This week, it’s all about cars and Lucy Liu in VR. Devindra chats with Senior Writer Sam Rutherford about his visit to the New York International Auto Show, where he saw the Polestar 4, a unique new EV without a rear window. Also, Cherlynn pops in to chat with Lucy Liu about her new VR game, The Pirate Queen. We also explore the issues around Florida’s bill banning young kids from social media sites, and Sam tells us why he likes Netflix’s Avatar: The Last Airbender adaptation.

Listen below or subscribe on your podcast app of choice. If you've got suggestions or topics you'd like covered on the show, be sure to email us or drop a note in the comments! And be sure to check out our other podcast, Engadget News!

Topics

• Sam Rutherford on what’s new in EVs and car tech from the New York Auto Show – 0:57

• Cherlynn Low interviews Lucy Liu about her new VR game The Pirate Queen – 34:39

• Florida Governor signs bill banning young children from social media – 54:55

• Intel confirms Copilot will eventually run locally – 58:33

• There’s finally a version of Chrome that runs well on ARM-based Windows machines – 1:02:43

• Canadian researchers have created a camera that takes 156.3 trillion frames per second – 1:05:06

• Working on – 1:07:08

• Pop culture picks – 1:12:44

Subscribe!

• iTunes

• Spotify

• Pocket Casts

• Stitcher

• Google Podcasts

Credits 

Hosts: Devindra Hardawar and Sam Rutherford
Guest: Cherlynn Low and Lucy Liu
Producer: Ben Ellman
Music: Dale North and Terrence O'Brien

Ever since Tamagotchi Uni became globally available last summer, it’s felt like a product with a lot of unrealized potential.

Bear in mind, I say this as someone who loves this device and has run it daily since launch. But on top of all the basic activities one would expect at this point from the digital pet toy, the Wi-Fi capable Tamagotchi Uni promised users the “Tamaverse” — a virtual playground that would broaden the Tamagotchi experience like never before. So far, it hasn’t, really.

Sure, players could send their characters there to “meet” others, go on little vacations and buy outfits, but those small activities don’t really add much substance. The "travel" experience involved watching short animation, and occasionally getting a special food dish, item or achievement badge. Even the aspect of mingling was sorely limited, allowing players to send just one Heart (a “like” to acknowledge another player’s Tamagotchi) per day.

The Tamaverse has been slow to live up to the expectations Bandai set, despite it being the Uni’s biggest selling point. That seems to be changing in a big way.

With an update that rolled out on March 19 — version 1.6.0 — Bandai opened the Tama Portal, an area of the Tamaverse that’s been cordoned off all this time. A few days after, it dropped the first two DLC packs for Tamagotchi Uni in the form of “Tamaverse Tickets,” which allow users to travel to new locations through that portal. In a bonus, non-Tamaverse related move, the update also answers players’ desperate pleas for more item storage by adding “My Box,” where surplus items can be stowed so you no longer need to delete older goodies to make room for new ones.

Bandai

The first two Tamaverse Tickets, as the DLCs are being called, are available now. One, which takes you to Very Berry Land, is free, while the other, for the LoveMelo Concert, costs $6. Each new area comes with a slew of additional characters you can raise (including some that are brand new for the franchise), an on-theme mini-game and a shop with new food, items, accessories and furniture you can buy with Gotchi Points. 

This is the kind of depth the virtual space always seemed to imply. Now it feels like we’re finally seeing what the Tamaverse can really be. Hopefully, it’s just the start.

There will undoubtedly be some who balk at having to pay for DLC beyond the one freebie, and while I can’t say I’d blame them for that, it doesn’t bother me for what we’re getting. Purchasing a ticket gives you access to a download code that can be used three times. Once the code is registered to a device, you can visit that location as much as you want, and switch freely between the different locations you’ve downloaded. That means I was able to use the same codes to download Very Berry Land and LoveMelo Concert on both of my Tamagotchi Uni devices, and still have one use left for each ticket in case I ever have to do a reset.

As was the case with the Tamagotchi Smart’s DLC, the physical TamaSma cards, only one Tamaverse Ticket can be active at a time, so switching will wipe out any location-specific items or food in your inventory, but you won’t need to reenter the code in order to switch back. All of a person’s downloaded locations can be found in a new list called DL Area when you visit the Tama Portal. 

