Apple quietly gives the 10th-generation iPad a $100 price drop

Near the end of its “Let Loose” event that brought new versions of the iPad Pro and iPad Air, Apple made some changes to the cheaper end of its tablet lineup. The 10th-generation iPad Pro, the newest version of the budget model, now starts at $349, down from its original $449.

Alongside the price drop, Apple’s 9th-generation model (which was still rocking a Lightning port and home button) is now kaput. Its successor replaces it with a more modern design, USB-C and Touch ID on its lock button.

Apple’s new iPad lineup sees the new price for the 10th-generation iPad and the end of its predecessor.
Apple

The 10th-generation iPad launched in 2022. Back then, Engadget’s Nathan Ingraham described it as “a complete redesign from [the 2021] model that cribs heavily from the iPad Air while also bringing a handful of compromises to upsell potential customers on Apple’s more expensive tablets.”

Although the 10th-gen model officially gets the $100 price cut, the model was already frequently discounted to that price at Apple’s retail partners. That price now gets you the 64GB base model, while the 256GB tier now costs $499, also a $100 drop from its 2022 launch.

Follow all of the news live from Apple's 'Let Loose' event right here.

This article originally appeared on Engadget at https://www.engadget.com/apple-quietly-gives-the-10th-generation-ipad-a-100-price-drop-150256714.html?src=rss

A two-pack of Blink Mini Indoor cameras drops to only $30

Summer is almost here, and with it comes vacations and long periods away from home. Security cameras are a great way to keep your mind at ease so we're excited to see Amazon's Blink Mini two-pack on sale for an all-time low price. The pair are currently just $30, down from $50 — a 40 percent discount.

The Blink Mini might no longer be the most recent model, thanks to Amazon's recent release of the Blink Mini 2, but it's still an excellent option for monitoring your home. In just a few minutes, you can easily connect it to your Wi-Fi, and you're all set. The camera provides 1080p capture, infrared capture, and alerts directed to your phone anytime there's movement.

The big thing to keep in mind about the Blink Mini is that it's designed for use with Alexa. If you're a Siri or Google Assistant user, then you might want to look at some of our other favorite smart home gadgets. The Mini is also a cheaper version of Amazon's Blink Indoor, a wireless option currently down to $56 from $80 for just one.

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This article originally appeared on Engadget at https://www.engadget.com/a-two-pack-of-blink-mini-indoor-cameras-drops-to-only-30-150029850.html?src=rss

Apple Pencil Pro adds squeeze, roll and haptic feedback to its bag of tricks

Alongside its lineup of new iPads, Apple revealed an overhauled Pencil today too. The Apple Pencil Pro has a new sensor in the barrel that accepts your squeezes. This action can do things like bring up tool palettes so you don't have to manually tap into them with your free hand. Apple says you can also use the gesture to activate shortcuts or and other actions. What's more, haptic feedback lets you know when the squeeze was accepted or when something you moved has snapped into place. Apple also added a roll gesture "for precise control" of whatever tool you're using, powered by a new gyroscope.

The new Apple Pencil works with Find My, so you'll have some extra assistance when you lose it. And, as always, the new version still pairs, charges and stores magnetically on iPad Pro. Apple says developers can make their own actions with the new gestures, so you can expect to see customizations based on the iPad apps you're using. Apple Pencil Pro works with the new iPad Air in addition to the new iPad Pro, so you have multiple Pencil options for the more affordable iPad. 

Apple Pencil Pro is $129 and is up for pre-order today. It will ship next week. 

Follow all of the news live from Apple's 'Let Loose' event right here.

This article originally appeared on Engadget at https://www.engadget.com/apple-pencil-pro-adds-squeeze-roll-and-haptic-feedback-to-its-bag-of-tricks-144712885.html?src=rss

Apple's new Magic Keyboard for the iPad Pro gets a function row and haptic trackpad

Apple has announced a refreshed Magic Keyboard accessory at today’s iPad event. The new keyboard is designed to specifically work with the M4 iPad Pro line, though it doesn’t integrate with the iPad Air or any other model.

When connected to the iPad Pro, it makes the tablet look like an actual laptop. Apple says “the entire experience feels just like using a MacBook.” To further assist this laptop mimicry, the keyboard boasts a larger trackpad with haptic feedback. There’s also a new function row for quick access to convenient controls, like brightness and the like.

Apple

The keyboard now features an aluminum palmrest and is available in two colors. Magic Keyboard ships with the iPad Pro next week. The keyboard costs $300 or $350, depending on which iPad Pro model it aligns with. The company also announced new iPads today, including an OLED iPad Pro and a refreshed iPad Air

This article originally appeared on Engadget at https://www.engadget.com/apples-new-magic-keyboard-for-the-ipad-pro-gets-a-function-row-and-haptic-trackpad-144312086.html?src=rss

Apple's M4 chip arrives with a big focus on AI

Today at its "Let Loose" event, Apple detailed its new M4 chip featuring a major focus on improved AI and machine learning capabilities. 

