When a microphone has been around for 30 years, it must be doing something right. The Rode NT1 is arguably the company's flagship studio mic and origin story for the brand's name. The mic was originally called the Rodent1, shortened to Rode NT1 and the rest is history. Today, the company is unveiling the fifth iteration and it comes with two key updates that should interest podcasters and vocalists alike. Those would be 32-bit float recording and the addition of USB connectivity.
The inclusion of USB might feel like something that should have been there all along, but typically "pro" studio microphones are XLR only, with USB being the reserve of desktop microphones. Times are changing though and more folks are seeking a classic microphone but without the need to use an audio interface. Now, with the NT1 you have both. The USB connection is tucked away right at the base of the existing XLR port. It's a clever solution, but you will need a USB cable with fairly slim connections else it won't fit.
With the new USB connectivity comes the option for tailoring the sound of the mic. Usually that part is offloaded to an interface or mixer, but now there's an onboard DSP that allows you do apply things like a noise gate or compressor to the mic directly (via Rode's Central or Connect apps). Not to mention this makes the microphone much more portable as you won't need to bring a separate, often clunky interface along with you.
Rode
Easily the biggest benefit of the MK5 (and that built-in DSP) is the introduction of 32-bit float recording. In a nutshell, 32-bit allows for an exponentially larger dynamic range than 16- and 24-bit (which is what most systems use). This means you can forget about clipping (when audio is too loud and distorts) as there's enough headroom for almost any sound that would be possible. Or, put another way, you can effectively forget about setting levels safe in the knowledge you can adjust them in post without any audio loss.
What this means for podcasters and vocalists is less time worrying about levels at the point of recording, knowing you can set things as you want in post. Of course, good levels at the point of recording is always adviseable if possible, but it at least means any sudden sounds won't ruin your take. It's also currently very rare to find 32-bit float on a microphone like this - typically you'd have to buy a pro-level audio recorder if you wanted this feature.
At $259 the NT1 sits in an interesting spot. Shure's MV7 also offers XLR and USB connectivity and retails for $250 without 32-bit float (it's also a dynamic mic which will be either a benefit or a disadvantage depending on your needs). Sennheiser's fantastic MK 4 condensor typically runs for around $300 and doesn't offer USB connectivity. Similarly, if you're using something like a Blue Yeti and looking for an upgrade, the NT1 makes a compelling option.
It's perhaps not a huge surprise that Sonos has more speakers on the way, but a new report reveals what the company's next models probably look like, as well as some of the specs and approximate pricing. The Sonos Era 300 and 100 are slated to arrive in late March, according to The Verge. The latter is said to effectively be a replacement for the Sonos One, which has been around since 2017.
The Era 100 looks similar to the One, though it has a more spherical design. The physical controls, meanwhile, appear to be on an indented bar. The Era 100 could be a little more expensive than the $219 One (Sonos is said to have bandied around a price of $250), but it reportedly has extra features, such as Bluetooth audio and USB-C line-in support. It's believed that the Era 100 won't have upward-firing drivers, though it should build on the Sonos One's performance by including a second tweeter (to help deliver stereo audio) and larger mid-woofer for stronger bass.
Sonos
The drum-style Era 300, meanwhile, appears to have similarly indented controls and seems to be designed with spatial audio in mind. It reportedly has six drivers. The Verge indicated that, when a pair of the Era 300 speakers are combined with the Arc or Beam (Gen 2) soundbar — used as rear surround speakers in this case — they'll deliver Atmos surround sound with upward-firing audio. Like the Era 100, the 300 is said to support Bluetooth audio and USB-C line-in. It's anticipated that the Era 300 will cost around $450, which is less than the Sonos Five.
While the speaker reportedly supports spatial audio from Amazon Music Unlimited, it's believed that Sonos has not reached an agreement to stream Apple Music’s Dolby Atmos tracks directly on an Era 300. There are workarounds involving an Apple TV 4K and Sonos' soundbars, though for the time being, it seems that standalone Apple Music Dolby Atmos playback will remain an exclusive HomePod feature.
Both Era speakers are said to have WiFi 6, Bluetooth 5.0 and AirPlay 2 support. The report suggests they'll work with Trueplay calibration on Android phones. They'd be the first Sonos devices to do so.
