What’s stopping me (or you) getting an iPad Pro? The cost, for one. And a belief that anything I’d want to use an iPad for, I can already do with my eighth-generation vanilla model. That said, Nathan Ingraham’s review of the M2 iPad Pro did make me check if my bank balance could sustain the purchase. It can’t.
Apple’s top-end iPad hasn’t changed much since last year, with the same compromises around displays evident if you get the smaller model. In fact, aside from the M2, it’s pretty much the same as before, for better and, occasionally, worse. The major changes are all enabled by the even brawnier silicon inside that chassis.
That includes Stage Manager, the multitasking setup Apple hopes will unlock the iPad’s clearly hidden potential. Certainly, the system has not been warmly received by all iPad users, and Nathan found it lacking the usual level of elegance. Oh, and you can now shoot video in ProRes 4K at 30 fps. Useful? Not for many. Cool? Undoubtedly.
Unfortunately, such an iterative upgrade gave Nathan plenty of time to look for things that really should be fixed on a tablet that can cost well north of $2,000. That includes the awkward front camera placement − it’s clear for all to see it’ll be moved to the “top” side, like the new iPad, at some point.
Sony’s most recent financial results revealed it has sold more than 25 million PlayStation 5 consoles. That’s a staggering figure given the hardware’s high price, poor availability and strong competition. The company says it’s not even done and expects to shift a significant number of units through the holiday season. That’s the only way it’ll be able to hit an ambitious target to shift 18 million units in the financial year, which ends March 2023.
It needs to quell objections to its proposed purchase of Activision Blizzard.
Microsoft’s purchase of publisher Activision Blizzard has met resistance from fans and rivals for obvious monopoly concerns. Once it owns franchises, like Call of Duty, Microsoft could pull those titles to funnel buyers toward buying an Xbox. But Phil Spencer, head of Xbox, has promised that isn’t the case, saying it will support PlayStation for “as long as there’s a PlayStation.” That may not be enough to quell regulators, however, who are still picking through the deal to see if it’s going to hand the software giant too much power.
We may see the first orbital flight for SpaceX’s Starship craft as early as December, according to a senior NASA official. The trip, if successful, will see Starship launch from Boca Chica in Texas, orbit for a while, then land back in the ocean near Hawaii. It would also mean SpaceX has satisfied the FAA’s stringent requirements to ensure a launch is safe, both for SpaceX itself and the environment.
The company’s head of safety said the tweets weren’t widely seen.
Shortly after Elon Musk took over Twitter, a campaign of coordinated trolling started, to make people think the platform had relaxed its moderation policies. This included a surge of hate speech and hateful conduct on the site, forcing Twitter to address it. The company’s head of safety has revealed the platform has removed 1,500 accounts identified to be part of the campaign. Yoel Roth added that many instances of hate speech were not widely seen, and that work was continuing to address gaps in its enforcement policies.
Perks include fewer adverts and the ability to post longer videos.
Elon Musk says Twitter Blue will be a prerequisite for users looking to be verified, and its price will increase to $8 a month. The Twitter CEO added that Blue users will gain priority in replies, mentions and Twitter’s search feature. Some high-profile users, including author Stephen King and gaming account Nibellion, have already denounced the change. It remains to be seen if users will pay, or if this will just encourage more to look for greener social media pastures.
You can add the standalone Street View app to Google's growing product graveyard. Upon decompiling the latest version of the application for Android, 9to5Google found shutdown notices that the company has yet to publish. In those notices, the tech giant is announcing that the Street View app is going away and that support will end on March 21st, 2023. Spokesperson Madison Gouveia has confirmed to The Verge that the app truly is getting the ax. Gouveia also told the publication that Google will pull Street View from app stores in the coming weeks.
Google announced that it was spinning off Street View into its own app back in 2015. Available for both Android and iOS, it lets you upload your own spherical photos from your phone or from spherical cameras. Last year, the company also introduced Photo Paths, which lets you contribute a series of 2D photos for roads and locations that haven't been documented by a Street View car (or camel or sheep) in the past.
Street View will continue being a key Google Maps feature, so you can still virtually explore all the places the tech giant had documented with its cameras. You can also keep adding Photo Spheres within Maps and publishing 360-degree videos using Street View Studio. As 9to5Google notes, though, there will be no way to add Photo Paths anymore after Google completely shuts down the dedicated Street View app. Previously submitted Photo Path images, however, will continue being viewable within Google Maps.
The Xiaomi 12S Ultra surprised us with its 1-inch camera sensor and Leica co-branding back in July, but it turns out that the Chinese brand was working on something far more ambitious at the same time. Earlier today, the "Xiaomi 12S Ultra Concept Phone" was unveiled with an appearance almost identical to the namesake flagship device, but with a second 1-inch 50.3-megapixel sensor occupying the middle of the camera island instead. Let that sink in for a bit. Not only that, but this new sensor is designed to work with an interchangeable Leica M lens.