Built on a new second-gen 3nm process, Apple's M4 chip features four performance and six efficiency cores along with a 10-core GPU. On top of that, Apple says it's maintaining class-leading energy efficiency. In terms of general performance, Apple claims the M4's CPU is 50 percent faster compared to M2, with a GPU that's four times as fast. Memory bandwidth has been improved with speeds of up to 120GB/s.

Apple

The M4 also features an upgraded 16-core neural engine capable of delivering up to 38 trillion operations per second.  

Developing...

Follow all of the news live from Apple's 'Let Loose' event right here.

This article originally appeared on Engadget at https://www.engadget.com/apples-m4-chip-arrives-with-a-big-focus-on-ai-142448428.html?src=rss

Apple's thinner new iPad Pros feature the M4 chip and "tandem" OLED displays

Apple's new iPad Pro models are its most laptop-like tablets yet. They're the first devices powered by the company's M4 chip, which is said to deliver more AI capabilities. And, for the first time outside of the iPhone and Apple Watch, both the new 11-inch and 13-inch iPad Pros will sport OLED screens. That's a step up from the LCD and Mini-LED displays on the previous models, and it should lead to bolder colors, inky dark black levels, and far better contrast. 

These aren't your typical OLEDs, either: Apple says the iPad Pros feature "tandem" OLED screens for 1,000 nits of typical brightness and 1,500 nits of peak brightness. That solves the brightness issues facing earlier OLED screens, and it means you likely won't miss the extreme brightness of Mini-LED.   

Developing...

Follow all of the news live from Apple's 'Let Loose' event right here.

This article originally appeared on Engadget at https://www.engadget.com/apples-thinner-new-ipad-pros-feature-the-m4-chip-and-tandem-oled-displays-142031520.html?src=rss

The new iPad Air comes in two sizes, including a 13-inch model

It's about dang time. During its Let Loose event, Apple announced it has updated the iPad Air for the first time in over two years. The latest model has an M2 chip, so it's not getting one of Apple's most recent chipsets, likely to keep costs down and differentiate it from the iPad Pro.

Perhaps more significantly, the company has introduced an iPad Air with a 13-inch screen for the first time. That means there are two variants, as the 10.9-inch format is sticking around. As such, the iPad Air and iPad Pro effectively have the same display sizes.

Rumors initially suggested that the 13-inch model would have a mini-LED display. That turned out not to be the case as it has a liquid retina display, but analyst Ross Young says Apple may unveil an updated iPad Air later this year that does have such a display.

Another of the updates isn't quite as notable, but it should be a great quality-of-life change for many folks. Apple has moved the front-facing camera to the landscape edge of the display. That means you should be more centered in the frame when your iPad is docked and you're on a video call. The placement of the front-facing camera has been one of our biggest iPad bugbears for years, and it's great to see Apple finally seeing sense and repositioning it.

Developing...

Follow all of the news live from Apple's 'Let Loose' event right here.

This article originally appeared on Engadget at https://www.engadget.com/the-new-ipad-air-comes-in-two-sizes-including-a-13-inch-model-141005701.html?src=rss

Fujifilm X100 VI review: A one-of-a-kind camera for street photography and travel

Fujifilm’s X100 V became a surprising viral hit thanks to influencers who loved not only its performance but also its retro-chic cool factor. Now, the company has launched its successor, the similar-looking but more-capable X100 VI. It’s only been on sale a short time, but retailers are already reporting months-long waiting lists.

It features some key improvements over the previous model, including a much higher-resolution 40-megapixel sensor, in-body stabilization and better video. At the same time, it retains the looks and compact size people loved about the X100 V.

I couldn’t wait to get a hold of one to check out the performance for myself and see if it’s worth a purchase or upgrade. To test, I hopped on the Eurostar over to London with my French photographer friends to see if it’s worth the high price and considerable wait.

Body and handling

The X100 series is beloved in large part because of the vintage rangefinder camera styling, and Fujifilm didn’t mess with that. In addition to the near-identical looks, the X100 VI’s button and dial layout is unchanged. Fujifilm also kept the previous model’s 23mm f/2 lens.

To accommodate the in-body stabilization, the X100 VI is slightly chunkier and weighs 18.4 ounces, about 1.4 ounces more than before. That’s not much, but every bit counts for a camera designed to be carried around all day.

The control design with dedicated dials for ISO, shutter, aperture and exposure compensation is a bit old-fashioned compared to modern cameras. But it does serve a purpose, showing settings at a glance. That’s a must for shooting on the fly.

