When Rode unveiled the original Rodecaster Pro it was something unusual: a capable mixing desk with a singular focus on podcasting. It made it easy to record multiple guests in person or over the internet/phone, while adding background music and audio enhancements in real time or with minimal processing in post. A mini radio station in a box if you will.
Today, Rode is announcing its successor, the Rodecaster Pro II, and the messaging this time is that it’s for all creators, be that podcasting, streaming or music production. The new hardware looks familiar, but brings with it several changes that should improve your audio wherever and whatever you publish.
The most obvious difference you’ll see here is the smaller footprint. The Rodecaster Pro II loses two physical fader strips in favor of occupying less desk space. You still have as many channels available, but some are assigned to virtual controls and it feels like the right move to save desk space.
Other external hardware tweaks include an all new contextual rotary control and the move to combo ports around the back rather than just straight XLR connections like the original. This opens the Rodecaster Pro II to things like guitars and synthesizers without occupying other inputs or needing adapters.
James Trew / Engadget
Whatever you plug into the new Rodecaster it should sound better as it comes equipped with new preamps that can drive even the most hungry of microphones (looking at you SM7B). Rode claims the new preamps are so powerful and quiet that using an in-line signal booster like a FetHed or Cloudlifter would technically be detrimental, not beneficial, to your audio quality. This remains to be tested, of course, but it’s good news either way if you have a microphone that needs a lot of gain.
On the listening side of things, Bluetooth on the Rodecaster Pro II supports audio out as well as in, which means you can get funky and monitor your show wirelessly on speakers or headphones. Rode also claims if you record call-in guests over Bluetooth there should be improved sound quality also (at least between the phone and the mixer – obviously not the cellular network).
Semi relatedly, there’s no longer a 3.5mm headphone jack on the front edge. On the original, the show’s host/producer could connect their headphones either around the back (with the other headphone jacks) or via the dedicated jack on the front, if that was more convenient. Alas that option has now gone and headphone 1 is only accessible via the 1/4 inch ports on the rear. A mild pain if you have a shorter/non-coiled cable.
On a more practical front, the new hardware has WiFi built-in and ethernet connectivity which allows for easy updating (without having to leave your computer on). You can also connect it to two PCs at the same time, or even your phone which makes it perfect for podcasters on the go or game streamers who have a separate gaming rig. You’ll also be able to record directly to SSDs as well as memory cards. And with that dual-PC connectivity your options for routing where your audio goes are myriad.
James Trew / Engadget
Perhaps the secret sauce here is how customizable the workflow is. This starts with simple things like the eight pads on the Rodecaster Pro II can trigger audio or send MIDI as before but also be assigned to “mixer actions” like a fade out or be used to switch cameras in your stream. You can also reassign mixer channels however you like, including mapping two inputs to one fader and saving them as profiles if you don’t like how things are out of the box.
There are also a number of new audio effects including stereo panning, echo and reverb. But perhaps the most unexpected addition here are some funny voice effects. This might make podcasters recoil, but Voicemod has proven popular… so somebody somewhere is all about the squeaky voices.
Overall, there’s quite a lot new here. The new audio internals and connectivity should make this a more viable option for all types of creators, and the ways to connect, configure and process the audio will likely make this much more flexible. Details important to streamers such as OBS control, dual PC connectivity and the ability to sync/delay audio to match video suggest it’s a genuine attempt at being more capable rather than just a few buzzy marketing terms.
Whatever your use case, the Rodecaster Pro II is available for pre-order starting today for $699. Rode expects to start shipping "early to mid-June."
It hasn't been a great spring for Sony in terms of new product leaks. The company's new flagship headphones, the WH-1000XM5, broke cover early, as did its latest earbuds. Today, the company officially announced the LinkBuds S: a set of $200 true wireless earbuds with active noise cancellation (ANC) and a host of handy features. Sony says they're designed for a "never off wearing experience," with transparency mode allowing you to tune into your surroundings as needed.