Xiaomi
Interestingly, Xiaomi has instead chosen to shield this additional 1-inch sensor — also a Sony IMX989 with 10-bit RAW support — underneath a large, circular piece of durable sapphire glass, as opposed to cutting out an opening for it as you'd find on traditional interchangeable lens cameras. While this would protect the sensor against dust and larger foreign objects, we do wonder how this extra layer of glass would affect the overall optical transmittance. But hey, better safe than sorry.
Meanwhile, the 48-megapixel ultra-wide camera that was originally positioned in the middle of the camera island has been shifted to the side, taking up the space that once housed a 48-megapixel periscopic telephoto camera.
Agatha Tang
As shown in Xiaomi's video, in order to install an interchangeable lens onto this 5G concept phone, you must first unscrew the protection ring around the rear camera island, then by way of an adapter, you'll be able to mount any Leica M lens. As captured by a Xiaomi staffer in the above photo, the full assembly with a Leica Summilux-M 35mm f/1.4 ASPH lens looks rather impressive from the side. Previously, the closest thing to this intriguing combination would be one of those Yongnuo 4G-connected Android cameras (which never left China). Or you may travel further back in time and reminisce the good old days with the Samsung Galaxy NX.
Xiaomi
Xiaomi stopped short at saying whether the 12S Ultra Concept Phone will ever be mass produced. All we know is that this project was developed alongside the actual 12S Ultra, and in the end, only 10 units of the former were made. A few of those samples were seeded to some lucky influencers for some quick hands-on time, but with each unit costing around 300,000 yuan or about $41,210 to make, they better not drop them.
T-Mobile may be joining rivals Verizon and AT&T by introducing an $35 charge for all new postpaid activations and upgrades, according to The T-Mo Report and some Redditors. According to T-Mobile internal documents, it's introducing a "Device Connection Charge" for "all activations and upgrades for mobile, Beyond the Smartphone and broadband devices."
Before, the Uncarrier charged activation fees only if you received in-store customer support for new activations, with online orders exempt. Now, all new postpaid activations are charged, whether or not you were assisted. This includes updating to a new device, adding a Bring-Your-Own-Device line, or ordering a Home Internet line, according to The T-Mo Report.
T-Mobile has always tried to separate itself from regular telecoms, but charging customers for essentially nothing doesn't sound very Uncarrier-like, if the reports are accurate. And you can't take your business to Sprint, as it no longer exists thanks to its merger with T-Mobile. When that deal was finalized, T-Mobile said things would be "better for customers," but constant activation charges would definitely not be better.
Worse, it appears to be justifying the new fee in a dubious way, saying it's "simplifying" the system to bring a "more consistent and straightforward experience for customers." In other words, you'll no longer need to wonder if you'll get soaked for the charge or not — you definitely will. Engadget has reached out to T-Mobile to confirm the report's accuracy.
Google has laid Hangouts to rest, a couple of years after it first announced that it was going to push people to use Chat, its Slack-like app, instead. After allowing users to move to Chat on their own in 2021, Google phased out the Hangouts Chat app for Android and iOS in July. Users were shown a prompt telling them that "Hangouts has been replaced by Google Chat" and to switch to either the standalone Chat app or the Chat experience within Gmail. As TechCrunch notes, the last version of the messaging service, Hangouts for the web, is now also going away for good.
When users access the Hangouts website, they might see a message that says: "Starting November 1, 2022, Hangouts on the web will redirect to Chat on Web. We recommend moving to Chat now." We can still access the website without being automatically redirected, but there's a link to Google Chat that we can click to load the new messaging experience. The website might completely disappear in the coming days.
Chat used to be one of Google's business offerings before the company switched up its messaging strategy and made it available to everyone. The company says Chat "opens up new and better ways" to collaborate with features that weren't available on Hangouts. Users can edit Docs, Slides or Sheets side-by-side within Chat. Teams at work or groups of friends can also work on documents and manage tasks using Spaces, which is a dedicated place they can use for topic-based collaboration. And since Gmail features Chat integration, people can easily access conversations without having to open the Chat website.
Google previously said that those who want to keep a copy of their Hangouts data will have to use its Takeout tool before the service is gone for good. We still see Hangouts on Takeout, so those who want to do some last-minute data-saving may want to do so now while it's still possible.
Just two years after the launch of the original EOS R6, Canon has unveiled its successor, the $2,500 EOS R6 Mark II. It brings a number of key improvements, like a higher-resolution 24.2-megapixel sensor and faster shooting speeds. Most importantly, Canon has significantly reduced the previous model’s issues with overheating.
The EOS R6 was the best camera in this important price range when it launched, thanks to the speed, powerful video features and excellent Dual Pixel hybrid autofocus. However, once Sony’s $2,500 A7 IV came along with comparable abilities, more resolution and no overheating problems, the R6 lost that particular crown.
