Music GenAI Control could help users to create exactly the pieces they need—solving workflow pain points end-to-end,” Adobe wrote in an announcement blog post.

The company suggests starting with text inputs like “powerful rock,” “happy dance” or “sad jazz” as a foundation. From there, you can enter more prompts to adjust its tempo, structure and repetition, increase its intensity, extend its length, remix entire sections or create loops. The company says it can even transform audio based on a reference melody.

Adobe says the resulting music is safe for commercial use. It’s also integrating its Content Credentials (“nutrition labels” for generated content), an attempt to be transparent about your masterpiece’s AI-assisted nature.

“One of the exciting things about these new tools is that they aren’t just about generating audio—they’re taking it to the level of Photoshop by giving creatives the same kind of deep control to shape, tweak, and edit their audio. It’s a kind of pixel-level control for music,” Adobe Research scientist Nicholas Bryan wrote.

The project is a collaboration with the University of California, San Diego and the School of Computer Science, Carnegie Mellon University. Adobe’s announcement emphasized Project Music GenAI Control’s experimental nature. (It didn’t reveal much of its interface in the video above, suggesting it may not have a consumer-facing UI yet.) So you may have to wait a while before the feature (presumably) makes its way into Adobe’s Creative Cloud suite.

The latest Apple HomePod speaker is on sale for $285 at B&H Photo, which is $14 less than buying from Apple directly. This isn't the largest cash discount we've seen, and Apple previously bundled the device with a $50 gift card during Black Friday. But deals of any kind on the home speaker have been uncommon since it arrived in early 2023, so this modest drop still represents the lowest price we've seen in the last few months. The discount applies to both the black and white versions of the speaker.

We gave the second-generation HomePod a score of 84 in our review last year. It'll make the most sense if you're a particularly dedicated Apple user who prioritizes audio quality. It still works easily with other Apple devices and services, from iPhones to Apple TVs to Apple Music, and we generally find it to sound richer and clearer than competing smart speakers from Amazon and Google. As a smart home device, it's compatible with Matter and Thread on top of Apple's own HomeKit protocol, so you can use it to control a growing range of security cameras, thermostats, plugs and other smart home accessories. It also has built-in temperature and humidity sensors, and its included mics do well to pick out your voice through noise.

To be clear, this is still a pricey and relatively niche device. Speakers like the Sonos Five and Sonos Era 300 cost more but offer louder and more dynamic sound quality, while the Sonos Era 100 may be a better value if you want to conserve a little more cash. Apple's own HomePod Mini has nearly all of the same smart home features if that's your main concern, while Google Assistant and Alexa users should still look to Google's Nest Audio or an Amazon Echo device. The HomePod has its own issues, too: Siri isn't the most capable voice assistant, there's no Bluetooth audio, you can't customize its EQ and you need a workaround to control Spotify via voice. Rumors of a touchscreen-enabled HomePod have also floated around over the past year. All that said, if you're all-in on Apple, this is a decent chance to save on the company's highest-end home speaker.

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