It’s been ten years since Fairphone launched with the laudable goal of making a better phone than its competitors. Not better in the spec-list sense, but by building it with greener materials and ensuring that they are easily and comprehensively repairable. More importantly, the company has sought to improve the working conditions of the people building the devices in the first place. That’s by paying fairer wages or offering workplace training and other benefits that major manufacturers might be unwilling to do. All the while attempting to produce gear that can at least stand proud alongside brand-name devices costing two or three times as much.

Now, Fairphone is launching its first pair of over-ear headphones, Fairbuds XL, with the same focus on utility and repairability. The company says they’re the “most sustainable headphones on the market,” with almost all of the parts user-replaceable and available to buy. They can’t just be repairable and last a long while, however, they also have to sound good enough that you’ll genuinely want to use these over what else is in the market. Specs-wise, you won’t just get the basics, but active noise cancellation (ANC), multiple audio modes, two-point Bluetooth connection and a two-year warranty that’s likely to include hardware support for a lot longer.

The Fairbuds XL are available either in speckled black or speckled green. I was loaned the green model for two weeks, and while the black looks like every other dull-ass pair of cans on the market, the green is utterly gorgeous. I love the orange contrast cabling and the lovely pop of copper on the four-way joystick, and enjoyed walking around in public with these on.

The design, with its visible wire connections and fold-in arms, is a generation or two behind the cutting edge. You know, your Sony XM5s and B&W Px7s and Bose QC45s, with hidden wires, hinged earcups and an overall more elegant setup. I don’t think it’s an issue unless you’re suffering from a serious case of status anxiety, but if you are, you’re probably not thinking about buying these.

As for the hardware, there’s the aforementioned four-way joystick, a dedicated ANC lozenge button and a USB-C port, and that’s it. This minimalism carries across to what else is in the box: A recycled polyester / nylon carry bag and a little paper manual. There’s no USB-C charging cable, audio adapter or anything else, since Fairphone assumes you already have this stuff, or can just as easily buy it from its store.

Daniel Cooper / Engadget

Fairbuds XL comes with 40mm dynamic drivers, Active Noise Cancellation (ANC) and an Ambient Sound Mode. It has an 800mAh battery which the company says will last for 26 hours with ANC or for more than 30 hours with it switched off. You’ll get around 320 hours of standby time and, once that’s exhausted, charging from cold is pegged at three hours. Supporting Bluetooth 5.1, Fairbuds XL offers dual-point connectivity, letting you hook up and switch between two paired devices. This switching was mostly reliable, although I found there were some device combinations – like an Android smartphone and my mac OS laptop, that it simply refused to play nicely with. Weighing 330 grams (11.6oz), the cans don’t outstay their welcome on your head, or your ears. The earcups are soft enough that I’m not forced to take them off because they’re uncomfortable.

Inside, those 40mm diameter drivers have a frequency response running from 20Hz to 20KHz. That puts it in the same bracket as a number of low and mid-budget sets on the market, of which this probably sits at the higher end, price-wise. Since it lacks any real background in sound, Fairphone sought out help from Sonarworks, a sound calibration company that works with a number of pro audio companies and artists. Its SoundID software will let users calibrate their audio profile to tweak how sound comes out of their headphones for a more personalized experience.

Now on the whole, I do rather like the sound that comes out of the Fairbuds XL. I’m not a massive fan of some of the genres which modern audio tests calibrate for, preferring instead something calmer, cleaner and more atmospheric. One thing I’ve always used to test a headphone’s quality is to see how well you can hear the breaths of the horn players during Finale from the Tron Legacy soundtrack, which are really clear here. Or how alive Max Haymer’s piano feels when playing his jazz reworking of Optimistic that you think you’re in the room. London Grammar’s Stay Awake feels urgent, more meaningful here than in some headphones I’ve tried.

The ANC, meanwhile, was very reliable at drowning out a lot of the ambient noise in my office, inside and out. It totally eliminated the sound of my own typing, the sound of a vacuum cleaner, the building work a nearby neighbor was doing and a crying baby out in public. The one time I had an issue with it was taking a stroll around my local area and getting a face full of wind, but there’s no strong wind setting in the mobile companion app like you’ll find on other products.

In order to offer a greater level of customization, Fairphone is also launching a Fairbuds App for iOS and Android. This will allow you to change the EQ presents – tuned by Sonarworks – for a similar level of tweaking as you could find in SoundID. The app also offers the usual bunch of guides, tutorials and access to customer service, as well as the promise of future software updates. You’ll also be able to order replacement parts directly from the app, which should help prompt you to seek out a fix if things start to go wrong.

There are four sound profiles: Amsterdam (standard), Copenhagen (more treble), Tokyo (more bass) and Boston (heavy bass). I’ll be honest, I found that only really Amsterdam and Boston offered much real difference, and even then, the changes weren’t massive. In fact, I’d say that I’d opt for Amsterdam over Boston even if I was listening to something pretty bassy like Low’s More, with its wonderfully teeth-rattling glitchcore overdriven bass. Suffice to say, I feel like the sound profiles need to be more distinct here, but it’s something that Fairphone should be able to improve upon in the coming months.

Daniel Cooper / Engadget

Of course, Fairphone’s obligation stretches beyond the idea of simply making the hardware modular and repairable. The company says Fairbuds XL uses 100 percent recycled aluminum, 100 percent recycled tin in its solder paste and 80 percent recycled plastic. It added that it has integrated Fairtrade Gold into its supply chain, and uses 100 vegan leather for both the ear cushions and headband.

In terms of working conditions for the people who made them, the company will pay 0.55 USD per headphone made to “fill the living wage gap of production line workers.” And that it is “working with the supplier on improving working conditions based on workers’ needs.” It will also back carbon-reduction projects to help reduce CO2 emissions to ensure the headphones are essentially climate-neutral.

These are all laudable, but even Fairphone serially admits that the effort it makes can only make a small difference in the grand scheme of things. Its work is limited both by its size and relatively small market share, which means that it can’t do everything that it would like to. As much as it can say it’s producing the fairest device on the market, it can’t claim ownership of a halo that it doesn’t deserve. The best it can hope for, however, is to try and push the technology world toward approaching a more sustainable approach for its products.

(This is a good moment to share a gripe about the company’s True Wireless Earbuds, which it launched alongside the Fairphone 4. These are made with fair and recycled materials, and were dubbed as “e-waste neutral,” but weren’t modular or repairable. Given most TWS earbuds have sealed-in batteries, they become effectively unsalvageable when they break. Fairphone offered replacement cases, tips and buds, but it seemed to join the tide as opposed to swimming against it. With the Fairbuds XL, the focus has moved back toward an audio product that sails closer to Fairphone’s true ethos)

Fairphone’s overall ethos is that its products are – with the above exception – user-repairable, and easy enough that anyone should be able to take them apart and keep them going for years to come. The company has already shared a list of parts you can buy from its online store, which includes a new battery, left and right speaker modules, headband assembly and cover, as well as the ear cushions. Prices range from €19.95 (around $22) for the battery all the way to €79.95 (around $88) for a new speaker module, which connects to the setup with an integrated USB-C cable.

As for the ANC selection button, four-way joystick and the specific PCBs inside the earcups, those can be repaired, but right now, only at the company’s repair center. This, to me, seems pretty fair, since users probably won’t be comfortable taking a soldering iron to their cans. The deal is that you can swap in modules to keep this thing going for as long as possible, but if you want to keep it going with completely-original parts, you’ll need more expert help.

Fairphone customarily ships out its loan units for review with an iFixit #00-size Phillips-head screwdriver in the package. This is because it wants reviewers, and by extension potential buyers, to know how easy it is to take apart its products and put them back together. Imagine if Apple, Samsung, John Deere or any of the other companies that are regularly behind anti right to repair legislation had a similar attitude. As usual, I didn’t start disassembling the Fairbuds XL until I’d spent enough time listening to them, just in case something broke, but I needn't have worried.

The easiest repair to make is swapping out the battery, which requires you to pop off the outside cap on the left earcup. If you’ve got strong fingernails, you can lever out the battery and swap in a replacement in half a minute if you’re on the slow side. Removing the ear cushions to replace them is similarly a matter of just twisting them a quarter-turn to unlock them from their mounts. This is easy stuff, which makes it all the more frustrating that most companies won’t let users make these sort of common repairs.

Feeling braver, I then opted to detach the speaker modules from the headband in their entirety to mimic the process of replacing one. You just need to pop out the battery, twist off the ear cushions and then you can slide out the USB-C cable sticking up top. After that, you need to unscrew just two small screws which hold the whole assembly to the headband. The process took all of two minutes, and that was probably because I was going slow to avoid messing up.

Fundamentally, the Fairbuds XL follow through on the usual Fairphone promise of a modular, almost infinitely-repairable device. It has many of the necessary fundamentals to make them a worthwhile purchase for many people, including good ANC, long life and a comfortable design. What it lacks, for now, is a certain dynamism in its sound profiles that would give users more choice in how tunes are presented. Thankfully, that’s something that could be fixed in a later update, which is something that Fairphone has historically been very good at doing. In fact, if you’re happy with very good sound, and want to help make the world a slightly better place in doing so, then I’d say these are a very solid bet.

The name is a bit silly, however.

Fairbuds XL will be available to buy in Europe from tomorrow, May 11th 2023, on Fairphone’s website, priced at €249 (around $275).

Sony's X-Series party speakers typically have few tricks up their sleeves to power your gatherings. The company's latest model, the SRS-XV800, packs in a lot those but it also has an additional handy tool. Besides a built-in light show, karaoke mode and more, this speaker is also equipped with an optical port to connect to your television. 

Thanks to a TV Sound Booster feature, the SRS-XV800 can add "deep bass and room-filling sound" to any TV. Sony says the speaker's two rear tweeters and X-Balanced Speaker units combine to offer "realistic" highs and upgraded low-end tone to movies and shows. The company explains that sound from the XV800 bounces off the walls to "surround the listener" and enhances things like live performances. To use TV Sound Booster, you'll need to connect your TV to the speaker with an optical cable, so you'll need a display with that connection in order to employ the tool. This feature is currently available on the SRS-XV900, but that larger unit will cost you $150 more. 