At a preview event in San Diego, Canon let me shoot with R6 Mark II prototypes for a couple of days in a variety of sports situations. As it’s not a production model and still had a few bugs, this isn’t a final review – but it gave us a chance to share some early impressions.
Body and handling
The EOS R6 II isn’t just a slightly updated ‘A’ version of the original. It has significant physical and performance changes, starting with the new 24.2-megapixel sensor. It’s not, as rumors suggested, the stacked backside-illuminated (BSI) sensor from the EOS R3; there’s a reason that model costs so much. But it does offer some benefits over the 20-megapixel chip on the R6.
Canon promises improved image quality beyond just the extra megapixels, thanks to the updated image processing. It also offers improved low-light sensitivity despite the slightly smaller pixels. And Canon says that rolling shutter is reduced over the R6.
The R6 features some changes on the outside as well. The power/lock/off switch is now positioned at the right where it’s easier to access yet harder to hit by accident. It also has a new video/photo mode switch that keeps those functions, and all their settings, separate. Flipping it also changes the menus, and Canon has introduced a convenient video-specific Q menu.
Steve Dent/Engadget
Otherwise, it's roughly the same weight and size as the R6, and has an identical grip, menus, control layout and handling. It also uses its predecessor's, nice flip-out display for vlogging or selfies, dual UHS II card slots and 3.67-million-dot electronic viewfinder. And, of course, it comes with microphone and headphone ports, along with a USB-C socket and (unfortunately) a microHDMI jack. It has a new in-body stabilization (IBS) system, but it offers the same 8 stops of shake reduction as the EOS R6.
The battery is identical, too, but Canon has boosted efficiency, from 510 shots max on the R6 to 760 on the R6 Mark II. In one day, I shot over 2,000 photos without changing the battery, mostly using the mechanical shutter – quite impressive.
Performance and image quality
Mechanical shutter bursts speeds are unchanged at 12fps (RAW, full-frame), which is good considering the extra resolution. However, you can now fire RAW shots in silent mode at an exuberant 40 fps. What’s more, the R6 II now comes with a pre-shooting option (RAW burst) that captures RAW files for a half second before you push the shutter. That lets you catch a moment even if you react slowly, albeit at the expense of some battery life. When trying the feature, I found that it perhaps let me capture a few shots (out of thousands) that I might’ve missed otherwise.
Steve Dent/Engadget
Those speeds are superb, but if photos are marred by excessive rolling shutter (hello Sony), they aren’t that useful. Luckily, rolling shutter is present but better controlled than on the R6, and much less severe than I saw on the A7 IV. It can take a fairly large number of shots (about 70-75 uncompressed RAW files, or 140 compressed RAWs) before the buffer fills, and it resets fairly quickly with fast UHS-II V90 cards. Still, it would have been nice to see a CFexpress slot for faster shooting and better quality video files.
The autofocus on the R6 II is more advanced than any Canon model to date, including the R3, the company says. It now handles people, animals and vehicles, including motorcycles, cars, trains and horses. And it now has an auto-select option that lets the AI decide what to track, which should be a requirement on every mirrorless camera.
The AI smoothly tracked my subject’s eyes, but it occasionally got lost and wasn’t quite up to Sony’s high standards. In regular spot continuous mode (no AI), the autofocus seemed as accurate as the R6, nailing shots in most circumstances. It was occasionally confused by the background or close subjects, but again, this was a prototype unit; these issues could be improved by the December release date.
Image quality is also hard to judge at this point, as RAW files aren’t yet ready to be seen. But JPEG files looked great, with usual Canon-like warm skin tones and accurate hues. Low-light capability was surprisingly solid, with noise well-controlled at ISO 6400 and even beyond.
Video
My biggest issue with the original EOS R6 was video, and specifically the overheating issues. That model could only shoot 4K 60p for 30 minutes, and only for another 10 minutes or so after it cooled enough to shoot again. Suffice to say, that’s a serious problem for professional shooters.
Those issues are effectively gone, and Canon also removed the 30-minute time limit for recording. You can now shoot 4K 60p uncropped for 40 minutes and it can normally go well beyond that. Cropped 4K 60p has a 50 minute limit, and supersampled 4K 30p has no limitations.
Steve Dent/Engadget
It also has better video specs overall. Internally, you can shoot 4K 60 fps supersampled from a 5.1K portion of the sensor (or the full sensor width with some pixel binning). 4K at 30 fps is supersampled from 6K using the full sensor width. And it now supports 180 fps for 1080p, up from 120 fps before. Capture files are still limited to MP4 and Quicktime with no ProRes internally – likely a limitation of the UHS II cards. Like photos, there's a no pre-shooting option that captures 3 or 5 seconds of video in a loop before you push the record button.
Additionally, the camera supports 10-bit 4K video and increased dynamic range with either HDR PQ or CLog3. And you can even shoot 6K RAW to an external Atomos recorder, though that feature wasn’t ready yet for testing.
