Three YouTube executives are moving on from the platform, including head of gaming Ryan Wyatt. Senior director of creator partnerships Jamie Byrne and vice president and global head of product partnerships Heather Rivera are departing too.
“Like many other companies, we’ve seen some of our people choose a new direction in the new year,” YouTube told Tubefilter. “We are also fortunate to have a deep bench of talented leaders to take our business forward. We thank Heather, Jamie, and Ryan for their incredible contribution to YouTube over the years and can’t wait to see what they do next.”
Wyatt, who also led YouTube's virtual and augmented reality projects, joined Google in 2014 after a career in esports and live events. He said on Twitter that he's leaving YouTube in the coming weeks to join Polygon Technology, a company in the Web3 space, where he'll head up the Polygon Studios division.
It is bittersweet news to share that I am leaving @YouTube.
I have loved every minute of my time here, but it is time for my next endeavor.
I am elated to announce that I will be joining @0xPolygon ($MATIC) as their CEO of Polygon Studios.
Wyatt wrote that he'll be "focused on growing the developer ecosystem through investment, marketing and developer support." He'll oversee gaming, entertainment, fashion, news, sports and other areas for Polygon Studios.
Byrne had been with YouTube since 2006 and most recently was overseeing areas like creator acquisitions and Shorts partnerships. According to Tubefilter, he's joining NFT endeavor Bright Moments to lead operations and partnerships — just as it seems YouTube may be getting into NFTs. Rivera, meanwhile, was involved in growing ad-supported and subscription businesses, such as YouTube TV.
Ultium Cells, a joint venture between the companies, expects to create 1,700 manufacturing jobs at the plant, which is projected to open in late 2024. At full production, Ultium expects the factory to have a battery cell capacity of 50 gigawatt hours, and it will be able to adapt to advancements in materials and tech. Construction is underway on Ultium's other battery manufacturing sites in Tennessee and Ohio.
Ultium's cells can be stacked vertically or horizontally inside battery packs, which allows GM to customize the layout for each vehicle design. Energy options range between 50kWh and 200kWh. GM says Ultium system may deliver a range of 450 miles or more on a single charge and accelerate from zero to 60MPH in three seconds. The company is designing Ultium-powered EVs with fast charging in mind — most of them will have 400-volt battery packs and up to 200 kW fast charging. Electric trucks, meanwhile, will have 800-volt packs with 350kW charging.
The Ultium factory forms part of a new $7 billion investment by GM (the company's largest single outlay to date) in four Michigan sites. The automaker is spending $4 billion to convert a plant in Orion Township, which will become its second US manufacturing location for the Chevrolet Silverado EV and electric GMC Sierra.
Conversion work is underway, and GM expects to start making the electric trucks at the plant in 2024. It expects to retain around 1,000 current jobs and add more than 2,350. Production of the Chevrolet Bolt EV and EUV will continue during the transition. The company projects that it will convert half of its North American assembly capacity to EV production by 2030.
GM is aiming to make more than a million EVs in the US per year by the end of 2025, and today's investment announcement forms a key part of that. The company's also spending more than $510 million to increase production at two sites in the Lansing area, one of which is building the next-gen Chevrolet Traverse and Buick Enclave.
In total, the company says its 17 Bandcamp Fridays to date have paid out more than $70 million to artists and labels during the pandemic, with more than 800,000 customers participating since its start in March 2020. Following the first Bandcamp Friday in 2022, the next slate of commission-free sales days will take place on March 4th, April 1st and May 6th. And in case there’s any doubt if it’s a Bandcamp Friday or not, there’s even a helpful website that can quickly sort things out.
Bandcamp says that during its commission-free sales days an average of 93 percent of revenue makes its way to musicians, with the remaining 7 percent being reserved for payment processors. Meanwhile, on a regular day, around 82 percent of sales get passed on to artists and labels, resulting in around a 10 to 11 percent cut for Bandcamp (which is still significantly lower than the standard 30 percent commission tech giants like Apple and Google receive from their app stores).
Sadly, because there’s no clear end in sight to the pandemic, it remains to be seen what happens to Bandcamp Fridays going into the summer and fall. And with COVID-19 infections peaking right now in several parts of the world, it’s really anyone’s guess how long these no-commission sales days might have to continue before we can safely return to large in-person events.