Bandai

It’s not just one or two characters that come with each location, either — you get six. Some people buy whole new devices for that kind of expansion (definitely not me… haha…). And the free Very Berry Land brings back the fan-favorite adorable strawberry, Ichigotchi, which feels like a win for everyone.

The DLC also reintroduces the method of obtaining specific characters by feeding your fledgling Tamagotchis certain meals or playing with a particular item three times before they reach adulthood. I was excited to try and get the new character, Tanghulutchi, that comes with Very Berry Land, and fed my teen Tama an abundance of Fruit Candy snacks in hopes that it would make her appear. It worked! (I’m now also fiending for the real candied fruit treat of its namesake, Tanghulu. Thanks Bandai). 

Once I’m strong enough to part with Memetchi on my other device, which is running LoveMelo Concert, I’ll probably try to get Drumcrubitchi, a new character that’s literally a drum kit with a face.

Photo by Cheyenne MacDonald / Engadget

All of the things you can purchase in the Tama Portal locations are as of now much cheaper than the usual Tama Mall offerings, with furniture and accessories falling between 200 and 500 Gotchi Points. It’s really nice to have some new mini-games to freshen up the daily routine, since there aren’t many built into the device when it’s offline, and the ones they’ve added to the first Tamaverse locations are great.

In Very Berry Land, you can play Cake Factory, where you have to move your character around to place strawberries on top of cake slices as they come down the conveyor belt. It’s a game style we’ve seen before, but is slightly more exciting than other similar versions because the pace really picks up in the second half of the round.

LoveMelo Concert brings back the popular Guitar-Hero-style rhythm game format we saw (twice) in the Tama Arena’s Nyanoe Dance, but the new Happy Happy Harmony features a different song for you to try and keep up with. It’s actually pretty challenging, and is the type of game I’ll have to obsessively revisit until I’ve perfected it. Nyanoe Dance was clearly well received, and I’m sure a lot of fans will be happy that a version of it has found a permanent home in the Uni one way or another.

Photo by Cheyenne MacDonald / Engadget

One of the best things about previous versions of the modern Tamagotchi, like the Tamagotchi On, was the joy of discovery when you unlocked a new location. The new Tama Portal destinations garner that same feeling, and I can only hope Bandai will keep it going even beyond the additional expansions it teased with update 1.6.0.

The announcement materials indicated that there are at least three more DL Areas on the way, including the Tamamori Fashion Show that’s set to drop at the end of May. That world introduces some more absolutely unhinged Tamagotchi character designs — like a pair of anthropomorphic work boots named, I kid you not, Bootsbrothers — and I truly cannot wait. The other areas haven’t yet been revealed.

Google just announced that it’s expanding its recently-launched Circle to Search tool to include language translation, as part of an update to various core services. Circle to Search, as the name suggests, already lets some Android users research stuff by drawing a circle around an object.

The forthcoming language translation component won’t even require a drawn circle. Google says people will just have to long press the home button or the navigation bar and look for the translate icon. It’ll do the rest. The company showed the tech quickly translating an entire menu with one long press. Google Translate can already do this, though in a slightly different way, but this update means users won’t have to pop out of one app and into another just to check on something.

The translation tool begins rolling out in the “coming weeks”, though only to Android devices that can run Circle to Search. This list currently includes Pixel 7 devices, Pixel 8 devices and the Samsung Galaxy S24 series, though Google says it's coming to more phones and tablets this week, including some foldables.

Google Maps is also getting a refresh, with an emphasis on AI. When you pull up a place on Maps, like a restaurant, artificial intelligence will display a summary that describes unique points of interest and “what people love” about the business. The AI will also analyze photos of food and identify what the dish is called, in addition to the cost and whether it's vegetarian or vegan. The company hopes this will make it easier to make reservations and book trips.

Google

On the non-AI side of things, Maps is getting an updated lists feature in select cities throughout the US and Canada. This will aggregate lists of must-visit destinations pulled from members of the community and local publishers. There will be tools to customize these lists as you see fit.

These will be joined by lists created by Google and its algorithm, including a weekly trending list to discover the “latest hot spots” and something called Gems that chronicles under-the-radar spots. All of these Maps updates are coming to both Android and iOS devices later this month.

Back when I was a kid (puts on old man glasses) we had the Casio SK-1. We’d spend all day making samples of burps and turning them into stupid little songs, but that’s about as far as it went. You couldn’t layer tracks or anything. Modern children, however, are about to get an actual full-featured groovebox, thanks to Playtime Engineering.