As with photos, AF for video tracks humans, animals and vehicles. In my limited testing, it performed well, only occasionally focusing on the background. So far, subject tracking isn’t quite as reliable as I saw on the A7 IV, but again, it may improve with some firmware or other tweaks.
Video was sharp and I didn’t run into any overheating issues in San Diego, where temperatures hit about 80 degrees in the sun. 1080p 180p video seems a bit soft, as it’s captured with some pixel binning, and cropped 4K also lacked sharpness compared to full-frame 4K. I was happy with the colors, and low-light video capability was good to excellent.
Wrap-up
Steve Dent/Engadget
By minimizing heat issues, the R6 II is already a big improvement over the original R6. But it also looks like a better camera for photography thanks to the higher resolution, faster speeds and improved image quality – with no stacked sensor required.
Canon’s entire RF ecosystem keeps getting better, too. Its latest lens is the impressive 135mm f/1.8, joining 26 other full-frame prime and zoom lenses. So, this system has become surprisingly mature, considering it only launched four years ago. I can’t give you a final evaluation for key features like image quality and autofocus, as it’s still in the prototype stage. However, we expect to revisit the Canon EOS R6 Mark II in the form of a full review once it launches in December.
Gaming mice are different — faster, lighter, more responsive than standard mice — which means they're usually more expensive, too. Right now Amazon has five of the mice that made the cut in our productivity tests at discounts between 24 and 47 percent off. Some of the prices (like that of the Logitech G PRO X Superlight and G502 Lightspeed) are the lowest we've seen so far.
Our weekend editor Igor Bonifacic bought the Superlight for himself and uses it for both gaming and everyday computing. While he was impressed with the lightweight feel and accuracy, he also noted that it has "one of the best scroll wheels" he's ever used. Note that the mouse is not Bluetooth-compatible but uses radio frequency wireless connectivity for faster speeds. You'll need to use the included dongle, which stores in a clever magnetized compartment for travel. At $110, it's the lowest price we've seen so far and a full $50 off the usual MSRP.
Also on sale is the Viper Ultimate from Razer. In our testing, we gave it high marks for being a truly ambidextrous mouse with a light, 74-gram design that "glides across the desk, making it a pleasure to use for extended periods." It packs 70 hours of use on a charge and has eight programmable buttons to carry out in-game operations. At the usual list price of $130, it's pricey but worth it. At this sale price of $60, it's a much easier buy.
Two more gaming mice, the G502 Lightspeed from Logitech and Razer's Orochi V2 (in white and grey) are also discounted right now. The G502 comes with a bevy of gaming-focused features like removable weights and 11 customizable buttons. It's $60 off right now for an all-time-low of $90. For take-it-with-you gaming, the Orochi is a compact ultraportable with six buttons and a whopping 950-hour battery life. Snag this one for 30 percent off in the white or grey colorway.
While not a gaming mouse, Microsoft's Arc Mouse is a sleek and stylish travel pick that pops into an ergonomic arc, then packs flat when you need to take it with you. It's a Bluetooth mouse, with a trackpad area that allows for clicks as well as touch-generated scrolling. It takes two AAA batteries that'll last about six months. At 24 percent off, it's a great mobile mouse for less than $55.
If you want a more ergonomic work experience or need a mouse that's both precise and speedy for gaming, this is an ideal time for an upgrade.
Audio-Technica is bringing back its iconic Sound Burger portable turntable. After nearly 40 years and countless clones, the updated model adds a few new features to make it more appealing to modern listeners. To start, the 2022 Sound Burger includes Bluetooth connectivity and a built-in lithium-ion battery with USB-C charging. In other words, you won’t need to source a trio of C-cell batteries to power the new model. According to Audio-Technica, you can expect to get about 12 hours of continuous playback from the 2022 Sound Burger before it needs to be charged.
The company has tweaked the design of the turntable in a few other ways. For one, you won’t find an extendable cord hanger for your headphones. Speaking of headphones, the 2022 model doesn’t come with a complimentary pair like its predecessor. However, it will ship with an RCA cable if you prefer to physically connect the turntable to your sound system. The 2022 model also comes stock with an Audio-Technica ATN3600L stylus. Otherwise, this is in many ways the same turntable a lot of people fondly remember. Like its predecessor, it features a DC motor with a belt drive that can play 33 1/3 and 45 RPM records, meaning you can use it to listen to both full-length LPs and singles. It also looks just as good as it did back in 1983.
The 2022 Sound Burger is available to buy starting today for $199/£200/€229. That’s a reasonable price when you consider a vintage model can set you back as much as $500 on eBay. No word yet if Audio-Technica plans to bring back the Mister Disc branding for the US release.
Apple just released two new iPads. One of them, the basic 10th-generation iPad, was rebuilt from the ground up. The new iPad Pro, on the other hand, is a much simpler update. The company took last year’s model, swapped the M1 chip for the M2, made a few other small tweaks, and called it a day. The iPad Pro is still ludicrously fast, and it’s still extremely expensive, starting at $799 for the 11-inch model and $1,099 for the 12.9-inch.