In terms of core party speaker features, the SRS-XV800 offers omni-directional sound that Sony says can deliver audio to "every corner of the room." There are five tweeters total, sending "clear" treble to both the front and the back of the unit. Two X-Balanced drivers pump out "higher clarity, less distortion and punchy bass" to complete the sound profile. As a reminder, those X-Balanced speakers are rectangular instead of round or square, which Sony says not only increases area but also increases sound pressure that leads to improved bass and overall clarity. My colleague Jon Turi has observed "big and bassy" sound on Sony's party speakers in our best portable Bluetooth speaker guide, noting that the SRS-XP700 is a good option for "loud, thumping beats." 

Sony says you can expect up to 25 hours of battery life on the XV800, but that's with the customizable, built-in light show turned off. If you find yourself in a pinch, a 10-minute charge will give you up to three hours of use. This speaker is portable, but it's also a beast. Sony added wheels and a handle so you don't have to carry this behemoth when you need to relocate it. In terms of entertainment, the XV800 has inputs for a karaoke mic and guitar alongside the ability to manage playlists, karaoke voice effects and more inside the Music Center and Fiestable apps. Lastly, the speaker's IPX4 rating protects your investment from errant splashes (IPX2 when horizontal).

Sony

Sony is also debuting a new, tiny portable speaker today. The SRS-XB100 replaces the SRS-XB13 in the company's compact Bluetooth lineup with a familiar design. The short, cylindrical unit has a Sound Diffusion Processor to spread sound further in any environment, powered by a passive radiator and an off-center diaphragm. Sony says these components muster big sound that remains clear even at higher volumes. And yes, you can use two of these for a stereo pair or connect even more for a louder setup. The XB100 is IP67 rated so you don't need to worry even if you drop it in the pool. The company says the speaker will last up to 16 hours on a charge and a built-in microphone can be used for calls. Sony explains the mic is equipped with Echo Cancelling tech so that two people can talk at the same time without being cut off.

Both the SRS-XV800 and the SRS-XB100 will be available for pre-order starting today. The XV800 is $649 and ships on May 15th while the XB100 is $59 and ships on May 22nd.

When it comes to earbud innovation, these days advances typically come in reduced size, longer battery life and improved audio. Rarely does a company offer something truly unique. But JBL seems to think there’s room for improvement in the charging case. With the Tour Pro 2, JBL has installed a touch screen display, giving you access to settings and tools without having to dive into its app. On top of that, these are a feature-packed set of true wireless earbuds, with a ton of options for sound customization, hearing assistance and more. But with everything the $250 set offers, JBL might’ve been too ambitious.

Design

JBL’s product range features a mix of “traditional” earbuds, stick buds and sport models with an over-the-ear loop. The Tour Pro 2 fits in that middle category with a design akin to Apple’s AirPods. These certainly have a more refined look, though, with a mix of matte and gloss black plastic. The shape of the inner part of the earbud is ovular, which is, again similar to the AirPods Pro.

The curves here combine with lower weight to make for a comfy fit. The Tour Pro 2 are one of the few sets of true wireless earbuds I can wear for hours at a time without it becoming a chore. There’s a touch panel on the outside of both buds that can accept single, double and triple taps, in addition to long presses, for a variety of on-board controls. Plus, you can reconfigure those to your liking inside the JBL Headphones app.

The headline feature though, is undoubtedly the case. Most earbuds come with a charging case, the feature list basically ends at charging. Some companies have added wireless transmission for use on planes, but nothing too crazy. The Tour Pro 2 comes with a “smart case,” complete with a touch screen on the outside. As you might expect, it’s larger than what we typically see, but it’s not huge by any means. It’s equipped for wireless charging and there’s a USB-C port on the button for wired top ups.

Software and features

Photo by Billy Steele/Engadget

The Tour Pro 2 offers a ton of features for audio setup, convenience and customization. All of which are accessible inside the JBL Headphones app and some are available via the charging case display. When you pair the earbuds to the app for the first time, the software will prompt you to complete a few steps for initial setup. Those include an ear tip fit and ear canal tests for ANC performance, voice assistant setup and a quick feature tour. The main section of the app displays battery status for both earbuds individually and the case right up top.

Everything else is situated on that main screen, accessible with a simple scroll. Ambient Sound Control is up top, giving you the ability to choose between active noise cancellation, Ambient Aware (transparency mode), TalkThru for IRL conversations and off. There’s the option to further tweak ANC by opting for Adaptive, automatic adjustments or by enabling leakage and/or ear canal compensation. Ambient Aware allows you to adjust the level of environmental sound the earbuds pick up with a slider.

Next on the list is Personi-Fi. This is JBL’s take on personal audio profiles. After completing a hearing test, the app creates a sound profile that also takes into account your listening preferences. Personi-Fi considers gender, age and more to build its custom preset. Before completing the process, the audio on the Tour Pro 2 was… fine. After the five-minute bout with tones at various volumes and frequencies, my sound profile produced improved bass response from the earbuds and what felt like a slightly wider soundstage. However, the tailored setting did lose some detail in things like softer background vocals, guitar distortion and subtle noise.

Sound options follow Personi-Fi. Here, JBL gives you a collection of audio presets as well as the ability to manually adjust the EQ curve. Any tuning you create can be saved for future use. You also have the option of enabling Spatial Sound on the Tour Pro 2, JBL’s take on spatial audio. Once you turn it on, the company offers three options based on what you’re listening to: movie, music and game.

The app gives you the ability to change the gestures for the on-board controls from this menu too. There’s a limit to the fine-tuning here as JBL has grouped all the options under Ambient Sound Control, Volume Control or Playback & Voice Assistant Control. Those are self-explanatory and you can choose to put one on the left and a different one on the right. The only consistent behavior is that a long press will summon your voice assistant on all three gesture options.

Three of the most useful features on the Tour Pro 2 are VoiceAware, SilentNow and Personal Sound Amplification. VoiceAware is an adjustable tool that allows you to tweak how much of your voice you hear during calls. JBL describes SlientNow as a quiet bubble, a feature that disconnects Bluetooth and turns on ANC. The company goes a step further by allowing you to schedule when the mode will turn on, how long it will be active and if you want an alarm when it ends (in case you’re planning to nap). Personal Sound Amplification is designed for hearing assistance, boosting environmental sound by 15-20dB and helping with conversations. When it’s enabled, you can adjust left/right balance and gain to fit your needs.

The smart case

Photo by Billy Steele/Engadget

While the main purpose of the smart case is to give you easy access to the Tour Pro 2’s features. I’m happy to debate the utility of putting everything on the charging accessory instead of leaving it in an app – software that takes only a couple more taps to open. But, if you find the entire concept convenient, I’m happy to report that the touch screen works well. You swipe from side to side to scroll through the myriad options available on the case and that panel is receptive to taps without issue. Plus, JBL decided to put battery levels, a clock and handy icons on the top edge, giving you crucial info at a glance. What’s more, when you’re on a call, those controls pop-up on case too.

The JBL Headphones app includes a section for customizing the smart case. Here, you can adjust the display brightness, select a screensaver, enable message notifications/previews and choose which features will be accessible on the touch screen. By default, the case shows Ambient Sound Control, Spatial Sound, EQ presets, VoiceAware and auto play/pause (when you remove the buds from your ears). That’s in addition to the lock screen wallpaper selector, screen brightness, timer, volume, playback controls, flashlight and Find My Buds that can’t be removed. The only additional feature that isn’t enabled by default that you can add to the case is SilentNow.

Sound quality and noise cancellation

The default tuning on the Tour Pro 2 is pretty average. There’s some decent clarity and detail, but the soundstage feels compressed despite a good amount of bass and a smidge of punch in the treble. Overall, things converge on the midrange, leaving the extra oomph on the table with tracks like Better Lovers’ “30 Under 13” and boygenius’ “$20.” Personi-fi helps open things up a bit, but as I mentioned, it comes at the cost of lost detail. You lose some of the texture of the vocals and guitars in that boygenius song, for example.

Another prime example of the lack of space in the sound profile is on Nickel Creek’s Celebrants. That album was recorded in a way that sounds like you’re in the room getting a private performance. Guitar, fiddle, mandolin and bass surround you with vocals sprinkled around to complete the vibe. On the Tour Pro 2, you lose the sense of the virtual room, so the songs just become music in your earbuds instead of capturing the atmosphere and energy of the tracking session. Personi-fi makes no noticeable difference here.

While there are a number of audio customization options in JBL’s app, they don’t do much to improve things. In fact, some make the sound worse. Spatial Sound’s effectiveness can vary depending on the genre. Sometimes there’s a noticeable improvement in the immersive nature of the audio. But with some content, like that Nickel Creek album, it seems like positioning is just moved up slightly, like it's trying to simulate up-firing drivers in a soundbar. In those cases, the sound is just relocated, not improved. I found it best to leave Spatial Sound off.

In terms of ANC performance, the Tour Pro 2 does a solid job in most circumstances. They’re very good at blocking the constant roar of a dishwasher, clothes dryer or white noise machine – things that conspire for the daily droning at my house. However, the earbuds struggle with human voices, especially if the person is closeby. Listen to anything relatively quiet and you’re sure to hear the chatty person behind you.

One note on noise isolation that’s worth pointing out. Despite the ear tip fit test determining that all was well with the Tour Pro 2, there was a lot of sound leakage so the people around me could clearly hear what I was listening to. My wife was the first to notice, and while she says it happens occasionally while I’m testing, it has never been this bad. Sure enough, when she popped in the earbuds, I could clearly hear the tunes at volumes above 60 percent or so. It’s something to consider if you like to blast heavy metal in the office.