The X100 VI isn’t just cosplaying as a rangefinder, either. On top of the 3.69-million dot electronic viewfinder (same as the last model), it offers a rangefinder-style optical finder and a hybrid of the two with a picture-in-picture EVF. The last setting is for people who still want a digital security blanket, and it works very well.

Also unchanged is the rear display, allowing basic up and down tilting for high or low angle shooting. That’s not great for selfies or vlogging, but perfect for shooting from the hip.

The menu system is mostly the same, which is a good thing as it’s relatively easy to find key settings. To avoid diving in, though, you can use the quick menu and numerous buttons and dials for easier adjustments. It’s also customizable and I’d advise buyers to set it up to their preferences to avoid any shooting errors.

The X100 VI has a single slot that only supports slower UHS-I cards, unfortunately, along with a USB-C port for charging and data. The MicroHDMI port also lets you use external recorders, though the tiny camera looks awkward with one attached. Finally, the battery is the same smallish one as before, unfortunately — more on that in a bit.

Performance

Samuel Dejours for Engadget

Despite the higher resolution, the X100 VI still shoots at a decent 11 fps, with buffer space for about 17 uncompressed RAW frames. JPEG bursts are a bit faster at 13 fps in electronic shutter mode and the buffer size jumps to 37 frames in that case.

Unless you really need total silence, the mechanical shutter is your best bet. It’s very quiet, and you’ll see considerable rolling shutter in electronic mode.

Autofocus is much-improved compared to the V. It’s more reliable for subject tracking and adds new autofocus modes for animals, birds, cars, motorcycles, airplanes and trains. Fuji’s eye- and subject-detection are in separate modes though, forcing you to change settings.

Fujifilm’s AF system was already middling, lagging behind Sony and Canon. The X100 VI is even less effective than Fujifilm’s larger X-H2 and X-T5, due to the slowish motors on the fixed lens. That means focusing on moving subjects is a bit hit or miss. That said, burst shooting is not what this camera is for and the fact that it’s decent at all is a bonus.

Steve Dent for Engadget

In-body stabilization might be the biggest improvement to come to the X100 lineup. With six stops of shake reduction, you can get sharp photos down to about a quarter second. That lets you blur motion to make interesting, creative shots.

The optical finder takes some getting used to, as it’s not a direct view through the lens like with DSLRs. It’s off to the side of the lens, so this parallax means subjects that are close to the camera may not be framed the way you expect. That’s why the EVF insert mode is so handy as it supplies a second true view of the scene.

One issue is battery life, with only 450 shots on a charge or 310 if you use the EVF. I found that one battery wasn’t enough for a full day’s shooting, so factor extra ones into your buying decision. You may also want an external charger, as Fujifilm doesn’t supply one in the box.

Image quality

The 40MP sensor obviously delivers a big boost in resolution over the X100 V’s 26MP. The extra pixels are also handy if you need to crop in, which is a common requirement with a fixed wide-angle lens camera. And while the lens is the same as before, it’s sharp enough to resolve the extra detail.

If this sensor seems familiar, that’s because it’s the same as the one on the X-T5 and X-H2, so the image quality here is similar to those. In-camera treatment of JPEG and 10-bit HEIF files is handled well, with pleasant, accurate colors and a nice balance of noise reduction and detail. You can often share photos straight out of the camera, too, something that’s important to street photographers who do little to no post-processing.

The 14-bit RAW photos offer plenty of room for fine-tuning, even in bright or dark areas. However, if you underexpose shots and try to boost levels, noise can get out of hand compared to a full-frame camera.

The higher resolution doesn’t hurt image quality much at higher ISOs. Noise is well controlled up to ISO 6400, and you can go up to 12800 if exposure is set correctly. I was impressed with the quality when shooting in bars and other dark environments.

And of course, the X100 VI offers Fujifilm’s full array of film simulation modes. You can experiment with popular looks like Velvia, Eterna or Acros black and white, and still have a full-color RAW backup. As the only major camera company also selling 35mm film, Fuji’s simulations are the most pleasing and realistic.

Video

The X100 VI’s excellent video specs are another bonus. It has nearly the same feature set as the X-T5, so you can shoot 6.2K at 30 fps with a 1.23x crop, or 4K at up to 60 fps with line-skipping and a 1.14x crop. The camera also offers sub-sampled 4K at up to 30p using the full sensor width, or high-quality 4K 30p with a 1.23x crop. Fujifilm also introduced 10-bit and F-Log2.

Samuel Dejours for Engadget

It took me a while to get used to the different modes and cropping levels. At 6.2K and 4K HQ, rolling shutter is pronounced so you’ll need to be aware of that. At the same time, full-sensor sub-sampled 4K is noticeably more low-res than the HQ mode.