I can’t really fault Apple for this approach, though. Even though the basic design of the iPad Pro was first introduced in 2018, it’s still a marvelously engineered piece of hardware. It features one of the best screens Apple has ever made, and it continues to surprise me that the company can pack so much power into such a compact frame.
While this year’s model closely resembles what Apple was already selling, it does arrive at a significant time for the iPad’s evolution. That is thanks to iPadOS 16, which launched last week. For most iPads, it’s the expected collection of useful improvements — but for the iPad Pro, it offers an entirely new multitasking system called Stage Manager. It’s a clear response to the question we tech reviewers (and many iPad Pro owners) have been asking for years: When will we get software that lets us take advantage of the iPad’s power?
Hardware
First, a quick refresher. The iPad Pro is still available in two sizes: 11 and 12.9 inches. Storage options range from a modest 128GB up to a truly outrageous 2TB, and you can configure it with an optional 5G radio for when there’s no WiFi. And for when you’re at home, it supports the WiFi 6E, whereas last year’s model was limited to WiFi 6. As usual, we reviewers get to play with a near top-of-the-line iPad: the 12.9-inch model with 1TB of storage and 5G service from Verizon. This iPad Pro costs a jaw-dropping $1,999, and that’s before you add on the $129 Apple Pencil and $349 Magic Keyboard. We’re well into MacBook Pro or Mac Studio territory at this point.
At least the iPad Pro still feels like a device worth that kind of money. (Whether it is is a different question.) The fit and finish remains exceptional, and while the 1.5-pound weight makes it a bit more of a burden to hold compared to smaller and lighter iPad models, I’m still impressed at Apple’s ability to cram such performance into a device that’s so compact. There are other well-designed tablets on the market, but I still don’t think anyone has caught up to the iPad Pro.
The 11-inch model still has to make do with the same Liquid Retina LCD display it’s had for a few years now, but the 12.9-inch version has the Liquid Retina XDR panel that was first introduced on the M1 iPad Pro in May of 2021. This screen uses mini-LED backlighting to offer 2,596 local dimming zones to offer a wide dynamic range and a 1,000,000:1 contrast ratio. It also has up to 1,000 nits of full-screen brightness and 1,600 nits peak brightness when playing back HDR content, which can really make movies pop.
Nathan Ingraham / Engadget
There’s nothing new about the screen this year, but it’s worth highlighting just how good it is. Both iPad Pro models also have the 120Hz ProMotion refresh rate; support for the P3 wide color gamut; a screen that’s fully laminated to the front glass; and an anti-reflective coating.
Just like last year, the iPad Pro has an ultrawide 12-megapixel front-facing camera that supports Face ID authentication. This wide-angle camera supports Center Stage, which crops and zooms around your face to keep you in the middle of the frame on a video call. That’s all well and good, but unfortunately the iPad Pro still has its front-facing camera on the portrait edge of the screen, which means you’re always going to be somewhat off-center and not looking directly at the screen if your iPad is in a keyboard dock. This has been true of all iPads for years already, but now that the basic model has gotten a landscape-oriented camera, we’re going to be waiting impatiently for Apple to implement that across its entire lineup.
The back cameras are also the same: There are 12-megapixel wide and 10-megapixel ultra wide options, along with a flash and LIDAR scanner. However, the M2 processor unlocks a new video trick, as the iPad Pro can now record video in Apple’s ProRes codec in 4K resolution at 30 frames per second, a feature first introduced in the iPhone 13 Pro. This is admittedly something of a niche feature, but it shows off the M2’s improvements over its predecessor.
Nathan Ingraham / Engadget
Accessories
From an accessories standpoint, the iPad Pro uses the same 2nd-generation Apple Pencil and Magic Keyboard that have been available since 2018 and 2020, respectively. The Magic Keyboard still provides the best typing experience you can find on an iPad, though the whole package is pretty heavy. It’s also crazy expensive, as I already mentioned. And now that the basic iPad’s new Magic Keyboard Folio offers a row of function keys and a slightly bigger trackpad, I’m really missing those features here. But if you make your living with words, as I do, it’s still an essential tool.
The Apple Pencil remains a tool that I’m not particularly great at evaluating, because I am sorely lacking in visual arts skills. I sure wish I could sit down and sketch and doodle and make the wonderful creations I’ve seen others do, but that’s not happening. If you’re a visual artist, chances are you already know how well the Pencil works, though.
The M2 on the new iPad Pro also enabled a new trick called Hover. If the Pencil is within 12mm of the screen, icons and interface elements can react to it. The most simple example is how app icons increase in size when you hover the Pencil over, showing you what you're about to tap on. This works system-wide, at least in Apple apps. Third-party developers will have to build Hover features into their apps, but it should be a nice new tool in the Pencil’s arsenal. One place I was able to demo it was in the Notes app; when using the new watercolor brush, you can hover the pencil over the screen to see how the color will react with other elements you’ve already drawn.