Sony's recent soundbars have been tailored to high-end users, but the company now has something aimed more at those who just want an upgrade from their TV's built-in speakers. The company has unveiled an HT-S400 soundbar that offers a few tricks while keeping the price down to $300. While it's a 2.1-channel system, it offers virtual surround sound (S-Force Pro Front Surround, in Sony-speak) to provide more immersive audio for your movies and shows. It's a fairly powerful system for the class, too, with a rather large 130W wireless subwoofer contributing to a total 330W of output.
The bar unsurprisingly offers tight integration with recent Sony TVs thanks to settings integration and wireless audio support. You can stream other Bluetooth audio, too. And while it's not clear how well Sony's clarity- and voice-optimized speaker designs work in practice, you may appreciate the options for both HDMI ARC and optical audio.
The HT-S400 will be available in April 2022. That's a long time to wait for a soundbar like this, but it might be justifiable if you either live in the Sony ecosystem or just want an alternative to lower-end soundbars from companies like Samsung and Vizio.
You won't have to wait long to see how the creators of Not Tonight tackle American politics. PanicBarn and No More Heroes have revealed their "political dark comedy" title Not Tonight 2 will be available on Steam February 11th, with a console version coming later in 2022. A final PC beta launches January 28th. As teased early on, the game continues that Papers, Please-style focus on checking IDs as a bouncer while throwing in minigames — and, of course, addressing US political issues head-on.
The game centers around Kevin, Malik and Mari as they travel across an 'alternative' US to save their friend Eduardo from deportation. As with the first Not Tonight, the sequel doesn't pull punches – it examines climate change denial, anti-immigration policies, American religious views and the pitfalls of capitalism. While there are certainly silly parts (such as serving poutine in a Canada-controlled Montana), the aim is as much to make you think about sensitive issues as it is having fun.
The series is, in some ways, a criticism of the games industry's aversion to politics. Heavyweights like Ubisoft will claim their games aren't political even when that's clearly not true, and others will simply steer clear of politics altogether. PanicBarn's game effectively challenges developers to embrace political commentary — that is, to risk alienating some customers in the name of making a statement.
Substack is expanding into video with a native player. The feature is currently in private beta, so only a limited number of creators can upload videos directly to a post for now. The newsletter service plans to open up the option to everyone in the coming weeks.
Creators can share videos publicly or only with paid subscribers. Videos will be playable on web versions of posts and they'll appear as clickable images in emails. Substack notes that creators have full ownership of their videos, as with their mailing list and everything else they share on the platform.
Among those who are testing the feature are legendary musician Patti Smith and chef Andrew Zimmern. They highlight the fact that creators will be able to share things like musical performances and step-by-step guided recipes with subscribers without having to rely on third-party services like YouTube or Vimeo. Others might share makeup tutorials, workouts or career advice.
This is the latest in a line of additions to Substack creators' tool chests. The platform introduced a podcast hosting option in 2019 and it expanded to comics last year.
Substack isn't the only membership platform of its ilk with its own video player. Patreon said in November it was building one too. On the flip side, Facebook and Twitter have made a push into newsletters over the last year amid Substack's rise to prominence and the battle to attract and keep creators on their platforms.
Amazon is once again racing to buy the rights to major podcasts and the networks that share them. According to Bloomberg, Amazon is buying exclusive distribution and ad rights for the popular true crime series "My Favorite Murder" and other podcasts from Exactly Right Media. Amazon Music and Wondery will offer episodes a week before they're available anywhere else, and Amazon will have sole rights to sell ads. The paid Wondery+ service will offer shows ad-free.
The company didn't reveal the terms of the deal. When Amazon bought the celebrity SmartLess podcast, it paid $80 million for a three-year deal that also included one-week exclusives.
The arrangement comes as Amazon races to compete with Spotify and other tech giants snapping up major podcasts. While the "My Favorite Murder" deal isn't a full exclusive, the goal is the same: Amazon wants to spur use of its services, and ideally add some paying customers. Whatever the company spends now might be worthwhile if it persuades you to switch apps and bring in years of ad or subscription money.
From time to time Engadget editors take time out to talk about what they've been buying for themselves, with their own money. This week, Commerce Editor Valentina Palladino gives her take on the Kobo Libra 2 e-reader.
I’ll be honest, the pandemic took a toll on my reading habits. A lot of the time I previously spent reading was now spent doom- and hate-scrolling on my iPhone. I didn’t want to drag that habit into 2022, so I deleted the biggest scroll-hole culprits from my phone (Instagram, Twitter) and decided to upgrade to the Kobo Libra 2 as a gift to myself.