Joining the open wear LinkBuds that debuted earlier this year, the LinkBuds S have a more "traditional" closed design. The shape is similar to Sony's other recent earbuds, the flagship WF-1000XM4 and the $100 WF-C500. The LinkBuds S are much smaller though, making them more comfortable to wear for longer periods of time, which also serves Sony's mission of all-day use. In fact, the company claims the LinkBuds S are "the world's smallest and lightest, noise-canceling, hi-res" true wireless earbuds. And the IPX4 rating means they can withstand workouts too.
Inside, 5mm drivers deliver "powerful bass and stunningly clear vocals," according to Sony. The company's Integrated Processor V1, which is also on the WH-1000XM5 headphones, works to maintain sound quality, minimize distortion and bolster noise cancellation. The LinkBuds S also support high-resolution listening via Sony's LDAC codec and DSEE Extreme upscaling. The latter technology recovers finer details that are typically lost to compression of digital audio content. A low-latency mode is on the way for gaming and Sony is working with Niantic to bring spatial audio and head tracking to the AR mobile game Ingress.
Another key difference from the first set of LinkBuds is the addition of ANC. On the LinkBuds S, there's enough noise-blocking ability to reduce background clamor, but Sony is clear the tech isn't as robust as the WF-1000XM4. While this new model doesn't let the outside world in by design, it's equipped with transparency mode to get that job done. What's more, the company's Adaptive Sound Control can be configured to change noise canceling and ambient sound settings based on your activity or location. Plus, Sony's handy Speak-to-Chat feature is available here, which automatically senses your voice, pauses the audio and activates ambient sound mode when you begin to talk.
Sony
The main feature Sony is hyping for the LinkBuds S is called Auto Play. True to the rumors, this tool automatically plays or resumes audio based on your activity when you put the earbuds in or complete a call. If you're on a walk, for example, you can have a specific playlist selected for that behavior. Auto Play is limited right now in two ways. First, it's only available in the Sony Headphones Connect app on Android right now. The company plans to bring it to iOS in early June. Second, it only works with Spotify and soundscape app Endel.
For calls, Sony says its Precise Voice Pickup Technology "optimally controls the microphones on both earbuds." Combined with a mesh cover for the mics, the company explains that you can expect clarity walking down a busy street or on a windy day. These claims vary widely from product to product, so we'll be sure to put this through its paces during our review. Other convenience features include compatibility with voice assistants, a full suite of customizable touch controls and support for both Google Fast Pair and Windows Swift Pair.
In terms of battery life, Sony says you can expect up to six hours of use with active noise cancellation enabled. There's another 14 hours in the charging case too, but the company didn't specify any non-ANC listening times. The case doesn't support wireless charging, but it does offer a quick-charge option. Just five minutes will give you an hour of use.
The LinkBuds S are up for pre-order starting today with general availability starting May 20th. You'll have black and white color options to choose from at most retailers, but Best Buy will carry an exclusive beige (Ecru) version. This $200 model will sit in the middle of Sony's true wireless lineup, with the flagship WF-1000XM4 at the top and the affordable WF-C500 below. The open design LinkBuds also occupy the mid-range for $20 cheaper, and Sony plans to deliver the Auto Play functionality to that model via firmware update.
The rumors were (mostly) true. Sony did indeed have a follow-up to its stellar WH-1000XM4 ready for a proper debut. Today the company announced the WH-1000XM5 ($400), its latest flagship noise-canceling headphones equipped with all of the things we’ve come to expect from Sony’s 1000X line. This time around the company gave its premium cans a big exterior redesign. In the process, it massively increased comfort while also expanding the incredible performance in terms of noise cancelation and overall sound quality.
Design
One of the biggest changes for the 1000XM5 is the design. Sony slimmed down the headband while keeping the underside soft and cushiony. My only gripe with the new look is that you can see where the housing for the adjustable arms ends and the softer padding begins. You only see it when you take the headphones off, but it’s noticeable.
Sony also connects the headband to the ear cups in one spot on the M5, rather than the U-shaped bracket that mounted to the M4 in two places. There’s still plenty of swivel and rotation for the ear cups, so there’s no sacrifice to movement. In fact, I’d argue these changes give this new 1000X a more modern look, than all of the previous models. The lineup has a similar design up through the M4, so Sony was overdue for a big overhaul.