The Blipblox myTRACKS is a complete music production studio, according to Playtime. It features a built-in microphone for sampling (just like the Casio SK-1) but also 50 instrument sounds and 25 pads to play them on. These sounds can be arranged into five tracks, resembling many grooveboxes intended for adults, and there are two FX processors and a range of effects. Sure, it looks like a toy and probably feels like a toy, but it’s not really a toy. To that end, the announcement video shows an adult going to town on the thing once the kids are asleep.

You can transform sounds and add effects via two bright purple levers on the side, which work just like typical mod wheels. You’ll be able to buy sound packs online and upload them via USB-C. There's even a MIDI port. It's a groovebox, though not as high-tech as something like the Teenage Engineering OP-1 Field, or the Roland MC-707. 

Downloading sound packs and modulating effects may be a bit too complicated for the younger kids in your life, but the myTRACKS also includes hundreds of built-in melodies and drum loops to play around with and have fun. There’s also a randomization feature that the company says “instantly creates new songs for unlimited fun and inspiration.” These songs are likely to annoy you as you go about household chores, but it's better than a child staring at a tablet all day, right?

Playtime Engineering

Now the bad news. The kid-centric groovebox is just a Kickstarter project, for now, with shipments eventually going out in November. However, this isn’t Playtime Engineering’s first rodeo with this type of gadget. The company has released numerous child-friendly synthesizers and music-making devices in its Blipblox line. There’s the original Blipblox synth and the more recent Blipblox After Dark. We praised both of these instruments for being appropriate for children, but still enjoyable for adults. The myTRACKS Kickstarter goes live on April 9 and pricing will range from $250 to $300 for backers.

Florida Governor Ron DeSantis just signed into law a bill named HB 3 that creates much stricter guidelines about how kids under 16 can use and access social media. To that end, the law completely bans children younger than 14 from participating in these platforms. 

The bill requires parent or guardian consent for 14- and 15-year-olds to make an account or use a pre-existing account on a social media platform. Additionally, the companies behind these platforms must abide by requests to delete these accounts within five business days. Failing to do so could rack up major fines, as much as $10,000 for each violation. These penalties increase to $50,000 per instance if it is ruled that the company participated in a “knowing or reckless” violation of the law.

As previously mentioned, anyone under the age of 14 will no longer be able to create or use social media accounts in Florida. The platforms must delete pre-existing accounts and any associated personal information. The bill doesn’t name any specific social media platforms, but suggests that any service that promotes “infinite scrolling” will have to follow these new rules, as will those that feature display reaction metrics, live-streaming and auto-play videos. Email platforms are exempt.

This isn’t just going to change the online habits of kids. There’s also a mandated age verification component, though that only kicks in if the website or app contains a “substantial portion of material” deemed harmful to users under 18. Under the language of this law, Floridians visiting a porn site, for instance, will have to verify their age via a proprietary platform on the site itself or use a third party system. News agencies are exempt from this part of the bill, even if they meet the materials threshold. 

Obviously, that brings up some very real privacy concerns. Nobody wants to enter their private information to look at, ahem, adult content. There’s a provision that gives websites the option to route users to an “anonymous age verification” system, which is defined as a third party that isn’t allowed to retain identifying information. Once again, any platform that doesn’t abide by this restriction could be subject to a $50,000 civil penalty for each instance.

This follows DeSantis vetoing a similar bill earlier this month. That law would have banned teens under 16 from using social media apps and there was no option for parental consent.

NetChoice, a trade association that represents social media platforms, has come out against the law, calling it unconstitutional. The group says that HB 3 will essentially impose an “ID for the internet”, arguing that the age verification component will have to widen to adequately track whether or not children under 14 are signing up for social media apps. NetChoice says “this level of data collection will put Floridians’ privacy and security at risk.”

Paul Renner, the state’s Republican House Speaker, said at a press conference for the bill signing that a “child in their brain development doesn’t have the ability to know that they’re being sucked in to these addictive technologies, and to see the harm, and step away from it. And because of that, we have to step in for them.”

The new law goes into effect on January 1, but it could face some legal challenges. Renner said he expects social media companies to “sue the second after this is signed” and DeSantis acknowledged that the law will likely be challenged on First Amendment issues, according to Associated Press.