Meanwhile, it's expected that Sonos will separately sell a line-in adaptor for USB-C audio. It's also understood that you'll need to buy a so-called combo adapter if you want to plug in an Ethernet cable as neither speaker has a built-in port. In any case, we should find out more details about both speakers in the coming weeks.
Sony's latest WH-1000XM5 wireless ANC headphones are among the best we've ever tested, thanks to improved sound quality, a comfortable fit and incredible active noise cancellation (ANC). Now is a good time to pick up a pair, because they're currently on sale at Amazon for $348, for a savings of 13 percent ($52) over the regular $400 price.
The WH-1000XM5 scored an excellent 95 in our Engadget review, thanks to improvements in nearly every way over our previous favorite headphones, the WH-1000XM4 (which are also on sale for $300 right now, by the way). Perhaps the biggest improvement was in fit and comfort thanks to the more optimal weight distribution, synthetic leather ear cups and slightly reduced weight.
Sound quality also went up, due to the new 30mm carbon fiber drivers that deliver punchier bass. We also saw more clarity that helps you hear fine detail, along with improved depth that makes music more immersive. And Sony's DSEE Extreme sound processing recovers detail lost to compression, without any noticeable impact on sound quality.
The ANC is equally impressive. With double the number of noise cancellation microphones found in the M4, along with a new dedicated V1 chip, the M5 does a better job at minimizing background noise. And in terms of the microphone, we found that the M5 offers superior call quality over its predecessor. Moreover, you get 30 hours of listening time with ANC enabled, enough for the longest of flights.
The main drawback of the WH-1000XM5 headphones is the $400 price tag, but you can pick them up right now in either silver or black for just $348 and save a cool $52. Just act fast before the sale ends.
There are a few times throughout the year when it’s worth snatching up new TVs and home theater tech while it’s on sale. Undoubtably, the holiday shopping period is your best bet, but at least in the US, right before the Super Bowl is the next best time. You can find a bunch of TVs on sale right now, and Sonos has joined the fray today by discounting a bunch of its home theater equipment. Its latest soundbars, the Arc and the Beam, are down to $799 and $399, respectively, while the Sonos Sub is on sale for $649. But the easiest in to the Sonos ecosystem is with a One speaker, and you can pick that up for only $179 right now.
Despite being a few years old, the Sonos One remains a top pick of ours in the smart speaker space. It provides excellent audio quality and you can pair two of them together for stereo sound. If you have multiple Sonos speakers in your living room, you can connect all of them together to create your own sound system as well. We also appreciate Sonos’ Trueplay technology, which measures the acoustics in your room in order to fine-tune the speaker.
The standard Sonos One is on sale, which means you get voice assistant capabilities as well. You can ask Alexa, the Google Assistant or Sonos’ own vocal helper to play music from a bunch of different services including Spotify, Tidal, Amazon Music and others. It also supports AirPlay 2, so you can easily send any sound from your Apple devices to the speaker to play.
As for the soundbars on sale, the Arc is the one to go with if you want the best that Sonos has to offer right now. We like its modern design and stellar sound quality, plus it also calibrates to your room and supports voice assistant input. The Beam is a great soundbar as well, and the addition of Dolby Audio on the second-gen model really helps it out. Both are some of the best soundbars you can get, plus they are easy to set up and simple to connect to other Sonos devices you might have (or want to have), like a Sub or a Sub Mini. Aside from how expensive things get when you want to expand a Sonos system, our biggest knock against both soundbars is that they only have one HDMI input each.
Last summer, Netflix started using a spatial audio system that doesn't require dedicated equipment. After debuting the tech with season four of Stranger Things and a few other other titles, Netflix is now rolling it out more broadly. However, you'll need to be subscribed to the top-end Premium tier to check it out. The company says spatial audio is now available on more than 700 of its most-watched titles, including The Watcher, Wednesday and Glass Onion: A Knives Out Mystery.
A spatial audio badge on shows and movies will make it clearer if a title supports that format. You can also search for "spatial audio" to see the full list of supported titles. In the coming months, you'll be able to check out more series and films with spatial audio enabled, including You, Your Place or Mine, Luther: The Fallen Sun and Tour de France.