Despite only being four grams or 0.14 ounces lighter than the WH-1000XM4, this new version feels like it weighs a lot less when you put them on. The weight distribution is better, plus the synthetic leather ear cups are quite cushiony. I had no problem wearing these for hours at a time and at no point did I feel pressure around my ears or on the top of my head.
Billy Steele/Engadget
The outside panel of the right ear cup still houses the touch controls. Here you can play/pause with a double tap, skip tracks with a horizontal swipe or swipe vertically to adjust volume. Tap and hold summons your voice assistant and when you get a call, simply double tap to answer. All of those touch controls work well too, reliably accepting taps and swipes without error. On the edge of the left ear cup, there are physical buttons for power and noise cancellation. The former can also put the headphones in pairing mode and give you a battery level update while the latter cycles through a combination of ANC, ambient sound and off.
Software
As is the case with most of Sony’s earbuds and headphones, the Headphones Connect app is where you tweak settings and enable a host features. When you fire up the software, a battery life percentage is prominently displayed on the right side, with tabs for Status, Sound, System and Services just below. The first, Status, gives you access to the finer details of Adaptive Sound Control or Sony’s handy automatic switching of noise canceling settings based on activity or location.
Of course, if you choose to have things change based on where you are, you’ll have to give the app permission to track your whereabouts. If you do, you can set the M5 to automatically enable ambient sound when you’re at the office, for example. Adaptive Sound Control can also be configured to change the EQ and enable/disable Speak-to-Chat for a particular location or activity.
Billy Steele/Engadget
The Status panel will also allow you to see which devices are currently connected since the M5 allows you to link up to two simultaneously. And lastly there’s a media player here, which I’ve never touched across several reviews. The Sound tab gives you access to Ambient Sound Control, the ability to enable/disable Speak-to-Chat, the equalizer and audio presets. If you recall, Speak-to-Chat automatically pauses the audio and activates ambient sound when it detects that you’re speaking. In my experience, it could sometimes be fooled by coughs, but that’s not the case anymore. You can also configure the headphones for 360 Reality audio, in addition to switching Bluetooth connection quality and employing DSEE Extreme. That latter uses AI to reproduce the frequency response that’s typically lost to compression.
System is where you can enable multipoint connectivity, change voice assistants, disable the touch control panel and add functionality to the noise canceling button. You can also opt for that last control to activate Spotify Tap with either a double or triple press. And last but not least, Services is where you connect various apps for easy access. If you want to use Spotify Tap, for example, you’ll need to sync it with Headphones Connect here.
Sound quality
Billy Steele/Engadget
Sound quality has never been an issue with the 1000X line, and it’s definitely not on the M5. In fact, it’s yet another thing Sony upgraded on these headphones. New 30mm carbon fiber drivers handle the audio, including tracks in LDAC and DSEE Extreme. I thought the M4 was well-tuned for a range of genres, but the bass seems punchier here. Whether it’s the electronic collisions of The Glitch Mob, the grungy blues of Jack White or the driving bass in Kendrick Lamar’s catalog, the lower range is both pleasant and powerful, expanding the overall soundstage.
The difference between the M4 and the M5 is in the finer details. There’s more depth, making everything seem more immersive. But there’s also more clarity, so the subtleties can shine. I’m talking about things like the texture of someone strumming an acoustic guitar or Jack White’s iconic distortion soaring above the other instruments. Everything is still balanced, and the bass only provides the proper amount of oomph. Switch over to something entirely acoustic like bluegrass and the bass remains in check so the picking, and the highs, can cut through unhindered.
What’s more, activating DSEE Extreme doesn’t make a huge difference in the sound quality. On other Sony devices, that algorithm’s ability to recover some of the detail lost to compression makes a noticeable impact. On the M5, the results are subtle, and on some songs I had a hard time picking up on any change at all. It’s quite impressive.
I only have one complaint about sound quality, and it may actually be a Bluetooth issue rather than a true audio problem. When listening to music or watching a video on my MacBook Pro, I would occasionally experience quick dropouts or skips. It didn’t happen often and, oddly, I never heard it when playing something on my iPhone. The audio stutters a bit just for a second, like you’re watching a video on a bad internet connection, and then it continues. I tested both WH-1000XM5 units sent to me and noticed the issue on both. I’ve reached out to Sony for more info on the potential cause.