I found another cool Hover implementation in the excellent image-editing app Pixelmator Photo. Hovering and moving the Pencil across a strip of different filters at the bottom of the app automatically applies them as a preview. It’s wickedly fast and a fun way to see what your picture will look like. That said, it’s something you could already do with the trackpad and pointer; so far, a lot of Hover actions I’ve seen are straight up clones of what you can do when hovering over an interface element with the trackpad. I’m looking forward to seeing what developers come up with going forward, though.
M2
But let’s get into that M2 processor, shall we? Thanks to our review of the M2 MacBook Air earlier this summer, we had a good idea of what to expect here. And running Geekbench 5 tests confirmed it. The M2 iPad Pro scored 1,888 and 8,419 on single-core and multicore CPU tests, respectively. Those are 12 percent and 42 percent better than the same tests on the M1 iPad Pro, and similar to the 18 percent and 38 percent gains we saw when comparing the M2 MacBook Air to its M1-powered sibling.
I saw similar improvements in the Geekbench 5 Compute test, which measures GPU performance. The M2 iPad Pro scored 32,834 – 52 percent better than the M1 model and a bit higher than the 27,083 we saw in the M2 MacBook Air’s test. Obviously, synthetic benchmarks like this aren’t the be-all and end-all way to judge performance, but it gives you an idea of what to expect. If you regularly push an M1 iPad Pro to its limits and use it in a setting where your time equals money, these improvements might justify upgrading, but unless your workflow is extremely demanding you can probably skip this generation. When you consider the fact that the iPad Pro’s basic design hasn’t changed since 2018, that’s another reason to hold off; it wouldn’t surprise me if Apple released an all-new Pro in the next year or so.
Stage manager
Finally, there’s the not-so-small addition of iPadOS 16, and more specifically Stage Manager. As a reminder, Stage Manager lets you have up to four apps open in one group at once, with overlapping, resizable windows. Four other groups (with up to four apps in each) show up on the left side of the screen, based on how recently you’ve used them. Only a select few iPads can run Stage Manager: The iPad Pro with either an M1 or M2, the M1-powered iPad Air that was released earlier this year, or the 2018 and 2020 iPad Pro models running on the A12X or A12Z chip. (Those older iPad Pro models won’t be able to use Stage Manager on an external display; that’s limited to M1 or M2 devices.)
Ever since Stage Manager arrived in beta versions of iPadOS 16 earlier this year, there’s been a lot of chatter among the iPad faithful about Apple’s execution. On one end of the spectrum you have someone like Federico Viticci over at Macstores.net — he’s well known for being a devout iPad Pro user and writes massive, detailed breakdowns of each iOS and iPadOS release. Viticci, to put it mildly, is not a fan of Stage Manager; he wrote around 10,000 words detailing its inconsistencies and bugs.
On the other hand, I have not run into nearly the same scale of difficulties as Viticci, but I recognize his overall point. There are probably too many different ways to do things in Stage Manager (like adding a new app to a group); window management is more restrictive compared to a Mac (or Windows, or ChromeOS); and the behavior of the Control Strip on the left side of the screen remains confusing. Stage Manager feels like a work in progress — but when it works, I have created app groupings that make me a lot more efficient and productive than I was using the standard two-app Split View multitasking mode with a third app in a small “Slide Over” window.
And while Stage Manager was (and still may be) buggy, I at least have run into a lot fewer problems here on the M2 iPad Pro with the final iPadOS 16.1 release. I’ve been working on this iPad for the entirety of my work day and think I’ve only had one app crash on me (Gmail, which isn’t exactly the best iPad app on its best days). There are some conceptual things about Stage Manager I’m still grappling with, like the best way to add or remove apps from a group, but I think the experience is worth spending a day or two with to see if you can find your flow.
Nathan Ingraham / Engadget
Wrap-up
There’s no question that the new iPad Pro is better than its predecessor. It’s the same price and comes with a more powerful chip as well as a few additional features. That said, I think it’s not as sure a bet as the last iPad Pro was when it came out in early 2021. That’s primarily because of the iPad Pro’s design, which has remained essentially unchanged for the last four years. That’s good news in some ways, because you could have bought an Apple Pencil in 2018 and a Magic Keyboard in 2020 and still use them with the M2 iPad Pro.
But at a certain point, probably not too long from now, Apple will advance the form factor yet again. Not that it necessarily needs to; the iPad Pro remains well designed and continues to be a standout performer, as it should be for the price. But that landscape-edge front camera on the 10th-generation iPad tells me that we’ll see an iPad Pro before long with a more substantial redesign and not just one with a faster chip inside.
