Under the Waves appears to be a heavy, emotional and poetic game about grief and isolation, which means it'll fit right in with the other titles under Quantic Dream's umbrella. Under the Waves is in development at independent French development house Parallel Studio, and it's being published by Quantic Dream, the company known for Heavy Rain, Beyond: Two Souls and Detroit: Become Human. It's due to hit Xbox One, Xbox Series X/S, PlayStation 4, PS5 and PC in 2023.

As the name suggests, Under the Waves takes place far below the surface of the sea. The game stars Stan, a professional diver who finds himself dealing with grief, isolation and strange events in the crushing depths. Parallel Studio is using Quantic Dream's suite of motion-capture, animation and voice-recording tools to build Under the Waves.

Quantic Dream started ramping up its third-party publishing efforts in 2019, following an influx of cash from Chinese tech giant NetEase. In terms of first-party titles, Quantic Dream has been working on Star Wars: Eclipse for at least a year.

Starting in 2018, Quantic Dream was the subject of a media investigation regarding allegations of unchecked sexism, homophobia and hostility in the workplace, with reports stemming from multiple former employees. The studio faced a handful of lawsuits from these employees and it sued some of the involved publications; Quantic Dream lost some of those cases and won some.

Gamescom 2022 opened with the reveal of Everywhere, a new game from Grand Theft Auto producer Leslie Benzies. "We want the community to build this. We want it to be their world. We want them to tell their stories in our game," Benzies said before sharing a trailer that seemed to show off two very different games.

At first, we see an experience that looks similar to Fortnite. There are multiple characters shooting, jumping and driving across different biomes, with an obvious metaverse-like social component built into gameplay. However, in the final third of the trailer, the game's art style changes and we're treated to more photo-realistic graphics. In an interview after the clip played, assistant game designer Adam Whiting didn't provide many other details about the project, but did say developer Build a Robot Boy hopes to release Everywhere sometime next year.  

Power shortages and the threat of rolling blackouts in Ireland likely means no new Microsoft and Amazon data centers. The Timesreported that a moratorium on new connections by Ireland’s state-owned electric utility EirGrid means a planned €2 billion data center expansion by the tech giants will be put on hold. The country’s existing data centers have already strained the nation’s power supply, which prompted Ireland’s utilities regulator last year to issue a warning that rolling blackouts were likely if the problem wasn’t solved. One planned Amazon Web Services site and two planned Microsoft sites (including one that was supposed to provide backup power to Irish windfarms) have not been granted licenses by EirGrid to connect to Ireland’s grid.

A spokesperson from EirGrid told the Times that since Ireland issued the moratorium on new connections to its electric grid last November, it had not authorized any new data centers. “EirGrid is now applying these criteria to all data center applicants, many of which have decided not to progress their developments,” a spokesperson said. 

A source also told the Times that Amazon is building its data center in London instead. Meanwhile, Microsoft is exploring alternative locations in London, Frankfurt and Madrid. 

The Times reviewed text messages between Microsoft’s head of public policy in Ireland and IDA Ireland (the government agency in charge of foreign investments) which indicated that Microsoft is aware it will be impacted by the moratorium. The company had reportedly been assured at one point that the policy wouldn't affect its planned sites. “Despite all the assurances it still looks like a moratorium on DCs [data centres] in the GDA [greater Dublin area],” wrote Microsoft’s Ciaran Conlon to IDA officials.

Data centers consume an enormous amount of electricity, which have led to constraints on electricity grids all over the world. Officials even paused construction on new houses in West London until 2035 because data centers have already taken up the electricity capacity, reported Data Center Dynamics. Loudon County, Virginia, which is home to the largest concentration of data centers in the world, is delaying new projects because of power constraints.

Engadget has reached out to both Microsoft and Amazon for comment on The Times’ reporting, and will update if we hear back.

Sony is leveling up its PlayStation 5 gamepads with the DualSense Edge. The Edge is all about customization, apparently — it features five customizable profiles, upgraded guts and a few extra input methods. There are two buttons below the analog sticks on the new controller, and in initial images all of the rubberized grips look extra grippy all around. 

Feel free to think of the DualSense Edge as Sony's take on the Xbox Elite controller. There's no word on availability or pricing for the new gamepad. 

The DualSense is a standout feature of the PlayStation 5, offering intense haptic feedback and trigger buttons with adjustable tension. This adds a layer of immersion to games from Deathloop to Stray to Astro's Playroom, and it's something that Xbox simply doesn't offer.