Active noise cancellation
Sony had already developed highly effective noise cancellation for its 1000X line and automated it so the feature could change based on your activity or location (Adaptive Sound Control). Those automatic tweaks are still in play on the M5, but the company has taken its overall noise-blocking setup a step further. First, it doubled both the number of processors and the number of microphones that handle noise canceling duties. In addition to the QN1 that was inside the M4, Sony also employs a separate V1 chip to lend a hand. There are now eight total ANC mics, up from four on the previous model. Plus, there’s an automatic noise canceling optimizer that ensures peak performance based on wear and your environment.
So, what does all of that mean when you’re actually wearing the headphones? Well, Sony says the entire setup is much better at blocking higher frequencies than the WH-1000XM4, which covers things like human voices. Indeed, the M5 is more effective at silencing nearby chatter and TV noise. It’s not entirely effective at combating baby screams (I have a 15-month-old at home), but most speech and what I’d consider a normal television volume went unnoticed. That makes the ANC on the 1000XM5 a clear upgrade over the M4.
Call quality
Despite working just fine for calls, the WH-1000XM4 isn’t equipped with dedicated voice microphones. Sony installed four beamforming mics on the M5, which it says helps this new model deliver the best call quality yet for the 1000X series. Those components work alongside AI-driven noise reduction to make this happen. Companies make lofty claims about voice quality all the time and it rarely pans out, but Sony actually delivers.
Both video and audio calls are crisp and clear, as your voice sounds noticeably better than other earbuds and headphones. With most of the competition, you typically sound like you’re on speakerphone at best. It’s much better than that on the M5, and the headphones do a great job handling background noise too. Constant roaring from a sound machine is easily silenced and things like voices, music or a nearby television are also reduced.
Battery life
Billy Steele/Engadget
Unfortunately, one rumor that didn’t pan out is the 1000XM5’s battery life. Reports indicated that Sony had added another 10 hours on top of its already 30-hour listening time. That’s not the case, you’ll still only get 30 hours of use with active noise cancellation. Sony did upgrade things when it comes to the quick charge feature. Instead of 10 minutes for five hours of use like on the M4, you get three hours of playback in three minutes.
After just over 21 hours of testing, Sony’s app read 38 percent battery remaining, so I’m pacing slightly ahead of the promised figure. The battery percentage in the macOS Bluetooth menu confirmed the status at that point too. During my tests, I had active noise cancellation turned on and did a mix of music streaming, video live streams, video calls and turning the headphones off a few times. Even though more is always better, 30 hours is plenty on the M5 and it’s enough to get you through a few work days or an international trip that includes long flights.
The competition
When it comes to alternatives, Bose immediately comes to mind. The company offers the pricey 700 which does an excellent job blocking noise although the overall sound quality isn’t as good as what Sony has conjured. The 700 is slightly cheaper at $379, but if you’re looking to save even more money, the QuietComfort 45 is a great choice. Bose updated its classic QC headphones last year with improved ANC and longer battery life, among other things. Plus, that model is $329. Neither of these beat Sony when it comes to the complete package that is the 1000XM5, but they’re worthy alternatives nonetheless.
If you’ve read this far and think the previous 1000X model seems more compelling, you’re in luck. Sony is keeping the WH-1000XM4 around for the time being. It will still be $350, unless you find it on sale, saving you $50 over the cost of the brand new version. Indeed, those headphones have been our top pick since their debut. And even though they’re likely to be dethroned in our next buyers’ guide update, they’re still very good headphones and won’t be obsolete anytime soon.
Wrap-up
Billy Steele/Engadget
The WH-1000XM5 is evidence that even the best product in a given category still has room for improvement. Sony has consistently impressed us with its 1000X line, but the upgrades it delivers on the M5 are some of the biggest in the history of the series. It managed to make its sound even better while blocking more noise than it has before. Plus, there’s a new look that isn’t only an aesthetic improvement but is more comfortable too. The only gripe is the price, which is $50 more than the previous model at $400. But when considering the entirety of what you’re getting, the cost is perfectly reasonable. Sony was already on top, but with the WH-1000XM5, the company put even more distance between itself and the rest of the pack.