For calls, the Tour Pro 2 is a mixed bag. Confusingly, the TalkThru option in the Ambient Sound Control menu can’t be activated here. You can enable ambient sound mode, but that doesn’t pick up a considerable amount of your chatter. Instead, there’s that separate VoiceAware feature and it only works during calls. Again, it’s adjustable, so you can select the amount of your speech you want sent back through the earbuds. It works okay, but it’s nowhere near as natural sounding as what you get on the AirPods Pro. While TalkThru is meant for in-person conversations, it doesn’t pipe in much more of your voice than the transparency mode Ambient Aware. So, even if you could use it for calls, it’s not a great option for them. In the end, it just feels like different features here do variations of the same thing. Overall, call quality is just okay here, despite JBL’s promise of “perfect calls” via six on-board mics.

Battery life

Photo by Billy Steele/Engadget

JBL says you can expect up to eight hours on a charge with ANC on, plus another three full charges in the case. Turn noise cancellation off and you could muster two additional hours on both the buds and per charge in the case. During tests consisting of “normal” use – a mix of ANC, transparency mode, calls and leaving the buds to power off automatically – I got seven hours before having to dock the Tour Pro 2 in the case.

Oddly, I started getting low battery notifications when the case was still showing 25 percent left on both earbuds. Power plummeted quickly from there and after less than 30 minutes the pair was dead. I mention this to point out that the battery estimates on the case don’t seem to be entirely accurate, especially when you hit 25 percent. If you unexpectedly encounter a faster-than-expected drain, there is a 15-minute quick-charge tool that will give you up to four hours of use.

The competition

When it comes to premium true wireless earbuds, Sony’s WF-1000XM4 are the best you can buy right now. The company includes just as many features as JBL, if not more. You won’t find a smart case, but you will find handy tools like Speak-to-Chat automatic pausing when you start talking and the ability to automatically change sound settings based on location or activity. Plus, the M4s offer better sound quality and more effective noise cancellation on top of all the conveniences. They’re starting to get some age on them as they debuted in mid-2021, but that means you’re currently privy to a discount: they’re currently going for $200.

Wrap-up

JBL threw every feature it could at the Tour Pro 2. And that’s without even considering the smart case. That touch-screen-enabled accessory is the main draw but I’m not sold on the concept just yet. Sure, there’s something to be said for easy access to settings, but that only works if you leave the case sitting out on your desk. Otherwise, you can probably get your phone out just as quickly. JBL isn’t the only company putting a display on a charging case, so who knows, maybe it will become standard. Tour Pro 2 do offer handy tools like VoiceAware, SilentNow and Personal Sound Amplification. But overall they’re an average set of earbuds with okay sound, decent ANC and so many features you might not use some of them more than once.

Whether you make music, podcast, stream or simply enjoy listening to any of these things, a good audio interface is going to make all the difference. Your laptop or PC’s built-in sound will be just fine for most pedestrian tasks, but for creators it’s likely going to fall short of what you need.

The good news is there’s a wealth of options tailored to a variety of specific needs and use cases. The less-good news is that it can be a bit overwhelming trying to decide which one is the best for you. Which is why we’ve cooked up this guide, in which we highlight the best options whether you simply want to record a guitar, or go live to an audience of thousands (or to at least sound good while you work on that number).

And don’t worry about being overwhelmed with jargon, we’ll focus on the task in hand over the kHz and decibels so that you know which is best for the results you want without feeling like you’ve just come out of a math class.

Best for those on a budget

Audio interfaces aren’t just for creators. Maybe you work from home and want to be able to use a high-quality XLR microphone for work calls. Or perhaps you prefer to have physical controls for your headphones and mic? Or maybe you just appreciate the superior audio from a dedicated device to the one that came with your PC. If so, you likely don’t need to spend too much money - here are three options that won’t break the bank.

M-Audio M-Track Solo

It’s certainly not the prettiest device on this list, but what the M-Track Solo ($49) lacks in aesthetics, it more than makes up for in functionality for the price. If you’re just looking for something to plug a microphone or guitar into - or both at the same time - the M-Track Solo is hard to beat.

For would-be podcasters, there’s also the M-Track Duo ($70) which adds a second XLR microphone connection so you can invite guests over and record them on their own channel making editing a lot easier - and you won’t need to get intimate with them as you share a microphone. There’s not a lot in terms of frills here, like MIDI or effects, but for the price it’s a solid choice.

Presonos AudioBox iOne

Unlike other PC components, like graphics cards, digital sound has natural limits meaning that older devices can still be relevant today - and often at a better price. Presonos’ AudioBox iOne ($70) is one such example. It’s primarily intended for creators that work with music software, but it’s a great all-around audio interface with all the essential connectivity for a now-reduced price.

As a bonus, the AudioBox iOne works well with iPads, too - not a guarantee at this price point. Though some might find the headphone amplification on the low side, in case that’s a feature important to you.

Focusrite Scarlett Solo

There’s a reason why Focusrite’s Scarlett series of interfaces appear on so many recommendation lists - including two spots on this one: They offer a great balance of performance, reliability and price. At around $130, the Solo is not the absolute cheapest you can find, but it will get you started in streaming, podcasting and beyond just fine. In fact, if you just want a port for an XLR mic, improved headphone amplification and easy connections for speakers, the Solo could be the only interface you ever need that won’t feel underpowered or even as your needs evolve.

Best for streamers

Photo by James Trew / Engadget

Perhaps not surprisingly, the streaming category is one of the busiest when it comes to audio interfaces. That’s partly because most Twitchers and YouTubers have several different audio feeds to manage. As such, products in this category come with a software component that lets you pipe your microphone, your group chat and your game audio to different places. Thankfully, this isn’t as confusing as it sounds - not with one of the following devices at least.

Roland Bridge Cast

Roland might be best known for its musical equipment, but the company does a sideline in streaming gear and the Bridge Cast ($299) is one of the strongest in this category. There are four hardware volume dials so you can adjust the mix of your mic, chat and game etc. in real time, and you can even control separate “submixes” for you and your audience in real time.

On top of the mix controls, there are some voice effects, microphone EQ and dedicated mute buttons for everything - these can also be used to trigger samples, too. With the option to pipe in phone audio via an aux port, Roland has made a strong case for the Bridge Cast as the streamer’s interface of choice.

TC Helicon GoXLR Mini

The original GoXLR was one of the first audio interfaces that really focused on what streamers wanted. The Mini was released a year later and was a hit in its own right, and remains popular today, long after its initial release. The physical faders give you tactile control over each part of your stream and the connectivity includes a 3.5mm microphone port next to the headphone port - perfect for gaming headsets that use a splitter.

Additional touches include a !@#$?* button to spare your audience when you get a bit spicy with your language and an optical port so your game console audio sounds pristine. Of course, there’s RGB lighting on the faders which is almost as important as the connectivity, right?

Elgato Wave XLR

If you don’t have the budget or, let’s face it, the desk space for a full-sized mixer to control your streams, Elgato’s Wave XLR is the minimalist’s choice. Not only is it discreet, it manages to eke out a lot of functionality from just one clickable knob and a capacitive mute button.

Despite the simplicity, the Wave XLR still delivers crisp, clear audio. Where it really comes into its own, though, is its modular integration with other Elgato products. When used in concert with the Stream Deck and the Wave Link app, for example, the experience opens up to include the ability to run audio plugins and create custom shortcuts to control the audio on your stream.

Beacn Mix Create

If you already have an audio interface you’re happy with but want the convenience of a mixer for your streams then the Mix Create by Beacn is exactly that. The lightweight USB mixer comes with a screen, but the brains of the operation is the software that creates separate audio feeds for your mic, game, browser and so on.

For streamers, it means hands on controls and the flexibility of a submix (i.e. the mix you hear and the mix listeners here can be different). Not only is this an elegant solution for those who already have a hardware interface, it means you can enjoy dedicated volume controls for things like YouTube and Spotify when you’re not going live.

Best for musicians

Whether you pluck strings or drop DJ-bombs, you’re going to want something that provides you all the right ports while delivering rich, bit-perfect sound. Unlike streamers that will want to be able to work with audio from a variety of digital sources, musicians also want to record (and listen to) physical instruments in real time - so all of our selections have a focus on clean sound with good connectivity.

Focusrite Scarlett 2i2

Focusrite’s second showing on this list is a little red box that, once you’re aware of it, you’ll start seeing everywhere from live streams to YouTube guitar tutorials. The popularity of the Scarlett 2i2 is for more than its dashing red looks. The preamps - the part that turns your voice or instruments into usable sound – are widely regarded as some of the cleanest at this price range.

With two combi-ports (there’s no MIDI here) the connectivity is fairly standard, but singers and voice actors in particular will appreciate the “Air” feature that gently adds a sense of space to vocals - a trademark of Focusrite products.

Universal Audio Volt 276

When Engadget’s Managing Editor, Terrence O’Brien, reviewed the Volt 2/76 from Universal Audio he described it as “bringing something special to the table.” It’s a reference to the built-in compressor that emulates the company’s classic 1176 Limiting Amplifier hardware. All you need to know is it’s another tool to make your instrument or vocals sit better in the mix.

In a world awash with generic audio interfaces, genuinely useful features like this are what makes the Volt series stand out. Alongside the compressor, the Volt 276 has a pair of 5-pin MIDI ports and a button for “vintage” mode. The latter emulates the company’s popular Audio 610 preamp which, according to Universal Audio, was used by Van Halen and Ray Charles. Not bad company to be keeping! At $299, it’s a little on the spendier side, but it's a comprehensive choice for anyone who works with instruments, vocals and outboard MIDI gear.

MOTU M6

If you need more connectivity than the standard 2 or 4 inputs, MOTU’s M6 has you covered. As the name suggests, there are inputs for up to six instruments - four of which can be microphones - and a pair of 5-pin MIDI ports for synthesizers. The M6 can even output CV signals to control even older music gear. The M6 also has dedicated buttons on each input channel for phantom power (for condenser microphones) and real-time headphone monitoring. If all that flexibility wasn’t enough, a small display for volume levels means you have a quick visual reference to make sure you keep your precious recordings out of the red.

Best for Podcasters

Whether you’re operating from a sound-treated studio or recording under a duvet in the back office, most podcasters have a few needs in common. First and foremost is the option to connect more than one high quality microphone. Second would be the ability to record remote guests easily whether they are using Zoom or calling in on a phone - which requires something called “mix minus” and isn’t a standard feature on most interfaces.