The Edge was revealed during Gamescom's Opening Night Live showcase.

Developing...

Apple has confirmed reports that it will shake up the typical rollouts for its major operating system updates this year. For the first time in years, the company will not release the public build of the new iPadOS at the same time as the next iOS. It's expected that iOS 16 will arrive soon after Apple's usual September iPhone event. However, the company says it will release the next iPadOS sometime this fall instead.

What's more, it won't offer iPadOS 16.0 to everyone — the company will go right to iPadOS 16.1 for the public build. It's unclear whether Apple plans to release iOS 16.1 and iPadOS 16.1 simultaneously to get them back on the same cadence.

“This is an especially big year for iPadOS. As its own platform with features specifically designed for iPad, we have the flexibility to deliver iPadOS on its own schedule," Apple told TechCrunch. "This fall, iPadOS will ship after iOS, as version 16.1 in a free software update.”

The company made the announcement just as it released the iPadOS 16.1 beta. The showpiece feature of iPadOS this year is Stage Manager, a multitasking tool for M1-powered iPads that allows users to have more control over windows. The idea is that you'll be able to resize and overlap them as you see fit.

In the first iPadOS 16 beta, Stage Manager was unpolished. In our preview, we deemed it to be a buggy experience that occasionally crashed an iPad that was plugged into an external display. As TechCrunch notes, the main changes in the iPadOS 16.1 beta are for Stage Manager. Here's hoping this build fixes some of the feature's teething problems.

Bloombergpreviously reported that Apple would delay iPadOS 16 to resolve the Stage Manager issues. The publication suggested the OS would arrive in October, which fits with Apple's fall timeframe. Meanwhile, it's believed that Apple will release macOS Venture in October. For what it's worth, we have found Stage Manager to be a far better experience on desktop than iPad this far.

It's Gamescom time once again, and the big Opening Night Live showcase kicks off today at 2PM ET. It'll all be streamed on YouTube, Twitch and Twitter, and it's scheduled to last two whole hours. Video game king Geoff Keighley will host the show, just like he does with The Game Awards and Summer Game Fest, and he's already teased a handful of titles that'll make an appearance.

Today's show is set to include new footage and news about Hogwarts Legacy, The Callisto Protocol, Gotham Knights, High on Life, Borderlands, Sonic Frontiers and more games. Many of these titles are set to come out at the end of this year or early next, so expect plenty of gameplay hype.

Gamescom takes place in Cologne, Germany, and it runs from August 24th to 28th. The entire festival will include about 1,100 exhibitors from around the world, and the indie arena is particularly packed this year. We'll have all the news from ONL and the wider show this week, so stay tuned.

Lightfall, Destiny 2's next expansion, will arrive on February 28th, Bungie announced today. First announced alongside 2020's Beyond Light expansion, the DLC will kick off the final arc of Destiny 2's Light and Darkness saga. Lightfall will pit you and your fellow Guardians against The Witness, a mysterious character Bungie introduced during the campaign of Destiny 2's current expansion, The Witch Queen. You'll have access to a new Darkness subclass dubbed the Strand (Hideo Kojima is probably calling his lawyers right about now). 

Many Strand skills will increase your character's movement abilities. Specifically, each class will have a way to grapple through the environment. The expansion will also introduce Neomuna, a secret neon metropolis found on Neptune. Along the way, there will be new weapons and armor for your character to collect, strikes to complete and challenging raids to overcome. Finding other Guardians to take on those challenges will be easier than ever. In 2023, Bungie will add an in-game fireteam finder, meaning you won't have to turn to websites like Destiny Tracker when you want to take on pinnacle content.     

Lightfall will be the first new Destiny 2 expansion since Sony bought Bungie for $3.6 billion at the start of this year. Xbox, PC and Stadia fans won't be left out of the experience, however. The DLC will be available on every platform where you can currently play Destiny 2. As of today, you can also buy the game on the Epic Games Store.    

HBO Max has swung the ax on another six animated projects, according to Variety. One of them is Batman: Caped Crusader, a series produced by J.J. Abrams, Matt Reeves and Batman: The Animated Series co-creator Bruce Timm. The show, which was announced last year, is a spiritual successor to Timm's classic '90s series.

Unlike some of the other shows and movies HBO Max has canned in recent weeks, production is continuing on these projects. The production teams will seek another home for them. The other projects in this wave of cancellations are Merry Little Batman, The Day the Earth Blew Up: A Looney Tunes Movie, Bye Bye Bunny: A Looney Tunes Musical, Did I Do That to The Holidays: A Steve Urkel Story and The Amazing World of Gumball: The Movie.