The Sony WH-1000XM5 will be available in black and silver color options for $400. Pre-orders from the company’s website, Amazon and Best Buy begin on May 20th.
Chatting while gaming on your Xbox One Series X/S can be fun, but party chat members' poor quality mics that let in every barking dog and blaring TV? Not so much. Now, Microsoft is doing something about it by introducing noise suppression to party chat in the latest Xbox update.
"We’ve enabled a new feature which will process your microphone input through a noise suppression step to help produce cleaner audio in your Party Chat session," it wrote in the Xbox blog. " The setting is enabled by default but can be toggled from the dropdown options menu."
The Xbox update also includes various fixes for audio, controllers, HDMI CEC, Guide and more. It's entering the alpha skip-ahead ring today, but should roll out more widely in the near future.
Teenage Engineering (TE) has unveiled the successor to its popular OP-1 portable synth sampler, the $2,000 OP-1 Field, which it calls "louder, thinner and 100 times better." That relates to the fact that it has around 100 new features including a new low profile aluminum body, internal FM antenna for both receiving and transmitting and a high-resolution flush display.
The OP-1 Field is the second of TE's "Field" products following the launch of the TX-6 mini mixer. The company notes that with the two working together, "you can get an incredibly powerful and ultra portable sound recording and performance system, all battery powered and rechargeable via USB-C." In terms of connectivity it offers USB-C, line in and out sockets, and a 4-pole audio jack for headset or mic support.
On top of the features mentioned above, the OP-1 Field has 32-bit audio Bluetooth MIDI, stereo throughout the entire signal chain, 24 hours of battery life, eight swappable tapes, four different tape styles, multiple recording formats and a new synth engine. It features a new speaker system with a passive driver promising "detailed, fat and loud sound," TE says.
In a short overview video (above), the company shows how to choose from multiple synth presets and record them to tape, with up to four stereo tracks (and infinite overdubs). You can use sampled or synth drums, adjust audio levels, panning, effects and EQ, then switch the active tape wheel and use multiple tapes to manage your recordings. The final track can be output by USB or using the new FM output module.
The OP-1 Field is a huge update to the original, but as mentioned, it isn't cheap. You can now order it for $2,000 (€2,000/£2,000 in Europe/the UK) on Teenage Engineering's website.
Sonos products have never been cheap; in fact, the company raised prices on most of them last year. But Sonos has also recently released some products that push things into more affordable territory. Last year, the company released the $179 portable Sonos Roam speaker, and later followed up with a microphone-free version for $159, the cheapest Sonos yet. Home theater speakers, however, have remained premium products, with the $449 Beam being the cheapest soundbar option the company makes.
That changes today with the Ray, Sonos’ most compact and inexpensive soundbar, which arrives June 7th. At $279, it’s not competing on price with bargain options like Roku’s $130 Streambar. But in an advance demo earlier this week, it was clear that the Ray is a powerful soundbar that will provide a massive upgrade over just about any TV’s built-in speakers. Sonos made a few compromises to hit that $279 price point, but I think for a lot of people, it will make more sense than spending $449 on the Beam.
Like other Sonos speakers, the Ray connects to WiFi so you can stream audio to it from a range of popular services. You can group it with other Sonos speakers for multi-room playback and send songs to it via AirPlay 2 and Spotify Connect. Since it’s a soundbar, it connects to your TV with an optical cable to play whatever audio is coming through your television. And, like other Sonos soundbars, you can wirelessly pair the Ray with the Sonos Sub for extra bass, or a pair of Sonos One speakers for true rear surround sound. This last point makes it an ideal entry point into a Sonos home theater system that you can build up over time.
Sonos
To keep the price below $300, Sonos made some changes that it believes won’t be a major concern to its target audience. Since the Ray uses optical audio rather than HDMI, it has less audio bandwidth than the Beam and Arc soundbars. This means that the Ray is only capable of decoding Stereo PCM, Dolby Digital and DTS Digital Surround; it’s incompatible with Dolby Atmos, a major difference from Sonos’ other home theater products. It does keep an ethernet port for faster networking performance, though.