Apple just released two new iPads. One of them, the basic 10th-generation iPad, was rebuilt from the ground up. The new iPad Pro, on the other hand, is a much simpler update. The company took last year’s model, swapped the M1 chip for the M2, made a few other small tweaks, and called it a day. The iPad Pro is still ludicrously fast, and it’s still extremely expensive, starting at $799 for the 11-inch model and $1,099 for the 12.9-inch.
I can’t really fault Apple for this approach, though. Even though the basic design of the iPad Pro was first introduced in 2018, it’s still a marvelously engineered piece of hardware. It features one of the best screens Apple has ever made, and it continues to surprise me that the company can pack so much power into such a compact frame.
While this year’s model closely resembles what Apple was already selling, it does arrive at a significant time for the iPad’s evolution. That is thanks to iPadOS 16, which launched last week. For most iPads, it’s the expected collection of useful improvements — but for the iPad Pro, it offers an entirely new multitasking system called Stage Manager. It’s a clear response to the question we tech reviewers (and many iPad Pro owners) have been asking for years: When will we get software that lets us take advantage of the iPad’s power?
Hardware
First, a quick refresher. The iPad Pro is still available in two sizes: 11 and 12.9 inches. Storage options range from a modest 128GB up to a truly outrageous 2TB, and you can configure it with an optional 5G radio for when there’s no WiFi. And for when you’re at home, it supports the WiFi 6E, whereas last year’s model was limited to WiFi 6. As usual, we reviewers get to play with a near top-of-the-line iPad: the 12.9-inch model with 1TB of storage and 5G service from Verizon. This iPad Pro costs a jaw-dropping $1,999, and that’s before you add on the $129 Apple Pencil and $349 Magic Keyboard. We’re well into MacBook Pro or Mac Studio territory at this point.
At least the iPad Pro still feels like a device worth that kind of money. (Whether it is is a different question.) The fit and finish remains exceptional, and while the 1.5-pound weight makes it a bit more of a burden to hold compared to smaller and lighter iPad models, I’m still impressed at Apple’s ability to cram such performance into a device that’s so compact. There are other well-designed tablets on the market, but I still don’t think anyone has caught up to the iPad Pro.
The 11-inch model still has to make do with the same Liquid Retina LCD display it’s had for a few years now, but the 12.9-inch version has the Liquid Retina XDR panel that was first introduced on the M1 iPad Pro in May of 2021. This screen uses mini-LED backlighting to offer 2,596 local dimming zones to offer a wide dynamic range and a 1,000,000:1 contrast ratio. It also has up to 1,000 nits of full-screen brightness and 1,600 nits peak brightness when playing back HDR content, which can really make movies pop.
Nathan Ingraham / Engadget
There’s nothing new about the screen this year, but it’s worth highlighting just how good it is. Both iPad Pro models also have the 120Hz ProMotion refresh rate; support for the P3 wide color gamut; a screen that’s fully laminated to the front glass; and an anti-reflective coating.
Just like last year, the iPad Pro has an ultrawide 12-megapixel front-facing camera that supports Face ID authentication. This wide-angle camera supports Center Stage, which crops and zooms around your face to keep you in the middle of the frame on a video call. That’s all well and good, but unfortunately the iPad Pro still has its front-facing camera on the portrait edge of the screen, which means you’re always going to be somewhat off-center and not looking directly at the screen if your iPad is in a keyboard dock. This has been true of all iPads for years already, but now that the basic model has gotten a landscape-oriented camera, we’re going to be waiting impatiently for Apple to implement that across its entire lineup.
The back cameras are also the same: There are 12-megapixel wide and 10-megapixel ultra wide options, along with a flash and LIDAR scanner. However, the M2 processor unlocks a new video trick, as the iPad Pro can now record video in Apple’s ProRes codec in 4K resolution at 30 frames per second, a feature first introduced in the iPhone 13 Pro. This is admittedly something of a niche feature, but it shows off the M2’s improvements over its predecessor.
Nathan Ingraham / Engadget
Accessories
From an accessories standpoint, the iPad Pro uses the same 2nd-generation Apple Pencil and Magic Keyboard that have been available since 2018 and 2020, respectively. The Magic Keyboard still provides the best typing experience you can find on an iPad, though the whole package is pretty heavy. It’s also crazy expensive, as I already mentioned. And now that the basic iPad’s new Magic Keyboard Folio offers a row of function keys and a slightly bigger trackpad, I’m really missing those features here. But if you make your living with words, as I do, it’s still an essential tool.
The Apple Pencil remains a tool that I’m not particularly great at evaluating, because I am sorely lacking in visual arts skills. I sure wish I could sit down and sketch and doodle and make the wonderful creations I’ve seen others do, but that’s not happening. If you’re a visual artist, chances are you already know how well the Pencil works, though.