Lastly, many shows will want to be able to play music or audio from other sources in real time. All of the picks in this section exceed those basic requirements, which one is best for you will be determined by budget or specific needs.

Focusrite Vocaster Two

From the same company as the acclaimed Scarlett series, the Vocaster Two takes all the audio knowledge from its sister series and packages it into a more podcast-friendly format. Not only are there dual XLR mic inputs, there are two headphone ports, each with their own volume control so you and a live guest can podcast together in the same room.

Thanks to both a 3.5mm and Bluetooth inputs you have multiple options for including “call in guests”. There’s even a 3.5mm output for those who want to make a video-version of their podcast for YouTube - simply plug the Vocaster right into your camera for perfect audio as you record it. What’s more, the “auto gain” and “enhance” features will make sure you and your local guest will sound tippity top without having to apply any external effects.

Rodecaster Pro II

If you see yourself taking your podcasting to the next level, then the Rodecaster Pro II from Rode is hard to ignore. With four XLR combi ports, it’s perfect for multi-guest in-person shows, especially as it has physical faders for each channel along with easily accessible mute and solo buttons.

The Rodecasater Pro II also includes both a 3.5mm/aux port and Bluetooth for plugging in a phone plus dual USB ports that make it easy to feed in audio, like a Zoom call, from a PC or a tablet. Each microphone port has a wealth of effects available to enhance the audio, and the eight rubber pads let you fire off sound effects and intro/outro music at will. The pads can also trigger automated actions like musical fade-ins. In short, the Rodecaster II is quite a powerhouse, but obviously a fair amount more expensive than most interfaces on this list.

Best for music listening

What we call an audio interface today, we might well have once called a “sound card.” While today’s interfaces also serve up a host of connectivity options, the thing we need them for the most is often just good old fashioned listening to music. While everything on this list will reproduce music to a high standard, Hi-Fi heads might prefer something that will let them interface with more exotic audio formats, audio gear and high-end headphones.

Fiio K7

With phono, coaxial, optical and USB inputs, the K7 from Fiio is able to handle music and audio from almost any high fidelity source. Most traditional audio interfaces support playback of up to 48 kHz, the K7 can handle files all the way up to 384 kHz at 32-bit - perfect for the demanding audiophile.

On the front you’ll find both a 1/4" jack and a 4.4mm balanced headphone port along with a big ol’ volume dial.While its Hi-Fi aesthetic might not be the most razzle-dazzle, it does have an RGB LED around the dial to give it a pop of color (it also changes color depending on the “quality” of your audio source).

Fiio Q7

Don’t let the unusual design fool you, the Q7 from Fiio is an absolute audio powerhouse. It has the same digital inputs as the K7 but supports files with up to twice the maximum sampling rate (for those who absolutely must have 768kHz/32bit support).

More practically the Q7 can decode Tidal’s top-tier MQA files and there’s Bluetooth for connecting to your phone along with a built-in battery, too making this a portable high-end audio experience that won’t drain your laptop. Naturally, for the music listener that wants it all, there are jacks for every size of headphone, including 2.5mm and 4.4mm balanced sets.

Sony has a great track record when it comes to budget headphones. The company’s WH-CH710N were excellent, but overpriced initially. Sony made them an incredible value at $150 after it cut the price shortly after their debut in 2020. Great sound quality, capable ANC, good battery life and a comfy fit made the WH-CH710N a compelling, affordable alternative to the premium WH-1000XM3, which was the company’s flagship model at the time. Earlier this year, the company debuted the follow-up to that three-year-old set: the WH-CH720N.

On paper, the 2023 edition should keep Sony’s reputation for solid mid-range and budget headphones as alternatives to the pricey WH-1000XM5. The WH-CH720N houses the same V1 chip from the M5, which powers both active noise cancellation (ANC) and overall sound quality. There’s also an updated design and a lower price following another early cut ($130), but battery life remains the same at 35 hours. So, is the WH-CH720N another mid-range hit for Sony?

Let’s start with the design. The WH-CH720N takes cues from Sony’s more recent 1000X headphones and the WH-XB910N, primarily the headband and ear cup hinges. The outside of the ear cups are flatter and they’re just hard plastic – no soft-touch material here. Like previous mid-range Sony models, the WH-CH720N has physical controls with a power/pairing button on the left beside the USB-C charging port and 3.5mm jack. On the right side, there’s a dedicated noise canceling button that cycles between ANC and transparency mode. There’s also the typical three-button array with volume controls flanking the multi-function track and call button. That center control also summons your preferred voice assistant. While the buttons work reliably, the raised dash on the middle button is low, so it’s difficult to place your thumb quickly.

Like the WH-CH710N, this new model is supremely lightweight and comfy. I can easily wear these for hours at a time. There’s also ample cushioning in the ear pads and the headband hinge isn’t wound so tight it pinches my head. I liked a lot of what the 710N had to offer, but overall comfort was near the top of the list, so it’s great to see that Sony didn’t overlook this aspect when designing the follow-up version. The only real issue is that it uses a lot of plastic. While this helps keep the weight down, it also ensures the 720N look decidedly cheap.

The suite of features for the WH-CH720N inside the Sony Headphones app is where you’ll notice key differences from the WH-1000XM5. Most notably, the 720N doesn’t have Speak-to-Chat, a feature that automatically pauses audio when it detects you’re talking. Related, this new model also doesn’t have automatic pausing when you take them off your head.

Photo by Billy Steele/Engadget

Despite a few omissions, there are still some handy tools available. First, Adaptive Sound Control allows the app to automatically adjust settings based on your location or activity. This allows you to turn on ANC when you arrive at the office or activate transparency mode when you start a run, for example. Here, and in the general sound settings, you can specify a level of ambient sound and choose to pipe in voices while this mode is active.

Additionally, Sony offers an EQ slider for manual adjustments as well as a separate bass adjustment. There’s also a collection of audio presets if you’re in a hurry. 360 Reality Audio is available on the WH-CH720N (with a compatible streaming subscription) and the app gives you the option of DSEE upscaling to improve compressed content. The app also allows you to activate multipoint Bluetooth for two devices and a Safe Listening feature is there to help preserve your hearing.

Perhaps the most surprising thing about the WH-CH710N was the overall sound quality. I was amazed at what Sony managed in a set of headphones that cost half as much as its flagship model. There was ample bass with an open soundstage and great clarity in the details. Thankfully, the WH-CH720N is more of the same. These headphones allow the subtleties of boygenius’ the record to shine, from the somber guitar effects to the quieter keyboard/organ parts of songs like “True Blue.” There are lots of more subdued parts on the record that you can easily pick up on. The fingerpicked acoustic guitar and banjo on “Cool About It” are also quite dynamic and textural.

Heavier, more chaotic genres fare just as well. Better Lovers’ gritty, thrashy metal track “30 Under 13” is quite a ride. Even the fastest, grindiest riffs are captured with surprising clarity. All the instruments stand on their own, and at no point do they become a smashed together mess. The dynamics of tracks like O’Brother’s “Halogen Eye'' also come through well. There’s plenty of grainy, thick distortion on the verses and these headphones get every bit of that texture, in addition to reverb and other effects that create the band’s atmospheric, moody soundscape.

Lastly, on Nickel Creek’s Celebrants – a modern bluegrass record – the WH-CH720N allows you to feel like you’re in the room with the band. Helped in part by the positioning of the guitar, mandolin, fiddle and bass in the mix, the headphones keep the sensation of sitting in on a private performance rather than simply listening to a recorded track.

Photo by Billy Steele/Engadget

In terms of noise cancellation, I think the WH-CH720N are a slight step back from the 710N. The ANC will do just fine for you in most cases, especially with constant noise. However, these headphones really struggle with human voices, which doesn’t make them the best option if your primary aim is to block out a nearby phone call or chatty colleagues. Transparency mode offers a great natural sound that comes in especially handy when you’re taking video and voice calls. Speaking of calls, the 720N does a decent job blocking background noise and the overall audio quality makes you sound better than speakerphone and most earbuds. It’s not pristine, but it’s a cut above the status quo.

When it comes to battery life, Sony promises up to 35 hours with ANC on. During what I consider normal use – a mix of noise canceling and transparency mode for music and calls, plus powering off a few times overnight – the app showed 40 percent remaining after 28 hours. The Bluetooth menu in macOS backed this up. The company says you can expect up to 50 hours with ANC off, so my mixed-use trials were on par with that. Battery life estimates have never been a problem on Sony headphones and that’s not the case here either. Plus, 35 hours is on par with most flagship models these days, even if it’s the same figure as the previous model.

The WH-CH720N is a strong contender to replace the current budget pick in our best headphones guide, but if you need a solid alternative look to Audio-Technica. While the $79 M20xBT is our current low-cost selection, the M50xBT2 is a more apt comparison. The M50 doesn't offer active noise cancellation, but they do have a more refined design, physical controls and warm, inviting sound. If you don’t need extra help blocking out distractions, they’re currently available for $199 – $69 more than the 720N. Sony introduced the WH-CH520 alongside the WH-CH720N, which could be an option if you’re really pinching pennies. This on-ear model doesn’t have ANC either, but it does have 50-hour battery life and multipoint connectivity alongside onboard controls. What’s more, they’re only $50.

Sony has managed to build another compelling set of affordable noise-canceling headphones without cutting too many corners. Sure, there are some premium features you’ll have to live without, but the WH-CH720N covers the basics well. Good sound quality with specific attention to finer details and ample bass is combined with a handy transparency mode and automatic sound profile switching. The noise cancellation does a decent job, but it’s not the best, and you’ll have to make do without automatic pausing. Still, for well under $150, you’d be hard pressed to find a better option at this price.

As some of you might know, I’m a runner. On occasion I review sports watches, and outside of work I’m a certified marathon coach. So when Engadget wanted to round up the best wireless workout headphones, I raised my hand.

In addition to fit and battery life, I considered factors such as style; ease of use; the charging case; the strength of the Bluetooth connection; support for assistants such as Siri and Alexa; water resistance ratings; and audio features such as noise cancelation and ambient sound modes. You’ll notice I don’t have much if anything to say about sound quality. Engadget’s resident expert Billy Steele has written plenty about the listening experience in his standalone reviews, which I’ve linked throughout, but for my purposes the differences were too subtle to make or break a purchasing decision.