Florida isn’t the first state to try to separate kids from their screens. In Arkansas, a federal judge recently blocked enforcement of a law that required parental consent for minors to create new social media accounts. The same thing happened in California. A similar law passed in Utah, but was hit with a pair of lawsuits that forced state reps back to the drawing board. On the federal side of things, the Protecting Kids on Social Media Act would require parental consent for kids under 18 to use social media and, yeah, there’s that whole TikTok ban thing.

There was once a time when you went to one place for music, another for education, and so on, but many companies are now attempting to turn themselves into a jack of all trades to compete for survival. The latest example is Spotify, which has announced a test for video-based learning courses. The new feature joins the platform's music, podcasts and audiobooks lineup. 

Spotify has teamed up with a range of content partners: BBC Maestro, PLAYvirtuoso, Thinkific Labs Inc. and Skillshare. They offer content in four main categories: making music, getting creative, learning business and healthy living. "With this offer, we are exploring a potential opportunity to provide educational creators with a new audience who can access their video content, reaching a bigger potential swath of engaged Spotify users while expanding our catalog," Spotify stated in the announcement. The platform claims that around half of users have "engaged" in self-help or educational podcasts. 

The test courses are available only to UK users, with free and premium subscribers receiving at least two free lessons per course. The series will range in price from £20 ($25) to £80 ($101), regardless of a person's subscription tier. Users can access them on mobile or desktop. Exact pricing and availability might change if the feature moves past the test phase. 

This forays into video-based courses follows shortly after Spotify introduced music videos in beta. They're available on select tracks and, like the classes, aren't available to US subscribers (the UK is among the 11 countries with access). 

Porn bots are more or less ingrained in the social media experience, despite platforms’ best efforts to stamp them out. We’ve grown accustomed to seeing them flooding the comments sections of memes and celebrities’ posts, and, if you have a public account, you’ve probably noticed them watching and liking your stories. But their behavior keeps changing ever so slightly to stay ahead of automated filters, and now things are starting to get weird.

While porn bots at one time mostly tried to lure people in with suggestive or even overtly raunchy hook lines (like the ever-popular, “DON'T LOOK at my STORY, if you don't want to MASTURBATE!”), the approach these days is a little more abstract. It’s become common to see bot accounts posting a single, inoffensive, completely-irrelevant-to-the-subject word, sometimes accompanied by an emoji or two. On one post I stumbled across recently, five separate spam accounts all using the same profile picture — a closeup of a person in a red thong spreading their asscheeks — commented, “Pristine 🌿,” “Music 🎶,” “Sapphire 💙,” “Serenity 😌” and “Faith 🙏.”

Another bot — its profile picture a headless frontal shot of someone’s lingerie-clad body — commented on the same meme post, “Michigan 🌟.” Once you’ve noticed them, it’s hard not to start keeping a mental log of the most ridiculous instances. “🦄agriculture” one bot wrote. On another post: “terror 🌟” and “😍🙈insect.” The bizarre one-word comments are everywhere; the porn bots, it seems, have completely lost it.

Really, what we’re seeing is the emergence of another avoidance maneuver scammers use to help their bots slip by Meta’s detection technology. That, and they might be getting a little lazy.

Screenshots by Engadget

“They just want to get into the conversation, so having to craft a coherent sentence probably doesn't make sense for them,” Satnam Narang, a research engineer for the cybersecurity company Tenable, told Engadget. Once scammers get their bots into the mix, they can have other bots pile likes onto those comments to further elevate them, explains Narang, who has been investigating social media scams since the MySpace days.

Using random words helps scammers fly under the radar of moderators who may be looking for particular keywords. In the past, they’ve tried methods like putting spaces or special characters between every letter of words that might be flagged by the system. “You can't necessarily ban an account or take an account down if they just comment the word ‘insect’ or ‘terror,’ because it's very benign,” Narang said. “But if they're like, ‘Check my story,’ or something… that might flag their systems. It’s an evasion technique and clearly it's working if you're seeing them on these big name accounts. It's just a part of that dance.”

That dance is one social media platforms and bots have been doing for years, seemingly to no end. Meta has said it stops millions of fake accounts from being created on a daily basis across its suite of apps, and catches “millions more, often within minutes after creation.” Yet spam accounts are still prevalent enough to show up in droves on high traffic posts and slip into the story views of even users with small followings.