The Libra 2 isn’t my first e-reader – an old Kindle Paperwhite still languishes in my drawer – but I wanted a change that would both get me out of a physical reading slump while also lessening my dependence on the juggernaut that is Amazon’s Kindle store. I came to this decision late last year after pulling out my old 2018 Paperwhite and reading a book on it. The experience was noticeably laggy, taking several minutes to properly sync my books and fetch titles I had borrowed from my local library. It was also apparent to me how annoying the Kindle was to hold. I primarily read with the device in my right hand, and because the Paperwhite’s size bezels are quite thin, that meant I was often accidentally turning the page when my fingers brushed the screen’s edge.
Enter the Libra 2, one of the company’s latest e-readers whose larger chin is home to physical page buttons. I knew I wanted one with this design, and if I had wanted to go the Amazon route, I would have been left with only the Kindle Oasis to consider. On top of the fact that Amazon’s devices support a limited number of file types, I just didn’t want to drop $250 on an e-reader. Kobo, on the other hand, has four devices with this design, with the Libra 2 being the most affordable of that bunch at $180.
Valentina Palladino / Engadget
The practicality of the larger chin and page-turn buttons can’t be overstated; they’re some of my favorite things about the Libra 2. My hand doesn’t cramp anymore when I read because I can easily switch from one hand to the other depending on if I’m at my desk, curled up on the couch, or peeking an eye out from under the covers in bed. Landscape reading mode has become a favorite, too, and I also like the tactical feel of the page-turn buttons so much that I rarely, if ever, tap the screen to progress in my current read.
The screen on the Libra 2 is also noticeably sharper than that of my old Kindle Paperwhite. It’s a seven-inch E Ink Carta 1200 touchscreen with what Kobo calls “ComfortLight Pro,” which just means you can adjust the brightness and color temperature. I keep the temperature adjustment on the “auto” setting so the screen’s lighting becomes less blue and more yellow as the day goes on, making it my most comfortable screen to stare at right before bedtime. Plus, the numerous font, font sizes, line spacing and margin options let me customize text to my liking, making the entire reading experience more comfortable and enjoyable.
The Libra 2 is also waterproof, but it’s one of those features I don’t actually use every day and I’ll only fully appreciate it if the e-reader gets an unexpected dunking in a hotel pool. Same goes for the audiobook feature: I listen to books primarily through Overdrive's Libby app, so I haven’t tested the Libra 2 as an audiobook machine yet. However, the USB-C charging port is something I can appreciate in my day-to-day as it charges the device from nearly zero to full in a couple of hours. So far, the Libra 2 has lived up to its promise of having a weeks-long battery life as I’ve only had to charge it once in the month or so that I’ve had it.
So the Libra 2’s hardware has proven to be just as good in practice as it was on paper. But in addition to hardware, Kobo’s Overdrive and Pocket integrations were two big things that made me seriously consider making the switch from Kindle. Having all of my reading material in one place – specifically a place that’s not my phone – would surely stop me from falling down a scroll hole every night, right?
The answer is yes – mostly. (I still scroll sometimes, I’m but a mere mortal.) Saving articles to Pocket throughout the day is super easy and I can turn to them at night when I have more time to read. But the kicker for me is Overdrive, which I can browse directly on the Libra 2 and borrow titles from my library with just a few taps. I also use the Libby app in conjunction with this – when Libby and my Libra 2 are signed in with the same library card, any e-book I borrow via Libby automatically shows up on my Libra 2 like magic. Holds also show up on the e-reader with the amount of time I have left to wait; once it’s my turn, a cute little “borrow” button pops up, allowing me to get reading almost immediately. While Amazon’s Send-to-Kindle feature is also an easy way to get library books from Libby to a Kindle, I find this direct integration more convenient.
Valentina Palladino / Engadget
Where this becomes a bit cumbersome is if you have multiple library cards attached to your Overdrive account (which I do). You’ll have to sign out on the e-reader and sign in again with the specific library you’re trying to access. Most people will probably never have to do this, but just be aware if you’re like me and frequently check out multiple libraries’ catalogs with the hopes of getting the shortest wait time possible for your next read.
I try to use my library as much as possible, but it’s also worth noting that buying books on the Libra 2 is also convenient. You can purchase titles directly on the device from the Kobo store and I’ve yet to find a book that I want to purchase that Kobo doesn’t have. I frequently dump titles that none of my libraries have into my Kobo wishlist, and I was surprised to find that it had lesser-known books like This Green and Pleasant Land by Ayisha Malik along with anticipated upcoming titles like How to Sell a Haunted House by Grady Hendrix.