HBO Max is deprioritizing kids and family content. Last week, it yanked dozens of shows, including several animated series. It also removed hundreds of Sesame Street episodes in an apparent move to save on licensing fees.

On top of that, HBO Max canceled exclusive movies Batgirl and Scoob!: Holiday Haunt and took down other notable original shows and movies in recent weeks (one of Batgirl's directors seemingly tried to capture some footage from the movie on his smartphone to no avail). What's more, the streaming service and sibling HBO laid off several employees from the family programming division this month.

Parent Warner Bros. Discovery is removing certain shows and movies from HBO Max ahead of merging the service with Discovery+ next year. "As we work toward bringing our content catalogs together under one platform, we will be making changes to the content offering available on both HBO Max and Discovery+," it said.

The decisions to cancel and remove content come amid border cost-cutting efforts at Warner Bros. Discovery, which formed after the merger of WarnerMedia and Discovery earlier this year. CEO David Zaslav and his team are trying to make $3 billion in cuts, but the moves have had an impact on the company's stock price, which has fallen by 25 percent since August 4th. The company's valuation has dropped by billions over the last month. That footage from The Last of Us sure looks good, though.

I hate to admit it, but I might have a new favorite phone. Samsung’s Galaxy Z Flip 4 is the latest version of the company’s smaller foldable and with this generation, the company has addressed most of our problems with the previous model. It’s delivered longer battery life, increased durability and a slightly more useful external display. With the same $1,000 starting price as before, the Z Flip 4 costs about the same as an iPhone 13 Pro and a Galaxy S22+, but can fold into a square that you can hide in your palm. It’s a supremely fun phone to use, thanks to the different modes you can set it up in. The Z Flip 4 isn’t perfect, but by improving its battery life, Samsung’s finally made a foldable phone that’s ready for the mainstream.

Design

One of the best things about the Flips is that you can fold them in half and easily stuff it in a pocket, small bag or other tight space. As someone whose desk is chronically cluttered, I struggle to find a spot to place my gigantic Pixel 6 Pro, which, if not placed carefully on an even surface, would suicidally slide off a table and plunge to its death.

Thanks to its new matte finish, Flip 4 is not as slippery as its predecessor or the Pixel, so I was less afraid of putting it on top of keys or packs of snacks, for example. I’ve only dropped it once since I’ve had it, and so far, the case has survived without a scratch. And because the Flip is so small, I also had a much easier time finding somewhere to place it. On one occasion when I wore something with a particularly tight pocket, the Flip 4 still fit easily, though it was a bit uncomfortable. It still felt better than the iPhone 12 and Pixel 6 Pro that I regularly use, though, both of which peek out the top and make bending forward feel like I’d break the phone.

I’ve also been far less careful with my review unit of the Flip 4 than with prior foldables, tossing it into bags packed with keys and other hefty phones. I panicked for a second when I realized what I had done, because I still needed the phone to be in pristine condition for a photoshoot, but phew, the Gorilla Glass Victus+ covering on the Flip’s inside and outside has kept it scratch-free.

Many of the other changes the company made this year are less impactful. The smaller hinge, shinier edges and slightly sleeker lines make the new model look a little cleaner, and the external cameras protrude slightly more than before, but beyond those minuscule differences, it’s hard to tell the Flip 3 and 4 apart.

The easiest way for me to identify the Flip 4 is by its color. My sample is in Samsung’s “Bora Purple” hue, which is a nice lavender shade, but I prefer the blue version. When open, the two Flips are even harder to tell apart — the latest model is just a hair shorter.

Cherlynn Low / Engadget

Both their hinges feel similarly sturdy, and I could still, with a lot of careful maneuvering, open and close the Flip with one hand. I even created a spot on my home screen for my thumb to push into the panel for leverage when shutting the device, and so far I haven’t felt like I might break the display.

The Flip 4 still has a crease running across its display, but this time it seems shallower. It might just be because it’s new and over time it may get more prominent. But those hoping for a more minimal crease may be disappointed — it’s definitely still there and noticeable.

If you’re a fan of sensory experiences like I am, you might like to know that stroking this crease as you scroll long articles or Reddit posts still feels oddly satisfying. Running your finger up and down this depression feels like trying to massage a knot out of your back (except you don’t want to use nearly as much pressure). It’s not going to get in the way of your using the Flip, but if you’re into tendons it’ll just spice up the experience.