Sonos also skipped out on including a microphone here, so you can’t use it directly with the new Sonos Voice Control feature or other assistants like Alexa and Google Assistant. In addition, the Ray has simpler speaker internals than what you’ll find on the Beam and Arc. All told, you get two center midwoofers, two tweeters with split waveguides to broaden the speaker’s soundstage, a bass reflex system that provides a surprising amount of low-end performance, and four Class-D amplifiers.
Sonos
The speaker has a tapered design and forward-facing speaker components, unlike the Beam and Arc. Sonos says this is so you can tuck the Ray inside of a media stand without sound bouncing off the walls. This is part of the overall vision for a product built for smaller spaces than other Sonos soundbars, which are both large and loud. (As usual with Sonos products, it comes in both black and white, either of which should look just fine in a wide variety of homes.)
Naturally, the Ray’s speaker setup is more modest than more expensive Sonos speakers, but in practice it still provides an impressively well-balanced listening experience, whether it be music or movies. Sonos said that it focused on areas where it felt built-in TV speakers were particularly lacking, like dialog reproduction and bass. Both of those characteristics were definitely noticeable in the demo. Naturally, we’ll need to do some closer listening to see how it compares to other soundbars from Sonos as well as its competitors, but the Ray made a positive first impression. Like other Sonos speakers, too, you can use an iOS device to enable Trueplay speaker-tuning technology to optimize the Ray’s sound for your specific environment.
At first glance, it seems the Ray offers a lot of value for $279. In some ways, Sonos is positioning it as the “gateway drug” for its home theater lineup, similar to how the Roam serves as an entry into the Sonos ecosystem. Like the Roam, the Ray costs more than some competing products, but that cost gets you a full-fledged Sonos device with all the benefits that entails, including a focus on audio quality. You could definitely get a less expensive soundbar, but Sonos isn’t trying to be the cheapest by any means necessary. Instead, it’s trying to bring the power and clarity of its other soundbars to a smaller, more affordable package. How successful it’ll be remains to be seen, but at first listen the Ray could attract a lot of people interested in something like the Sonos Beam, but who were otherwise scared off by its price.
Today is a good day to get started building a connected home theater. Amazon has the Roku Streambar on sale for just $99, well below its usual $130 price. If you crave improved sound, the more powerful Streambar Pro is back down to $150 ($30 off). And don't worry if you already have good speakers and just want an advanced media hub — the current-generation Apple TV 4K with 32GB of storage is still on sale for $150 (normally $179).
The Roku Streambar represents one of the easier ways to drag an older TV into the modern era. You're getting both a 4K HDR-capable streaming device and a solid speaker upgrade in a compact package. Roku's platform offers access to a wide range of services (including support for AirPlay, HomeKit, Alexa and Google Assistant), and you can even use the Streambar as a Bluetooth speaker if you just want to play tunes from your phone. This might be an ideal fit for a small apartment, a dorm or a bedroom TV.
The base Streambar has only modest bass, and none of Roku's soundbars has Dolby Vision HDR support or an Ethernet jack for wired networking. You can improve audio quality with the Streambar Pro, however, and there are kits to add surround sound or a subwoofer (all of them $30 off) if you have the money to spend. It's safe to say even the entry model is a significant upgrade over the usual built-in speakers, and might offer apps beyond what your TV allows.
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IK Multimedia has revealed its latest mobile audio interface, a field recorder called iRig Pro Quattro I/O. The device has 24-bit, 96kHz conversion and four microphone and instrument preamps, along with line-in ports. You'll also get two balanced XLR outputs, 3.5mm stereo and headphone ports and MIDI in/out. There's a built-in microphone as well.
There are physical control dials for the inputs, headphones and line out. IK Multimedia says there's a standalone mixer mode and a built-in limiter. You'll be able to take advantage of a safety mode as well. Inputs three and four can be used as safety channels, whereby they capture the same signals as the other two main inputs, but with a 12dB reduction "in case the sound source unexpectedly overloads the main channels," the company said.