Video autofocus matches what I saw with photos, meaning it was decent but not super reliable for moving subjects. The AI-powered AF did lock onto subjects, but again, couldn’t always keep up to flying birds, animals or vehicles.

Handheld video is now a realistic option with in-body stabilization. It worked well as long as I didn’t move around much, and offers a “boost” mode that smooths out jiggles further. Digital stabilization is also an option, but isn’t supported with the 6K or HQ modes, and doesn’t really reduce jolts for walking or fast movements.

Video quality is solid for a small compact camera, offering the same accurate colors you see in JPEG photo modes. Shooting in 10-bit F-Log makes it possible to adjust footage considerably in post or get creative. You can also shoot video using the film simulation modes if you want a specific look straight out of the camera.

Wrap-up

Samuel Dejours for Engadget

Fujifilm has made all the right moves to keep the X100 VI’s popularity high by tucking a very competent street and travel camera into a beautiful retro-cute body. The extra resolution, in-body stabilization and new video features should be more than enough to tempt owners to upgrade.

At $1,600, the X100 VI doesn’t have a lot of competition — which is odd, given its success. Leica springs to mind with the Q3, though that costs a whopping $6,000. Another option is the $1,000 Ricoh GR IIIx, which also offers in-body stabilization and an ND filter. However, resolution is lower at 24MP and it lacks the X100 VI’s high-end video features.

Sony’s ZV-1 II is also in this compact category, but it’s mostly designed for video. Keep an eye on Panasonic, as it may release a new compact camera, according to recent rumors. In any case, if you’re in the market for a high-end compact and can afford the X100 VI, I wouldn’t hesitate — there’s a lot of camera inside that beautiful body.

This article originally appeared on Engadget at https://www.engadget.com/fujifilm-x100-vi-review-a-one-of-a-kind-camera-for-street-photography-and-travel-133004951.html?src=rss

Substack is trying to lure TikTok stars to its platform

Newsletter platform Substack is ramping up its video ambitions and trying to lure TikTok stars to its service. The company announced a new “creator studio” that will offer a group of creators free promotion and other services if they “ turn their TikTok channels into Substack shows and communities.”

The program is part of a larger effort by the newsletter company to expand beyond text newsletters. The timing also happens to come just weeks after a bill that could ban TikTok in the United States became law, though Substack claims its plans are unrelated to the measure. “We’re not introducing this fellowship because of panic over a TikTok bill or ever-changing algorithms,” Substack’s Austin Tedesco writes in a blog post. Instead, he says, it’s about finding a replacement for all “ad-based platforms” which he says are “unreliable partners” for creators.

It’s not clear how Substack intends to create a better home for creators, though the experience of participants in the creator studio will presumably inform its future plans. For now, the company is recruiting ten TikTok creators for the program. Those who are accepted will receive production help and PR services, as well as access to “exclusive features” and “white glove service” from Subsatck’s partnerships team.

The company says creators in the program can still post on TikTok, Instagram and other social channels but that Substack should be the “primary home base for free and premium content.” Creators will also be expected to engage with subscribers on Substack Chat.

Substack has been pushing video features for awhile, but the announcement is the clearest sign yet that it wants to expand its service to creators typically found on traditional social media platforms, rather than writers who may also dabble in video. The company also likely won’t be the last to try to take advantage of TikTok’s uncertain future in the United States. And while YouTube and Instagram may be better-positioned to scoop up TikTok’s talent, Substack may be able to carve out a space for creators looking to offer paywalled content.

This article originally appeared on Engadget at https://www.engadget.com/substack-is-trying-to-lure-tiktok-stars-to-its-platform-130052380.html?src=rss

The UK's Ministry of Defence was hacked, and the country is reportedly blaming China

China is accused of hacking the payroll system for the United Kingdom's Ministry of Defence. The BBC and Sky News report that the severe data breach exposed the personal information of active military personnel and veterans. The information mainly consists of full names and bank details, but in some cases, it might also include personal addresses.

Affected individuals are being notified, and Defence Secretary Grant Shapps should provide MPs with a more detailed update today. He is anticipated to outline a plan of action for protecting anyone whose data was compromised. All salaries are expected to be paid as usual this month.

In a statement, China's foreign minister said the country "firmly opposes and fights all forms of cyber attacks" and "rejects the use of this issue politically to smear other countries." However, this isn't the first time the UK and China have clashed over security concerns. In March, UK Deputy Prime Minister Oliver Dowden accused China of being behind an August 2021 hack of the Electoral Commission, as the BBC reported at the time. The UK also banned TikTok — owned by Chinese tech company ByteDance — from all government devices in March 2023, claiming protective measures.

This article originally appeared on Engadget at https://www.engadget.com/the-uks-ministry-of-defence-was-hacked-and-the-country-is-reportedly-blaming-china-121954779.html?src=rss