Netflix teamed up with Sennheiser to use Ambeo 2-Channel Spatial Audio tech. It's designed for built-in stereo speakers, particularly laptops and tablets. Netflix says spatial audio should be effective on TVs that aren't too far away from the viewer and phones with stereo speakers. The company claims that its spatial audio will offer a more immersive experience to those wearing headphones too.
Premium subscribers are getting another boost starting today, which could come in especially handy for those who watch Netflix shows and movies on the go and across several devices. You'll now be able to download titles to six different devices, up from four. That's six more devices than users on the ad-supported plan can download TV series and films to.
Rode only dipped into headphones last year, but now it's ready to unveil its first headset — and this time it's courting gamers in addition to creatives. The NTH-100M takes the familiar design of the NTH-100 but adds a detachable condenser microphone. It's too early to say if the hardware is truly "broadcast-grade," as Rode claims, but the company's reputation for mics bodes well if you want quality audio when you're chatting with teammates or hosting a livestream. You can even buy the boom mic separately (as the NTH-Mic) if you already have the headphones.
The design will otherwise seem familiar. Rode claims the 40mm dynamic drivers are designed for accurate frequency response with minimal distortion. The NTH-100M might be your pick if you want a neutral sound for editing podcasts and videos. You won't get perks like noise cancellation or Bluetooth, but the headset will be surprisingly comfortable. When we tried the NTH-100, we found the cooling gel and other design touches to help for extended listening sessions.
The NTH-100M will retail for $189 which is $50 more than the headphones it's based on. If you already have the NTH-100, you can snag the NTH-Mic separetely for $69. This means if you were holding out and can make use of the mic, the combo deal represents a $20 saving. Or, for that matter, you could always buy the base 100 for listening and upgrade when you're ready to create content.
The NTH-100M is also a unique product in Rode's lineup. While it's not part of the company's Rode X gaming brand, it's clearly aimed as much at gamers and Twitch streamers as it is musicians and podcasters. In that sense, it straddles the line between consumer and creative in a way that even the headphones didn't quite manage.
Marshall already launched a few rugged, weatherproof portable Bluetooth speakers, but so far they’ve been relatively small. That changes today with the launch of the Middleton. It’s still portable enough to chuck into a backpack, but has an IP67 rating, 20+ hours runtime at mid-volume, dual woofers and tweeters pushing out 50-watts of 360-degree sound and moves into the bassier 50hz to 20kHz frequency range. It’s available in black starting today and priced at $299.
The Middleton is being pitched as the new flagship for Marshall’s portable Bluetooth speaker line and rightly so. Aside from the Tufton, which isn’t all that rugged and is significantly bigger, the Middleton is now one of the more powerful portables in the company’s stable. It’s the largest IP67 rated speaker they have on offer, measuring 4.3 x 9 x 3.75 inches, and one of the first to pump out sound from all four sides. It also ditches the rubber port stopper seen on other models, since the company has already waterproofed the components.
As mentioned, the Middleton is rated for more than 20 hours of playtime on a single charge, at low to mid volume of course. I haven't had the chance to test this on full blast for long periods of time, but the charge does seem to hold up well. The speaker has three battery cells totaling 9,600mAh, and you can use the speaker as a USB-C power bank if needed. Also, if your charge is running low while you're jamming out, you can always use it while its charging.
The 360-degree sound is driven by two 15-watt woofers, two 10-watt tweeters and a pair of passive radiators that serve to pump music out of the smaller ends of this chunky rectangle. The output from this four-pound device is respectable and it handles low frequencies well. You also get the trademark Marshall sound that gives you a good dynamic range and provides significant depth to whatever sounds you're vibing on.
Just like the Emberton and Willen, the Middleton has a soft-touch exterior composed of 55-percent post-consumer recycled plastic and is 100-percent PVC free. It also has a carry strap you can easily fit your hand through. On the top, you’ll find onboard controls that provide more hands-on adjustment than its siblings. There’s a Bluetooth button (which doubles as the Stack Mode control) and a multi-use joystick for power on/off, volume control and track selection (forward or back). You also get bass and treble controls, which are a welcome addition and a first for one Marshall’s speakers without physical knobs. The level indicator works in conjunction with most of the above. It displays battery level, but also indicates volume, bass and treble levels all with backlit red lighting.