The company’s most recent transparency report, which includes stats on fake accounts it’s removed, shows Facebook nixed over a billion fake accounts last year alone, but currently offers no data for Instagram. “Spammers use every platform available to them to deceive and manipulate people across the internet and constantly adapt their tactics to evade enforcement,” a Meta spokesperson said. “That is why we invest heavily in our enforcement and review teams, and have specialized detection tools to identify spam.”

Screenshots by Engadget

Last December, Instagram rolled out a slew of tools aimed at giving users more visibility into how it’s handling spam bots and giving content creators more control over their interactions with these profiles. Account holders can now, for example, bulk-delete follow requests from profiles flagged as potential spam. Instagram users may also have noticed the more frequent appearance of the “hidden comments” section at the bottom of some posts, where comments flagged as offensive or spam can be relegated to minimize encounters with them.

“It's a game of whack-a-mole,” said Narang, and scammers are winning. “You think you've got it, but then it just pops up somewhere else.” Scammers, he says, are very adept at figuring out why they got banned and finding new ways to skirt detection accordingly.

One might assume social media users today would be too savvy to fall for obviously bot-written comments like “Michigan 🌟,” but according to Narang, scammers’ success doesn’t necessarily rely on tricking hapless victims into handing over their money. They’re often participating in affiliate programs, and all they need is to get people to visit a website — usually branded as an “adult dating service” or the like — and sign up for free. The bots’ “link in bio” typically directs to an intermediary site hosting a handful of URLs that may promise XXX chats or photos and lead to the service in question.

Scammers can get a small amount of money, say a dollar or so, for every real user who makes an account. In the off chance that someone signs up with a credit card, the kickback would be much higher. “Even if one percent of [the target demographic] signs up, you're making some money,” Narang said. “And if you're running multiple, different accounts and you have different profiles pushing these links out, you're probably making a decent chunk of change.” Instagram scammers are likely to have spam bots on TikTok, X and other sites too, Narang said. “It all adds up.”

Screenshot by Engadget

The harms from spam bots go beyond whatever headaches they may ultimately cause the few who have been duped into signing up for a sketchy service. Porn bots primarily use real people’s photos that they’ve stolen from public profiles, which can be embarrassing once the spam account starts friend requesting everyone the depicted person knows (speaking from personal experience here). The process of getting Meta to remove these cloned accounts can be a draining effort.

Their presence also adds to the challenges that real content creators in the sex and sex-related industries face on social media, which many rely on as an avenue to connect with wider audiences but must constantly fight with to keep from being deplatformed. Imposter Instagram accounts can rack up thousands of followers, funneling potential visitors away from the real accounts and casting doubt on their legitimacy. And real accounts sometimes get flagged as spam in Meta’s hunt for bots, putting those with racy content even more at risk of account suspension and bans.

Unfortunately, the bot problem isn’t one that has any easy solution. “They're just continuously finding new ways around [moderation], coming up with new schemes,” Narang said. Scammers will always follow the money and, to that end, the crowd. While porn bots on Instagram have evolved to the point of posting nonsense to avoid moderators, more sophisticated bots chasing a younger demographic on TikTok are posting somewhat believable commentary on Taylor Swift videos, Narang says.

The next big thing in social media will inevitably emerge sooner or later, and they’ll go there too. “As long as there's money to be made,” Narang said, “there's going to be incentives for these scammers.”

Iconic singer Joni Mitchell has put her music back on Spotify more than two years after she left the platform as a protest against it hosting misinformation about COVID-19 vaccines, typically spread by beefy podcast bad boy Joe Rogan. This happens just a week after fellow protestor Neil Young rejoined the streaming service.

Mitchell has made no comment about her music returning to Spotify. Back in 2022, Mitchell wrote in a statement that “irresponsible people are spreading lies that are costing people their lives. I stand in solidarity with Neil Young and the global scientific and medical communities on this issue” of the COVID vaccine, as published by Pitchfork.

Young returned to Spotify on the grounds that Joe Rogan’s podcast is no longer exclusive to the platform, as it now appears on YouTube, Apple Podcasts and Amazon Music. "My decision comes as music services Apple and Amazon have started serving the same disinformation podcast features I had opposed at Spotify," he wrote in a blog post that may have been deleted since being published. The singer also noted that fans would have nowhere to go if he pulled his music from each of the above platforms.

Beyond the obvious reasons, Young and Mitchell had a personal stake in combating medical misinformation. Both musicians were victims of polio, a disease that was wiped out in North America thanks to vaccines.