It’s hard to compare the Flip 4 to other phones because it’s the only viable one of its kind retailing in America, but it’s still worth noting that at 187 grams (or 6.59 ounces), it’s lighter than other $1,000 phones like the S22 Plus and the iPhone 13 Pro. It’s just 13 grams heavier than the iPhone 13.

Cherlynn Low / Engadget

Displays and audio

The Flip 4 is also hard to categorize because of its unique screen. Though it measures 6.7 inches diagonally, its aspect ratio of 22:9 makes it slightly longer and narrower than most phones. I didn’t mind this — in fact, I found it easier to reach across the Flip’s display to hit buttons on the other side than on my iPhone or Pixel.

As usual with any Samsung mobile device, the Flip 4’s 1080p panel delivered rich colors and crisp details, and I love the 120Hz refresh rate for scrolling through my favorite subreddits. There is a slight issue with viewing angles when you fold the phone slightly, though. If you’re looking at it straight on, everything seems fine.

But sometimes from an angle, I’ve seen some discoloration along the crease. This isn’t a huge deal, since I’m rarely looking at the screen that way and it doesn’t really impact visibility.

I also spent less time reading things on the 1.9-inch cover display, but when I did use it to reply to messages or set alarms, it was easy to read. I love the colorful clock faces Samsung provides, which make the Flip 4 look more eye-catching.

Cherlynn Low / Engadget

Using the cover display to play music from Spotify is convenient, and by default hitting play on this widget will start the last song you listened to. In general the Flip 4’s speakers were loud enough to provide background sound while I worked, though I wish there were stronger bass for tracks like Taste by Tyga and INVU by Taeyeon. The music also sounded slightly different when the Flip was open versus when closed, with audio seeming a little canned in the latter mode.

In use when folded: Flex Mode and cameras

The Flip 4 is perfectly capable as a regular, non-bendy phone, but when it’s closed or half-folded, it’s truly unique. In those formats, it’s basically either a camera with its own built-in kickstand (perfect for the selfie-obsessed like myself) or as a less-disruptive pager-like device. I’ve loved using the Flip 4 to record an embarrassing number of yoga routine videos or document my outfits for the week. I’ve even attempted some of the trendy dance moves young people seem to do so much on TikTok. (Though, I will never share those clips.)

There are two ways to shoot with the Flip 4 when it’s flexed: With the external cameras and the cover display as a viewfinder, or with the internal camera while framing your shot with the top half of the main screen.

When I try to use the cameras on the outside to shoot selfies, it’s hard to find a flattering angle because the outside screen is so small I can never see my entire face in it unless I’m too far away to make adjustments. Even with the phone completely closed, using the cover display as a viewfinder is not worth the effort — I always ended up with awkward, unflattering angles. The internal camera is more reliable, but it doesn’t have the wide angle lens and generally produces less vibrant shots.

Despite the limitations, I’ve been enamored with taking pictures on the Flip 4. It’s worth shouting out the open palm gesture that Samsung has supported for years that makes hands-free triggering of the camera much easier. And I have to be honest — I mean specifically shooting selfies and content for social media featuring me (and my friends). The Flip 4 is also useful for my video calls with my parents in Singapore, eliminating the need for a phone stand. None of this is new to this year’s Flip, by the way. I just wanted to remind you how much fun and function you can get out of a regular-sized phone that folds.

Samsung also offers an interface called Flex Mode that kicks in on compatible apps when the system detects the phone is open at about 170 degrees or less. In these situations, apps like Camera and Gallery turn the lower half of the screen into a touchpad that lets you swipe through pictures while displaying the content you’re viewing on top. YouTube, for example, will display the video on the top half, flanked by two horizontal black bars, while the title, views, details and comments sit in the bottom portion.

It’s mostly intuitive and useful but, man, I have such a love-hate relationship with Flex mode. I vividly remember thinking that using the Flip with one hand while leaning back on my couch would be easier if Samsung added its Flex Mode panel to more apps so I could easily scroll through long posts or articles. I was wrong.

On the Flip 4, Samsung introduced a Touchpad feature to its Flex Mode panel, which you can force enable for most apps even if their developers didn’t design a specific layout. You’d use this like it were a laptop trackpad on the bottom of your screen: move your finger around to control a cursor, tap to click links and other elements and drag two fingers up or down to scroll. You can’t pinch to zoom, but honestly that’s not a laptop-like gesture I need here.