In the end, I never quite mastered some of the over-complicated controls, but at no point did an earbud fall out while I was exercising. I also never came close to running out of juice. So, participation trophies for everyone? Ha: The companies wish. I do indeed have some favorites, while some fell short in key areas.

How we tested

Water resistance

Even if earbuds aren’t marketed specifically as workout headphones, a sturdy, water-resistant design will, by default, make them suitable for exercise. To avoid repeating myself throughout this guide, I’ll drop a quick primer here on durability, or ingression protection (IP), ratings. The first digit you’ll see after the “IP” refers to protection from dust and other potential intrusions. That spec is measured on a scale of 1 to 6. The second refers to water resistance or even waterproofing, in the best cases. Higher numbers mean more protection, while the letter “X” means the device is not rated for protection in that regard. The ratings for water resistance are ranked on a scale of 1 to 9.

All but one of the best workout headphones we tested for this guide is rated IPX4. That means there’s no dust protection, and the buds can withstand splashes from any direction, and are sweat resistant, but probably shouldn't be submerged. The most durable set of true wireless earbuds we tested, Jabra’s Elite Active 4, is rated IP57, which means a high level of both dust and water protection. Whereas the IPX 4 models can handle splashes, the Elite Active 4 can be immersed for up to 30 minutes in up to a meter (or about 3.2 feet) of water.

For a detailed breakdown of all the possible permutations, I recommend checking out this guide published by a supplier called The Enclosure Company.

Active noise cancelation

For the 2022 update to this guide, I decided to add a note up top about active noise cancelation (ANC), simply because most of the available models now offer it. And since the user experience is actually pretty similar across different brands, I thought it would be easier to share what noise canceling features they have in common, rather than repeat myself.

First of all, no noise cancellation is perfect. If you’re looking for sport earbuds that you can continue wearing even after you’re done working out, you might still hear some noise from the outside world, whether it be your robot vacuum or cars honking. The difference in quality with ANC enabled is undeniable; just don’t take these companies’ marketing claims too literally. Besides, I don’t recommend active noise cancellation while exercising outdoors; it’s not safe. And even if you are working out indoors, I still think a noise cancellation horse race is probably beside the point for the purpose of this guide.

The Best Wireless Workout Headphones

The best all-purpose wireless workout headphones: Jabra Elite 4 Active

• Pros: Reasonably priced for the feature set; sleek, compact design; one of the lightest charging cases we tested (and some of the longest battery life); more durable than most; active noise cancelation, a transparency mode and customizable equalizer; works with Spotify Tap on Android.

• Cons: Onboard controls aren’t intuitive, but Jabra offers helpful instructions in its app; less comfortable after prolonged use than other brands.

Much like the Elite Active 75t we tested a few years back, the newer Elite Active 4 earbuds make a strong first impression, with a compact, stylish design and a lightweight charging case to match. Available in three colors, the earbuds aren’t just small and light, but they look especially sleek given that they don’t have any wingtips. Though they felt comfortable when I first put them in, my ears did feel a little sore by the end of a run.

Meanwhile, the 37.5-gram case is also among the lightest we tested, but still offers some of the longest battery life, promising a total of 28 hours. (Each individual earbud on its own is rated for seven hours. Jabra says you can return to an hour’s worth of juice after a 10-minute charge.)

In my testing, the earbuds were easy to insert and pair. Less easy is learning how to use the things. As you might expect, you press the right earbud once to stop and resume playback. You can also double-press the right bud to skip a track, and triple press it to play it again. But some of the other onboard controls are less obvious. To increase the volume, hold down the right earbud for a second; to lower it, long press the left earbud. Meanwhile, single-pressing the left earbud allows you to toggle between active noise cancelation, HearThrough mode, or neither. Lastly, double press the left bud to use a voice assistant.

The good news is, you don’t have to commit all those finger gestures to memory: Jabra’s Sound+ App for iOS and Android contains a helpful illustrated tutorial, which I recommend keeping open on your phone as you get settled in with your new earbuds.

I mastered the controls quickly enough, but the physical buttons on the earbuds require a little more pressure and coordination to get an accurate press in. I found myself waiting until I had slowed to a walk before I started fiddling with the tracks. Even then, I needed to be very deliberate to make sure I got it right. And usually I did. That said, given there’s no physical volume rocker, I did wish there were an aural cue confirming I had moved the volume up or down a notch; the progression from louder to softer (or vice versa) is very subtle.

After a roughly 35-minute run the battery was still at 90 percent – a similar showing to what I saw on the Beats Fit Pro, also featured in this guide. Like the Elite Active 75t I tested previously, the Elite 4 Active uses Jabra’s HearThrough technology. With that enabled, I could hear cars along my running route, though on an especially windy day the gusts drowned out softer noises like footsteps behind me. That’s despite the earbuds having four built-in mics with what Jabra calls a “mesh covering” for added wind noise reduction.

Although I tested the Elite 4 Active on an iPhone 12, the earbuds have some additional features on Android, including support for Spotify Tap, which resumes where you last left off listening to your Spotify account on any device. Android users also get support for Alexa and Google’s Fast Pair tech.

While I recommend the Elite 4 Active for most people, it’s also worth quickly mentioning the Elite 7 Active, which adds Jabra’s ShakeGrip technology for what the company claims is a more secure fit. You also get slightly better battery life – eight hours per bud, or 30 hours with the case – and even faster charging (an hour of playback after a five-minute charge). Lastly, choosing the Elite 7 Active over the Elite 4 Active gives you the option of either Google Assistant or Alexa, as well as voice guidance. However, you’d be giving up call controls, which you do get on the Elite 4 Active.

Read our Full Review of Jabra Elite 4 Active

The most comfortable wireless workout headphones: Beats Powerbeats Pro

• Pros: Comfortable, stable fit; pairs seamlessly with iOS devices; intuitive controls with mirrored access on the left and right sides; tied with Sony for the longest earbud battery life.

• Cons: Ear-hook design isn’t the most discreet, and doesn’t fit so well with sunglasses; relatively heavy charging case; no active noise cancelation, transparency mode or customizable EQ; speaking to an assistant is slightly less convenient if it’s not Siri.

For the purposes of this guide I tested two pairs of Beats headphones: the Beats Fit Pro earbuds, and the Powerbeats Pro, earbuds with an over-the-ear hook design. I’ll start with the Powerbeats Pro, which I like better for exercising.

Other than being slightly conspicuous, the Powerbeats Pro comes in four colors and fits comfortably, though it doesn’t play as nicely with glasses and face masks as more compact in-ear designs. Compared to the other earbuds I tested, though, I felt especially confident the Powerbeats Pro would stay put during workouts.

Like Apple’s newest AirPods, the Powerbeats Pro use Apple’s H1 chip, which allows for particularly deep integration when you pair the earbuds with an Apple-made device. In addition to a fast, seamless pairing process, you can activate Siri by saying “Hey Siri,” without having to press a button. You can also share audio with other AirPods or Beats headphones, and can enjoy automatic switching between Apple devices.

For better and worse, the integration is so complete, in fact, that there’s no companion app; instead you check the earbuds’ and cases’ battery via other methods, such as a homescreen widget or by asking Siri.

The earbuds themselves are rated for nine hours of use, which is among the highest we’ve seen. The case is rated for a total of 24 hours of use, which isn’t bad, but given that it's not best in class you have to wonder why the case is as heavy as it is. (Heavy enough that my purse feels a little lighter without it.) iOS users won’t mind that the case charges via a Lightning cable and not USB-C, but others might be slightly put out.

If you’ve ever used AirPods or Apple’s old-school wired headphones, these should be pretty easy to master. Double-press the physical button on the earbud to skip tracks and triple-press it to go backward. I quickly came to love the physical key; it’s less finicky than a touch surface. I was also grateful for the mirroring of controls between the left and right earbuds — both left- and right-handed people should be happy.

Having tested other wireless earbuds that either lack onboard volume controls, or make it tedious, I have come to particularly appreciate the Powerbeats Pro’s onboard volume rockers – one for each earbud. I don’t know of any other workout earbuds that make it easier to adjust the volume, not even the Beats Fit Pro.

While it’s nice to have easier volume access, the audio experience is otherwise basic. There is no active noise cancellation or transparency mode. Not a dealbreaker for workouts, but something to consider if you're an audiophile or your goal is to get one pair of earbuds you can wear for everything.

Other features include support for voice assistants (yes, Google and Amazon too), but only Siri can be summoned by a voice command. You can also wear just one bud if you like (the right one) if all you need to do is talk on the phone, or if you want to keep an ear open to what’s going on around you. 

Read our Full Review of Beats Powerbeats Pro

Honorable mention: Beats Fit Pro

• Pros: Comfortable, stable fit; pairs easily with iOS devices; compact, lightweight charging case; adds ANC and transparency modes, which the Powerbeats Pro lacks.

• Cons: A smaller design than the Powerbeats Pro means shorter battery life and the loss of a physical volume rocker; no customizable EQ.

One of my main complaints about the Powerbeats Pro is that they don’t fit as well if you’re wearing sunglasses (or, in pandemic times a mask). This is where the Beats Fit Pro have the advantage: Their discreet design that promises to stay out of the way and safe even during sweaty workouts.

Available in four colors, the buds are easy to insert and comfortable to wear – just twist the bud to fold the wingtip into your upper ear. And, because the earbuds are smaller than the Powerbeats Pro, the case is markedly lighter and more compact (55g versus 80g on the Pro). Between the lightweight case and the less dorky design, the Beats Fit Pro make a strong case for themselves as earbuds you can wear not just during workouts, but everywhere.

Because the Beats Fit Pro were released more recently than the Powerbeats Pro, they have active noise cancellation, a feature older Powerbeats and AirPods products are lacking. At the same time, Apple built in a transparency mode – ideal for runners like me who would feel safer if they could still hear ambient cues like footsteps and car horns. Lastly, it supports Apple’s Spatial Audio format for a more immersive sound and will automatically kick in if you’re playing a compatible track.