You can power the iRig Pro Quattro I/O with a USB cable, 9VDC adaptor or battery. IK Multimedia notes that it'll work with a range of devices out of the box, and it's MFi-certified for better compatibility with iPhone and iPad.
This isn't a standalone device, however. It doesn't have an SD card slot, so you'll need to connect it to a mobile device or computer to actually record audio. As with the iRig Pre 2, you'll be able to hook it up to a DSLR, which would likely help you capture better quality audio than what the camera can pick up by itself.
IK Multimedia
Field recorders have been growing in popularity for on-the-go audio capture, with the likes of Zoom and Tascam making notable models over the years. Fans of IK Multimedia's other gear might be pleased to learn about the iRig Pro Quattro I/O, but the lack of onboard storage might be a sticking point.
The iRig Pro Quattro I/O is available worldwide starting today. It costs $350/€350 and comes with batteries, USB and Lightning cables, a quarter-inch camera thread adaptor and software for Mac, PC, iPhone and iPad.
A deluxe version is also available for preorder. That model costs $450 and should ship at the end of June. If you opt for that, you'll also receive two iRig stereo microphones, a windscreen, a carrying case and a 9V power supply unit.
Marshall has just announced two new Bluetooth options to its stable of portable speakers, along with a few new features. The Willen is the company’s first ultra-compact portable and it’s joined by the Emberton II, which improves on the previous model in a few ways. Both will now work with the Marshall Bluetooth app, which hasn’t been available on any of the portable speaker models before. It was also inevitable that the company would launch a feature called Stack Mode – a throwback reference to “Marshall stacks”. This simply catches them up with the rest of the speaker world and lets you wirelessly expand your music to other Willen or Emberton II speakers. Also worth noting is that Marshall has increased the battery life of the Emberton II from 20 hours of runtime to 30 or more on a single charge (at modest volumes I’m sure).
The Emberton II.
Marshall Headphones
As we alluded to in our recent Bluetooth speaker buyer’s guide, Marshall speakers (in general) have a wonderful warm sound, chunky bass and dynamic highs. We found the best value in both sound and price when you opt for the larger and relatively less portable Tufton model ($450). Although still priced at a slight premium, the smaller models have a scaled down version of the same sound.
Now that the Emberton II supports Stack Mode, 30 or more hours of runtime and offers an app for EQ tweaks and firmware updates, there’s more value tucked into that price tag. The Willen fills the gap for people looking to get a personal portable and save a few bucks, although we still have yet to give it a listen. Both speakers have Bluetooth 5.1, an IP67 weather-proof rating and are compatible with each other for Stack mode, which takes a triple press of the Bluetooth button to host and a double press on secondary speakers to join or disconnect.
I’ve spent plenty of time in the past DJing, throwing small parties and going to events, so that’s put me in the mindset of looking for the biggest sound systems with the least amount of hassle. There are plenty of Bluetooth options these days that would make my younger self excited. The Soundboks Go is the latest of the bunch, packing a respectable boom from this relatively small package (18 x 12 x 10 inches). This 20-pound speaker is half the size of the Soundboks Gen 3 and nearly half the price at $699. It still has a thumping bass output, clear, long-throw mids and highs and wireless TeamUP expansion, but its physical connectivity is limited to a single 3.5mm aux input.
There’s a lot to like here for people who are looking for big sound in a format you can lug around without too much effort using its integrated handle or $59 shoulder strap accessory. With Soundboks’ SKAA wireless connectivity (TeamUP), it’s also easy to expand the setup with other speakers from the brand by setting one speaker to Host and the others to Join. This would let you quickly cobble together an event PA or dancefloor, but that’s no small financial feat considering the price.
The Go and the Gen 3 have a lot in common, both in sound quality and build. Both use the same swappable BatteryBoks, include a top hat (or pole) mount and offer a big, bright output (40Hz - 20kHz) with little to no distortion at the loudest volume. These Bluetooth 5.0 speakers work with the Soundboks app so you can adjust the EQ, custom sound profiles, volume, stereo positioning, set Bluetooth signal locks and download the latest firmware updates.
The onboard controls are fairly basic, providing a volume control that doubles as the power button, alongside the manual Solo, Host and Join button. The Join indicator shows the connection status, which you can read about further in the manual. For deeper controls, you’ll have to head to the app.