Cherlynn Low / Engadget

In theory, a lot of this makes sense. When you’re using one hand and holding the Flip slightly folded, reaching for elements on the top of the screen with your thumb can be tricky. The trackpad makes it easier to click things at the edge of the panel. But two-finger scrolling in one-handed use simply does not work, unless you somehow can balance the Flip with just three fingers and have the dexterity to use your remaining digits to swipe on the screen.

Those of us without Olympian-level finger gymnastic skills will probably need to leave Flex Mode to scroll. Trouble is, there is no easy way to summon this panel. Worse, it reappears if you straighten and refold the screen, or if you jump to another app and return. I’ve lost track of the number of times I’ve hit the X to dismiss Flex Mode, only to absentmindedly open Telegram to reply to a friend, and be presented with the black box again.

To make things worse, the X icon to dismiss the Flex Mode box is right up against the crease, making it incredibly hard to hit. I usually have to tap it about five times to get it to register. Honestly the only thing the new trackpad is good for is dragging the cursor to the X to close itself.

To be clear, this panel only appears if you’ve gone into the experimental Labs area in Advanced Settings to enable it for specific apps. Most people are unlikely to encounter it by default, and the Flex Mode layouts for customized apps like Gallery and Camera are fine.

Cherlynn Low / Engadget

Cover display is slightly more useful

Samsung is also caught in a difficult situation when it comes to the external screen. This window is the same size as last year, and the company’s added a new widget so you can do more without opening the phone, like control your smart home appliances. The existing options were a media player, calendar, schedule, weather, alarms, timer, quick dial and health, which is really a glorified step counter. To make the cover display a bit more useful, Samsung also added the ability to quickly reply to messages using emoji, dictation or a selection of preset responses like “No thanks” or “On my way.” It’s basically what you get from a six-year-old Fitbit or smartwatch. The Apple Watch offers an onscreen keyboard for replies now, too, even if it’s hilariously and uselessly tiny. Still, I’m glad Samsung at least offers some options here, making the cover display at least slightly more functional.

The minimal functionality of the Flip 4 when it’s closed is a good way to partially unplug from distractions while still remaining reachable — kind of like using a pager (remember those?). Samsung’s new customizable clock face designs are adorable and make the device more attractive. I also appreciate being able to surreptitiously set a timer or snap a selfie when the Flip is small enough to hide in my palm — people are less aware of me taking my 900th selfie of the day when I’m using a tiny square instead of holding out a metal-and-glass slab of a phone.

Without increasing the size of the cover display, the company can’t really do much more. And I’m not sure I want Samsung to go bigger. A larger second screen would tax the battery, which is something the Flip 4 can barely spare. I’d much rather the company gave the next Flip better cameras.

Cherlynn Low / Engadget

Cameras

That’s not to say the Flip 4’s cameras are bad. They’re actually surprisingly capable — especially the pair of 12-megapixel sensors on the outside. With larger 1.8-micron pixels than the Flip 3, the primary and ultrawide cameras both delivered impressively colorful and sharp pictures that rivaled the Pixel 6 Pro and iPhone 13 Pro in bright light.

Like the Galaxy S22 Ultra, the Flip 4’s pictures were warmer and more saturated than the Pixel’s, but less red than the iPhone’s. All three handsets produced similarly sharp pictures of buildings at sunset, though Samsung’s images were occasionally a little soft. But they weren’t anything egregious — the bark on a tree I shot against the sun wasn’t as crisp on the Flip for example. But I wouldn’t have noticed if I wasn’t pixel peeping looking for the differences.

As usual, Google has the upper hand at night, with windows on the Empire State Building looking tack sharp, but slightly blurrier on the Flip 4. I also prefer Google’s approach to Portrait mode. The Pixel 6 Pro is better at identifying outlines of subjects and applying a blur to everything else. Samsung’s system is still hit or miss and can look artificial.

The iPhone and Pixel both offer better quality than the Flip on zoomed-in photos, especially in low light. While Apple and Google were able to retain generally clean lines in the faraway Manhattan buildings in a nightscape, Samsung’s picture was a muddy, blotchy mess.

Selfies I took in low light with the Flip 4 were similarly splotchy, but the Pixel and iPhone didn’t do much better in those situations anyway. I was pleasantly surprised by how sharp and warm the photos I captured with the Flip’s inside camera in daylight turned out, though. They looked more natural than the Pixel’s shots, and were about as good as the iPhone’s.