For working out, the audio is fine. But if you can only afford one pair of earbuds, my colleague Billy Steele indicated in his review that the sound quality is mediocre. He found calls could be patchy and, as he notes, Beats is one of the few brands that doesn’t offer users a customizable EQ.

Out of the box, the earbuds are set to active noise cancellation. There are two ways to adjust this: You can hold down the physical button on either earbud to cycle through audio profiles. Or, you can find the earbuds in your Bluetooth settings menu and click further to see a more detailed menu of options. Not only can you adjust the mode there, but you can also change what those physical buttons do. By default, they’re for toggling audio profiles, but you can also set them up so that one earbud controls volume up, and the other volume down. Personally, I preferred having the option of adjusting the volume from my earbuds mid-workout; it’s easy to just pick an audio mode before your run and stick with it.

Other than the slightly limited volume controls, the Beats Fit Pro works much like other Beats- and Apple-branded headphones. Press the physical button once to play or pause tracks; double press to skip forward; and triple press to replay a track. For anyone upgrading from an older pair of Beats or Apple earbuds, the transition should be easy. My only word of caution is that I found the physical button on the Beats Fit Pro harder to find by feel, as it’s smaller and less indented than the button on the Powerbeats Pro.

Apple rates the Beats Fit Pro for six hours of listening time per earbud, plus an additional 18 hours from the USB-C charging case. You can also wear just one bud if you like, to squeeze out even more runtime. In my testing, the battery on the buds dropped down to 89 percent after a 35-minute run. Extrapolate that, and the math comes close to Apple’s six-hours-per-bud claim. If you’ve managed to completely exhaust both the earbud and case, Apple says its “Fast Fuel” feature will get you back to one hour of use after five minutes of charging, the same claim Jabra makes for the comparably priced Elite Active 7. (Note: Apple’s one-hour estimate assumes you won’t be using ANC.)

Under the hood, the earbuds have the same Apple-made H1 chip as the Powerbeats Pro and Apple’s newer AirPods, allowing for hands-free “Hey Siri,” audio sharing with other AirPods or Beats headphones, and automatic switching between devices. The headphones also work with the Find My app, even on Android devices.

Read our Full Review of Beats Fit Pro

The best budget workout earbuds: Sony WF-C500

• What you get: Reasonably priced earbuds that prioritize a light design and good audio quality.

• Pros: Lightweight; reasonably priced; support for Sony’s 360 Reality Audio format; the earbuds themselves claim relatively long battery life; customizable EQ; supports Google Fast Pair.

• Cons: No ANC or transparency mode; slightly trickier to pair on iOS than other earbuds we tested; the charging case has lower capacity than competing models; they have a larger, more bulbous design than others we tested (but are no less comfortable).

With the WF-C500 earbuds, Sony is really emphasizing the small design: The earbuds themselves weigh 5.46 grams, while the charging case is 35g. That would be the lightest case we tested, and nearly the lightest pair of earbuds, barring the much pricier Elite Active 7. It’s worth noting that a lighter charging case means shorter case battery life (a relatively low 20 hours). Even then, the earbuds themselves offer some of the longest battery life of the bunch: 10 hours per bud. If you do run low on charge, you can get back up to an hour’s worth of capacity in 10 minutes, Sony says.

The earbuds, available in four colors, were larger than I was expecting given their light weight, but they’re easy to insert and fit comfortably. They are slightly trickier for iPhone users to pair on iOS than other buds I tested for this guide, though Android users will benefit from support for Google Fast Pair.

By default, a robotic voice will tell you the earbuds’ battery charge as you’re putting them in. I found this useful, though it meant that there was a delay in getting to hear whatever I had been listening to. You can always disable voice guidance in Sony’s Headphones app if that bothers you.

The truth is, I rarely had range anxiety with these headphones anyway: Unlike other earbuds, which took a roughly 10 percent hit after my usual 35-minute run, these were still at 100 percent. It’s unlikely I’ll ever wear out both the buds and charging case before getting to a wall charger.

The controls were also easy to master without having to consult Sony’s companion app. On the right earbud, press once to play or pause audio playback, or to answer or end a call. Double press to skip tracks, and triple press to go to the previous song. Long-pressing the right earbud launches or cancels a voice assistant. You can also long press to decline a call. On the left earbud, some of the controls are mirrored: you can press once to receive/end a call, and long-press to reject it. The left bud is also where the volume controls live: press once to raise it, and hold the button down to lower it.

As one of the options in this guide with a lower price tag, the WF-C500 are the only ones without active noise cancellation. Which to me, isn’t a dealbreaker. The eartips already do a good enough job passively blocking noise, to the point where I was startled when a group of runners ran up from behind in the park and passed me. If anything, I wished the earbuds had a transparency mode that would allow more ambient noise through. Fortunately I could still hear louder noises like nearby traffic.

The lack of ANC aside, the audio quality is quite good – which makes sense, given Sony’s heritage in audio and home theater gear. Like other models listed here (barring Beats, anyway), you can adjust the EQ in the companion app. And, as you might expect, the earbuds support Sony’s 360 Reality Audio format, which is similar to Apple’s spatial tech, which in turn is built on the Dolby Atmos format.

The most customizable wireless workout headphones: Anker Soundcore Liberty 3 Pro

• Pros: The only buds we tested with wireless charging; long battery life, especially on the charging case; active noise cancelation, a transparency mode and customizable equalizer; lots of options for setting up the controls to your liking.

• Cons: Larger and a little harder to insert than competing models; touch-sensitive controls can be finicky; worse sound quality than the competition; in-app battery indicator doesn’t give you a percentage.

The Soundcore Liberty 3 Pro earbuds are available in four colors, and carry a big emphasis on ergonomic fit. That includes air-filled wings, silicone ear tips (similar to other brands) and a promise of air-pressure relief, per Anker. The earbuds don’t come with the eartips or wingtips attached, which adds some friction to the setup process but, on the plus side, you get a choice of four ear tip sizes, compared with three from most other headphone makers. Inside the Soundcore app you’ll find a fit test, but I actually ended up with a more comfortable fit by just following my gut. But it’s certainly worth playing around with.

The Liberty 3 Pro is right up there with the Sony CF-500 in terms of being some of the larger earbuds I tested for this guide. That said, they fit comfortably and stay put. I will say, however, that these were consistently harder to insert than some other brands I tested, even after I’d had a bit of practice.

When I originally published this guide, in September 2020, I ruled out Anker’s $55 Soundcore Spirit Dot 2 wireless earbuds on account of their fussy touch controls and the fact that you couldn’t adjust the volume from the buds themselves. I’m happy to report that the situation has improved – mostly. First, the bad news: The controls are still finicky, and especially difficult to get right while moving. But, they do offer volume control. (Thank goodness.) The controls are also programmable inside the Soundcore app. So you can at least customize the long press and single, double and triple taps in a way that feels intuitive. In addition to music and volume playback, you can also use the controls to toggle audio modes or to activate a voice assistant (Google or Alexa).

Just as you can modify the earbud controls, you have options as far as sound quality, too. There are ANC and transparency modes, along with a “normal” setting in between. Also, like Sony and Jabra, Anker allows for customization of the EQ from within the app. Interestingly, wind reduction is a feature you have to actively opt into. Anker says this is because the wind reducing mode dings ANC performance, and since it’s unlikely people will often find themselves in strong winds, it may as well not be turned on by default. Later this year, Anker will push out a software update that will add “enhanced vocal mode,” which promises to increase vocal pickup in the area around you, according to an Anker spokesperson.

Additionally, Anker touts three mics per earbud, along with AI noise reduction. I can’t prove that there’s a connection here, but I did notice they sounded a little tinnier compared with other headphones. Sometimes, some random buzz even crept in. It’s hard to know if that slight distortion is a result of the AI doing its work, but I wonder.

The Soundcore Liberty 3 Pro has the distinction of being the only earbuds we tested for this guide with a case that can charge wirelessly. The buds themselves are rated for eight hours of battery life apiece, or 32 hours with the case, making this the longest-lasting charging case we tested for this story. Anker also says that you can return to three hours of capacity after 15 minutes of charging. After a 35-minute run, the battery indicator in the app showed a mostly full charge, though unfortunately Anker doesn’t give you a percentage.

Boutique music gadget manufacturer Teenage Engineering is back with a new product and it’s a whole lot more interesting than a $1,600 desk. The CM-15 is a legitimate portable condenser microphone built for studio use and remote setups. The company describes it as the world’s “first all-in-1 mic offering” as it features multiple connection and power options.

You can power this thing via traditional phantom power by plugging it into any suitable mixer or audio interface. There is also a built-in battery that gets ten hours of use per charge. Don’t have access to any of that? Just plug it into any USB-C port to get some juice. That’s pretty convenient. As for connections, there is a 3.5mm line output, a mini XLR and the aforementioned USB-C port. The microphone includes a built-in preamp, so you can go straight into a computer, phone or another Teenage Engineering device like the similarly impressive (and expensive) OP-1 Field.

Just like the recently-released TX-6 mixer, the CM-15 is tiny but still manages to find room for some audio wizardry. It contains a true 1-inch large-diaphragm capsule, which is a rarity in portable recording gear. The microphone also features ESS Sabre analog-to-digital conversion, which TE says helps the mic “preserve high-fidelity sound and capture exceptional detail in any recording situation.”

There’s a gain switch on the back to match the audio source, and the 3.5mm line out can plug right into a video camera for synced audio/visual content. The machined metal build looks durable and adds to the overall aesthetic appeal of the microphone. It ships with various adapters for universal compatibility with mic stands and features a built-in tilting mechanism for precise placement. There's a mini-tripod available for the mic, but it costs an extra $100.

Now onto the price. This is a Teenage Engineering product through-and-through, so get ready to fork over $1,200 to bring this little beast home. For a complete TE setup that includes the CM-15, a TX-6 mixer and an OP-1 Field synthesizer, that cost skyrockets to $4,400. The microphone starts shipping in June.