Jon Turi / Engadget
As for its build, the Soundboks brand has made a name for itself making rugged portable Bluetooth speakers and the Go follows suit. It has an IP65 rating so it can handle inclement weather well, just don't dunk it in the water. On the exterior, there's a solid ABS and polycarbonate cabinet and grille with silicone bumpers and a TPE rubber handle similar to the one on the UE Hyperboom. There’s strapping with loops that run around the center, which is used for connecting the shoulder strap. While the Go is easy enough to carry around by the handle, I’d recommend going all in and getting the strap as well if you plan to walk around with it for more than a few blocks. Sometimes even 20 pounds can seem heavier after a while.
The audio design for the Go has just one 10-inch woofer (96dB), a 1-inch horn-mounted tweeter (102dB) and you’ll find the bass ports around the woofer in a front-facing position. This limits the reflectivity of the bass from that of the Gen 3, making it generally better for outdoor settings.
That’s fine, since this is a speaker that works best when unlimbered at higher volumes and provides bass you can feel even at 20 feet away (most effectively in Bass+ mode). While that’s the ideal, you can use it indoors at a lower volume (50% or less on Indoor mode) to good effect, but again the output is very directional and can seem a bit big for smaller rooms. It is marketed as an “outdoor” speaker after all.
Still, you can shuffle through the custom profiles to get the ideal output for your particular environment. Bass+ mode provides the chunkiest and thumping bass output, but will tax the battery life. Power mode is still very loud, with plenty of bass and should give you 10 hours of playtime at full volume or 40 hours at medium. Indoors mode is a much thinner sound, but won’t disturb the neighbors as much and still sounds fine. There’s also a custom setting, so you can adjust the EQ as you see fit. However, if you’re thinking of just keeping the battery plugged in and charging the whole time while you play, keep in mind that you shouldn’t go past 50 percent volume or risk damaging the device.
One big changeup with the Soundboks Go is the focus on wireless connectivity over practical wired inputs and outputs. The single 3.5mm aux input is all you get, so even though it's more portable, musicians and singers looking to amplify their craft on the road will have to try and make do — or upgrade to the Gen 3.
While the Soundboks Go is a high-end device, it can still fall victim to the capricious nature of Bluetooth signals. Using TeamUP to connect multiple speakers also has some range limitations, although raising the speakers up on top hats to maximize line-of-sight and having structures for the radio signals to bounce off of will help optimize connectivity. In my testing with the Bluetooth source being my pocketed phone and connecting a Soundboks Go and Gen 3 together via TeamUP they started to have a little bit of connection drop while about 40 feet away from each other in an area off a busy road with no walls of any sort nearby.
Having more than one speaker placed within 30 feet or less of each other or in clusters would seem to be the way to go here if you have them. If you’re planning an event, you may want to consider getting a SKAA transmitter to bridge your source and connect to the speakers for a more stable connection than Bluetooth. For the most reliable connection, you’ll want to stick with wired input, although the Soundboks Go’s 3.5mm port isn’t a standard for professional use.
Jon Turi / Engadget
Overall, the $699 Soundboks Go is definitely a more portable alternative to the $999 Gen 3 model, but loses most of the wired connections, aligning it more with the Bluetooth mainstream. If you want to use a pair as a Bluetooth loudspeaker alternative, it’s doable considering the up to 10 hour runtime at full volume in Power mode. But for larger (and louder) event applications, especially in Bass+, the runtime limit becomes an issue. As a personal standalone device, it’s powerful, portable and durable. The JBL PartyBox series (110 or 310) speakers are close competitors, but in portability, perhaps the JBL Boombox 2 is closer. That kicks out some volume, but doesn’t have the long throw like you’ll find with the Soundboks Go.
The price is a bit steep, but the audio quality doesn't disappoint, especially in its size range. It can also be a great complement to another Go or a Gen 3 speaker, but it's a less capable pro-level competitors. If you’re on the fence, there’s a 100-day return policy and a respectable two-year warranty (plus one more if you register the device). The Soundboks Go is now available to purchase for $699 on the company's website.