The videos I recorded with the Flip’s external cameras were also on par with the other two. Like a true fitness influencer wannabe, I set up the phone alongside the Pixel and iPhone and took copious videos of myself working out, and each time the Flip’s clips were about the same quality. One time, though, the Flip’s video was out of focus, which I think might have something to do with how I started recording. In general, most of the videos I shot with the Flip were smooth and vivid.

Performance and in use

Like any mainstream flagship phone, the Flip 4 is equipped with the latest top-tier Snapdragon 8+ Gen 1 chip and has 8GB of RAM. After some initial hiccups while setting up the phone, during which the Flip 4 got noticeably warm, things got smoother. I never encountered any lag as I shot videos, livestreamed to Instagram, screen-recorded my friends’ Instagram Stories or posted photos. It did get hot again when I called my parents via Telegram, but otherwise the Flip mostly remained cool.

It’s worth reminding you all that some apps struggle with the Flip’s uncommon aspect ratio. The biggest culprit is Instagram. Often, the create post button will be out of reach or overlap other posts. The Stories editor has a blank black strip at the bottom between the viewfinder and the submit buttons, and if you’re using Samsung’s keyboard, it sometimes obscures things like the color picker or tag suggestions. This isn’t a dealbreaker, but it’s a minor inconvenience to be aware of if you’re getting the Flip.

Cherlynn Low / Engadget

Thankfully the days of heavy-handed overlays like TouchWiz are mostly in the past, and Samsung’s phones now ship with fairly clean versions of Android and its One UI interface. There are pros and cons with this — I love Samsung’s Gallery app and the built-in video editor, for example. But I hate that Samsung occasionally still serves up ads in the notifications shade, showing you recommendations from the Galaxy App store. I also find that One UI doesn’t seem to understand Do Not Disturb mode, and frequently lets unnecessary alerts through. Still, the Flip 4’s software is not bloated and is fairly customizable, so you can alleviate some potential frustrations.

Battery life and charging

My biggest complaint about the Flip 3 was its dismal battery life, and it was the one thing keeping me from recommending it to a more mainstream user. With the Flip 4, Samsung not only used a larger 3,700mAh battery, but also a more power-efficient processor. The results aren’t astounding, but the Flip 4 generally lasts all day.

I usually take it out in the afternoon and come home past midnight with about 20 percent to spare. One Sunday, I took the Flip 4 to an early morning workout and ran around New York and New Jersey all day. By 10pm, it had dropped to 15 percent and was prompting me to enable battery-saving mode.

Cherlynn Low / Engadget

This is sort of pitiful compared to the battery life of the iPhone 13 Pro, Pixel 6 Pro and S22 Plus, which all stick around longer than a day. But given the Flip 4 has two screens, I’m willing to be more forgiving. Plus, when it came time to recharge the Flip, it didn’t take long — I usually got more than 40 percent of power in about 40 minutes.

On our video rundown test, the Flip 4 clocked 16 hours and 35 minutes, which is five hours more than the Flip 3 and, surprisingly, also more than the Nothing Phone 1. It’s even on par with the Galaxy S22+. Meanwhile, phones like the Pixel 6 and OnePlus 10T delivered results of more than 20 hours.

Wrap-up

With its improved battery life and durability, the Flip 4 is a more practical phone than its predecessor and is the first of Samsung’s foldables that’s truly ready for the mainstream. Sure, there are a few minor inconveniences to put up with, like Instagram’s incompatibility with its aspect ratio or the fact that it has considerably less battery life than other phones at this price. But if you’ve been itching to see if a foldable phone might fit in your life (and your pocket), or if you’re a selfie aficionado, the Flip 4 will be a satisfying purchase.

After nearly 10 million people watched the premiere of HBO’s House of the Dragon, Amazon wants to remind you it too has a high-fantasy series that’s coming out soon. On Tuesday, the company shared a new trailer for The Lord of the Rings: The Rings of Power. More than anything, the clip is a showcase for the $465 million Amazon spent to produce the show’s first season.

Dialogue from characters like Galadriel and Elrond set the stage for the Second Age conflict that’s about to unfold, but it’s almost secondary to the spectacle of the visuals on display. Every scene oozes with the money that went in to create the show’s cinematography, costume design and CGI. The Rings of Power will borrow some elements from J.R.R. Tolkien's The Silmarillion. As the title makes clear, the series will recount the forging of the Rings of Power and Sauron’s return to Middle-earth. Showrunners J.D. Payne and Patrick McKay have outlined a five-season story. The first one will debut on September 2nd.