Joni Mitchell has been experiencing something of a career resurgence in the past few years. She started playing live again in 2022, after an aneurysm in 2015 left her unable to perform. The singer even performed at this year’s Grammys. As for Rogan, he recently signed a new $250 million deal with Spotify to continue his various podcast ventures.

Fans of Dear Esther, Amnesia: A Machine for Pigs and Everybody's Gone to the Rapture, make sure to mark June 18 on your calendar. On that day, you'll be able to buy a copy of Still Wakes the Deep for the PC (via Steam and Epic Games Store), the Xbox Series X|S and the PS5, though you can also play it with Game Pass for Xbox and PC. It's the latest first-person narrative horror game from The Chinese Room, the developer behind the aforementioned titles in the same genre. 

Just a warning if the title itself isn't clear enough: Still Wakes the Deep probably isn't for you if you have thalassophobia. It's set in 1975 and puts you in the shoes of an offshore oil rig worker stationed in North Sea waters. A "terrifying, unrelenting foe" has come onboard, and you'll have to fight for your life while helping what remains of your crew survive in the midst of storms and freezing temperatures. "All lines of communication have been severed. All exits are gone," the game's description says, because horror stories are no fun if you can easily call for help. You'll have no access to weapons, as well — you'll have to use your wits and what you find from your environment to face the "unknowable horror" and escape the rig altogether. 

The Mozilla Foundation and dozens of other research and advocacy groups are pushing back on Meta’s decisions to shut down its research tool, CrowdTangle, later this year. In an open letter, the group calls on Meta to keep CrowdTangle online until after 2024 elections, saying that it will harm their ability to track election misinformation in a year where “approximately half the world’s population” are slated to vote.

The letter, published by the Mozilla Foundation and signed by 90 groups as well as the former CEO of CrowdTangle, comes one week after Meta confirmed it would shut down the tool in August 2024. “Meta’s decision will effectively prohibit the outside world, including election integrity experts, from seeing what’s happening on Facebook and Instagram — during the biggest election year on record,” the letter writers say.

“This means almost all outside efforts to identify and prevent political disinformation, incitements to violence, and online harassment of women and minorities will be silenced. It’s a direct threat to our ability to safeguard the integrity of elections.” The group asks Meta to keep CrowdTangle online until January 2025, and to “rapidly onboard” election researchers onto its latest tools.

CrowdTangle has long been a source of frustration for Meta. It allows researchers, journalists and other groups to track how content is spreading across Facebook and Instagram. It’s also often cited by journalists in unflattering stories about Facebook and Instagram. For example, Engadget relied on CrowdTangle in an investigation into why Facebook Gaming was overrun with spam and pirated content in 2022. CrowdTangle was also the source for “Facebook’s Top 10,” a (now defunct) Twitter bot that posted daily updates on the most-interacted withFacebook posts containing links. The project, created by a New York Times reporter, regularly showed far-right and conservative pages over-performing, leading Facebook executives to argue the data wasn't an accurate representation of what was actually popular on the platform.

With CrowdTangle set to shut down, Meta is instead highlighting a new program called the Meta Content Library, which provides researchers with new tools to access publicly-accessible data in a streamlined way. The company has said it’s more powerful than what CrowdTangle enabled, but it’s also much more strictly controlled. Researchers from nonprofits and academic institutions must apply, and be approved, in order to access it. And since the vast majority of newsrooms are for-profit entities, most journalists will be automatically ineligible for access (it’s not clear if Meta would allow reporters at nonprofit newsrooms to use the Content Library.)

The other issue, according to Brandon Silverman, CrowdTangle’s former CEO who left Meta in 2021 is that the Meta Content Library isn’t currently powerful enough to be a full CrowdTangle replacement. “There are some areas where the MCL has way more data than CrowdTangle ever had, including reach and comments in particular,” Brandon Silverman, CrowdTangle’s former CEO who left Meta in 2021 wrote in a post on Substack last week. “But there are also some huge gaps in the tool, both for academics and civil society, and simply arguing that it has more data isn’t a claim that regulators or the press should take seriously.”

In a statement on X, Meta spokesperson Andy Stone said that “academic and nonprofit institutions pursuing scientific or public interest research can apply for access” to the Meta Content Library, including nonprofit election experts. “The Meta Content Library is designed to contain more comprehensive data than CrowdTangle.”