The M2 on the new iPad Pro also enabled a new trick called Hover. If the Pencil is within 12mm of the screen, icons and interface elements can react to it. The most simple example is how app icons increase in size when you hover the Pencil over, showing you what you're about to tap on. This works system-wide, at least in Apple apps. Third-party developers will have to build Hover features into their apps, but it should be a nice new tool in the Pencil’s arsenal. One place I was able to demo it was in the Notes app; when using the new watercolor brush, you can hover the pencil over the screen to see how the color will react with other elements you’ve already drawn.
I found another cool Hover implementation in the excellent image-editing app Pixelmator Photo. Hovering and moving the Pencil across a strip of different filters at the bottom of the app automatically applies them as a preview. It’s wickedly fast and a fun way to see what your picture will look like. That said, it’s something you could already do with the trackpad and pointer; so far, a lot of Hover actions I’ve seen are straight up clones of what you can do when hovering over an interface element with the trackpad. I’m looking forward to seeing what developers come up with going forward, though.
M2
But let’s get into that M2 processor, shall we? Thanks to our review of the M2 MacBook Air earlier this summer, we had a good idea of what to expect here. And running Geekbench 5 tests confirmed it. The M2 iPad Pro scored 1,888 and 8,419 on single-core and multicore CPU tests, respectively. Those are 12 percent and 42 percent better than the same tests on the M1 iPad Pro, and similar to the 18 percent and 38 percent gains we saw when comparing the M2 MacBook Air to its M1-powered sibling.
I saw similar improvements in the Geekbench 5 Compute test, which measures GPU performance. The M2 iPad Pro scored 32,834 – 52 percent better than the M1 model and a bit higher than the 27,083 we saw in the M2 MacBook Air’s test. Obviously, synthetic benchmarks like this aren’t the be-all and end-all way to judge performance, but it gives you an idea of what to expect. If you regularly push an M1 iPad Pro to its limits and use it in a setting where your time equals money, these improvements might justify upgrading, but unless your workflow is extremely demanding you can probably skip this generation. When you consider the fact that the iPad Pro’s basic design hasn’t changed since 2018, that’s another reason to hold off; it wouldn’t surprise me if Apple released an all-new Pro in the next year or so.
Stage manager
Finally, there’s the not-so-small addition of iPadOS 16, and more specifically Stage Manager. As a reminder, Stage Manager lets you have up to four apps open in one group at once, with overlapping, resizable windows. Four other groups (with up to four apps in each) show up on the left side of the screen, based on how recently you’ve used them. Only a select few iPads can run Stage Manager: The iPad Pro with either an M1 or M2, the M1-powered iPad Air that was released earlier this year, or the 2018 and 2020 iPad Pro models running on the A12X or A12Z chip. (Those older iPad Pro models won’t be able to use Stage Manager on an external display; that’s limited to M1 or M2 devices.)
Ever since Stage Manager arrived in beta versions of iPadOS 16 earlier this year, there’s been a lot of chatter among the iPad faithful about Apple’s execution. On one end of the spectrum you have someone like Federico Viticci over at Macstores.net — he’s well known for being a devout iPad Pro user and writes massive, detailed breakdowns of each iOS and iPadOS release. Viticci, to put it mildly, is not a fan of Stage Manager; he wrote around 10,000 words detailing its inconsistencies and bugs.
On the other hand, I have not run into nearly the same scale of difficulties as Viticci, but I recognize his overall point. There are probably too many different ways to do things in Stage Manager (like adding a new app to a group); window management is more restrictive compared to a Mac (or Windows, or ChromeOS); and the behavior of the Control Strip on the left side of the screen remains confusing. Stage Manager feels like a work in progress — but when it works, I have created app groupings that make me a lot more efficient and productive than I was using the standard two-app Split View multitasking mode with a third app in a small “Slide Over” window.
And while Stage Manager was (and still may be) buggy, I at least have run into a lot fewer problems here on the M2 iPad Pro with the final iPadOS 16.1 release. I’ve been working on this iPad for the entirety of my work day and think I’ve only had one app crash on me (Gmail, which isn’t exactly the best iPad app on its best days). There are some conceptual things about Stage Manager I’m still grappling with, like the best way to add or remove apps from a group, but I think the experience is worth spending a day or two with to see if you can find your flow.
Nathan Ingraham / Engadget
Wrap-up
There’s no question that the new iPad Pro is better than its predecessor. It’s the same price and comes with a more powerful chip as well as a few additional features. That said, I think it’s not as sure a bet as the last iPad Pro was when it came out in early 2021. That’s primarily because of the iPad Pro’s design, which has remained essentially unchanged for the last four years. That’s good news in some ways, because you could have bought an Apple Pencil in 2018 and a Magic Keyboard in 2020 and still use them with the M2 iPad Pro.
But at a certain point, probably not too long from now, Apple will advance the form factor yet again. Not that it necessarily needs to; the iPad Pro remains well designed and continues to be a standout performer, as it should be for the price. But that landscape-edge front camera on the 10th-generation iPad tells me that we’ll see an iPad Pro before long with a more substantial redesign and not just one with a faster chip inside.