This speaker is also the biggest model to support Marshall’s Stack Mode feature. You can start a session using the Marshall Bluetooth app and pair with any other Middleton, Emberton II or Willen speakers using a double press of their Bluetooth buttons to join. It helps if you aren’t already paired with speakers joining the session. Like most Bluetooth portables, two (or more) sound much better than one and a double dose of the Middleton sound is a pleasure. The company claims you can pair a good deal of compatible speakers together, having tested up to 60 at one time. I've "stacked" two Middletons, an Emberton II and a Willen which worked well — once I unpaired all but the main speaker from my phone, that is.
For reference, the UE Megaboom 3 ($199) is a good model for comparison in terms of scale, although it's been around for several years. As usual, this puts the Middleton in a slightly higher price bracket than some others out there in its size, but Marshall products have usually been priced at a slight premium. The excellent sound quality and better low-end capability definitely makes this model worth checking out.
You can order the Marshall Middleton in black from the company’s website starting today for $299. If you prefer the cream-colored option, you’ll have to wait until around Spring this year.
Specifications
Frequency Range: 50 Hz-20,000 Hz
Drivers: Two 15-watt woofers, two 3/5-inch tweeters, two passive radiators
Amplifiers: Two 20-watt class D amps for the woofers, Two 10-watt class D amps for the tweeters
Battery Type: Built-in rechargeable Li-ion
Play Time: 20+ hours
Quick Charging: 20 minutes gives you two hours of play
When Apple debuted the HomePod in 2018, it was already late to the smart speaker game. Sure, the company has never been worried about tardiness, choosing instead to focus on being the best. Unfortunately, that wasn’t the case with its first attempt. The HomePod sounded good, but lacked a lot of the basic functionality and voice assistant smarts the likes of Amazon and Google offered. Apple has spent the last five years improving both HomePod and HomePod mini, adding features like multi-room audio, multi-user support and an intercom tool.
In 2021, Apple discontinued the original model in favor of the $99 HomePod mini. But now, the larger version is back with a familiar look, but lots of changes on the inside. Like the first, the new HomePod ($299) is best suited for those who’ve committed to Apple’s ecosystem. So if that’s not you, I understand if you don’t want to go any further. If it is, just know that the company has given its speaker a lot more tools than it had at launch five years ago, including more capable assistance from Siri and more smart home abilities. Plus, the second-generation HomePod is $50 cheaper.
A familiar design updated on the inside
If you were hoping for a wholesale redesign with the new HomePod, Apple undoubtedly disappointed you. However, there are some noticeable changes upon close inspection. First, the speaker’s touch panel is now slightly recessed like the HomePod mini. On the original version, that panel sits flush with the top rim. When you trigger Siri, lighting for that panel now goes all the way to the edge too. Next, the power cord is now detachable. This means if you have an issue with that very necessary component, it should be easier to get a replacement (via Apple Care). If you have excellent vision, you might also be able to discern the 2023 model is 0.2-inches shorter at 6.6-inches tall (vs. 6.8 inches) if they’re sitting side by side.
On the inside though, Apple made a host of changes. Both versions have an upward facing woofer with a group of tweeters around the bottom. For the second-generation, Apple reduced the number of tweeters from seven to five, angling them slightly upward where previously they were almost perfectly side-firing. The company also cut the number of voice microphones from six down to four. And perhaps the most important change internally, Apple swapped the iPhone 6’s A8 chip for the much more modern S7 – the silicon that powers the Apple Watch series 7.
Software and setup
Despite the lack of changes on the outside, the second-gen HomePod is a better speaker because Apple has been improving it and the HomePod mini over time. The company added stereo pairing and multi-room audio alongside AirPlay 2 a few months after launch of the first generation model. Multi-user support and audio handoffs were added in 2019 and the intercom feature arrived ahead of the HomePod mini in 2020. And in 2021, HomePod gained the ability to play any TV audio via an Apple TV 4K over eARC and both spatial audio and Apple Music lossless streaming. So many of the key features Apple is chatting up on the new HomePod are things it has been slowly adding since 2018. And many of which, I’d argue, should’ve been there from there from the start.