Portable speakers aren't really considered luxury items, unless they're made by a company like Bang & Olufsen. The Danish audio outfit is well-known for its lavish take on home entertainment gear, headphones and even Bluetooth speakers. Today, B&O is introducing its latest portable option: the Beosound A5. Built in collaboration with designers GamFratesi, the A5 combines aluminum, wood and paper fiber for a decidedly high-end take on the modern portable speaker. As is the case with all of the company's products, there's a premium price tag to match. 

Bang & Olufsen says the Nordic Weave color option is made with an aluminum top and bottom, a light oak handle and a woven paper fiber grille, inspired by "laid-back Scandinavian summers spent at the beach." There's also a black anthracite aluminum version with a dark oak handle and matching speaker cover that's meant to conjure "the aesthetic of winter woodlands." Despite the seemingly temperamental materials, the company explains that the A5 is IP65 rated water and dust proof, so you should feel free to take it outdoors. That is, of course, if you feel comfortable taking a $1,000 speaker outside.

Another notable aspect of the Beosound A5 is its modular design. B&O says it opted for this construction so that the speaker can be easily repaired with the aim of extending its life. The company also plans to sell additional covers in other materials and colors for customization. The A5 runs on B&O's Mozart software, which allows the company to introduce new features for both audio and connectivity over time — like proximity pairing that's already in the works. Mozart also allows two units to be used in a stereo setup and to integrate the A5 into a multi-room arrangement. 

Bang & Olufsen

The company says the Beosound A5 is its most powerful portable speaker thus far, thanks to a four-driver arrangement and four digital amplifiers that muster 280 watts. B&O explains that's enough to fill larger spaces with 360-degree sound. More specifically, the A5 houses a 5.25-inch woofer, two 2-inch mid-range drivers and a 3/4-inch tweeter. The speaker also offers beamforming audio tech from the high-end Beolab 90 and 50 hi-fi speakers. Bang & Olufsen says this addition "creates an immersive experience far beyond the expectations of a portable speaker." What's more, AirPlay 2, Chromecast and Spotify Connect are all options for audio playback. 

The A5 is capable of 12 hours of playtime on a charge and the top panel doubles as a wireless phone charger. Of course, topping up your handset is sure to impact battery life. Onboard controls give you access to basic audio tweaks or you can make those inside the Bang & Olufsen app. 

The Beosound A5 is available in stores and online starting today. The Nordic Weave color option costs $1,049 (£899/€999) while the Dark Oak version is $1,149 (£999/€1099). 

Anker is best known for its chargers and power banks, but its Soundcore brand offers some surprisingly good value wireless headphones. If you've been looking for a pair with noise cancellation and want to pay less than a $100, it has several models currently on sale at or near all-time lows. Those include the Soundcore Life Q30 model on sale for just $56 (30 percent off), the Soundcore Space Q45 priced at $100 for a $50 discount and the Space A40 wireless noise-cancelling earphones, down to $64 or 36 percent off the regular price. 

Both the Soundcore Life Q30 and Soundcore Space Q45 headphones offer a comfortable fit thanks to the ample padding. They deliver superb battery life of up to 40-50 hours, can connect two devices at once and come with a 3.5mm cable for wired listening (though only the Space Q45 lets you use ANC when wired). The ANC can't of course, beat high-end headphones like the Sony WH-1000XM5 or Bose QuietComfort 45, but it does a great job of reducing lower-end rumble from jet planes, trains, etc.

For the extra money, The Space Q45 it has an adaptive ANC mode that can automatically adjust the headphone's ANC strength based on your surroundings. The Life Q30, on the other hand, just offers three preset ANC levels. For Android users, the Space Q45 also supports the higher-quality LDAC audio codec. Both let you tune the audio using Anker's companion app, which offers a graphic EQ tool and a few alternative sound profile presets.

Meanwhile, the Soundcore Space A40 earbuds can reduce noise by up to 98 percent, according to Anker. They have a one-touch transparency mode, adaptive noise cancellation and wireless high-res audio. A feature called Hear ID Sound is designed to analyze how you hear music to create a sound profile tuned for your ears. You'll get up to 10 hours of playtime on a single charge, with the charging case providing another 40 hours of playback. Charging for 10 minutes could get you up to four hours of playtime. Soundcore promises "pumping bass" along with "rich middle and crisp trebles" thanks to the 10mm drivers. 

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Most of the time, the best gaming headset isn’t a “gaming headset” at all. Although these devices are often thought of as a distinct niche within the wider headphone market, they're ultimately still headphones. And while it’s certainly not impossible to get a gaming headset that sounds nice, doing so still tends to come at a higher cost than a comparable pair of wired headphones (yes, those still exist).

A good wired headphone remains your best bet if you want the most detailed sound possible at a given price point and don’t need something especially portable, which is usually the case when you’re gaming. If you need to chat with friends, you can always buy an external microphone, whether it’s a USB mic, a cheaper clip-on mic or a standalone headset mic like the Antlion ModMic or V-Moda BoomPro. In many cases, those will make your voice sound clearer and fuller than the ones included with a gaming headset.

But we do recognize that many people just want the convenience of an all-in-one combo, value and aesthetics be damned. So after testing out a few dozen pairs over the past several months, we’ve put together a list of good headphones for gaming and dedicated gaming headsets. We recommend you consider the former first, but all of them should make your play time more enjoyable.

What to look for in good gaming headphones

Photo by Jeff Dunn / Engadget

Evaluating headphones is a particularly subjective exercise, so calling one pair the absolute “best” is something of a fool’s errand. At a certain point, everything becomes a matter of taste. For most, a headphone with a wide soundstage and strong imaging performance – i.e., the ability to position sounds correctly, so you can more precisely tell where footsteps and other game effects are coming from – will provide the most immersive experience, the kind that makes you feel like your head is within a given scene.

For that, you want a headphone with an open-back design. That is to say, an over-ear pair whose earcups do not completely seal off the ear from air and outside noise. The big trade-off is that these are inherently terrible at isolating you from external sound and preventing others from hearing what you’re playing. So if you often play games in a noisy environment, their benefits will be blunted. But in a quiet room, the best open-back pairs sounds significantly wider and more precise than more common closed-back models.

More up for debate is how a good gaming headphone should sound. If you want something that’ll help you in competitive multiplayer games, you'll likely prefer a headphone with a flatter sound signature, so a game’s mix won’t be overly boosted in one direction and mask the smaller details of what’s happening around you. A slightly brighter sound, one that pushes the upper frequencies a smidge, may also work. Open-back headphones almost never have huge sub-bass, so you rarely have to worry about low-end sounds muddying up the rest of the signature. In this light, the fact that an overwhelming amount of gaming headsets are closed-back and bass-heavy seems counterintuitive.

Lots of people love bass, though. And if you aren’t just worried about competitive play, some extra low-end can add a touch of excitement to heavy action scenes or a rousing soundtrack. You still don’t want a pair that boosts it too hard – which many dedicated gaming headsets do – but the point is that what makes a pair “immersive” to one person may sound dull to another.

Best headphones for gaming: Beyerdynamic DT 900 Pro X

The Beyerdynamic DT 900 Pro X should please a wide swath of people willing to pay for a capital-N nice set of headphones for gaming. This pair has great imaging performance and the kind of spacious soundstage expected from an open-back design. Bass is a little more present here than on many open-back headphones as well. There still isn’t much in the way of deep sub-bass, as expected, but there’s enough warmth to give in-game explosions a bit more juice without muddying up the mid-range frequencies. The mids get the most emphasis overall, but they’re clear and that forwardness isn’t a bad thing when you’re trying to listen for enemy players in a competitive FPS like Counter-Strike. The treble isn’t pushed quite as hard, but it’s neither overly recessed nor harsh.

All of this means the DT 900 Pro X sounds detailed but not boring, so it should play nice whether you’re trying to win a multiplayer game or taking in a more cinematic single-player experience. And when you’re not gaming, you get an enjoyable sound for music.

Everything’s built well, too. It’ll clamp down slightly harder than average if you have a large head, but it balances its weight well, and its wonderfully soft velour earpads go a long way toward keeping the pair comfortable over long sessions. It comes with two detachable cables, including a three-meter option that’s convenient if you sit far from your PC. This design can’t fold up, though.

Like all open-back headphones, the DT 900 Pro X leak and let in lots of noise, so it’s not great on the go. Clearly, if you can afford an ultra-premium pair like Sennheiser’s HD 800 S, you’ll get more space and true-to-life detail. But for a relatively attainable $250 to $300, the DT 900 Pro X should satisfy.

Best headphones for gaming under $200: Sennheiser HD 560S

If you’d rather not spend as much, the Sennheiser HD 560S is another excellent open-back headphone that’s typically available for around $150. Like the DT 900 Pro X, it has a wide soundstage that’ll help you feel immersed in a given game. Its sound is slightly more neutral on the whole, so you won’t feel like you’re missing any part of a mix, and it retrieves a lovely amount of detail from the treble and mid-range frequencies. There's less bass power for explosions, though, and the treble, while more present, may sound piercing at times. Imaging isn’t quite as nuanced either, though it’s nowhere near poor.

Design-wise, the HD 560S are plenty comfortable to wear for extended periods. They don’t clamp down too hard on those with big heads (like yours truly), and the velour earpads hug your ears softly. The included cable is removable, too. The plastic frame doesn’t feel as sturdy or premium as the DT 900 Pro X, however, so you won’t want to chuck them around haphazardly. It won’t block much outside noise either, nor will it prevent those around you from hearing what you're playing. Nevertheless, the HD 560S is a pleasure and a great value.

Best headphones for gaming under $50: Koss KSC75

If you can’t spend more than $50, it’s still hard to top the Koss KSC75. It costs $20, but judging purely on audio quality, it’s better than some headphones priced closer to $100. This pair is very obviously devoid of deep bass, so you won’t get that full-bodied oomph from in-game effects. You also won't hear all the intricate details you'd pick up with the pricier headphones above. But it locates sounds accurately and its open design gives it a real sense of width. It’s a superb value for competitive play.