If you live in the US, you’ve probably been fed the idea that Amazon’s Kindle book store is the most formidable on the web – and while that may be true, it’s not the only option available. Same goes for Kindles themselves: they may be the most ubiquitous e-readers, but if you’re even remotely interested in loosening the vice-grip Amazon has on your reading life, a Kobo device could do the trick.
EA has announced that Respawn Entertainment is making three more Star Wars games. The studio — also known for Titanfall and Apex Legends — is working on a follow up to its hit 2019 action-adventure title Star Wars Jedi: Fallen Order, though it’s not clear if the upcoming game is a direct sequel.
A first-person shooter overseen by a former Star Wars Battlefront producer in the pipeline too. In addition, a strategy game produced by Respawn is on the way, with Bit Reactor leading development. The new third-party studio is headed up by Greg Foertsch, who previously worked on the XCOM series.
EA's exclusive license to develop and publish Star Wars games expires next year. An open-world Star Wars game from Ubisoft’s The Division 2 studio Massive Entertainment is already in the works, while Quantic Dream is developing Star Wars: Eclipse. Before those and EA's trifecta of titles even get close to hitting your console or PC, you'll be able to dive into Lego Star Wars: The Skywalker Saga, which arrives on April 5th.
There are plenty of cars that lack the technology to leverage CarPlay or Android Auto, including my own 2012 Toyota Scion iM. And there are plenty of people who lack the desire or ability to swap out their own head units to something that supports the new standards, including myself. So it’s me, really, that sits in the middle of the venn diagram of consumers that Car and Driver is targeting with its Intellidash and Intellidash Pro standalone head units.
Hardware wise, the Intellidash and Pro are both chunky, 7-inch displays which are designed to sit on your dashboard. (They are both rebranded versions of Coral Vision’s own display). The major difference between the two is that the vanilla edition requires a wired connection to your phone, while the Pro can operate wirelessly. Now, I’ve been driving around with the Intellidash Pro in my car for the bulk of the holiday season, and I like it a lot.
But, despite that, it’s probably worth launching head-first into the downsides before talking about why I like it. The most obvious of which is that the Intellidash Pro looks like a piece of farm equipment, or worse. It resembles the sort of low-cost GPS units you’d find on sale for three or four times the going rate in the back of a gas station two decades ago. In fact, there are no-brand Android tablets from 2013 that are better-looking than this thing, and thinner, too.
Partly, it’s this size because there’s a lot of gear packed inside, like a microphone, speakers, Sirius XM receiver, FM transmitter and Bluetooth. It’s also got a whole host of jacks for an aftermarket reversing camera, audio out, USB-C and USB-A (for a flash drive). But if you’re just connecting this wirelessly to your phone, you won’t need any of this.
Then there’s the fact that, at the least, you’ll need to route the power and aux-in leads around your dashboard. I didn’t bother, given this was just a short-term loan, but I suspect that fans of cleaner dashboard setups might find it a bit grating. You can tune it to broadcast over FM to your car which is better for cable management but isn’t ideal for audio quality.
Daniel Cooper
It’s also unfortunate that the manufacturers didn’t spend a little more time polishing the default UI. For instance, the home screen icons only run along the bottom quarter of the display, and there’s enough of them that you’d need to scroll to the next page to see the rest. Given the risk that you may need to use this screen when you’re driving, needless busywork is a bad thing.
Jump into the settings menu and you’ll feel like it was previously a Chinese-language original that has been hurriedly localized. Icons are muddy, fonts are hard-to-read and the whole thing needs a good, hard polish to make its UI feel less agrarian. Setting the night mode, for instance, means you’re diving into the last pane of display settings, despite its obvious importance.
I am, of course, nitpicking, and it’s easier to focus on these negatives because the one clear positive is so simple: Stick this in your car and after about two minutes of setup, you’ve got CarPlay (or Android Auto). No longer do you have to relegate your iPhone to the windshield mount, and now you can control your audio and navigation from the homescreen. That’s priceless when you’re on a long solo drive and you haven’t made yourself a playlist of podcast episodes you want to listen to. It’s the convenience you’re paying for, the ease of having to do very little to get this slice of the future into the ossified technology of history.
As for the price, well, the Intellidash Pro is $400, while the non-wireless Intellidash is $350. You’d spend that much, sometimes more, on a unit from Best Buy, albeit with fitting thrown in. Certainly, while it’s another widget on your dashboard, if you’re not sure how long you’re keeping your car, or have multiple cars, then having something you can take from vehicle to vehicle isn’t the worst idea in the world.