Everything you need to set up and control the HomePod is found in Apple’s Home app. First, you’ll need to add a new speaker like you would any other smart home device with this software, including assigning it a room or location in your home. The app allows you to set up Automations and Scenes along with configuring how you’d like to interact with Siri.
Billy Steele/Engadget
You have the ability to disable voice cues or the long press on the HomePod’s touch panel in order to activate the assistant (both are enabled by default). You can also have the speaker light up and play a sound when using Siri – or do one or neither. The Home app will let you use Siri for Personal Requests too, where the speaker can recognize your voice for things like messages, calls and reminders so long as your iPhone is close by. The software allows you to disable the HomePod’s intercom feature as well, should you prefer not to use that tool.
Like the first HomePod, the 2023 model is equipped with room calibration. This detects reflections off of walls and other surfaces to configure the sound for the best performance. The HomePod does this the first time you play music, but it isn’t constant monitoring. Instead, like it did on the previous generation, the setup leverages an accelerometer to determine when it has been moved. If it has, the speaker will then reinitiate the room sensing process when music is played.
A smart home with Siri
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When we reviewed the original HomePod in 2018, one of our biggest gripes was with Siri’s limited abilities. Sure the speaker sounded good, but the lack of polish with the voice assistant made it seem like a work in progress. Apple has done a lot to improve Siri over the last five years, so a lot of those issues with the original have been fixed.
First, the HomePod, like Siri on your iPhone, is capable of recognizing multiple users. Personal Requests can allow it to peek at your Calendar, Notes, Reminders, Messages, Find My and more when you ask. Plus, HomePod can give each member of your family (up to six people) their unique responses from certain iPhone apps. What’s more, Siri can create recurring home automations without you having to pick up your phone and swipe over to the appropriate app.
Even with fewer microphones to pick up your voice, the new HomePod doesn’t suffer any performance setbacks. It’s just as capable as ever at picking out your voice even in a noisy room. And, while playing music with voice commands used to be limited to Apple Music, services like Pandora, Deezer and several others can now be controlled via Siri.
HomePod is also a smart home hub, easily pairing with HomeKit and Matter accessories. The new model is equipped with temperature and humidity sensing, and that info is displayed prominently in the Home app. Of course, you can use that data to create automations with other smart home devices. I don’t have a compatible smart thermostat, but I was able to successfully trigger a smart plug once the HomePod detected a certain temperature in my living room.
Sound Recognition is arguably the most notable new feature that Apple is debuting with the new HomePod, but it’s not ready yet. It can listen for smoke or carbon monoxide alarms and send a notification to an iPhone, iPad or Apple Watch. What’s more, you’ll be able to “check in'' on what’s happening via an audio feed or camera. Sound Recognition won’t arrive until later this spring, so we’ll have to wait to test it.
Sound quality
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Audio quality wasn’t an issue with the first-gen HomePod and it’s still great here. But like the first version, Apple’s choice for tuning won’t appease everyone. There’s a continued emphasis on voice, so things like vocals in music or dialog on a TV show or movie take center stage. At times it’s fine though, with some genres and content, it leads to a rather subpar experience.
Don’t get me wrong, for the most part HomePod sounds outstanding, especially when you put it up against other smart speakers. The fact is many of those don’t sound very good at all, so Apple continues its track record for making a device that has serious audio chops and smart features. RTJ4 has ample bass for its bombastic hip-hop beats while Sylvan Esso’s No Rules Sandy gets enough low-end for its synth-heavy rhythms. Thanks to the HomePod’s excellent clarity, detailed styles like bluegrass and jazz shine. Sometimes the bass is a little too subdued for metal (Underoath’s Voyuerist) or full-band country (Zach Bryan’s 2022 live album), and the vocals too forward, but overall, it sets the standard for smart speaker sound. And the HomePod only shines brighter as a stereo pair.