The catch is that it’s built like a set of free airline headphones. The KSC75 has an odd clip-on design that, while lightweight, won’t be comfortable for everyone. It certainly looks like it costs $20, though Koss backs it with a lifetime warranty that essentially lets you get endless replacements for $9 each. Even if the KSC75 are pushing 20 years old, its sound remains relatively well-balanced and particularly well-suited for gaming.

Best gaming headset: Astro A40 TR

If you must have a dedicated gaming headset with a built-in mic, consider the Astro A40 TR. Another open-back pair, it has a more spacious soundstage than usual for the category – though it's not on par with better non-gaming headphones – and it generally localizes sounds correctly. This profile emphasizes the bass, giving explosions a smooth and satisfying thump, but it doesn’t overdo it like many other headsets marketed toward gaming.

The sound here is still a step behind the DT 900 Pro X or HD 560S, especially for online shooters, as the pushed upper-bass and lower-mids can blunt finer details a bit more. Footsteps usually won’t sound as clear. But compared to most gaming headsets, the A40’s profile is better balanced, and it does well to envelop you in the sounds of a busy scene.

Comfort shouldn’t be an issue, either. The A40 is on the bulkier side, but its weight is evenly distributed and doesn’t clamp down overly hard. The fuzzy earpads are soft and breathable, while the earcups are roomy enough to fit larger ears. The headset has the usual open-back shortcomings, though: It leaks a bunch of sound and blocks almost zero outside noise. The design looks “gamer-y," too, and there’s no built-in volume control. The whole thing is mostly made of plastic, though it doesn’t come off as flimsy.

The A40’s mic, meanwhile, is just OK. It picks up background noises while you chat, and voices sound somewhat muffled. It’s serviceable but you’d buy the A40 for its sound quality first. The mic isn’t detachable either, but you can easily flip it up and out of the way.

The A40 has been around for four years now, but its price has come down from $150 to a more reasonable $130 in that time. Astro sells an optional DAC with extra controls for $130, but at that price we’d strongly advise buying a good “normal” headphone and external mic.

Best budget gaming headset: HyperX Cloud Stinger 2

You won’t find a good open-back gaming headset under $50, so if you’re on a tight budget and require a built-in mic, you’ll have to compromise on sound quality. With that in mind, the HyperX Cloud Stinger 2 is a decent buy at its typical street price of $40. Its mic belies that low price, making voices sound relatively clear and accurate. In fact, it’s a clear step-up from the Astro A40. It’s not detachable but it’s flexible and automatically mutes when you slide it out of the way. This pair also gets the comfort part right, as the pleather earcups don’t clamp down hard and have enough soft padding where it counts.

The Cloud Stinger 2 has a V-shaped sound profile, which is to say it exaggerates the bass and treble while recessing the mid-range. It’s not bad for what it is, and it’ll definitely give action scenes a heavy sense of impact. But the upper-bass is pushed to the point where it may get tiring over time, and you lose some of the fine details you’d hear on a more natural-sounding headphone. Since this is a cheap closed-back headset, the Cloud Stinger 2 also doesn’t sound nearly as wide as the pairs above, nor is it as nuanced about positioning sounds accurately. It’s less than ideal for competitive games as a result, though it can still sound “fun” with many other titles.

Beyond that, the plastic design feels cheap-ish, it doesn’t block much outside noise despite being closed-back and its cable isn’t removable. Nevertheless, you have to pick your battles in this price range. The Cloud Stinger 2 is flawed, but it does enough well to make sense for a certain type of person.

A quick PSA on wireless gaming headsets

Most people do not need a wireless gaming headset. The PS5 and Xbox Series X/S have a headphone jack built into their controllers, and it's still readily available on the Switch and most gaming PCs. The cost of an OK wireless headset is usually higher than the cost of a comparable wired model, and for the money you often get worse audio quality and a less clear microphone on the wireless versions. You also risk introducing issues with latency. The latter is why non-gaming Bluetooth headphones are a no-go here.

Best wireless gaming headset: HyperX Cloud Alpha Wireless

If you really want a wireless headset – say, if your gaming PC is situated at the far end of your desk – you should look for a pair that makes the “wireless” part of the equation a little less apparent. The HyperX Cloud Alpha Wireless does this thanks to its absurdly long battery life. HyperX rates it at 300 hours, but we were able to squeeze out a couple dozen more at moderate volumes. iFixit did a helpful teardown if you’re curious as to how this is possible, but it’s not a stretch to say one charge here could last you months of play time.

The sound here is typical of many gaming headsets: slightly V-shaped, with overemphasized bass that can make game effects sound exciting but often presents footsteps and finer details with less clarity. As a closed-back headphone, it also won’t sound as spacious or natural as the more open pairs above. (Wireless gaming headsets with an open-back design are virtually nonexistent.) It’s not bad by wireless gaming headset standards, and it generally places sounds in the right place; it’s just not tuned or designed as optimally as a pair like the Astro A40.

The headset itself is comfortable to wear for hours at a time, with plush padding that doesn’t feel too tight, though the faux leather material on the earpads may make your ears feel mildly warm. Everything is sturdy, and the headband is nicely flexible. The boom mic is also fine, though that’s relative to other wireless headsets. It cancels out background noise well and keeps voices legible, but they won’t sound as crisp or full-bodied as they could be on wired headphones with good mics. It's better than the A40, though.

A word of warning: Don’t bother with HyperX’s companion software. While you can use the company’s Ngenuity app to customize the headset's EQ and activate a DTS:X surround sound feature, several users have reported that this introduces noticeable latency, and HyperX doesn’t look to be fixing it. If you really want these features, use a third-party EQ app and the spatial audio tools built into Windows and the PS5. By default, the included USB dongle offers a steady wireless connection.

The other caveat is that the Cloud Alpha Wireless only works with PCs and PlayStation consoles, or a Switch while docked. It also can’t connect over a cable or Bluetooth. If you’re looking for a competent alternative for Xbox, we note a few recommendations below.

Best premium wireless gaming headset: Audeze Maxwell

The Audeze Maxwell isn’t an amazing value at $299 (or $329 for the Xbox model), but if you’ve got cash to burn, it’s a wireless headset with genuinely impressive audio and mic quality. Its planar-magnetic drivers do well reproducing smaller intricacies in a given scene, and its default signature is like a more refined version of the common “gaming headset” sound. Bass is smooth and impactful but not bloated, while highs are crisp but not overly sharp. Some effects in the mids can sound thin, and as this is a closed-back headset, it can’t provide the same immersive width and precise imaging as the open-back models above. Ironically, it may be better for music than games. Still, for a wireless headset, it’s unusually pleasant and detailed. Audeze’s app includes several EQ presets as well.

Similarly, the Maxwell’s detachable boom mic is a standout. It does a phenomenal job of muting background noise, and while voices lose some air, they still sound clearer and fuller than on most wireless headsets we’ve tested.

The Maxwell is on the bulky side, and its headband uses an odd suspension mechanism that effectively isn’t adjustable without taking the headset off. The squishy padded ear cups will likely make your ears feel warm, but they keep the headset comfortable and isolate a fair amount of outside noise. The design also feels substantial, with the headband made from steel. The essential controls are built into the left earcup, and the device can connect over Bluetooth or a 3.5mm cable in addition to a USB-C wireless dongle. You can even pair with two devices at once, one over the dongle and another over Bluetooth. The headset needs to be powered on in order to play music over a cable, however.

Audeze rates the Maxwell’s battery life at roughly 80 hours, though you'll get less than that if you play at high volumes or use features like Bluetooth or sidetone heavily. While this can’t touch the Cloud Alpha Wireless, it’s still much better than most wireless headsets.

Other notable gaming headsets

Photo by Jeff Dunn / Engadget

SteelSeries Arctis Nova Pro

The SteelSeries Arctis Nova Pro is overpriced at $250, and it can make higher frequencies sound harsh, but its bass and mids are good, it’s super comfortable and its retractable mic is noticeably clearer than the Astro A40’s. Its included DAC is also useful, letting you adjust the headset’s EQ and game/chat mix. But while the closed-back design is mildly better at blocking outside noise, it won’t provide the same sense of width as the A40.

SteelSeries Arctis Nova Pro Wireless

SteelSeries also sells a wireless version of the Nova Pro, which typically retails between $300 and $350. The Audeze Maxwell will sound better to most, but this is likely its closest competitor and it has useful bonus features like the ability to connect to multiple gaming devices simultaneously (with the Xbox model) and hot-swap battery packs.

SteelSeries Arctis Nova Pro 7X

If you need a wireless alternative to the Cloud Alpha Wireless for Xbox, the SteelSeries Arctis Nova 7X should work. It’s another bass-forward pair, and its mic is comparable to the one on Cloud Alpha Wireless. Like the other Nova models, it offers multiple connectivity options, including Bluetooth and a 3.5mm cable. And while it's marketed for the Xbox, it can also connect to PCs and PS5s. Its 30 or so hours of battery life are well short of the Cloud Alpha Wireless, though, and its sound signature can make the treble sound somewhat wonky.

HyperX Cloud Alpha

The wired HyperX Cloud Alpha is often on sale for $80 or less, and at that price it’s a decent middle ground between the Cloud Stinger 2 and Astro A40 if you absolutely need a closed-back gaming headset. It’s old, but its plush earpads and headband remain comfy, and its detachable mic, while not superb, is still better than Astro’s pair. Its treble is underemphasized, however, and again it sounds more “in your head” than the A40.

Logitech G535

The Logitech G535 is an impressively light (236g) and comfy wireless headset that’s often available for $100. It has a more neutral sound signature than the Cloud Alpha Wireless and Arctis Nova 7X: not flat, but less beholden to big, thumping bass. It can make mid-range details sound thin, and if anything it could use a little more sub-bass, but it’s an agreeable listen overall. It can also connect over Bluetooth. However, its mic gives up some fullness compared to the Cloud Alpha Wireless (which already wasn’t superb), and its 30-ish hours of battery life are a massive drop-off. Plus, it doesn’t work with Xbox, and it strangely forces you to crank the volume to reach a listenable level. But if you don’t want to spend a ton on a wireless headset, it’s the best of the $100-and-under options we tested.