When you add the second HomePod in the Home app, the software asks you if you want to use them together. Once you tell it which side the additional unit is on (left or right), the app completes the setup for you, assigning the appropriate channel to each speaker. Now everywhere you previously saw a single HomePod icon, you’ll see two, constantly reminding you of the stereo arrangement. The double speaker option is great for music. On Béla Fleck’s My Bluegrass Heart, the two-speaker arrangement adds a lot of dimensionality to each track. There was already a spatial element to the tunes, but dual HomePods heightens the sensation, making it seem like you’re in the middle of the musicians while they record each song.
Billy Steele/Engadget
When you select a HomePod for use with the Apple TV you still need to deselect your TV speakers. Those aren’t disabled just because you’ve asked the streaming box to also send audio to a HomePod or two. TV audio with stereo pair is fine, but I can’t see using a single unit for the same purpose. In a multi-room setup you might want to send the sound from a live event like the Super Bowl to a solo speaker, but having just one as your lone living room audio from a TV isn’t a great experience. While the HomePod beams sound in all directions, with a single speaker it’s clear the sound is coming from a fixed location – something that’s a lot less noticeable with a pair or with a soundbar.
As is the case with vocals, dialog takes prominence with a HomePod and Apple TV. At times it can seem slightly muffled when watching things like live sports. Otherwise, there’s good clarity, nice bass and great dimensional audio when streaming Formula 1: Drive to Survive or Slow Horses. But, honestly, if you’re looking to improve your living room audio, a soundbar and sub is a better option. The driver arrangement in those speakers does a better job of filling a room completely and evenly. Plus, most companies give you the ability to use adjustments or presets to dial in how much you want those speakers to focus on dialog so you can fine-tune things to your liking.
The competition
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Because the HomePod is best suited to people who have married themselves to Apple’s ecosystem, the best alternative to the second-gen HomePod is the cheaper HomePod mini. If all you’re after is some Siri assistance with your smart home and a speaker that’s good enough for casual listening and podcasts, the $99 option will work well for you. Plus, Apple just unlocked the smaller speaker’s inactive temperature and humidity sensor and it’s due to get Sound Recognition.
Wrap-up
Apple has been preparing for a new HomePod for five years, constantly improving both the original version and the HomePod mini. And the fact that the company has made Siri a more capable companion certainly helps. Plus, there’s more smart home abilities than before. Apple hasn’t strayed from its emphasis on the spoken (or sung) word for HomePod’s sound profile, but that’s okay. It’s clear that the company is focused on expanding the toolbox for its smart speakers after their debut, so I’d expect that much like the original HomePod, this is just the beginning for the second generation.
When Bowers & Wilkins announced its Px7 S2 headphones last year, the company made it clear that it already had a more premium offering nearly ready for prime time. Three months later, the Px8 arrived. While the Px8 carries a similar look to its predecessor, Bowers & Wilkins crafted this set of headphones out of more luxurious materials and managed to improve what was already great sound quality. However, the upgrades come at a steep price: the $699 Px8 is $300 more than the Px7 S2.
Design
At a glance, the Px8 looks nearly identical to the Px7 S2 Bowers & Wilkins debuted last year. Upon close inspection though, the differences become apparent. The Px8 has a slightly more refined aesthetic, with soft leather replacing the woven fabric on the outside of the headband and ear cups. The outermost panels of the earcups, where the company’s wordmark resides, is now metal instead of plastic. And the arms and headband slider are cast aluminum, further complementing the more premium design.
The Px8 weighs 13 grams more than the Px7 S2, which is probably (at least partially) due to the change in materials. Memory foam ear cushions keep things comfy, but you can feel the extra load if you’re doing a side-by-side comparison. For that reason, I give a slight edge to the S2 if you need something to wear for several hours at a time. After a Vegas to Atlanta flight this month, I was starting to feel the added weight – and also the rings around the ear cups.
On-board controls are still physical buttons on the Px8, and they’re in the exact same locations as the Px7 S2. On the right, a power/pairing slider sits above a trio of buttons for volume, playback and calls. Over on the left side, a single control toggles between active noise cancellation (ANC), transparency mode and both off. While some companies have nixed buttons in favor of touch panels, those aren’t always reliable, but what Bowers & Wilkins offers here certainly gets the job done.
Software
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The Bowers & Wilkins Music app gives you access to all of the settings on the Px8, just like it has for the company’s previous headphones. On the main screen, there’s up-to-date battery status with noise mode selection just below (ANC, Pass-through and off). You can also manage connections here as the Px8 supports multipoint Bluetooth with two devices. Lastly, the company has put media controls (if you link compatible services), tone settings, a quick start guide and product support right on that first panel.
Once you dive deeper into the settings section, battery life percentage and noise mode (or Environmental Control as the company calls it) are prominently displayed once more. Treble and bass sliders are there as well, allowing for very basic EQ tweaks. The company hasn’t provided any presets here, so you’re left with those two variables to adjust. The ability to manage connections is repeated here as well, just above the option to reassign the Quick Action button on the left earcup. By default, it cycles between sound modes. However, if you prefer, you can make it summon a voice assistant.
The last two notable items have to do with power management. First, Bowers & WIlkins offers an automatic standby feature that activates a low power state after 15 minutes of inactivity. You can switch it off if you’d like. The second tool is the ability to activate or disable the wear sensor for automatic pausing. The company says this should pause music when you lift one earcup, but that isn’t always the case. Bowers & Wilkins gives you three sensitivity options to help fine-tune it (low, medium and high), but none of those remedy the fact that the Px8 – like the Px7 S2 – is slow to pause when you lift an ear cup or take them off your head. This could still use some work so that at the very least audio resumes quicker after a break.
Sound quality
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One key area the Px8 differs from the Px7 S2 is sound quality. Where the latter packs in a pair of 40mm bio cellulose drivers, the former is equipped with two carbon units of the same size. I’ll admit I don’t know enough about headphone construction to tell you if one is technically better than the other, but what I do know is that the Px8 sounds incredible. The Px7 S2 already had great audio quality, but Bowers & Wilkins somehow manages to take things a step further with this model.
There’s a warmth to the sound profile that invites you to sit and listen a while, no matter the genre. An almost extreme clarity to the audio keeps the most chaotic metal perfectly organized, allowing you to pick out individual instruments. And in the case of Underoath’s Voyuerist, it’s easy to distinguish the backing synth even when it’s very subtle or laid underneath the full band going flat out. The amount of detail the Px8 exudes from bluegrass and jazz tracks is staggering, making it seem like you’re in the room with Béla Fleck as he recorded My Bluegrass Heart. It’s not just banjo, guitar, bass, mandolin and fiddle. You can hear the nuance in the sound of each one as they envelope you.
And it’s more than the clarity and detail. The Px8 is a well-tuned powerhouse for bass-heavy electronic music and hip-hop too. When a track demands it, these headphones tap into a stash of low-end that rivals some of the best. And like everything else, you can hear the subtlety in the kick drum, drum machine and bass line. That’s true across the board, whether it’s bombastic beats of RTJ4 or the intricate synth work on Sylvan Esso’s No Rules Sandy.
In terms of active noise cancellation, the Px8 does an admirable job. It’s not miles better than the Px7 S2, but in nearly every circumstance – including on an airplane – these headphones are up to the task. Bose and Sony manage to block out more on the QuietComfort 45 and the WH-1000XM5 respectively, but Bowers & Wilkins didn’t phone it in here. There’s some solid ANC performance, it’s just not the absolute best.
Call quality
Bowers & Wilkins says it moved two of the six on-board microphones closer together and re-angled them to improve voice quality. The company explained that these tweaks should also reduce wind noise. Call audio for the person on the other end was already good on the Px7 S2, but the lack of a natural-sounding transparency mode made me feel a bit shouty during voice and video chats. On the Px8, that pass-through audio is still good, but not great, and not as natural sounding as the AirPods Max.
The Px8 does a great job of cutting down on background noise, though, so the headphones will help whoever is on the other end focus on your voice. However, overall voice quality isn’t great as you’ll still sound like you’re on speaker phone rather than having a decent mic near your face. Are they fine for most video and voice calls? Sure. If you’re doing those things often should you consider these as your primary tool? Probably not.
Battery life
Billy Steele/Engadget
Bowers & Wilkins has a track record of under promising and over delivering when it comes to battery life on its headphones. The company consistently outperforms the stated figure by a mile and the same is true on the Px8. Much like the Px7 S2, this model still had 40 percent left in the tank at the 30-hour mark – the company’s official rating. And yes, that’s with active noise cancellation turned on over the course of a few days, plus the occasional use of transparency mode for calls. After 30 hours on the Px7 S2, there was 33 percent left, so the Px8 seems to be slightly more efficient than its more affordable sibling – or perhaps has a slightly bigger battery.
The company has included a quick-charge feature that gives you seven hours of listening time in 15 minutes. That’s nice if you find yourself in a pinch, but with well over 30 hours of ANC use available, I’m only charging once a week after using the Px8 a few hours each day. The battery life here stacks up well against the best you can get in noise-canceling headphones right now.
The competition
At $699, the Px8 is the most expensive set of wireless noise-canceling headphones I’ve reviewed. Even Master & Dynamic’s priciest model is $100 cheaper (the MW75). You have to really dig what Bowers & Wilkins is putting down to dive in here. Simply put, there are great alternatives available for less – some of which offer more features. Heck, I’d argue the company’s own Px7 S2 is a better value at $399.
The Px7 S2 may not have the high-end look of the Px8, but it does have excellent sound quality, solid ANC performance and better-than-advertised battery life. The company’s warm, crisp and clear audio is on display on the more affordable model and it’s more comfortable to wear for long periods of time. Aside from the boost in overall sound quality and that refined design, the Px7 S2 has every other feature you get on the Px8 – for a lot less.
At this point, Sony’s WH-1000XM5 is still the best you can buy, mostly for the mix of audio and noise-canceling performance, with a long list of handy features on the side. The two most notable are the M5’s ability to automatically change sound modes based on your location or activity and the Speak-to-Chat tool that pauses the audio when you begin to speak. Simply put, no other company comes close to packing in as much as Sony.
Wrap-up
When a pair of headphones costs $699, I start to expect things. Mainly that they need to be damn near perfect for me to recommend them. The Px8 nearly is when it comes to sound quality, but there are other areas where they fall short of the company’s previous model and some of the competition. Automatic pausing is still in need of refinement, even with the sensitivity settings. And overall, the Px7 S2 is much more comfortable to wear for long periods of time. Bowers & Wilkins impresses with this most premium offering, but there are still some rough edges to smooth out.
IK Multimedia has launched the iRig Stream Mic Pro designed to be more versatile than typical multimedia mics from Blue and others. It combines a multi-pattern condenser microphone with a 24-bit, 96 kHz audio interface for iOS, Android, Mac and PC. That lets creators do things like marry their voice with music from a phone or tablet or connect easily to a media player, keyboard or other device.
The company promises "crisp, clear and detailed" sound thanks to dual mic capsules that let you select from cardioid, figure 8, omnidirectional or stereo pickup patterns. The 24-bit, 96kHz converters allow for high quality output, which you can check through a headphone output with direct monitoring.
As for the audio interface, you can connect devices like a turntable, soundboard or keyboard directly using the stereo 3.5mm audio input. With the monitoring mix control, you can blend the director or recorded audio via the headphone output.
IK Multimedia
It also features the company's Loopback+ that lets you not only add music from a smartphone or other device, but route the mic signal to a separate app to add reverb, EQ or noise-reduction. From there, you can send the signal to an app like TikTok, allowing for easier output "on apps that don't normally allow audio processing or adding background music," IK Multimedia said in a press release.
Settings can be selected and operated with a single control knob, and levels monitored via LED level indicators. It can run in stereo or multichannel modes , and includes cables for iPhones, iPads, Android devices and Macs/PCs. It's powered by its host and is MiFi certified.
All of the features are reflected in the price. Where Blue's Yeti is $100 and there are a bunch of good streaming mics under $100, the iRig Stream Mic Pro costs $170. That could actually be cheaper than the cost of a mic and interface together, however. It ships with some free apps including iRig Recorder 3 LE for mobile devices as well as MixBox CS (iPad) and MixBox SE (Mac/PC). It's now available for $170 at IK Multimedia's online store and select retailers.
